YOWERI MUSEVENI: SHAME Please Send Submissions to [email protected] of UGANDA the FALLEN GIANT 19 (Opinion) 50 a TRIBUTE to an ICON

Total Page:16

File Type:pdf, Size:1020Kb

YOWERI MUSEVENI: SHAME Please Send Submissions to Achoices@A-Choicesmazine.Com of UGANDA the FALLEN GIANT 19 (Opinion) 50 a TRIBUTE to an ICON A-CHOICIssue Number .6, FEBRUARY 2021 ES The African Lifestyle Magazine AN EXCLUSIVE INTERVIEW WITH -OKAWA SHAZNAY ....A NOLLYWOOD ACTRESS www.a-choicesmagazine.com Contents ABOUT US A-CHOICES -The African Lifestyle Magazine Cover Page LEE RIGBY MURDERER 01 FIGHTING FOR LIFE WITH COVID-19 27 The most valuable -CHOICES magazine is an online African lifestyle magazine for ordinary‑ed‑ About us -Interview with Art Dealer 03 Angelina Liakova Valentine’s 30 A ucated reader in English. It is not entirely about entertainment but covers gift other broad topics including business and economy(market) arts & culture fashions, UK to support rest of the Meet the team world to find COVID-19 virus personality stories, sports, etc. It is a channel through which we celebrate African 04 variants 38 achievers at home and in the diaspora. A‑CHOICES hopes to entertain, empower and inspire Africans around the world. HOW TO PREVENT Meet the team YOURSELF FROM CATCHING 05 COLD 40 Write for Us We’re accepting submissions from writers, thinkers, makers, scholars, and readers of EXCLUSIVE INTERVIEW FAREWELL MY DEAR WITH NOLLYWOOD ANGELA MERKEL online publishing and editorial work. We re currently accepting submissions for our ACTRESS -OKAWA 06 42 next Issues . We accept submissions on a rolling basis, and generally don’t close sub- WHAT HAPPENS TO A WHAT DONALD TRUMP’S missions until halfway through a given issue, so there are no set closing dates. LEGACY WILL BE FAMILY BUSINESS IN We do not accept work that has been previously published o blogged. 17 DIVORCE? 45 YOWERI MUSEVENI: SHAME Please send submissions to [email protected] OF UGANDA THE FALLEN GIANT 19 (opinion) 50 A TRIBUTE TO AN ICON AFRICAN MEN AND ADOPTION 54 22 COPYRIGHT NOTICE: All contents of the Service are :Copyright © 2020 Tai Media Limited 2 Rillington Gardens, Emerson Valley, Milton Keynes MK4 2EB Buckinghamshire ADIEU NOLLYWOIOD A TRIBUTE TO A MEDIA ACTOR, ERNEST ASUZU All rights reserved. 24 GIANT-LARRY KING 59 MEET THE TEAM EDITOR’S LETTER Gbenga TJ Okunlola Abiola Okunlola-Anjorin Dr. Justina Mutale Editor-in-Chief Assistant Editor Fashion /Beauty Editor [email protected] [email protected] [email protected] London,UK Lagos,Nigeria London,UK Dire Sonia Yobo Bilbao Bureau Chief Seyi Awoleye [email protected] Akosua Darko Managing Editor Spain Senior Writer [email protected] [email protected] Los Angeles,CA London, UK Emmanuel Anya elcome to the February edition in which, not surprisingly, we look at all things Valentine’s.I must admit, I’m not usually Contributing Editor Toyin Olamigoke Abiodun Emmanuel Adeleye a big fan of the annual love fest – to me, it has, for many years, seemed little more than an opportunity for those who [email protected] W Fashion Editor Senior Photo Journalist Lagos,Nigeria [email protected] [email protected] sell us all manner of things associated with affection to tug at both our heart strings and our purse strings. Ah, February. The Lagos,Nigeria London,UK smell of chocolate (and bitterness) is in the air as millions prepare for the most romantic day of the year. When people envision Valentine’s Day, they usually picture couples spending quality time together, trading gifts, eating sweets–and, being intimate.I imagine I’m not the only one who grew up equating the phrase “being intimate” to “sexual Albena A. Jones intercourse.” Ibukun Babatunde Asssociate Editor Dr. Funmi Beckley [email protected] Senior advert manager For a long time, I’ve felt the pressure from others around me to engage in some form of sexual intimacy. I internalized this Special Project Co-ordinator Sofia,Bulgaria. /Project Co-ordinator [email protected] [email protected] pressure, so I started to engage with people casually. While it was fun, it wasn’t really fulfilling. After exploring that world I found Abeokuta,Nigeria Lagos,Nigeria that it was more rewarding for me to talk to my friends on the phone for hours. Despite all of the pressure, I realized that my relationship with intimacy was a perfectly normal one. There’s nothing wrong with it! My favorite definition of intimacy is the seventh option on Dictionary.com:The quality of being comfortable, warm, or familiar.This broad definition helps to emphasize Akintunde Oluwafemi Samuel Graphics Designer that intimacy can mean many different things for different people. Intimacy can exist with or without sex, and all forms of Bunmi Johnson [email protected] James Osondu intimacy are valid. This February, don’t be afraid to explore what intimacy means to you. New York Bureau Chief Lagos,Nigeria. Sofia Bureau Chief [email protected] [email protected] Elsewhere in this edition, you’ll find our main cover girl the beautiful and talented Nollywood actor Okawa Shaznay who USA Bulgaria took time out of her very tight schedule to grant this exclusive interview. Her attitude of mind over matter is really rather inspiring. I hope you enjoy this month’s edition and I’d love to hear from you about anything you think we should be covering. Get in touch on our social media pages. Thank you. Nneoma Ugenyi Milena Nikolova Bureau Chief Contributing Editor Calgary, AB, Canada /Media Consultant Editor in-Chief [email protected] [email protected] USA Sofia,Bulgaria Gbenga Teejay Okunlola Interview EXCLUSIVE INTERVIEW WITH NOLLYWOOD ACTRESS -OKAWA SHAZNAY By: Gbenga Teejay Okunlola. London. UK kawa Shaznay is a Nollywood actress,model and a television personality from Cameroon and the first from her Ocountry to successfully break into Nollywood with her role in the blockbuster movie Iyore; starring alongside Rita Dominic and Joseph Benjamin. She has enjoyed an impressive career. She is very beautiful,talented and naturally gifted in acting. She holds a Bachelor’s degree in Accounting from Texas Southern University in Houston,Texas,USA.In this exclusive interview with A‑ CHOICES,the versatile actress speaks about the new direction of her career,the industry,childhood,her relationship and lots more... A-CHOICES: Hi Okawa!Thank you so much for It has always been a childhood dream and I’m inspired speaking with me today,To start things off, can you by so many talented actors across the globe. It’s really tell me about your background and your growing up hard sometimes to name a specific person, I’m just so years? fascinated by the art and the craft. All about acting, OS: Basically, I am from Cameroon. I am from the I just love it so much, it has always been a childhood English speaking region of Cameroon. I grew up there, dream of mine. did my primary and secondary school education in A-CHOICES: Modelling and acting together can be Cameroon and then I did my university studies in both physically and mentally demanding. How do Texas at Texas Southern university where I studied you go about handling both roles considering that accounting and there as well in Houston, I always took you have a daily life to manage as well? part in different African stage play productions and OS: First of all, I no longer model as a profession. I used things like that so that’s how I kind of dabbled into the to do commercial print modelling back in Houston, whole branching off into doing Nollywood films and years ago when I was in school. That’s when I used to things of that nature but then I had always loved doing dabble into a lot of commercial print work in Houston movies at a very young age. So, yeah, that is my subtle while I was at the university. Right now, I don’t really do background. a lot of modelling, I’m solely an actor professionally and A-CHOICES: How did you get into acting? Was it a that’s my main role and yes, I can do some modelling childhood dream; were you inspired by someone or on the side if need be but right now, I’m really an actor something? and an actor only but then, being an actor is actually physically and mentally draining. It requires a lot, OS: Hmm... Growing up in Cameroon, I had always you become somebody else each time and we spend enjoyed watching movies. I loved, I was just fascinated so many hours on set, working with our heads and about films and you know, back then growing up, we running lines and all of that stuff, its also very physically used to watch a lot of Indian movies, Western movies, draining. You might say yes, I’m doing acting alone but Chinese movies, and things like that. Then, all of a trust me, it’s not easy, we’re always busy, we’re always sudden one day, I came across my very first Nigerian filming, we’re always switching up from one character home video and because of my love for movies, I was to another so its very demanding and can be quite really stunned by the fact that I could see people who draining but then its the job, that’s how it is. How I looked like me, whose culture kind of resembled mine go about handling it, I just try as much as possible to and I could just see myself in them and automatically, give myself sometime in between characters. I try not because I loved watching movies so much, I thought to to jump from one script to another, right up the bat myself: Hey! I can possibly be able to do this if I can see (immediately). I try as much as possible to give myself people who actually do look like me doing this thing some breathing space if and when I can.
Recommended publications
  • Potato Potahto Mp4 Download [123Movies] Watch! Potato Potahto [2017] Full Movie Online Free Online
    potato potahto mp4 download [123Movies] Watch! Potato Potahto [2017] Full Movie Online Free Online. Watch potato potahto online vimeo on demand on vimeo a divorced couple who decide to share equal space in their exmatrimonial home soon realize that the ingenious idea is easier said than done bent on flexing their egos and scoring points the two implore various hilarious tactics that soon inflames emotions and turns an already complicated situation into a roller coaster ride Potato potahto 2017 imdb potato potahto 2017 potato potahto 1h 55min comedy 15 december 2019 netherlands a divorced couple who decide to share equal space in their exmatrimonial home soon realize that the ingenious idea is easier said than done. Is potato potahto 2017 movie streaming on netflix potato potahto a divorced couple decides to continue sharing a home but their alreadydelicate cohabiting scheme unravels when they begin dating other people alternate genre comedies dramas romantic comedies romantic dramas romantic movies streaming in not streaming in your country then watch it using these vpns Watch potato potahto 2017 lapakfilm nonton streaming nonton potato potahto 2017 a divorced couple who decide to share equal space in their exmatrimonial home soon realize that the ingenious idea is easier said than done bent on flexing their egos and scoring points the two implore various hilarious tactics that soon inflames emotions and turns an already complicated situation into a roller coaster ride Download movie potato potahto nollywood movie naijachoice potato potahto nollywood movie a divorced couple who decide to share equal space in their exmatrimonial home soon realize that the ingenious idea is easier said than done bent on flexing their egos and scoring points the two implore various hilarious tactics that soon inflames emotions and turns an already complicated situation into a roller coaster ride.
    [Show full text]
  • Original Paper Nollywood: Indigenous Culture, Interculturality, and The
    Communication, Society and Media ISSN 2576-5388 (Print) ISSN 2576-5396 (Online) Vol. 3, No. 1, 2020 www.scholink.org/ojs/index.php/csm Original Paper Nollywood: Indigenous Culture, Interculturality, and the Transplantation of American Popular Culture onto Postcolonial Nigerian Film and Screen Samba DIOP1* 1 Researcher, Center for Multilingualism in Society across the Lifespan, Faculty of Humanities, University of Oslo, Oslo, Norway * Samba DIOP, Researcher, Center for Multilingualism in Society across the Lifespan, Faculty of Humanities, University of Oslo, Oslo, Norway Received: October 30, 2019 Accepted: November 12, 2019 Online Published: December 12, 2019 doi:10.22158/csm.v3n1p12 URL: http://dx.doi.org/10.22158/csm.v3n1p12 Abstract Nigeria, the Giant of Africa, has three big tribes: Yoruba, Igbo, and Hausa. It was a British colony which was amalgamated in 1914. The country became independent in 1962 and was right away bedeviled by military coups d’états and a bloody civil war (1967-1970). In 1999, the country experienced democratic dispensation. In the 1990s, the Nollywood nascent movie industry—following in the footpath of Hollywood and Bollywood—flourished. The movie industry grew thanks to four factors: Rapid urbanization; the hand-held video camera; the advent of satellite TV; and, the overseas migrations of Nigerians. Local languages are used in these films; however, English is the most prominent, along with Nigerian pidgin broken English. Many themes are treated in these films: tradition and customs, religion, witchcraft and sorcery, satire, urban and rural lives, wealth acquisition, consumerism, etc. I discuss the ways in which American popular culture is adopted in Nigeria and recreated on screen.
    [Show full text]
  • Agenda Setting Theory and the Influence of Celebrity Endorsement on Brand Attitude of Middle Class Consumers in Lagos, Nigeria
    AGENDA SETTING THEORY AND THE INFLUENCE OF CELEBRITY ENDORSEMENT ON BRAND ATTITUDE OF MIDDLE CLASS CONSUMERS IN LAGOS, NIGERIA BY AKASHORO GANIYU OLALEKAN MATRIC. NO: 959009055 B. Sc. (Mass Comm., UNILAG), M. Sc. (Mass Comm., UNILAG) Department of Mass Communication, School of Postgraduate Studies, University of Lagos, Lagos, Nigeria May, 2013 1 AGENDA SETTING THEORY AND THE INFLUENCE OF CELEBRITY ENDORSEMENT ON BRAND ATTITUDE OF MIDDLE CLASS CONSUMERS IN LAGOS, NIGERA BY AKASHORO GANIYU OLALEKAN MATRIC. NO: 959009055 B. Sc. (Mass Comm., UNILAG), M. Sc. (Mass Comm., UNILAG) Department of Mass Communication, University of Lagos, Lagos, Nigeria THESIS SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES, UNIVERSITY OF LAGOS, IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE AWARD OF DOCTOR OF PHILOSOPHY (Ph.D) IN MASS COMMUNICATION MAY, 2013 2 DECLARATION I declare that this Ph.D thesis was written by me. I also declare that this thesis is the result of painstaking efforts. It is original and it is not copied. ………………………………………………………………. Ganiyu Olalekan Akashoro (Mr) Department of Mass Communication Faculty of Social Sciences, University of Lagos, Lagos State, Nigeria. [email protected] [email protected] Date:………………………………… 3 CERTIFICATION This Ph. D thesis has been examined and found acceptable in meeting the requirements of the postgraduate School of the University of Lagos, Akoka, Lagos State, Nigeria. …………………………………… Dr. Abayomi C. Daramola Supervisor ………………………………………….. Dr. Abigail O. Ogwezzy-Ndisika Supervisor …………………………………. Dr Victor Ayedun-Aluma Departmental PG Coordinator …………………………………… …………………… Dr. Abayomi C. Daramola Date. Acting Head of Department 4 DEDICATION This work is dedicated first and foremost to Allah, most gracious, most merciful (God Almighty), the only source of true knowledge, understanding, as well as the bestower of true and authentic wisdom.
    [Show full text]
  • Celebrity Endorsement of Political Aspirants and Its Effects on College Students in Lagos
    This is the version of the article accepted for publication in Journal of African Media Studies published by Intellect doi: 10.1386/jams.9.3.487_1 Accepted version downloaded from SOAS Research Online: http://eprints.soas.ac.uk/32045 Celebrity endorsement of political aspirants and its effects on college students in Lagos Añulika Agina and Akpevwe Ekwevugbe Pan-Atlantic University, Lagos Abstract This article examines two main research questions: what factors justify celebrity endorsement as an election campaign strategy given the increasing doubts associated with celebrity involvement in politics? Did celebrity endorsement of political aspirants influence young adults‟ voting behaviour during the 2015 elections in Lagos? Using mixed method approaches, and supported by source credibility and celebrity endorsement debates, a survey was conducted with a sample of 375 students of the Yaba College of Technology. Three semi-structured interviews with members of successful campaign teams were also conducted. Our findings revealed that campaign managers have huge confidence in the celebrity endorsement strategy for several reasons and would employ the approach in future. Further, the young people interrogated revealed that two-thirds of them are fans of Nollywood stars and music icons. But they were not influenced to vote on the basis of the celebrities‟ say-so. These findings are somewhat consistent with extant literature, but suggest the need for further studies regarding how celebrities translate fandom to votes. Keywords: celebrity endorsement, celebrity, politics, voting behaviour, election campaigns, Nigeria Introduction Media celebrities are highly regarded in their societies; and this enables them function as effective promoters of persons, issues, products, and causes since they are perceived as believable, trustworthy, likeable and persuasive (Austin et al, 2008) agents.
    [Show full text]
  • Joseph Chimbuto- the Representation of Women in Nollywood Films
    DOCTORAL THESIS The representation of women in Nollywood films an investigation of its impact on audiences in Malawi Chimbuto, Joseph George Salijeni Award date: 2016 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 THE REPRESENTATION OF WOMEN IN NOLLYWOOD FILMS: AN INVESTIGATION OF ITS IMPACT ON AUDIENCES IN MALAWI by Joseph George Salijeni Chimbuto [BA, MA] A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Media, Culture and Languages University of Roehampton 2015 ABSTRACT Since its emergence two decades ago, the Nollywood film industry is fast becoming social, cultural and economic phenomenon among Malawian audiences. Every year, Nollywood actors visit Malawi and some Malawi print media have columns dedicated to Nollywood. According to unofficial statistics carried out by this study, nine out of every ten film enthusiasts in Malawi’s rural areas are Nollywood fanatics, and at least seven out of ten people in the urban areas frequently watch Nollywood films.
    [Show full text]
  • From Rituals to Films: a Case Study of the Visual Rhetoric of Igbo Culture in Nollywood Films
    FROM RITUALS TO FILMS: A CASE STUDY OF THE VISUAL RHETORIC OF IGBO CULTURE IN NOLLYWOOD FILMS By Innocent Ebere Uwah, B. Phil, B.Th, P.GD, M.A. A Thesis submitted to Dublin City University, Ireland, for the award of PhD in the Faculty of Humanities Supervisor: Dr Pat Brereton June, 2009 1 DECLARATION I hereby declare that this material, which I now submit for assessment on the programme of study leading to the award of the PhD is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ID No: 56113161 I.E.Uwah Date: 30th Sept, 2009. 2 ABBREVIATIONS NFVCB – National Film and Video Censors Board FESPACO – Festival Pan Africaine Du Cinema (Festival of Pan African Cinemas) FESPACI – Federation Pan Africaine Des Cineaste (Federation of African Film Makers) CFU – Colonial Film Units FU – Film Unit NFC – Nigerian Film Corporation NFDC – National Film Distribution Company IMF – International Monetary Fund WB -- World Bank SAP -- Structural Adjustment Programme DNA – Deoxyribonucleic acid COMACCO – Compagine Africaine Cinematographique Industrielle et Commerciele SECMA – Societe D’Exploitation Cinematographique Africaine AMPEC – American Motion Picture Export Company AFRAM – Afro-American Film Inc NYSC – National Youth Service Orientation 3 NTA – Nigeria Television Authority VCR – Video Cassette Recorder VHS – Video Home System VCD – Video Compact Disc DVD – Digital Versatile Disc/Digital Video Disc AU – African Union NCC -- Nigeria
    [Show full text]
  • Omenka-Film-Issue.Pdf
    VOLUME 2 ISSUE 3 ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 NIGERIAN THEATRE, TV & FILM: PAST, PRESENT & FUTURE NIGERIAN FILM AS AN ART DISTRIBUTION IN NOLLYWOOD THE ETISALAT PRIZE FOR LITERATURE: REPRESENTING THE DIVERSITY OF AFRICAN VOICES TAIWO AJAI-LYCETT, SADIQ DABA, WALE OJO, TUNDE KELANI, KUNLE AFOLAYAN KUNLE IDOWU, MICHAEL ‘TRUTH’ OGUNLADE, LALA AKINDOJU, O.C. UKEJE OBIJIE ORU, STANLEE OHIKHUARE, MIKE-STEVE ADELEYE THE FILM ISSUE OMENKA MAGAZINE VOLUME 2 ISSUE 3 2 OMENKA MAGAZINE OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 CONTENTS ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 VOLUME 2 ISSUE 3 DEPARTMENTS ANTENNAE NEWS, EVENTS 10 Sink Hits at the Local Box Office 10 Annecy International Animated Film Festival to Show Three South African Films 11 Perivi John Katjavivi: Confronting The Mostly ‘Unseen’ in Post- Colonial Namibia 11 The Book of Negroes Sweeps Canadian Screen Awards 12 Free State Wins at Luxor African Film Festival Award 12 The 12th New African Film Festival FEATURES 14 A Concise History of Nigerian Theatre, TV & Film, and the Future of Drama 16 Nigerian Film as an Art 18 The Academia and the Media, Partners in Promoting Nollywood 20 Africa Rising on the International Scene 28 Charting New Territory with Animation 30 Ebele Okoye Weber on Animation in Nigeria 32 In Conversation with Richard Oboh 44 5 OMENKA MAGAZINE VOLUME 2 ISSUE 3 CONTENTS FOCUS PLAYING THE BOSS PROFILES, INTERVIEWS THE PRODUCERS AND DIRECTORS Icons of the Screen 128 Using Documentary to Impact 44 A Legend of the Reel Africa Positively 52 Sadiq Daba is Like Fine Wine 132 Thriving in a Male-Dominated Industry 58 Quintessential Wale Ojo 134 The Real Deal! The Unfolding Generation 138 Raising the Bar 64 A Fine Gentleman..
    [Show full text]
  • Personality Merchandising in Nigeria: Prospects and Challenges
    Journal of Law, Policy and Globalization www.iiste.org ISSN 2224-3240 (Paper) ISSN 2224-3259 (Online) Vol.55, 2016 Personality Merchandising in Nigeria: Prospects and Challenges Dorcas A. Odunaike LL.B, LL.M, B.L, M.Phil, Ph.D Senior Lecturer, Department of Private and Commercial Law, Babcock University, Ilishan Remo, Ogun State, Nigeria Abstract Personality merchandising is an emerging area of advertisement in Nigeria with legal connotations. The endorsement of a product or service by a well known personality has superior commercial advantage which has been offered legal protection internationally and in developed countries. The aim of this paper is to examine the legal protection of personality merchandising in Nigeria especially as it relates to personality right and to identify the challenges posed by endorsement of a product by a celebrity with the view of proffering recommendations that will enhance publicity values attached to celebrity personae. Keywords: merchandising, celebrity, publicity, privacy, personality. 1. Introduction Until recently Funke Akindele a.k.a Jenifa 1 endorse products and services simply as Funke Akindele. With the making of Jenifa film she assumes the character and name of Jenifa when endorsing products/services. Although it’s the person known as Funke Akindele that assumes the role of Jenifa, they are not one and the same personality. Jenifa is a character distinct from Funke Akindele as an actress. To permit every actress to assume the character of Jenifa at will without the permission of the creator of that character is to allow others to reap where they did not sow 2, this is personality right in action.
    [Show full text]
  • Stereotype Representation of Women in Nigerian Films Andrew Ali Ibbi, [email protected]
    Stereotype Representation of Women in Nigerian Films Andrew Ali Ibbi, [email protected] Volume 6.2 (2017) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2017.166 | http://cinej.pitt.edu Abstract The stereotype representation of women in Nollywood films has attracted criticisms from the society with feminists clamoring for a review of the way women are projected. This study looks at the various issues associated with stereotype representation as a concept in film. The Feminist Media Theory was used as supporting theory for the paper. Part of the recommendations for the paper is the need for research to be properly conducted on the society before screenplays are written, to avoid misleading the public. Keywords: Representation, Gender, Stereotype, Femme Fatale, Sexploitation, Nollywood. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. Stereotype Representation of Women in Nigerian Films Andrew Ali Ibbi Introduction The issue of gender has been one that has attracted so many commentaries in the media. For time now, rights groups and feminists have decried the level of negative representation of women in the mass media. McDougall (2012: 52) defines representation as the sum of various micro parts, stating that it relates to the broader theories of collective identity, cultivation and ideology. Buckingham (2003: 57) explained that the notion of representation is one of the founding principles of media education.
    [Show full text]
  • Women in the International Film Industry Policy, Practice and Power
    Women in the International Film Industry Policy, Practice and Power Edited by Susan Liddy Women in the International Film Industry “Being the Director of a program whose goal is to bring more female voices and female-focused stories into mainstream media, this book is sorely needed. My students are always bemoaning how little women are mentioned in the major texts of screenwriting history that they have used in their coursework and they long for books like this that represent the world they will enter and give them the support to make the changes necessary for all artists to succeed at telling a range of stories.” —Rosanne Welch, Executive Director, Stephens College MFA in TV and Screenwriting “This is an important collection that helps us to think about and navigate the film industry and its ongoing inequalities. It has international scope, showcasing a range of places, policies and perspectives. And most crucially, it centres the voices and stories of women, both on- and off-screen.” —Bridget Conor, Senior Lecturer in Culture, Media and Creative Industries, King’s College London “This project couldn’t be more timely. Liddy’s collection of essays on women in film is geographically all-encompassing, with contributions from across Europe as well as Australia, New Zealand, Nigeria and the United States. Taken together, they reveal how much we hold in common when it comes to addressing gender inequalities. Key questions emerge around the effectiveness of quotas, access to finance, career sustainability, and the power of role models. Most importantly, the writing style is uniformly accessible; arguments are backed up with data, and the message is clear—we can make it happen and we must.” —Ruth Barton, Head of School of Creative Arts, Trinity College Dublin “Women in the International Film Industry: Policy, Practice and Power makes an important contribution to our understanding of the scope and scale of gender inequality in the global film industry in the twenty-first century.
    [Show full text]
  • 9 Most Anticipated Nollywood Films of 2015
    Nolly Silver Screen ISSUE 11 DECEMBER 2014/JANUARY 2015 9 most anticipated Nollywood films of 2015 3 Nolly Silver Screen CONTENTS ISSUE DEC 2014/JAN 2015 FEATURES 8 Power plays: 10 Nollywood stars who have joined politics 14 Top 10 best Nollywood films of 2014 15 Top 10 worst Nollywood films of 2014 19 2014 in review: How Nollywood fared 29 Nollywood’s top 5 political films 30 Joke Silva: A successful career built on sweat, tears and professionalism 31 9 most anticipated Nollywood films of 2015 INTERVIEWS 18 Filmmaker Interview: Michael Adeyemi 20 Interview: Adaobi Obiegbosi-Akanihe 20 22 Q & A with Adesua Etomi 23 Up close and personal with Ozzy Agu 26 Talent on the rise: Diana Yekini 27 Interview: Nollywood Movie Spoof Competition team REGULARS 4 Editor’s Note 5 Readers’ Corner 6 Contributors’ Bios 10 Vox Pop 12 18 11 Celebrations 12 On Set 17 News 17 Story-Bored 21 Photo News 23 Nolly Pop Quiz 24 Reviews 28 Red Carpet 32 Festival News 34 Listings 35 Events 37 Award News 28 4 Our New Year resolution Editor’s Note “is quite simple – to keep bringing you quality and entertaining film journalism with an emphasis on Nollywood and Africa’s film industry. And our wish list in 2015 – bigger and better films from the continent that tell our own stories in a creative way. Well done with your website and magazine as well. I read copy with Amaka Igwe on it sometime back. It’s nice to know that someone is document- ing the Nollywood industry.
    [Show full text]
  • By Toyosi Jegede
    Rumour has It that it LINDA started with Tinsel. EJIOFOR By James Ogunjimi It has been twelve full years since Linda Ejiofor first graced our TV screens as Bimpe on MNET’s Tinsel. Yes, you read it right! It has also been twelve years of letting go of her dreams of working in advertising, and we can say that numerous films, TV roles and several award nominations later, Linda Ihuoma Ejiofor is one of Nollywood’s biggest faces, doing her thing quietly but efficiently and wowing fans with the poise and composure she brings to the screen in an industry given to drama and theatrics. Linda Ejiofor kickstarted her acting career with M-NET’s “Tinsel” where she played the role of Bimpe Adekoya before getting her feature film debut in 2012 with The Audrey Silva Company’s “The Meeting” where she starred alongside Rita Dominic and Nse Ikpe Etim, a role that earned her a Best Actress in a Supporting Role at the 9th Africa Movie Academy Awards (AMAA). In the twelve years since she first went on screen, she has been in “Secret Room”, “Out of Luck”, “Heaven’s Hell”, “Suru L’ere”, “A Soldier’s Story”, “Ojukokoro”, “Dowry”, “Rumour Has It” and acted alongside the likes of OC Ukeje, Tope Te d e la , Jide Kosoko, Wole Ojo, Bimbo Akintola, Nse Ikpe Etim, Damilola Adegbite, Beverly Naya, Kemi Lala Akindoju, Adesua Etomi, Zainab Balogun, and others. It’s been twelve years of a magical career and when you consider her organic growth in the industry, it is easy to feel excited about what more the actress still has to offer and how great that can be for the Nigerian movie industry and movie lovers at large.
    [Show full text]