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Thermoflex Pantone Swatches
Pantone Color Match NOTE: Color match is approximate and can vary by manufacture batch ALTERNATIVE THERMOFLEX PLUS PART # PANTONE # PANTONE # THERMOFLEX XTRA PART # PANTONE # WHITE PLS-9100 N/A WHITE TFX-8100 N/A ICE GREY PLS-9120 428C STORM GREY TFX-8150 430C STORM GREY PLS-9150 430C BLACK TFX-8236 3C DARK GREY PLS-9152 425C RED TFX-8301 200C BLACK PLS-9236 3C HOT PINK TFE-8310 215C RED PLS-9301 200C ORANGE TFX-8333 165C ORCHID PINK PLS-9304 493C MAROON TFX-8350 229C DUSTY ROSE PLS-9305 210C ATHLETIC GOLD TFX-8426 1235C MEDIUM PINK PLS-9307 189C NAVY BLUE TFX-8513 2767 ROSA PLS-9308 214C ROYAL BLUE TFX-8522 301 CORAL PLS-9309 177C COLUMBIA BLUE TFX-8576 299 HOT PINK PLS-9310 215C ROYAL PURPLE TFX-8584 2755 CRIMSON PLS-9312 216C KELLY GREEN TFX-8633 342C FLAME RED PLS-9315 032C FOREST GREEN TFX-8676 553C ORANGE PLS-9333 165C ANTIQUE SILVER TFX-8834 877C TANGERINE PLS-9335 1585C OLD GOLD TFX-8843 871C PEACH PLS-9337 1565C SALMON PLS-9338 171C TEXAS ORANGE PLS-9340 1605C ECONOMYFLEX PART # PANTONE # MAROON PLS-9350 229C BLACK EF-01 3C VIOLET PLS-9360 249C WHITE EF-02 N/A ATHLETIC GOLD PLS-9426 1235C RED EF-03 200C MEDIUM YELLOW PLS-9450 116C 7502C ATHLETIC GOLD EF-04 1365C VEGAS GOLD PLS-9460 467C 465C NAVY EF-05 533C OCHRE PLS-9465 874C 394C GREY EF-06 422C LEMON YELLOW PLS-9472 3955C SKY BLUE EF-07 7454C BRIGHT LEMON PLS-9473 102C 296C KELLY GREEN EF-08 342C NAVY BLUE PLS-9513 2767 ROYAL BLUE EF-09 287C REFLEX BLUE PLS-9519 2746C ATH. -
Public Swimming Pools List of Director Approved Colors
Public Swimming Pools List of Director approved colors In accordance with the Ohio Administrative Code (OAC) rules 3701-31-02(G)(2) and (3) and 5.1(C)(1)(b) "the interior surfaces of pools and spas shall be painted white, unless the color is approved by the director." This requirement became effective Jan. 1, 1999 and was revised effective April 1, 2011; and applies to new pools and spas as well as existing pools/spas that will be repainted or will receive a new finish. The colors listed below were submitted to the Ohio Department of Health (ODH) and have been approved. This list does not apply to primer colors. This list also applies to other colored finishes such as tile and pool/spa liners. This list may be periodically revised to add or delete colors. If you have any questions, please call the Public Swimming Pool Program at 614-644-7438. This is not a comprehensive list: any color may be submitted by the manufacturer and be evaluated on a case by case basis. Black or dark lane markers and target marks are exempted from this requirement provided that they meet the standards of the appropriate governing body. Submittals may be sent to: Ohio Department of Health Bureau of Environmental Health and Radiation Protection 246 North High Street Columbus, OH 43215 Attn: Public Swimming Pool Program Any logos or other unique artwork proposed for the pool/spa bottom must be submitted to and approved by ODH. Contact the Public Swimming Pool Program for additional information about logo submissions. -
Pale Intrusions Into Blue: the Development of a Color Hannah Rose Mendoza
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 Pale Intrusions into Blue: The Development of a Color Hannah Rose Mendoza Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PALE INTRUSIONS INTO BLUE: THE DEVELOPMENT OF A COLOR By HANNAH ROSE MENDOZA A Thesis submitted to the Department of Interior Design in partial fulfillment of the requirements for the degree of Master of Fine Arts Degree Awarded: Fall Semester, 2004 The members of the Committee approve the thesis of Hannah Rose Mendoza defended on October 21, 2004. _________________________ Lisa Waxman Professor Directing Thesis _________________________ Peter Munton Committee Member _________________________ Ricardo Navarro Committee Member Approved: ______________________________________ Eric Wiedegreen, Chair, Department of Interior Design ______________________________________ Sally Mcrorie, Dean, School of Visual Arts & Dance The Office of Graduate Studies has verified and approved the above named committee members. ii To Pepe, te amo y gracias. iii ACKNOWLEDGMENTS I want to express my gratitude to Lisa Waxman for her unflagging enthusiasm and sharp attention to detail. I also wish to thank the other members of my committee, Peter Munton and Rick Navarro for taking the time to read my thesis and offer a very helpful critique. I want to acknowledge the support received from my Mom and Dad, whose faith in me helped me get through this. Finally, I want to thank my son Jack, who despite being born as my thesis was nearing completion, saw fit to spit up on the manuscript only once. -
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart Derivan Americana Derivan Americana Matisse Flow Acrylics Matisse Flow Acrylics Alpine Green 2 - DAO82 Evergreen Brilliant Alizarine 2 - DA179 Alizarin Crimson 1 - DA144 Yellow Light 1 - DA159 Cherry Red Antique Blue 1 - DAO38 Wedgewood Blue Burgundy 1 - DA140 Red Violet 1 - DA166 Deep Midnight Blue 1 - DA165 Napa Red 1 - DA172 Black Plum Antique Gold 1 - DA146 Antique Gold Deep Burnt Sienna DA223 Traditional Burnt Sienna ato - DAO67 Lamp (Ebony) Black Antique Green 2 - DA105 Blue Grey Mist Burnt Umber 2 - DA221 Traditional Burnt Umber 1 - DAO84 Midnite Green 1 - DA160 Antique Maroon Antique White 2 - DA239 Warm White Cadmium Orange 8 - DA228 Bright Orange 1 - DAO3 Buttermilk 1 - DAO10 Cadmium Yellow Aqua Green Light 2 - DAO1 Snow (Titanium) White Cadmium Red Medium DAO15 Cadmium Red 1 - DAO47 Bluegrass Green Ash Pink 4 - DA164 Light Buttermilk Cadmium Yellow Light DA144 Yellow Light 3 - DA189 Summer Lilac 2 - DA186 French Mauve Aureolin Yellow 4 - DA144 Yellow Light Cadmium Yellow Medium DA227 Bright Yellow 1 - DA146 Antique Gold Deep 1 - DAO10 Cadmium Yellow Australian Olive Green 10 - DA113 Plantation Pine Carbon Black DAO67 Lamp (Ebony) Black 1 - DAO67 Lamp (Ebony) Black Australian Red Violet DA140 Red Violet Cerulean Blue DAO36 True Blue Australian Sap Green 2 - DA113 Plantation Pine Chromium Green Oxide 2 - DAO51 Leaf Green 1 - DA144 Yellow Light 1 - DAO53 Mistletoe Australian Sienna 1 - DA223 Traditional Burnt Sienna Cobalt Blue 2 - DA141 Blue Violet 1 - DA194 Marigold -
Why-Is-The-Sky-Blue.Pdf
WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors. The sky is blue because it has to travel through Earth’s atmosphere, where QUESTION & ANSWER: there are lots of gases that absorb red, orange and yellow colors. Then, the blue What colors make up the white light of the sun? light gets scattered all across the sky, which is what we see when we look into the sky. If you see a blue car, what color/s does it reflect? If you see a red apple, what color/s does it absorb? WHY ANDWHY HOW AND SERIESHOW WhyWhy is is the the sky sky blue? blue? To understand why the sky is blue, we must first understand the physics of light and color. red orange The light from the sun seems white to us, yellow green rainbow but white light is actually made up of all blue the colors of the spectrum: red, orange, white light indigo yellow, green, blue, indigo and violet! violet We see objects in color because those objects absorb some of the colors in white light, and reflect the colors that we see! For example, prism grass reflects the color green and absorbs all the other colors. -
The Great Tekhelet Debate—Blue Or Purple? Baruch and Judy Taubes Sterman
archaeological VIEWS The Great Tekhelet Debate—Blue or Purple? Baruch and Judy Taubes Sterman FOR ANCIENT ISRAELITES, TEKHELET WAS writings of rabbinic scholars and Greek and Roman God’s chosen color. It was the color of the sumptu- naturalists had convinced Herzog that tekhelet was a ous drapes adorning Solomon’s Temple (2 Chroni- bright sky-blue obtained from the natural secretions cles 3:14) as well as the robes worn by Israel’s high of a certain sea snail, the Murex trunculus, known to priests (Exodus 28:31). Even ordinary Israelites produce a dark purple dye.* were commanded to tie one string of tekhelet to But the esteemed chemist challenged Herzog’s the corner fringes (Hebrew, tzitzit) of their gar- contention: “I consider it impossible to produce a ments as a constant reminder of their special rela- pure blue from the purple snails that are known to Tekhelet was tionship with God (Numbers 15:38–39). me,” Friedländer said emphatically.1 But how do we know what color the Biblical writ- Unfortunately, neither Herzog nor Friedländer God’s chosen ers had in mind? While tekhelet-colored fabrics and lived to see a 1985 experiment by Otto Elsner, a color. It colored clothes were widely worn and traded throughout the chemist with the Shenkar College of Fibers in Israel, ancient Mediterranean world, by the Roman period, proving that sky-blue could, in fact, be produced the drapes donning tekhelet and similar colors was the exclusive from murex dye. During a specific stage in the dyeing of Solomon’s privilege of the emperor. -
S41 Why the Sky Is Blue
PhyzLabSpringboard: Why the Sky is Blue • Demo and Lab Apparatus • __2 resonant tuning forks __optics tank (without insert) __access to scattering agent __mini Maglite (incandescent or LED) (or equivalent bright light source) __portable Bluetooth speaker + smart phone with FreqGen app (or equivalent) • Discussion • INITIAL IDEAS 1. Why is the sky blue? What are some of the ideas you’ve heard? What might people say if you were to take a survey of the general public? 2. Can you think of any problems with these ideas? BLUE SKY INGREDIENTS 3. What is “the sky” and what is it made of? 4. Which of those materials—if any—are blue? 5. What color is the sky at night? 6. What is different during the day? 7. The daytime sky on a clear day appears to be blue. On the moon, the sky is on the illuminated side is black. What are the essential “ingredients” for a blue sky? The Book of Phyz © Dean Baird. All rights reserved. 5/26/20 db TUNING FORKS LESSON 8. To understand how these “ingredients” interact to create a blue sky, consider the following demonstration. A tuning fork is struck. a. What happens when the tuning fork is struck? Why? b. How can a tuning fork be silenced? c. A second tuning fork (or portable Bluetooth speaker) is added to the arrangement. What is the surprising observation this time? d. What is the name and explanation of this effect? e. Imagine a huge collection of tuning forks with a wide range of different notes. Suppose they were all struck. -
Color Conversion Chart
Color Conversion Chart CMYK & RGB COLOR VALUES Opalescent C-M-Y-K R-G-B Opalescent C-M-Y-K R-G-B 000009 Reactive Cloud 4-2-1-0 241-243-247 000164 Egyptian Blue 81-48-0-0 49-116-184 000013 Opaque White 4-2-2-1 246-247-249 000203 Woodland Brown 22-63-87-49 120-70-29 000016 Turquoise Opaque Rod 65-4-27-6 75-174-179 000206 Elephant Gray 35-30-32-18 150-145-142 000024 Tomato Red 1-99-81-16 198-15-36 000207 Celadon Green 43-14-46-13 141-167-137 000025 Tangerine Orange 1-63-100-0 240-119-2 000208 Dusty Blue 60-25-9-28 83-123-154 000034 Light Peach Cream 5-12-15-0 243-226-213 000212 Olive Green 44-4-91-40 104-133-42 000100 Black 75-66-60-91 10-9-10 000216 Light Cyan 62-4-9-0 88-190-221 000101 Stiff Black 75-66-60-91 10-9-10 000217 Green Gold Stringer 11-6-83-13 206-194-55 000102 Blue Black 76-69-64-85 6-7-13 000220 Sunflower Yellow 5-33-99-1 240-174-0 000104 Glacier Blue 38-3-5-0 162-211-235 000221 Citronelle 35-15-95-1 179-184-43 000108 Powder Blue 41-15-11-3 153-186-207 000222 Avocado Green 57-24-100-2 125-155-48 000112 Mint Green 43-2-49-2 155-201-152 000224 Deep Red 16-99-73-38 140-24-38 000113 White 5-2-5-0 244-245-241 000225 Pimento Red 1-100-99-11 208-10-13 000114 Cobalt Blue 86-61-0-0 43-96-170 000227 Golden Green 2-24-97-34 177-141-0 000116 Turquoise Blue 56-0-21-1 109-197-203 000236 Slate Gray 57-47-38-40 86-88-97 000117 Mineral Green 62-9-64-27 80-139-96 000241 Moss Green 66-45-98-40 73-84-36 000118 Periwinkle 66-46-1-0 102-127-188 000243 Translucent White 5-4-4-1 241-240-240 000119 Mink 37-44-37-28 132-113-113 000301 Pink 13-75-22-10 -
A New Evaluation of the Colors of the Sky for Artists and Designers
Sky Blue, But What Blue? A New Evaluation of the Colors of the Sky for Artists and Designers Ken Smith* Faculty of Art and Design, Monash University, Melbourne, Victoria, Australia Received 28 April 2006; accepted 21 June 2006 Abstract: This study describes a process of relating the solid that is capable of representing most of the colors of perceptual analysis of the colors of the terrestrial atmos- the sky using four of these pigments is proposed. phere to currently available pigments used in artists’ painting systems. This process sought to discover how the colors of the sky could be defined and simulated by these AN EMPIRICAL METHOD FOR ANALYZING pigments. The author also describes how confusion over SKY COLOR the bewildering choice of suitable pigments on offer in the market place can be clarified. Ó 2006 Wiley Periodicals, Science can explain why the earth’s atmosphere appears Inc. Col Res Appl, 32, 249 – 255, 2007; Published online in Wiley Inter- blue, the preferential scattering by air molecules of short 2 Science (www.interscience.wiley.com). DOI 10.1002/col.20291 wavelength light photons emitted from the sun. For artists the consequential questions are often more likely to Key words: art; design; sky color; perceived color; envi- be not why, but rather what; what are the blue colors that ronment; pigments; painting systems are perceived in the sky? These were the fundamental questions that lead to a reappraisal of how the colors of the sky can be represented by the pigments used in con- INTRODUCTION temporary painting systems. Before attempting to answer this question, a number of parameters had to be created. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Powder Denim Sky Teal Midnight Cerulean Navy Turquoise Cornflower Periwinkle Royal Opal Cmg 08458 Cmg 1 26 27 3 4 6 29 30 31 2 32 33
MARCH 2010 House Beautiful sp ring ALL COLO | A BOUT issue BLUE POWDER DENIM SKY TEAL MIDNIGHT CERULEAN NAVY TURQUOISE CORNFLOWER PERIWINKLE ROYAL OPAL CMG 08458 1 26 27 3 4 6 29 30 31 2 32 33 5 28 34 7 8 36 10 11 9 50 BLUE FABRICS 35 14 12 13 15 37 38 41 40 19 39 47 17 43 44 45 18 46 16 20 42 23 24 25 49 21 48 22 50 1 CLOQUE DE COTON 6 ARIPEKA 10 STRIATE IN AQUA. KaTE 14 CHRISSY IN DENIM. ViCTOria 18 FORMIA 22 DJEBEL 26 GASTAAD PLAID IN CaPri. 31 LA GAROUPE 35 LUCE 39 JUPON BOUQUET 43 OcELOT IN AZUL. KaT BURKI 47 KHAN CASHMERE IN COLOR 8. DOMINIQUE KIEffER IN HYdraNGEA. ROGERS GabriEL THROUGH STUdiO HaGAN HOME COLLECTION: IN RUSCELLO. DECORTEX IN GaLET. LELIEVRE THROUGH EriC COHLER FOR LEE JOfa: IN INdiGO. RALPH LaUREN IN NaVY. MadELINE WEINrib IN AZURE BLUE COLLECTION FOR IN BLUE MIX. HOLLAND BY RUBELLI THROUGH & GOffiGON: 203-532-8068. FOUR NYC: 212-475-4414. 212-888-3241. THROUGH BRUNSCHWIG STarK fabriC: 212-355-7186. 800-453-3563. HOME : 888-743-7470. ATELIER: 212-473-3000, X780. AND WarM WHITE. FORTUNY: STarK fabriC: 212-355-7186. & SHErrY: 212-355-6241. BERGAMO: 914-665-0800. & FILS: 914-684-5800. 212-753-7153. 7 MYRSINI 11 SIERRA MADRE 15 TANZANIA IN BLUE. CHarLES 23 CHEVRON BAR 27 VIOLETTA N IN MOONLIGHT. 32 WOOL SATEEN 36 AlTAI IN BLUETTE. 44 HINSON SUEDE 48 BARODA II IN INdiGO ON 2 FIORI IN ATLANTIC ON SEA MIST. -
148 Colour Chart
148 colour chart IVORY PRIMROSE BUTTERCUP SOFT LIME TULIP YELLOW LEMON YELLOW CANARY SUNFLOWER ALMOND BLUSH SAFFRON Y418 Y919 Y417 Y828 Y337 Y747 Y657 Y367 Y156 O819 O729 O739 VANILLA PASTEL YELLOW MUSTARD OATMEAL APRICOT HONEYCOMB GOLD AMBER PUMPKIN GINGER BRIGHT ORANGE MANDARIN O929 O949 O948 O628 O538 O547 O555 O567 O467 O136 O177 O277 ORANGE SPICE BURNT ORANGE SATIN DUSKY PINK PUTTY SUNKISSED PINK CORAL SOFT PEACH PEACH MANGO PASTEL PINK R866 O346 R946 Y129 O518 O618 O228 R937 O138 O148 O248 R738 COCKTAIL PINK SALMON PINK ANTIQUE PINK LIPSTICK RED RED BERRY RED RUBY POPPY CRIMSON CARDINAL RED BURGUNDY MAROON R438 R547 R346 R576 R666 R665 R455 R565 R445 R244 R424 M544 PALE PINK BABY PINK ROSE PINK CERISE HOT PINK MAGENTA CARMINE DUSKY ROSE BLOSSOM PINK CARNATION FUCHSIA PINK SLATE R519 R228 M727 M647 R365 M865 R156 R327 M428 M328 M137 V715 AMETHYST PURPLE MULBERRY PLUM AUBERGINE LAVENDER ORCHID LILAC BLUEBELL VIOLET PRUSSIAN BLUE PEARL V626 V546 V865 V735 V524 V518 V528 V327 V127 V245 V464 B528 CORNFLOWER COBALT BLUE CHINA BLUE MIDNIGHT BLUE INDIGO BLUE ROYAL BLUE TRUE BLUE AZURE SKY BLUE CYAN PASTEL BLUE POWDER BLUE B617 B637 B736 B624 V234 V264 B555 B346 B137 C847 C719 B119 ARCTIC BLUE DENIM BLUE AEGEAN FRENCH NAVY COOL AQUA DUCK EGG TURQUOISE MARINE PETROL BLUE HOLLY PINE EMERALD B138 C917 B146 B445 C429 C528 C247 C446 C824 G724 G635 G657 GREEN LUSH GREEN PASTEL GREEN SOFT GREEN MINT GREEN GRASS FOREST GREEN TEA GREEN GREY GREEN MEADOW GREEN APPLE LEAF GREEN G847 G756 G829 G817 G637 G457 G356 G619 G917 G339 G338 G258 BRIGHT GREEN