Widening Cultural Horizons Through the Performing *Children
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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
Cash Box , Music Page 59 November 21, 1959
3 21 6 ——/ — — — 8 —— —B— — — — —— — The Cash Box , Music Page 59 November 21, 1959 MONAURAL Beethoven: Symphony No. 3 In E Flat Brahms: Symphony No. 3—Hamburg State Mozart: Symphonies, I Major (Erioca) Vol. — Philhar- CLASSICAL —The Royal Danish Philharmonic Orch., Joseph Keilberth monic Symphony Orch. of London, cond. Orchestra cond. by George Hurst TC 8009 F-70017 by Erich Leinsdorf—XWN 18861 Beethoven: Symphony No. 8 Hamburg Mozart: Beethoven: — Symphonies, Vol. II — Philhar- COLUMBIA: Symphony No. 6 (Pastorale) State Philharmonic Orch., Joseph Keil- monic Symphony Orch. of London, cond The Royal Danish Orchestra cond. by "Beethoven":— Concerto In D Major For berth/Schubert: Symphony No. 8 (Un- by Erich Leinsdorf George Hurst— F-7001 —XWN 18862 Violin And finished) The Orchestra, Op. 61 Isaac — Bamberg Symphony Stravinsky: Canticum Sacrum ad Hon- Stern, Violin, Orch., Joseph New York Philharmonic, Keilberth—TC 8010 orem Sancti Marci Nominis/Variations Leonard Rimsky-Korsakov : Bernstein, Conductor — ML HARMONY: Scheherazade — Sym- on The Choracle "Vom Himmel Hoch/ 5415 phony Orch. of the Belgian National Symphonies For Wind Instruments/ "Tchaikovsky": Swan Lake— Ballet Suite, Radio, Franz — Andre TC 8011 Giovanni Gaprilei: Canzoni From The Op. 20a/Sleeping Beauty Ballet Suite, "French Overtures"—Symphony Orch. of "Symphoniae Sacrae": Canzone III, DECCA: Op. 66a—Rome Opera Orchestra, Wal- the Belgian National Radio — Franz An- Canzone V—Orchestras cond. by Ru- ter Goehr, Conductor HL 7219 dre—TC 8016 Tartini: Violin Sonata In G Minor — dolf Albert and Robert Craft, Elizabeth ("Devil's Trill")/Violin Sonata in G Waltzes Of Johann Strauss"—The Bam- Brasseur Chorale—XWN 18903 Minor ("Didone Abbandonata")/Vi- MERCURY: berg Symphony Orch., Joseph Keilberth Webern: Symphony, Op. -
Boston Symphony Orchestra Concert Programs, Season 81, 1961-1962
Baltimore Symphony Presents Music Director Lyric Theatre Thursday, January 25, 1962 a beautiful chapeau custom made from your own materials Bring us material matching your favorite costume ... or some bits of fur that match your coat and let our expert copyists recreate the silhouette of your selection from new, inspiring fashions in our millinery salon. Perhaps you have an old hat that's so becoming you can't part with it, bring it in along with the material . we'll copy it for you with sheer artistry. H-K Millinery Salon, Second Floor, Downtown THE BALTIMORE SYMPHONY ORCHESTRA ASSOCIATION, INC. Officers and Executive Committee Mr. John D. Wright, President Mr. William Boucher, III, Vice President Mr. Carroll S. Jackson, Secretary Mrs. Henry A. Rosenberg, Vice President Mr. W. Cameron Slack, Treasurer Mr. Carlyle Barton, Jr., Counsel Dr. C. Bernard Brack Mr. James M. Easter Mr. S. Raymond Machen Advisory Committee Mr. J, Theodore Wolfe, Chairman Mr. Jerold C. Hoffberger Mr. Charles S. Garland Mr. Robert H. Levi Mr. James M. Hepbron Mr. John E. Motz Mr. Robert B. Hobbs Board of Directors Mr. Robert Alexander Mr. James Easter Mr. Lester Levy Mrs. Angela Bambace Mr. Francis Stuart Filbey Mr. S. Raymond Machen Dr. Edgar F. Berman Mr. L. McLane Fisher Mr. J. Jefferson Miller Mr. Jacob Blaustein Honorable Louis Goldstein Mrs. Stanley Mossman Mr. William Boucher, III Mr. Edwin K. Gontrum Mr. Berthold Muecke, Jr. Dr. C. Bernard Brack Mr. Louis J. Grasmick Mrs. Henry A. Rosenberg Mr. Glenn C. Bramble Mr. Herman L. Gruehn Mr. Albert Sklar Mr. Thomas S. -
The Oxford Dictionary of New Words: a Popular Guide to Words in the News
The Oxford Dictionary of New Words: A popular guide to words in the news PREFACE Preface This is the first dictionary entirely devoted to new words and meanings to have been published by the Oxford University Press. It follows in the tradition of the Supplement to the Oxford English Dictionary in attempting to record the history of some recent additions to the language, but, unlike the Supplement, it is necessarily very selective in the words, phrases, and meanings whose stories it sets out to tell and it stands as an independent work, unrelated (except in the resources it draws upon) to the Oxford English Dictionary. The aim of the Oxford Dictionary of New Words is to provide an informative and readable guide to about two thousand high-profile words and phrases which have been in the news during the past decade; rather than simply defining these words (as dictionaries of new words have tended to do in the past), it also explains their derivation and the events which brought them to prominence, illustrated by examples of their use in journalism and fiction. In order to do this, it draws on the published and unpublished resources of the Oxford English Dictionary, the research that is routinely carried out in preparing new entries for that work, and the word-files and databases of the Oxford Dictionary Department. What is a new word? This, of course, is a question which can never be answered satisfactorily, any more than one can answer the question "How long is a piece of string?" It is a commonplace to point out that the language is a constantly changing resource, growing in some areas and shrinking in others from day to day. -
D Avid B Ernard C Onductor
D A V I D B ERNARD C ONDUCTOR 875 FIFTH AVENUE, NEW YORK, NEW YORK 10065 PHONE: (212) 794-6402 FAX: (877) 219-1434 [email protected] David Bernard, Conductor Page 2 TABLE OF CONTENTS BIOGRAPHY ............................................................................................................................................... 3 CRITICAL ACCLAIM ................................................................................................................................ 4 TESTIMONIALS ......................................................................................................................................... 6 CURRICULUM VITAE .............................................................................................................................. 9 CONCERT PROGRAMS ...........................................................................................................................16 REFERENCES ............................................................................................................................................11 875 Fifth Avenue, 8D ● New York, New York 10065 ● (212) 794-6402 ● [email protected] David Bernard, Conductor Page 3 BIOGRAPHY First Prize Winner of The American Prize in Orchestral Performance, 2011, David Bernard‘s conducting is described by critics as bringing ―clarity and a sense of spontaneity― to ―polished, stellar and riveting performances.‖ Bernard has performed in more than twenty countries on four continents. His performances have been featured -
High-Fidelity-1959-A
by1I.:C. Robbins Landon;, www.americanradiohistory.com 8 the 9 seconds THE 9 SECONDS THAT ADD HOURS TO YOUR LISTENING PLEASURE listening it takes to put the Glaser- Steers GS -77 Every GS -77 feature contributes towards your 9 seconds - that's all rumble and flutter; uniform stylus through one complete change -cycle. 9 seconds - and see what pleasure - inaudible wow, first to top record on a stack ; resonance -free happens in that brief space of time. pressure from arm with minimum tracking error; four leads to cartridge A record completes its play ... the turntable pauses ... the for hum -free performance. next record drops, gently - more gently than if you were The GS -77 combines traditional turntable quality with mod- handling it yourself ... the tone arm lowers into the lead -in today. turntable resume its motion. ern record changer convenience. See it at your dealer, groove. Only then does the a fresh, new point -of -view on of your records is preserved In just 9 seconds, you'll gain Thus, the original brilliance record changers. $59.50 less base and cartridge. Write to: through hundreds of additional playings by eliminating the that occurs when records are dropped on a GLASER- STEERS CORPORATION, 155 Oraton St., Newark 4, N. J. grinding action N. Y. moving disc -a common drawback in conventional changers. In Canada: Alex I. Clark Ltd.. Toronto. Ont. Export: M. Simms & Sun. Inc.. C. EVER FOR MONOPHONIC RECORDS GLASER- STEERS GS -77 SUPERB FOR STEREO...BETTER THAN www.americanradiohistory.com THE COLUMBIA CP RECORD CLUB now enables ANYyou to acquire a STEREO RECORD SIX LIBRARY at a saving of 40% FOR ONLY 9 8 5 RETAIL VALUE STE R EÓ RECORDS UP TO $35.88 if you join the Club now - and agree to purchase as few as 5 selections from the more than 100 to be made available during the coming 12 months I JOHNNY MATHIS MARCHE SLAV Ella Fitzgerald DORIS DAY GRAND CANYON FLOwERDRUM SINGS I CAPRICCIO ITALIEN SURE SONG, RODGERS NIGHT ON AND ORIGINAL ,a:(9¿tER HART BROADWAY .,.- s7!1. -
American Square Dance Vol. 39, No. 8
AMERICAN Single Copy $1.00 SQUARE DRNCE AUGUST 1984 PROFESSIONAL PROFILE—DON HANHURST THE Myttott P-400 "Boss" has a NEW BOSS! Jim Harris drops by to check out MilTech's new installation. The P-400 is the Finest Professional Sound System Available If price were no object, the P-400 would still be the best performing and most reliable system on the market. "THE BOSS" is the best choice at any price. MILTECH, INC., 51 High Street, Milford, CT 06460 1-800-227-1139 In Conn. 1-877-2871 VISA' AMERICAN E SQURRE ORNCE AUGUST 1984 VOLUME 39, No. 8 THE NATIONAL MAGAZINE WITH THE SWINGING LINES 01.11114/10110.011VINOWARNIUIWIMINIPil PAIPAIUMIIMUllUIPAPARIIII* A:D FEATURES FOR ALL SQUARE DANCE SCENE 4 Co-editorial 25 Callerlab 5 By-Line 27 I'm Alabamy Bound! 7 Meanderings 29 LEGACY 9 Professional Profile 31 URDC Report 11 The Lerts & The Wares 48 Challenge Chatter 11 Who Has the Duty? 60 International News 13 The Caller's Ancestor 75 Date-Line 15 Helpful Hints for Cueing Rounds 17 Picks and Chews ROUNDS 19 Who Is Your Partner? 54 Cue Tips 21 Hem-Line 55 Facing the L.O.D. 23 Encore 69 Flip Side/Rounds 33 Line-Light 78 RID Pulse Poll 35 Product Line 37 Dandy Idea 41 Best Club Trick FOR CALLERS 42 Dancing Tips 43 Calling Tips 47 Baltimore Was Better 44 Easy Level Page 57 Plumb Line 50 Creative Choreography 60 People in the News 56 Steal A Little Peek 65 Rhyme Time 66 Flip Side/Squares 71 Top 0' the Line 79 SID Pulse Poll 89 Book Nook 80 Underlining the Note Services 90 Finish Line 92 Laugh Line OUR READERS SPEAK 6 Grand Zip 28 Straight Talk MIMI IN led Oft IN MI lit lit IAI lit led lift VII lift Vd Ifd ini WA Ift Ifd VA WI Ifd Workshop Editors Publishers and Editors Ed Fraidenburg Bob Howell Howie Shirley Stan & Cathie Burdick Feature Writers Harold & Lill Bausch Dave & Lonnie Fleck Member of NASRDS Mary Jenkins Russ & Nancy Nichols National Association of S&R/D Suppliers Gene & Thelma Trimmer Bev Warner AMERICAN SQUAREDANCE Magazine Editorial Assistants (ISSN 00913383) is published by Burdick Mona Bird Mary Jane Connerth Enterprises. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Hifi/Stereo Review December 1962
THE TRUTH ABOUT RECORD CLUBS sea patee 28 TAPE CARTRIDGE MACHINES 4 CZIFFRA'SPEAKS HIS MIND NEW WAYS TO ENJOY STEREO 11REVIEW August 1959 3 51 1 1 ..... .... ....... ...... Ç;L...,., .: NMI _~__ 'Á o `-! d L+ .,,+ ¡ r 1 , .,-,. trt'r ,» " -' :' } . ,,,I -.. - .` 4: }r - í' 5,. ! r+ S 1,+t : h IL. ¡1 +? : : ¡ . _. Y: ".'..' 1 _. % '' d' , . d 2'"."-......----.....,............,_,4. ; a-- , . , . `I. : . rt ` ' = -j.,}t 1:'- III 7f^ l,l, - ' ` ' . I/w , :t. t !` + ++r:l. 9. / ,. e, .. .. 1... r+r:: : r `+,.1 !t' i i : t 1 '' Ñ0 . ' , ' .\'v 'Yi ,L. , ' I, fl+ a:: . ti ! V : 1 c. !. ¡ t .. 1' ía r tt ,.. .,1. ti A N V 3 I 1. R `.'¡ ' 3Ati OP:V,IHJIfi bfZz jl . _ SVMOHt 3 I7 0CIú59Ri'la REGULAR LONG PLAY STEREO The COLUMBIA LP RECORD CLUB 'offers new members superb high-fidelity records from every, field of music FOR $398 ONLY eelail value REGULAR up to $29.80 FOR ONLY 598 1 STEREO value A s n scrollp to 535.68 if you join the Club now and agree to purchase as few as 5 selections from the more than 150 to be made available drying the coming 12 months The Columbia © Record Club now JOHNNY MATHIS MARCHE SLAY Ella Fitzgerald DORIS DAY GRAND CANYON enables you to acquire the worild's fl4WERDRUM SINGS finest high-fidelity 12" ong-playing WARM CAPRICCIO ITALIEN SUITE _ I' RODGERS SONG records either regular or stereo - ' aPn NIGHT ON ANO ORIGINAL . at great savings! t. - and o,,..,sa ht T BROAo BALD MOUNTAIN L. -
DANCING in BORROWED SHOES: a HISTORY of BALLROOM DANCING in SOUTH AFRICA (1600S-1940S)
DANCING IN BORROWED SHOES: A HISTORY OF BALLROOM DANCING IN SOUTH AFRICA (1600s-1940s) by ALIDA MARIA GREEN Submitted as requirement for the degree MAGISTERS HEREDITATIS CULTURAEQUE SCIENTIAE (CULTURAL HISTORY) in the Faculty of Humanities University of Pretoria Pretoria 2008 Supervisor: Prof. K.L. Harris © University of Pretoria “Social dancing reflects the Spirit of the Age more faithfully than any other Art”.* * Lancer, “In the dancing world: Official results of the examinations”, Rand Daily Mail, 11/05/1935, p. 8. CONTENT List of Abbreviations ....................................................................................................iii Acknowledgement .........................................................................................................v Summary.......................................................................................................................vi Chapter 1 Opening the floor: an overview of literature on ballroom dancing 1 1.1 Introduction....................................................................................................1 1.2 Literature overview........................................................................................6 1.3 Methodology and research...........................................................................24 Chapter 2 First steps: international ballroom dancing 33 2.1 Dancing to the seventeenth century .............................................................33 2.2 From the “contredanse” to the “cake wake”................................................37 -
Edition 1 | 2019-2020
TABLE OF CONTENTS Welcome .................................................................. 3 Leadership ............................................................... 6 About PFO ............................................................... 7 The Love of Danae .................................................... 9 Mister Rogers’ Operas ............................................... 11 The Valkyrie ............................................................16 Scandals .................................................................21 Gianni Schicchi ....................................................... 23 Education Overview ................................................ 25 The Enchanted Forest ............................................. 27 Music That Matters ................................................. 28 Individual Contributors ........................................... 29 Festival Opera Fans ..................................................31 Host Families ......................................................... 32 Season Sponsors ..................................................... 32 Special Thanks ....................................................... 33 Festival Orchestra ................................................... 34 Festival Production Staff .......................................... 35 Directors ................................................................ 36 Conductors............................................................. 44 Artists’ Bios ...........................................................