DOCSLIB.ORG

PEABODY CONSERVATORY Ship to 1000 Associate Members

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PEABODY CONSERVATORY Ship to 1000 Associate Members July 1, 1916 MUSICAL AMERICA 35 Gertrude Curran, it was decided to raise the number again, to 1200. Beside the regular seven afternoon RUDOLPH GANZ AS MUSICAL EDITOR concerts of the club this year, it was de­ cided to give two evening concerts at the Academy auditorium. Permission for Pianist Making Set of Records Which He Thinks Will Have Distinc·t Educational Value­ this was granted by the School Board. Demand for Bach-Editing Beethoven and Brahms Sonatas for Piano and Violin-Atti­ There will be the three chamber music recitals and also one by the Chicago tude Toward American Compositions Symphony Orchestra in May. This or- · chestral concert will mark the close of the anniversary year, and following the . Ely HARRIETTE BROWER concert the members of the club will hold a reception. The active member­ ship is still limited to eighty-five mem­ '' J T has been a full season," remarked Pathe people think I am very business­ Bach. They say: 'If you approve, Mr. li ke, fo1· I am ready to begin my work Ganz, we should like to work on Bach, bers, who give the club programs and - Rudolph Ganz, the distinguished transact the business of the organiza­ as early as half-past nine in the morn­ Beethoven, Schumann and then some tion. composer, pianist and teacher, in the ing. It does not always work _out well. modern compositions.' Which proves course of a recent conversation. "Al­ The other day I was pleased with the they really desire to study the best. The first concert in November will be by Anna Case and Theo Karl. The next though filling occasional concert engage~ playing, all seemed. to ·go satisfactorily; "Another piece of work I have on hut alas, through some little defect in hand is the editing of the entire set of will be by Percy Grainger. The appear­ ments, this has been my_ 'teaching year,' ance of George Barrere, the flautist, and and I have given a great many lessons, the wax, the work had to be all done Beethoven's Sonatas, for piano al)d vio­ over again." lin. This is to be done in conjunction his little orchestra is looked forward to both privately and at the Institute of "Do you think there wjll be a demand with Leopold Auer, who will edit the vio­ with interest. The last concert will be Musical Art. Next season will be a lin parts. He has already completed his that of the Chicago Symphony Orchestra. 'concert year,' as I shall be on tour a share of the work. I shall phrase and good part of the time." finger the piano parts. In the matter MAY PETERSON'S MUSICALE Besides teaching, playing and com­ of fingering I pre~er simplicity-not to posing, Mr. Ganz has taken up a ne\':" make the passage more difficult by con­ Soprano Sings for Summer Colony at line of activity, in which he is greatly stantly shifting fingers, but easier, by Seabright, N. J. interested. He has signed a five-year simpler means. Some of my fingerings May Peterson, the American prima· contract with the· Pathe Phonogr~ph may surprise you; they may seem to Company, and will make a complete set revert to t.he older and more classic donna, was the principal artist at a mu­ of records for it. ways, but I feel the performer will gain sicale given at Seabright, N. J., on Fri­ "The idea is of genuine educational by it. day, June 16. Mills Peterson was enter­ value," said the artist. - "I feel the ac­ ~· 1 shall also perform the same service tained by Mrs. John Jay Knox at her complishment .of it will have wide in­ for the Brahms Sonatas in connection home there for the week-end. After the flu ence among young students and teach­ with Theodore Spiering. These works co ncert a luncheon was given in her ers who live at a distance from musical will be issued by Carl Fischer.'' honor at the home of Mrs. Ida Barrows, which was attended by leading members centers. The records of the 'Educational· American Compositions Series,' as they will be called, will em­ of the Seabright colony, including Mrs. brace much of standard playing and "Do you intend to place any composi­ John Jay Knox, Mrs. William Barbour, teaching literature. There will be the tions by American composers on your Mrs. Henry Borden, Mrs. Irving Knox, complete set of Bach's Two and Three programs for next season?" Mrs. Thomas Clark and Mrs. Herbert · Part Inventions. Students play a few "Yes; for one thing I shall play the Straus. Among the guests at a tea given of these, but are not familiar with them MacDowell 'Eroica.' I like the 'Tragica' for Miss Peterson by Mrs. Renil Kimball all, as a rule. Now they will have each just as well, but the 'Eroica' is not heard were Mrs. Irene S-toddard and Yvonne de set entire. It is my intention to include so often. The art of composition is be­ Treville. some Preludes and Fugues from the ing assiduously cultivated in America; Edouard Deru was the violinist on the 'Well Tempered Clavichord,' some of the your composers are doing some· excellent program with Miss Peterson and Francis Beethoven Sonatas and a few of the work. As you know, I am always on Moore was her accompanist. Among the Mende:ssohn 'Songs Without Words,' the lookout for new things. I came to numbers sang by Miss Peter son were that is to say, the representative ones, this country in 1900. And the very next "L' Absence," by Berlioz; "Depuis le like the Duetto, Hunting, Spinning and seaspn, in 1901; at one of my recitals, I jour" ("Louise"), by Charpentier, and Spring Songs. Of course, we will have placed several pieces by American com­ as an encore, by request, "The Lass with some Chopin, Schumann and Liszt. I posers on the program. Among them a Delicate Air," with her own accom­ shall also include some of the Cramer were Sherwood's 'Exhilaration'- and two paniment. and Clementi Etudes, for I use them in pieces by MacDowell. I was looking my teaching and recommend them to over some compositions _the other day Plan Society-for Giving Operatic Music students and teachers. which a young composer, Charles Griffes in York, Pa. by name, had brought me. I found them "By means of the phonograph I can Photo by Mishki 11 YORK, PA., June 24.-Prominent solo­ give the idea of tempo, nuance and in­ Rudolph Ga:nz, the Eminent Swiss both interesting and beautiful. He goes his own way, though in style and work­ ists of this city participated in a musical terpretation, but cannot convey the idea Pianist program last Wednesday evening at the of the piano tone quality, for that is not manship his pieces are somewhat along the lines of SchOnberg and Ravel. I home of Mrs. Harry Read, with the pur­ possible on the phonograph. for the whole set of the Bach Inven­ pose to form a society in this city for tions?" I asked. showed them to Paderewski, who was Explanatory Booklets much pleased with them. ~' the performance of operatic music. Mrs. "For each composition played I shall Improved Tastes "And so the most of next !;Cason you James Maxwell Rogers was in charge of prepare a little pam'phlet, explaining how "I have not doubt of it. I find the will be on tour; is it not a pleasant pros­ the evening's program. In excerpts from the piece is to be studied, with rules for taste of students and players in this . pect?" I asked. "II Trovatore" the following was the cast practice and so on. In this way the country has changed greatly during the "Well, yes, I do look forward with of characters: Leonora, Lillian Ring; work will be truly educational. last fifteen years. Pupils who come to pleasure to the work, though I certainly Azucena, Mrs. E llis Smyser Lewis; Man­ "You can see that all this is taking me now do not expect to be fed on the do not enjoy the constant traveling. A rico, George T. Hanning and "William H . much of my time at present. Not only Liszt Rhapsodies and brilliant composi- great many concerts and recitals are al­ Eckenrode; · Conte di Luna, Douglas . must the music be prepared and played - tions of that ca:Jiber. They seem anxious ready booked and others are pending. I Read. The following took part in the but edited and corrected afterward. The to study more serious music, especially shall haxe another busy season." · evening's program: Mrs. E llis Smyser Lewis, Lillian Ring, B la nche Obardick, Mrs. Louise Smith, Elea nor POVLA FRISCH'S DEPARTURE paring not only programs for his own Sewickley and Beaver. The mass began Hetrick, George T. Hanning, William H. Eck­ with the "Kyrie" and continued through em·ode, Douglas R ead, · Mary Haines Taylor, recitals but also those in which he will Henrie tta Owen Wiest, Annie Ansta clt, Singer Sails for French Visit-Plans of appear as accompanist for Mme. Povla the "Christe Eleisori" to the "Gloria in F 1·ances G1·eenwalt, H a rold Jackson Bartz. Frisch and Pablo Casals. Another Pease Excelsis," the music being a'~corded in­ G. A. Q. Pease Artists artists who will have a busy vacation terested attention. The Rev. J. S. Mar­ Mme. Povla Frisch, soprano, sailed time here is the American vioiinist, Rod­ tin spoke . between the two parts of the Pasquale Amato will be the first at­ Saturday, June 24, on the Lafayette for erick White.
Load more

Recommended publications
  • A Formal Analytical Approach Was Utilized to Develop Chart Analyses Of
    ^ DOCUMENT RESUME ED 026 970 24 HE 000 764 .By-Hanson, John R. Form in Selected Twentieth-Century Piano Concertos. Final Report. Carroll Coll., Waukesha, Wis. Spons Agency-Office of Education (DHEW), Washington, D.C. Bureauof Research. Bureau No-BR-7-E-157 Pub Date Nov 68 Crant OEC -0 -8 -000157-1803(010) Note-60p. EDRS Price tvw-s,ctso HC-$3.10 Descriptors-Charts, Educational Facilities, *Higher Education, *Music,*Music Techniques, Research A formal analytical approach was utilized to developchart analyses of all movements within 33 selected piano concertoscomposed in the twentieth century. The macroform, or overall structure, of each movement wasdetermined by the initial statement, frequency of use, andorder of each main thematic elementidentified. Theme groupings were then classified underformal classical prototypes of the eighteenth and nineteenth centuries (ternary,sonata-allegro, 5-part or 7-part rondo, theme and variations, and others), modified versionsof these forms (three-part design), or a variety of free sectionalforms. The chart and thematic illustrations are followed by a commentary discussing each movement aswell as the entire concerto. No correlation exists between styles andforms of the 33 concertos--the 26 composers usetraditional,individualistic,classical,and dissonant formsina combination of ways. Almost all works contain commonunifying thematic elements, and cyclicism (identical theme occurring in more than1 movement) is used to a great degree. None of the movements in sonata-allegroform contain double expositions, but 22 concertos have 3 movements, and21 have cadenzas, suggesting that the composers havelargely respected standards established in theClassical-Romantic period. Appendix A is the complete form diagramof Samuel Barber's Piano Concerto, Appendix B has concentrated analyses of all the concertos,and Appendix C lists each movement accordog to its design.(WM) DE:802 FINAL REPORT Project No.
    [Show full text]
  • Rudolph Ganz Swiss Pianist, Conductor and Composer
    AMICA International Automatic Musical Instrument Collectors' Association Honor Roll Rudolph Ganz Swiss pianist, conductor and composer Zurich, 24.02.1877 - Chicago, 02.08.1972 RUDOLPH GANZ BY EMMETT M. FORD The AMICA, v.14, No 4, May 1977 Rudolph Ganz, distinguished pianist, composer, conductor,Duo-Art, Welte-Mignon and Ampico recording artist and phonograph recording artist was born in Zurich, Switzerland, February 24, 1877. His early studies were at the Zurich Conservatory with Robert Freund in piano and cello with John Hegar. Later he went to Lausanne to receive piano instruction from his uncle, Carl Eschmann-Dumur, and composition with Charles Blanchet. At the Conservatory in Strasburg, Alsatia, he was the pupil of Fritz Blumer. Going to Berlin, he studied piano with Ferruccio Busoni and composition with Heinrich Urban. At the age of ten he appeared in public for the first time as a cellist in his home town. He turned to the piano as a future choice in instruments and at the age of twelve made his pianistic debut in 1889 in Zurich. Many concerts were made after his Zurich debut. At his Berlin debut he performed the Beethoven Concerto in E Flat and the Chopin E Minor Concerto. His first appearance as an orchestral conductor was in May of 1900 conducting the Berlin Philharmonic Orchestra in the performance of his first symphony. It was in this year when he composed a piano and orchestra composition entitled "Konzertstuck." In July, 1900 he married an American concert singer, Mary Forrest. The couple came to the United States where Mr. Ganz became head of the piano department of the Chicago Musical College, the post vacated by A.
    [Show full text]
  • Gitta Cottle, 80, Concert Piano Artist
    AMICAlnternational JYews BuUetin DOROTHY BROMAGE, PUBLISHER POB 275CCB (207) 767-4446 Cape Elizabeth, ME 04107 Published by the Automatic Musical Instrument Collectors' CHAPTER OffiCERS Association, a non-profit club devoted to the restoration, FOUNDING CHAPTER IOWA distribution and enjoyment of musical instruments using per­ Pres: Phil McCoy Pres: George Apland forated paper music rolls, AMICA was founded in San Francisco Vice Pres: Isadora Koff Vice Pres: E.H. Breckenfelder in 1963. Treas: Bob Wilcox SeclTreas: Marjorie Apland Sec/Reporter: Jack & Dianne Reporter: Jack Niewoehner Edwards SOUTHERN CALIFORNIA BOSTON AREA Pres: Warren & Rosemary Pres: Judy Welsh Deasy Vice Pres: Michael Potash Vice Pres: Jerry Pell Sec: Bill Koenigsberg Sec: John Candido Treas: Philip Konop Treas: larry Norman Reporter: Donald Brown Reporter: Jerry Pell TEXAS NORTHERN LIGHTS Pres: Wade Newton Pres: Jerrilyn Boehland Vice Pres: lorane Smith Vice Pres: Tom Wordeman SeclTreas: Carole Beckett Sec: Tracy Tolzmann ADVERTISING Reporter: Janet Tonnesen Treas: Robert & Katheryn Classified: 10¢ per word, $1.50 minimum. Duma ,. All copy must reach the publisher by the 10th of the preceding Reporter: Ruby Ahneman month. Payment must accompany order. Make checks payable MIDWEST SIERRA-NEVADA Pres: Edwin Ward Pres: Bob Patton to: AMICA INTERNATIONAL. Vice Pres: liz Barnhart Vice Pres: Vicki Mahr • Checks or money orders from advertisers in foreign' countries Sec: lawrence & Margaret SeclTreas: Audrey Winters must be drawn on a U.S. bank. Frazer Reporter: Bob and Sonja leomon Treas: Alvin Wulfekuhl Display Advertising Reporter: Sue Ricca Full Page 7Y2"x10" $100.00 PHILADELPHIA AREA CHICAGO AREA Half page 7Y2"x43A" 50.00 Pres: Bob Taylor Pres: Jim Edwards Vice Pres: Frank Diamond Vice Pres: Carol Dayton & 3 Quarter page 3%"x4 A" 25.00 Sec: Frank Basil Mabel Zivin • Each photograph or half-tone $7.00 Treas: len Wert Sec: Bob & Gloria Taylor '_ Reporter: Bob Rosencrans Treas: Bill & Dee Kavouras • See Bulletin deadlines on this page.
    [Show full text]
  • Theatre. Monday
    Page Six THE DAILYWORKER, NEW YORK, SATURDAY’, NOVEMBER 12, 1927 f- : j" The New Plays “SPELLBOUND” by Frank Vos-' j A Theatre Guild Production per opens at the Earl Carroll I | Theatre next Monday evening with I San Carlo Singers Open FRANCO TAFURO Pauline Lord as the star. A GENIAL PHILANDERER 1 “NEW YORK” by Samuel Rus- Final Week With kin Golding, will be presented at “Tosca” | the Mansfield Theatre. Monday. “And So to Bed” Keeps Audience Wide Awake PORGY George Mac- A FOLK Ruth Shepley and Opera Com- .... PLAY at the Shubert Theatre The San Carlo Grand BY DUBOSE AND DOROTHY HEYWARD Quarrie are featured. pany, which opened the new Gallo MARQUISE,” a new play West 52d St. Evs. 8:40 “THE Eddinger, Theatre last Monday night, announces rfllin THFA to open THO Wallace as Samuel WALTER HAMPDEN UUILI/ 1IlllfL, Mats. Thurs. & Sat. 2:40. bv Noel Coward scheduled * the repertoire for the final week Monday Pepys, the world’s most famous MOVES MONDAY, NOV. 21, TO REPUBLIC THEATRE at the Biltmore Theatre, here. Only one'work in last week’s evening. Billie Burke is starred. diarist, contributes to ear strain at faulty enunciation, list will be repeated: “Madama But- AND MODELS.” times because of “ARTISTS his portrayal of the leading role in terfly” at Saturday’s matinee. The new Shubert Revue will have, The week’s offerings are: Monday, “Thrilling story. ; “And So to Bed,” endeared the ras- Superb play. Enthusiastically received.” 1 its premier at the Winter Garden “La Shalow, Schalker cally Pepys (pronounced peeps) to Tosca” with —Times.
    [Show full text]
  • Curriculum Vitae
    ROBERT HAMILTON, Pianist Curriculum Vitae EMPLOYMENT CONTRACTS 1980-Present: Arizona State University Professor of Music . Studio Piano instruction: DMA Performance & Performance Pedagogy, MM Performance & Performance Pedagogy, BM Performance, BME Education . DMA & MM Advisor, Committee Chmn. & Member . Studio Performance Classes twice weekly . Keyboard Area Coordinator 3 times . Performance Division Chmn./Advisory Council . SOM Personnel Committee 3 times . College Personnel Committee 2 times . Piano Search Committee Chmn.5 times . Artist Diploma Chmn. 1998-Present/July-August: PianoSummer International Festival, New York . Distinguished Colleagues: Vladimir Feltsman, Susan Starr, Paul Ostrovsky, Alexander Korsantia, Anthony Newman, Robert Roux, Phillip Kawin, Alexander Slobodyanik, Eteri Andjaparidze 1992-1998/July-August: London International Piano Festival Artistic Director and Teacher . Distinguished Colleagues: Julian Martin, Yong-Hi Moon, Young-Sook Kim, Nako Paik, Boaz Sharon, Colin Kingsley, Phillip Kawin 1975-1980: Wichita State University Associate & Full Professor of Piano . Studio Piano instruction: MM Performance & Pedagogy, BM Performance, BME Education . MM Advisor, Committee Chmn. & Member . Studio Performance Class weekly . Piano Area Coordinator . Personnel Committee 1967-1975: Indiana University School of Music-South Bend Pianist in Residence, Assistant and Associate Professor of Piano . Studio Piano instruction: MM Performance, BM Performance, BME Education . MM Advisor, Committee Chmn. Head, Piano Department . Dean’s
    [Show full text]
  • RUDOLHI GANZ. T:Igofl-W VV\. ~
    ~ t -- '* . , RUDOLHI GANZ. T:iGOfL-w VV\. ~ I AM SINGULARLY HONORED, AS A CHICAGOAN BY ADOPl'ION OF ONLY TWELVE YEARS, TO PLAY A PART IN THE CEREMONY THIS EVENING PAYING TRIBUTE TO A CHICAGOAN BY ADOPl'ION OF FIFTY-SEVEN YEARS, A CHICAGOAN WR WHOM I HAVE GREAT RESPECT AND DEVOTION. WR RUDOLPH GANZ IS TRULY A CHICAGOAN. HE REPRESENTS THE KIND OF SPIRIT WHICH MADE AND WHICH KEEPS CHICAGO GREAT AND llfrERESTING. I HAVE OFTEN HEARD HIM SAY THAT CHICAGO IN A TRUE SENSE REPRESENTS THE SPIRIT OF HIS NATIVE COUNTRY, SWITZERLAND - INDEPENDENT, OUT- SPOKEN, DELIGHTFULLY ROOGED. WHEN ONE SEES HIM ENTER ORCHESTRA HALL, ONE MIGHT EASILY BE TRANSWRMED TO SEVENTEENTH CENTURY FRANCE AND IMAGINE THAT HE IS STRIDING DOWN THE GALERIE AUX GLACES OF VERSAILLES, IN BUCKLED SHOES, KNEE PANTS AND WEARING A POWDERED WIG. I FEEL SURE THAT HAD HE LIVED IN THAT &roCH IT WOULD HAVE BEEN GANZ INSTEAD OF LULLI WHO WROTE MUSIC ~ WR LOUIS XIV ,.. WR MOLIERE'S PLAYS VmICH COMBINE MUSIC WITH DRAMA. I AM SURE THAT HIS WIT AND GRACE WOULD HAVE MADE HIM A FAVORITE IN A COURT THAT WAS NOTED WR BOTH. BUT HE IS, INSTEAD, THE REPRESENTATIVE, THE LINK, IN FACT, BE- T\'fEEN THE PAST AND THE PRESENT, WITH A JOYFUL AND HOPEFUL EYE TO THE FUTURE. AT EIGHTY, HE CAN RFl}ALL FROM HIS OWN EXPERIENCES THE EUROPEAN ARTISTIC AND SOCIAL LIFE OF THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES, YET HE CAN REPRESENT WR EUROPE TODAY THE BEST WHICH THIS YOUNG, EAGER AND VITAL CITY HAS PRODUCED.
    [Show full text]
  • Heeler Optical
    T TTTTJ .MOTtN'IXG OTIEGOXIAN. MONDAY, MARCH 1, 1915. i r N'lir Instructor Comes. Miss G. CITY NEWS IN BRIEF Lamont was added to the faculty of the Mrs. Ganz and I were preparing to go James Johns High School last week SOLID FUN AT BAKER to Paderewski's house to dinner. It as instructor in domestic science. She was to be a notable social occasion. OHEGOMAN TELEPHONES. takes place Miss Louise Twining. "Suddenly a young man I know came the of house, me order Editor Main 7070. A eons who resigned to accept the place of to our telling that the Eye New Offices t'ltjrrnnirEditor Main 7070. A eons in the Franklin High fechool had come to mobilize the Swiss army An Experienced Specialist in Main 7070. A instructor am, member. : tunday Editor 05 in Portland. The senior class has nar. of which I was. and still a Advertising department ...Main 7070. A OOWi That meant I was called to military rity circulation ...Main 7070. A eons rowed down the selection of a choice in romposlnv-roo- ..Main 7070, A eOllS of plays to three, and will decide on ''Bringing Up Father" Wins duty, along with others." I'rintinz-roor- a Main 7070. A 60M3 the play this week. It will be presented .Social Kngagement Renounced. EupcrloUiPdent Building . Mam 7070. A 00i3 about April 15. Material is now being Opening Appearance. "And did you first attend Paderew assembled for the annual publication ski's dinner party? AMVSEME.NTS. which will be issued at the close of Ganz looked indignant His tall pow- 20 years' study and practice of IlIJIl.ro (Broadway and Taylor) Rudolph the school year.
    [Show full text]
  • PERCY ALDRIDGE GRAINGER Last Friday Afternoon and Saturday on F Riday Afternoon and Saturday Even
    December 19. 1914 M U S I C A L AMERICA 5 at one time or another found fault with my work when others have most highly RUDOLPH GANZ STAR A,rt of Accompanying as praised it. But I take her word in pref­ erence to that of almost anyone else." Mr. La Forge has for some time co­ OF SWISS CONCERT Viewed by Master Exponent operated with Mme. Aida in her recitals. But, through the courtesy of the Met- Pianist and . Chorus of Fellow­ Frank La Forge·Explains His Method of Studying a New Song­ Countrymen in Program Advantage of Accompanying without a Score and of Co-op­ for Relief Fund erating with Single Artist over Long Period For the benefit of the Swiss Relief Fund a concert was giveri on Saturday O much dust was raised by the credit attached to it. I should be hindered evening, December 12 at JEolian Hall, S triumphant arrival of the operatic rather. than helped by playing with a New York, by the Helvetia Mannerchor folk in October that the return of a cer­ score ih front of my face. I did not, however, make it a conscious object from of New York, Johannes Werschinger, tain musiciau, without whose co-opera­ conductor, and Rudolph Ganz, the Swiss tion the American music season would pianist. lose one of its highly distinctive features, The auditorium was filled with repre­ was accorded ail too little notice. It was, sentative Swiss-American citizens, and · indeed, a rare pie-ce of good fortune that . the center box, in which sat the Ambas­ broug>ht back :!? rank La Forge in due sador and Consul, was decorated with time to fill his unique-- place-in the activi­ Swiss and American flags.
    [Show full text]
  • Rudolph Ganz Fellowship
    H-Announce Rudolph Ganz Fellowship Announcement published by Keelin Burke on Tuesday, September 29, 2015 Type: Fellowship Date: December 15, 2015 Location: Illinois, United States Subject Fields: Humanities, Local History, Music and Music History, Theatre & Performance History / Studies The Rudolph Ganz Fellowship is a new opportunity at the Newberry Library this year! The fellowship is intended to support research using the Rudolph Ganz Papers and other late nineteenth- and early twentieth-century materials related to Chicago music in that period. The Rudolph Ganz Papers include the musical compositions of this world-renowned concert pianist, composer, conductor, and educator, as well as articles, speeches, lectures and essays by him, and two recordings. Also in the collection is correspondence to and from prominent musical figures, family correspondence, clippings, photographs, programs, and some artifacts. Newberry Library Short-Term Fellowships are available to postdoctoral scholars, PhD candidates, and those who hold other terminal degrees. Most fellowships are restricted to scholars who live and work outside the Chicago Metro area. Short-Term Fellowships are generally awarded for one continuous month in residence at the Newberry, with stipends of $2,500 per month. Applicants must demonstrate a specific need for the Newberry’s collection. For additional information about eligibility requirements and application guidelines, please visit our website. The short-term fellowship deadline for the 2016-17 application cycle is December 15, 2015. *Please note our new deadlines for the 2016-2017 academic year. Contact Info: The Newberry Library 60 West Walton Street Chicago, IL 60610 312-255-3666 Contact Email: [email protected] URL: http://www.newberry.org/fellowships Citation: Keelin Burke.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
    ***J#& ^3 w§ r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON X 'tillll -^ 'Unniiiiu i^t H SEVENTY-SEVENTH SEASON 1 957- I 958 Sunday Afternoon Series BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mass. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks E. Morton Jennings, Jr. Theodore P. Ferris Michael T. Kelleher Alvan T. Fuller Palfrey Perkins Francis W. Hatch Charles H. Stockton Harold D. Hodgkinson Edward A. Taft C. D. Jackson Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager Norman S. Shirk James J.
    [Show full text]
  • Leonard Bernstein and Friends in the Newberry Collection
    QUICK GUIDE Leonard Bernstein and Friends in the Newberry Collection How to Use Our Collection At the Newberry, an independent research library, readers do not check books out to take home, but consult rare books, manuscripts, and other materials here. We welcome into our reading rooms researchers who are at least 14 years old or in the ninth grade. Visit https://requests.newberry.org to create a free reader account and start exploring our collection. When you arrive at the Newberry for research, a free reader card will be issued to you in our third-floor reference center. Find further information about our collection and public programs at www.newberry.org. Questions? Contact the reference desk at (312) 255-3506 or [email protected]. From Tonight’s Composers Brahms, Johannes. Album of pianoforte works. New Brahms, Johannes. Vergebliches Standchen̈ . Wien?, 188- York: G. Schirmer, 189-?. From the library of . Signed by composer. Call #: VAULT Case MS Rudolph Ganz, with a few of his performance 7Q 76 indications in the musical text. See also Rudolph Ganz Papers in Archival Materials section for more. Mahler, Gustav. Achte Symphonie. Wien : Universal, Call #: Case folio M22.B81 A42, S35 c1910. Presentation copy from Frederick A. Stock. Call #: VM 1533 .M21s Brahms, Johannes. Fantasien für Pianoforte. Berlin : N. Simrock, 1892. First edition. Call #: Case sheet Mahler, Gustav. Skizzenblatt aus der IV. Symphonie. music M3.3 .B73 op.116 Manuscript score in Mahler’s hand, signed by “Alma Maria Mahler,” his wife. Has been digitized and is Brahms, Johannes. “Saphische Ode.” 1906. Manuscript online. Call #: VAULT Case MS VM 1001 .M21s4 arrangement of the Brahms, signed by the arranger, Frederick Stock, second conductor of the Chicago Poulenc, Francis.
    [Show full text]
  • WORLD PREMIERES All Performances from 1891 to 1904 Were Given at the Auditorium Theatre and Thereafter at Orchestra Hall, Unless Otherwise Noted
    WORLD PREMIERES All performances from 1891 to 1904 were given at the Auditorium Theatre and thereafter at Orchestra Hall, unless otherwise noted. Soloists, when known, also are indicated. 1891-99 │ 1900-09 │ 1910-19 │ 1920-29 │ 1930-39 │ 1940-49 │ 1950-59 1960-69 │ 1970-79 │ 1980-89 │ 1990-99 │ 2000-09 │ 2010-19 Date Composer Composition Conductor 1891-99 Columbus Ode, Ode for the Opening of the Chicago World’s Fair (World’s Columbian 21-Oct-1892 George Chadwick Theodore Thomas Exposition, Manufacturers and Liberal Arts Building) Columbus March and Hymn (World’s Columbian 21-Oct-1892 John Knowles Paine Exposition, Manufacturers and Liberal Arts Theodore Thomas Building) Festival Jubilate, Op. 17 (World’s Columbian 1-May-1893 Amy Beach Theodore Thomas Exposition, Women’s Building) Triumphal March (World’s Columbian Exposition, Woizech Iwanowich 7-Jun-1893 Alexander Glazunov Music Hall) Hlavac Overture, Witichis (World’s Columbian 29-Jul-1893 Margaret Lang Theodore Thomas Exposition, Festival Hall) Cello Concerto in G Minor, Op. 33 (Bruno 30-Nov-1894 Arthur Foote Theodore Thomas Steindel) Concerto No. 2 for Piano in D Minor (W. C. E. 25-Jan-1895 W. C. E. Seeboeck Theodore Thomas Seeboeck) 17-Apr-1896 Frederic Grant Gleason Symphonic Poem, Edris Theodore Thomas 22-Oct-1897 Hugo Kaun Festival March and Hymn to Liberty Theodore Thomas 3-Feb-1899 Hugo Kaun Overture, Der Maler von Antwerpen Theodore Thomas 29-Dec-1899 Henry Schoenefeld Impromptus for String Orchestra Henry Schoenefeld 1900-09 5-Jan-1900 Adolf Weidig Capriccio, Op. 13 Theodore
    [Show full text]