Mass Deacidification Annotated Bibliography 1990-2010
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The Preservation Evolution a Review of Preservation Literature, 1999–2001
47(2) LRTS 59 The Preservation Evolution A Review of Preservation Literature, 1999–2001 JeanAnn Croft The literature representing 1999 to 2001 reveals that the preservation field is absorbed in an evolution. The literature demonstrates that trusted practices are changing to improve outcomes and further advance the preservation field. Simultaneously, in the wake of the digital revolution, preservation professionals dream about merging traditional and digital technologies in the hope that both long-term preservation and enhanced access will be achieved. This article attempts to relate the values of the discipline in order to inspire further research and persuade more work in formulating hypotheses to integrate preservation the- ory and practice. Finally, this overview of the literature will communicate the scope of the preservation problem, clarify misconceptions in the field, and docu- ment areas that warrant further investigation and refinement. he literature representing 1999 to 2001 reveals that the preservation field is Tcontinually absorbed in an evolution. This literature review examines the trends and customs of the preservation field as documented in the literature, and attempts to relate the values of the discipline in order to inspire further research and persuade more work in formulating hypotheses to integrate preservation theory and practice. Finally, this depiction of the literature will communicate the scope of the preservation problem, clarify misconceptions in the field, and document areas that warrant further investigation and refinement. Following up the preceding preservation literature reviews that have been pub- lished in this journal, this work provides a sampling of the preservation litera- ture and will not include book reviews, annual reports, preservation project announcements, technical leaflets, and strictly specialized conservation litera- ture. -
Cardboard and Brown Paper Bags Office Paper, Newspaper, Junk Mail, Magazines, and Catalogs
Recycling Center 801 Diamond Valley Drive Open: Daily to the public during daylight hours This guide will help you properly prepare your recyclable materials for drop-off at the Town of Windsor Recycle Center. This is a drop-off facility. It does not have a buy-back option and is for use by residents and small businesses. Following this information will help maintain the facility and the recycling program for the benefit of the community. IMPORTANT… • Do not leave your recyclables in plastic bags. Plastic bags are NOT recyclable! • The plastic item must be a BOTTLE or JAR. with a #1 or #2 on the bottom. • 99 percent of these will have a screw-on plastic lid (which isn’t recyclable). • Plastic containers with a #3 - #7 on the bottom are NOT acceptable. • Tubs, buckets, deli plates, microwave/fast food trays, wrappers, Styrofoam, toys, patio furniture, etc. are NOT acceptable. • Plastic bottles larger than 2.5 gallons are NOT acceptable. • Syringes and other medical supplies are NOT acceptable. Cardboard and Brown Paper Bags Corrugated cardboard is easy to recognize. It is made of paper and has an arched layer called “fluting” between smooth sheets called “liners”. The drop-off site has two 40-yard hydraulic compactor units for collecting corrugated cardboard and brown paper bags. The compaction system is self-activated by depositing the prepared materials into a six-inch tall slot. Flatten boxes. Cut or tear large boxes into sections no larger than 4 feet by 4 feet to prevent jamming the machine. No wet, waxed-coated or food-contaminated boxes. -
History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 Daily Museum Support Center Smithsonian Center for Materials Research and Education
2001 RELACT Series The History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 daily Museum Support Center Smithsonian Center for Materials Research and Education Instructors: Birgit Reibland, Han Neevel, Julie Biggs, Margaret Cowan Additional Lecturers: Jacque Olin, Elissa O'Loughlin, Rachel-Ray Cleveland, Linda Stiber Morenus, Heather Wanser, Abigail Quandt, Christine Smith, Maria Beydenski, Season Tse, Elmer Eusman, Scott Homolka This 3-day course (offered twice in one week for 2 separate groups of participants) focuses on one of the most corrosive media problems found on documents and works of art on paper. The 2-day workshop and 1 interim day of lectures cover the production of inks from historic recipes; historic drawing and writing techniques; identification, examination and classification of deterioration; and the execution of treatment options, including the use of calcium phytate solution. The interim day of lectures will feature local and international conservators' research into the history and treatment of works with iron gall ink. The course represents the first time iron gall ink has been the primary focus of an international gathering in the United States. Registration deadline for the full course is July 1 or until the course is filled with qualified applicants; for the interim day of lectures only, participants have until August 29 to register. Limit for Interim Day of Lectures: 30 Lunch and handouts provided Cost: $ 75.00 Registration deadline August 29 The 3-day course is fully enrolled. Places still remain for the Interim Day of Lectures. Please contact Mary Studt, [email protected] or 301-238-3700 x149 for further information and application materials. -
Preserving Your Memories Enjoy Your Favourite Photos Every Day with These Three Crafty Framing Projects
Handmade Preserving your memories Enjoy your favourite photos every day with these three crafty framing projects. Words and styling Sarah Heeringa. Photography Amanda Reelick Photographs top left, centre and bottom middle by Sarah Heeringa Opposite page: Project #1: Hanging photo wall A simple and cost-effective photo display, ideal for when you cannot make multiple holes in the walls. This page, bottom left: Attach your hanging photo wall strings using a large, flat surface. Clockwise from middle right: Project #3: Photo gallery Use accent colours on selected frames; use paper templates when hanging photos; seal frames using picture framing tape. Top left, middle and main image: Project #2: Upcycle an old frame Dissasemble old frames to paint and re-assemble. 74 75 Handmade PROJECT #1 PROJECT #2 PROJECT #3 Hanging Upcycling Composing a photo wall an old frame photo gallery You need: You need: You need: · up to 20 square photographs (all 10cm x · a photograph · a second-hand picture frame · coordinated photo frames · dark thread 10cm) · white card, medium thickness, cut that includes an outer frame, firm backing · Blu-Tack · spirit level · roll of newsprint, into squares (8cm x 8cm) · white string · board and a mat or mounting board · glazier brown paper or newspaper · hammer and spray adhesive or glue stick · scissors and points or tiny nails · masking tape · wide nails · picture hanging hooks or adhesive ruler · A branch or length of bamboo brown picture framing tape · small pliers hanging strips · step-ladder or stool (paint white if you wish) · 1 metre of nylon line · hammer · nylon line · D-ring or small screws · small stones (optional) · Blu-Tack · small paintbrush · dropcloth · Resene Step 1: Pick photos Summer is great for Enamacryl enamel for the frame (I used taking photos, but how many of our images Step 1: Prepare and print images Resene Breathless) and Resene SpaceCote from this season or years past lie dormant on Adjust the photographs before printing to Flat for the mat (I used Resene Black White). -
JAIC , Volume 39, Number 3, Article 1 (Pp
Paper Splitting: History and Modern Technology The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Brückle, Irene and Jana Dambrogio. "Paper Splitting: History and Modern Technology." Journal of the American Institute for Conservation, 39.3 (2000). As Published http://cool.conservation-us.org/jaic/articles/ jaic39-03-001_indx.html Version Final published version Citable link http://hdl.handle.net/1721.1/120743 Terms of Use Article is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use. JAIC , Volume 39, Number 3, Article 1 (pp. to ) 28/10/2013 22:52 JAIC , Volume 39, Number 3, Article 1 (pp. to ) PAPER SPLITTING: HISTORY AND MODERN TECHNOLOGY IRENE BRÜCKLE, & JANA DAMBROGIO ABSTRACT—ABSTRACT—In the 19th century, restorers used paper splitting to separate recto and verso of double-sided prints or drawings. Today, the treatment is employed for strengthening weakened paper. Two German conservation centers are chiefly responsible for the development of the process to its current level of sophistication: over the course of more than 30 years, Günter Müller at the Thuringian University and State Library at Jena perfected manual paper splitting; over the same time period, Wolfgang Wächter, now at the Zentrum für Bucherhaltung in Leipzig, developed the paper- splitting machine. We outline the history of paper splitting and describe the contemporary processes from firsthand observations and interviews with the conservators at Jena and Leipzig. Technical evaluations of contemporary paper splitting are summarized, and some observations on objects that were split for the authors are documented (a 19th-century newspaper page, a 17th-century document written in iron gall ink, 17th-century book leaves). -
Articles of Paper Pulp, of Paper Or of Paperboard
Chapter 48 Paper and paperboard; articles of paper pulp, of paper or of paperboard Notes. 1.- For the purposes of this Chapter, except where the context otherwise requires, a reference to “paper” includes references to paperboard (irrespective of thickness or weight per m²). 2.- This Chapter does not cover : (a) Articles of Chapter 30; (b) Stamping foils of heading 32.12; (c) Perfumed papers or papers impregnated or coated with cosmetics (Chapter 33); (d) Paper or cellulose wadding impregnated, coated or covered with soap or detergent (heading 34.01), or with polishes, creams or similar preparations (heading 34.05); (e) Sensitised paper or paperboard of headings 37.01 to 37.04; (f) Paper impregnated with diagnostic or laboratory reagents (heading 38.22); (g) Paper-reinforced stratified sheeting of plastics, or one layer of paper or paperboard coated or covered with a layer of plastics, the latter constituting more than half the total thickness, or articles of such materials, other than wall coverings of heading 48.14 (Chapter 39); (h) Articles of heading 42.02 (for example, travel goods); (ij) Articles of Chapter 46 (manufactures of plaiting material); (k) Paper yarn or textile articles of paper yarn (Section XI); (l) Articles of Chapter 64 or Chapter 65; (m) Abrasive paper or paperboard (heading 68.05) or paper- or paperboard-backed mica (heading 68.14) (paper and paperboard coated with mica powder are, however, to be classified in this Chapter); (n) Metal foil backed with paper or paperboard (generally Section XIV or XV); (o) Articles of heading 92.09; (p) Articles of Chapter 95 (for example, toys, games, sports requisites); or (q) Articles of Chapter 96 (for example, buttons, sanitary towels (pads) and tampons, napkins (diapers) and napkin liners for babies). -
THE REVISION of EU ECOLABEL CRITERIA for Converted Paper Products
THE REVISION OF EU ECOLABEL CRITERIA for Converted Paper Products Draft Preliminary Report Malgorzata Kowalska, Antonios Konstantas, Oliver Wolf Marzia Traverso, Rose Nangah Mankaa, Sabrina Neugebauer November 2018 EUR xxxxx xx 1 This publication is a Science for Policy report by the Joint Research Centre, the European Commission’s in-house science service. It aims to provide evidence-based scientific support to the European policy-making process. The scientific output expressed does not imply a policy position of the European Commission. Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might be made of this publication. Contact information Name: Address: E-mail: Tel.: JRC Science Hub https://ec.europa.eu/jrc JRCxxxxx EUR xxxxx xx PDF ISBN xxx-xx-xx-xxxxx-x ISSN xxxx-xxxx doi:xx.xxxx/xxxxxx XX-NA-xxxxx-EN-N Print ISBN xxx-xx-xx-xxxxx-x ISSN xxxx-xxxx doi:xx.xxxxx/xxxxxx XX-NA-xxxxx-EN-C © European Union, 20xx Reproduction is authorised provided the source is acknowledged. How to cite: Authors; title; EUR; doi All images © European Union 20xx, except: 2 Table of contents ABSTRACT ............................................................................................................ 3 Executive summary ............................................................................................... 3 1. Introduction ...................................................................................................... 4 2. Task 1: Scope and definition analysis .................................................................. -
Mass Deacidification of Library and Archive Materials
Columbia University Libraries Mass Deacidification of Library and Archive Materials Final Report to the Andrew W. Mellon Foundation September 2009 Principal Investigator: James G. Neal Vice President for Information Services and University Librarian Columbia University 535 West 114th Street New York, New York 10027 212.854.2247 Grant Period: May 1, 2008-July 31, 2009 Reporting Period: May 1, 2008-July 31, 2009 Mass Deacidification of Library and Archive Materials Final Report to the Andrew W. Mellon Foundation Columbia University Libraries received an award of $27,500 in April 2008 from the Andrew W. Mellon Foundation to support a survey and report of the need for the deacidification of newly acquired print volumes in major research libraries. The study group included members from CUR, NYU, Yale, and the Mellon Foundation. In March 2009, the Mellon Foundation approved a no-cost extension through July 31, 2009 to host the originally scheduled March planning meeting in April and to allow additional time for the university's account department to process and pay all expenses charged to the grant. The result is the attached report, Mass Deacidifcation: The Needfor a National Program. The principal investigator, Jim Neal, and Columbia's Offce of the Controller worked together to complete the Financial Report, which was signed and submitted directly from the Office of the Controller. As indicated in the Financial Report, this grant was underspent by $6,647 (including interest income of $198), primarily due to significant savings in travel costs. A check in the amount of $6,647 wil be refunded to the Mellon Foundation. -
Matting and Framing
Matting and Framing Ford Conservation Center 2017 Basics of Matting and Framing Matting and framing is used to display, store, and safeguard works of art of pa- per, archives, and family documents. Proper matting and framing can help to protect these items from deterioration due to changing relative humidity, light exposure, handling, and other sources of damage. The following information is intended to explain the basics of mat- ting, framing, and hanging art or other paper-based items. Consult a conserva- tor for specific questions. See a framer you trust for help with your matting and framing needs. Inside this issue: M a t t i n g Matting 1 Matting, matboard, or mat (all used window mat held together with a Hinging 2 interchangeably) is flat, paper- strip of linen tape. The object is at- based material used to separate art tached to the back mat with hinges Adhesives 2 from a frame. Matboard is used to made of special Japanese tissue securely house works on paper. paper. Hinging is preferred over Framing 3 Matboard comes in various sizes, commercial tapes because it allows colors, weights and types of materi- for easy removal of the object with Hanging 4 al. minimal use of adhesive. The win- dow mat construction allows the A mat for an object is a series of Consulting a Conser- 5 object to be seen while protecting vator pieces constructed to protect the it from handling while the back Additional Resources 5 object. It includes a back mat and mat provides structural support for Matting and Framing the object. -
Sizes and Specifications
Sizes and Specifications Newsprint display sizes & specs ................................2 Newsprint reproduction tips ......................................3 Book of Lists sizes & specs ........................................5 How to submit print ads .............................................6 Online and email advertising ......................................7 Questions? Contact [email protected] Newsprint display advertising sizes Pacific Business News is an untrimmed, cold-set, tabloid newspaper on newsprint that measures approximately 10.5 inches wide x 14 inches tall. 1/2 Vertical 4.5 x 12.5 2 Page Spread Full Island 3/8 Horizontal 3/8 Vertical 19.75 x 12.5 9.25 x 12.5 6.875 x 12.5 6.875 x 6.125 4.5 x 9.325 1/2 Horizontal 9.25 x 6.125 L or Reverse L Triangle Triangle Centerpiece Towers: 2.125 x 11.85 Middle Right 1/4 Vertical 1/4 Strip U-Shape Bottom Strip: 9.25 x 0.85 9.25 x 6.125 6.875 x 8.5 2.125 x 12.5 9.25 x 2.9375 Towers: 2.125 x 11.85 Bottom Strip: 19.75 x 0.85 1/8 Horizontal 1/8 Vertical Centerpiece Towers 4.5 x 2.9375 2.125 x 6.125 2.125 x 11.85 Centerstrip 1/4 Square 1/8 Strip 19.75 x 2.9375 4.5 x 6.125 9.25 x 1.35 PAGE 2 OF 7 PACIFIC BUSINESS NEWS » 2017 SIZES AND SPECIFICATIONS Requirements for newsprint display ads Specifications for submitting your documents for print Camera-ready files • Ads must be submitted as PDF/X-1a files • Files must be prepared in a layout program such as InDesign. -
MUSEUM ARCHIVIST Is Issued Twice a Year by the Museum Archives Section of the Society of American Archivists
MMuusseeuumm AArrcchhiivviisstt Newsletter of the Museum Archives Section Society of American Archivists Volume 16, Issue 1 February 2002 FROM THE CHAIR Dear Section Members: The Museum Archives Section has had a dynamic year, and the following report submitted to SAA Director Susan Fox will show you the length and breadth of our activities. -------------------------- ANNUAL REPORT 2001 Museum Archives Manual At our annual meeting in DC in August (64 members attended), the Archives Manual Committee reported that the second edition should be in press some time next year. A general call for forms and other examples for the Manual's Resource Guide was held. Chapter authors also met in DC for an editorial consultation. Editorial duties have now passed to Deborah Wythe at the Brooklyn Museum of Art. Many thanks to Ann Marie Przybyla for her hard work on the volume. Ann Marie will continue work as a contributor. Laurie Baty of the Publications Committee reported that the section had been given a publication deadline extension to March 2002. (Continued on page 3) Inside This Issue: • SECTION BUSINESS Pages 1-12 • NEWS, NOTES, & ANNOUNCEMENTS Pages 13-15 • EDUCATIONAL OPPORTUNITIES Pages 16-19 • CAREER OPPORTUNITIES Pages 20-26 MUSEUM ARCHIVIST is issued twice a year by the Museum Archives Section of the Society of American Archivists. News items, letters to the editor, and comments from the archives community are welcome. An online version of this newsletter is also available (see page 4 for details). Deadlines for submissions are the 1st of June and the 1st of December. Please send all submissions to the newsletter editor, Sammie Morris, at [email protected]. -
CONNECTING to COLLECTIONS PENNSYLVANIA a Five-Year Preservation Plan for Pennsylvania PROJECT OVERVIEW
CONNECTING TO COLLECTIONS PENNSYLVANIA a five-year preservation plan for Pennsylvania PROJECT OVERVIEW Imagining Our Future: Preserving Pennsylvania’s Collections, published in August 2009, includes an in-depth analysis of conditions and needs at Pennsylvania’s collecting institutions, a detailed preservation plan to improve collections care throughout the state, and a five-year implementation timetable (2010-2015). The analysis concludes that many of Pennsylvania’s most important historic holdings must be considered at risk. Millions of items comprise these collections, and the financial resources available to care for them are limited and shrinking. Pennsylvania is a state vibrant with world-class art museums, libraries, historic sites. Arts and culture play a substantial role in creating business, jobs, and bringing revenue into the state and stewardship of its artifacts is too important —to the state, to the people, to the history of country—to be ignored. This call to action is a rallying cry for all future generations of Pennsylvanians. With generous support from the Institute of Museum and Library Services, and in close partnership with three leading preservation organizations, the Pennsylvania Historical and Museum Commission (PHMC), the Pennsylvania Federation of Museums and Historical Organizations (PFMHO), and LYRASIS, the Conservation Center for Arts & Historic Artifacts organized and led the assessment and planning process. The project was capably guided by a Task Force with representatives from the Office of (PA) Commonwealth Libraries, the Western Pennsylvania Museum Council, the Pennsylvania Caucus of the Mid- Atlantic Regional Archives Conference, Pennsylvania State University, the Philadelphia Area Consortium of Special Collections Libraries, the University of Pittsburgh, and Carnegie Mellon University.