Ravi Shankar Accepts Regents' Professor Appointment at UCSD
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2000, Vol.3 No. 1
Newsletter of Bal Sabha of Columbia, MO January 2000 Republic Day Issue Volume 3, Issue 1 who train canopied oxen to dance, perform in the streets. Another attraction in this state is Bommala koluvu, where many clay EDITOR’S NOTE and wooden figurine along with other dolls are arranged artistically. Friends and Welcome to the very first Bal Sandesh Middle School. neighbors are invited to see them. issue of the new millennium. This issue is The editorial staff has been discussing The third day is Kanuma. In Tamil Nadu as usual, a colorful mixture of great minds innovative ways to encourage youngsters this day is called Mattu Pongal. The at work. It includes articles about Indian to cultivate their creative skills and are in agrarian community that thankfully Architecture, Goddess Saraswati, the process of developing contest(s). acknowledges the participation of animals Sankranti festival, and many puzzling Winning entries from these competitions like bulls in ploughing the fields celebrates riddles, amongst other fascinating articles. may be featured in the next issue of Bal it. Bull fights and cockfights are a common We have invited two articles from adult Sandesh. These competitions may feature sight in villages. This day is dedicated to supporters that we felt would be of interest essay writing and/or art work. Guidelines the worship and respect of cattle. The to our readership. This issue includes and competition details will be announced horns of the cattle are decorated with articles on Women in Science and shortly at a future Bal Sabha meeting (and kumkum and turmeric. Pongal is offered to Engineering by Prof. -
Pather Panchali
February 19, 2002 (V:5) Conversations about great films with Diane Christian and Bruce Jackson SATYAJIT RAY (2 May 1921,Calcutta, West Bengal, India—23 April 1992, Calcutta) is one of the half-dozen universally P ATHER P ANCHALI acknowledged masters of world cinema. Perhaps the best starting place for information on him is the excellent UC Santa Cruz (1955, 115 min., 122 within web site, the “Satjiyat Ray Film and Study Collection” http://arts.ucsc.edu/rayFASC/. It's got lists of books by and about Ray, a Bengal) filmography, and much more, including an excellent biographical essay by Dilip Bausu ( Also Known As: The Lament of the http://arts.ucsc.edu/rayFASC/detail.html) from which the following notes are drawn: Path\The Saga of the Road\Song of the Road. Language: Bengali Ray was born in 1921 to a distinguished family of artists, litterateurs, musicians, scientists and physicians. His grand-father Upendrakishore was an innovator, a writer of children's story books, popular to this day, an illustrator and a musician. His Directed by Satyajit Ray father, Sukumar, trained as a printing technologist in England, was also Bengal's most beloved nonsense-rhyme writer, Written by Bibhutibhushan illustrator and cartoonist. He died young when Satyajit was two and a half years old. Bandyopadhyay (also novel) and ...As a youngster, Ray developed two very significant interests. The first was music, especially Western Classical music. Satyajit Ray He listened, hummed and whistled. He then learned to read music, began to collect albums, and started to attend concerts Original music by Ravi Shankar whenever he could. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
International Research Journal of Management Sociology & Humanities
International Research Journal of Management Sociology & Humanities ISSN 2277 – 9809 (online) ISSN 2348 - 9359 (Print) An Internationally Indexed Peer Reviewed & Refereed Journal Shri Param Hans Education & Research Foundation Trust www.IRJMSH.com www.SPHERT.org Published by iSaRa Solutions IRJMSH Vol 6 Issue 8 [Year 2015] ISSN 2277 – 9809 (0nline) 2348–9359 (Print) Shakespeare’s Romeo & Juliet : A boon to B- Town “So long as men can breath or eyes can see, So long lives this, and this gives life to thee” (Shakespeare’s sonnet no. 18) Subhrasleta Banerjee Department of English Balurghat Mahila Mahavidyalaya The name is William Shakespeare who can easily prophesied about the power of his golden pen through which his beloved might not need children to preserve his youthful beauty and can defy time and last forever. It is surprisingly related today. The main theme of Shakespeare’s work is ‘LOVE’- ‘the blind fool’. He indirectly acknowledges there may be obstacles in true love and urges to marry with true ‘mind’ rather than merely two people. This love is a bold subject matter that has always lacked rules and always attracts controversy - specially within the strict norms of Asian Culture. These various challenges and obstacles make multistory-love-complex silently. Cinema woos audiences by offering this emotion. Modern Indian Cineme is already an indestructible massive field of art work which has been successfully taken the extract of the Shakespearean drama to serve the common. The literary works of Shakespeare reinvigorate uncountable people of the world. The unique excellence of Bard’s ‘violent delights’ and ‘violent ends’; excessive passion and love full of zeal; jealousy and romance; greed for empowerment and assassination; laughter and satire; aesthetic sensibility and of course the plot construction both in comedy and tragedy- are all time favourite to Bollywood screen. -
Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social. -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. -
Immigration and Globalization at the Turn of the 21St Century
Image from US Library of Congress. 1 Student Group #4 Photo by NASA. Images removed due to copyright restrictions. Please see: Sign reading "No Illegals -> No Burritos (You Better Think Twice America)“; Irish immigrant family, 1929; Kal Penn speaking at the University of Maryland, 2008; Graph of Asian immigration to America, 1820-2000 2 Images removed due to copyright restrictions. Please see: Cover, Live Your Best Life. Birmingham, AL: Oxmoor House, 2005. First national broadcast of the Oprah Winfrey Show, 1986. 3 4 Cartoon removed due to copyright restrictions. 5 6 http://www.migrationinformation.org/usfocus 7 http://www.migrationinformation.org/usfocus Movie posters removed due to copyright restrictions. Please see: Dhoom 2: Back In Action, 2006; Don, 2006; Taare Zameen Par, 2007; Life in a Metro, 2007; Race, 2008. 8 Success of “Slumdog Millionaire” in Hollywood Movie was made for the American audience Accurately captures the poverty, the pace, and luck in life in Mumbai Image removed due to copyright restrictions. Please see Slumdog Millionaire, 2008. Elements of Bollywood films: 1. Beat in the music 2. Vibrant colors 3. Bollywood item song ‘Jai Ho,’ (fusion of PCD and Indian composer A. R. Rahman) 9 Photos of Irfan Khan, Anil Kapoor, and A. R. Rahman removed due to copyright restrictions. 10 ……&& HHoollllyywwoooodd Jessica Alba in this still from “The Love Guru” wearing a traditional Indian dress and dancing a Bollywood- type item song shows Photos of Jessica Alba and Aishwarya Rai removed due to copyright restrictions. the influence of Bollywood elements. Aishwarya Rai in “Pink Panther 2” shows the influence of Bollywood Actors in Hollywood Movies 11 The poet-prophet of alternative medicine Published over 50 books translated into 35 different languages US President Bill Clinton said, "My country has Photo of Deepak Chopra removed due to copyright restrictions. -
A Peck on the Cheek (Kannathil Muthamittal)
A Peck on the Cheek (Kannathil Muthamittal) Directed by Mani Ratnam India, 2002 * 136 minutes * In Tamil and Sinhala with English subtitles WON - In Spirit for Freedom Award – Jerusalem FF WON – 6 Silver Lotus Awards (Best Child Artist, Best Audiography, Best Editing, Best Music Direction, Best Regional Film [Tamil], Best Lyrics) – National Film Awards, India WON – Audience Award (Best Film) – Los Angeles Indian FF Official Selection. – Toronto Int’l FF, Palm Springs Int’l FF, Cleveland Int’l FF, Philadelphia Int’l FF, San Francisco Int’l FF Distributor Contact: Meghan Wurtz Film Movement Series 109 W. 27th St., Suite 9B, New York, NY 10001 Tel: 212-941-7744 ext. 201 Fax: 212-941-7812 [email protected] Film Synopsis: A little girl's search for her biological mother who had abandoned her as a newborn baby is brought out poignantly in 'Kannathil Muthamittal'. With films like 'Mouna Ragam', 'Alaipayuthe' and now 'Kannathil Muthamittal', Maniratnam yet again proves that he is at his best when tackling human emotions and relationships. Amudha, adopted by Thiru and Indira and growing up with the couple’s two sons, is blissfully unaware of her parentage, until the couple decides to inform her of it on her ninth birthday. At first shocked into disbelief, Amudha then expresses her determination to seek out for her biological mother. The search takes the family to strife- torn Sri Lanka, where Amudha comes face-to-face with reality, and reconciles herself to it. Credits: Cast: Mani Ratnam… writer/director/producer R. Madhavan… Thiruchelvan G. Srinivasan… producer Simran (alias) Rishi Novel… Indira Ravi K. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2012 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2012 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles: Cardboard Player Vasant Desai, Bollywood Mine, Ravi Shankar 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining anytime during the year, pay the full membership fee and get a digital copy of ‘The Record News’ published in that year. Life members are entitled to receive all the back issues on two data DVD’s. -
Legend Playlist Copy
Songlist visit www.saregama.com/carvaanmini to download the entire songlist 01. Chura Liya Hai Tumne Jo Dil Ko 08. O Haseena Zulfonwale Jane Jahan 15. Aaiye Meharban 22. Pyar Diwana Hota Hai 29. Khoya Khoya Chand Khula Aasman 36. Mere Sapnon Ki Rani 43. Tere Bina Jiya Jaye Na 50. Roop Tera Mastana Film: Yaadon Ki Baaraat Film: Teesri Manzil Film: Howrah Bridge Film: Kati Patang Film: Kala Bazar Film: Aradhana Film: Ghar Film: Aradhana Artistes: Mohammed Rafi & Asha Bhosle Artistes: Mohammed Rafi & Asha Bhosle Artiste: Asha Bhosle Artiste: Kishore Kumar Artiste: Mohammed Rafi Artiste: Kishore Kumar Artiste: Lata Mangeshkar Artiste: Kishore Kumar Lyricist: Majrooh Sultanpuri Lyricist: Majrooh Sultanpuri Lyricist: Qamar Jalalabadi Lyricist: Anand Bakshi Lyricist: Shailendra Lyricist: Anand Bakshi Lyricist: Gulzar Lyricist: Anand Bakshi Music Director: R.D. Burman Music Director: R.D. Burman Music Director: O.P. Nayyar Music Director: R.D. Burman Music Director: S.D. Burman Music Director: S.D. Burman Music Director: R.D. Burman Music Director: S.D. Burman 02. O Mere Dil Ke Chain 09. Bheegi Bheegi Raaton Mein 16. Chand Mera Dil Chandni Ho Tum 23. Are Jane Kaise Kab Kahan Iqrar 30. Aap Ki Ankhon Mein Kuch 37. Aate Jate Khoobsurat Awara 44. Chingari Koi Bhadke 51. Hum Dono Do Premi Film: Mere Jeevan Saathi Film: Ajanabee Film: Hum Kisise Kum Naheen Film: Shakti Film: Ghar Film: Anurodh Film: Amar Prem Film: Ajanabee Artiste: Kishore Kumar Artistes: Kishore Kumar & Lata Mangeshkar Artiste: Mohammed Rafi Artistes: Kishore Kumar & Lata Mangeshkar Artistes: Kishore Kumar & Lata Mangeshkar Artiste: Kishore Kumar Artiste: Kishore Kumar Artistes: Kishore Kumar & Lata Mangeshkar Lyricist: Majrooh Sultanpuri Lyricist: Anand Bakshi Lyricist: Majrooh Sultanpuri Lyricist: Anand Bakshi Lyricist: Gulzar Lyricist: Anand Bakshi Lyricist: Anand Bakshi Lyricist: Anand Bakshi Music Director: R.D. -
Volume VII (B)
Volume VII (b) Annexure ERD I: Publications for NAAC - JMI - SSR Table of Contents Faculty of Fine Arts Department of Painting .............................................................................................................................................................................. 1 Department of Applied Art ......................................................................................................................................................................... 5 Department of Art Education ..................................................................................................................................................................... 9 Department of Sculpture .......................................................................................................................................................................... 13 Department of Art History & Art Appreciation ........................................................................................................................................ 15 Faculty of Humanities and Languages Department of English .............................................................................................................................................................................. 17 Department of Hindi ................................................................................................................................................................................ 21 Department of History and Culture ......................................................................................................................................................... -
Natya Shodh Sansthan a N a R C H I V E O F I N D I a N T H E a T R E
E X P E R I E N C E A N D E N G A G E W I T H A M U S E U M Natya Shodh Sansthan A N A R C H I V E O F I N D I A N T H E A T R E Photo: www.natyashodh.org/index.htm Natya Shodh Sansthan, Kolkata is India's largest repository of archival material and documentation covering the entire history of Indian theatre in all its different languages, with special emphasis on folk and traditional forms and post- independence Indian theatre It is a repository of books, journals, audio and video recordings, photographs, models of Mask of Narsimha, Orissa, Photo: Photo: www.natyashodh.org/index. outstanding sets, costumes, manuscripts and htm rare materials. All related to theatre. PAGE 01 N a t y a S h o d h S a n s t h a n | E xperience & Engage with a Museum PAGE 02 P A G E 0 2 Natya Shodh Sansthan began its journey in July, 1981 as a theatre archive from 11, Pretoria Street, Kolkata, as a unit of Upchar Trust. The modest holding of a few journals, leaflets and diaries grew and the Sansthan built up its collection of priceless materials. Seminars, discussions and talks were regularly organized to record various aspects of histrionics on a pan-Indian level. With the new building established in 2019 (left hand side images), the Museum found its present address at EE 8, Sector 2, Salt Lake (Bidhan Nagar), Kolkata.