East Bristol Auctions 1 Hanham Business Park Antiques, Collectables & Interiors Auction

Total Page:16

File Type:pdf, Size:1020Kb

East Bristol Auctions 1 Hanham Business Park Antiques, Collectables & Interiors Auction East Bristol Auctions 1 Hanham Business Park Antiques, Collectables & Interiors Auction. Delivery, Memorial Road Hanham Bristol Postage and Packing available worldwide on all items. See South Gloucestershire www.eastbristol.co.uk for details. BS15 3JE United Kingdom Started 16 Mar 2013 10:00 GMT Lot Description 1 Three coloured glass paperweights to include one Mdina glass. tallest being 24cm. A pair of Irish Tipperary crystal glass hand cut brandy glasses that are mouth blown in original box. 13cms High x 11cms wide x 13cms 2 Depth 3 A collection of blue glass items to include 2 signed pieces of Bristol blue glass (5 in total). Tallest 8cm. 4 A Studio vase paperweight along with a perfume bottle. 39cm tall. 5 A collection of cranberry style cut glass to include decanter, bell and other items. Tallest 32cm A very good end of day coloured basket having milk glass and folded pink rim with clear glass x-handle. Together with an amber and 5A milk glass basket. 27cms high & 23cms High 6 A Mdina studio glass vase together with a Mdina glass tile signed to base 7 5 pieces of studio glass to include Lenox crystal dolphin 1996, 3 retro glass bowls and 1 coloured glass duck 8 2 glass soda siphons, one marked Schweppes to front. 35cm tall. 9 Large glass 1950's Italian handkerchief vase. 31cm tall. 10 A vintage Art Deco pink frosted glass sundae set. 26cm wide. 11 A pair of glass perfume scent bottles with etched decoration and polised bases. 17cm tall A 1960's Italian vintage drip glaze glass lamp of bulbous form. Glass body with inset drip glaze in ochre red having a chrome twin head 12 lamp above that adjusts. 49cm tall. 13 Large glass tazza having a twisted stem polished base 26 x 27 x 27 14 withdrawn from sale A 19th century French aquamarine / blue glass mineral bottle. Bulbous onion form with stem neck having illegible notation to the top. 15 28cm long. 16 A Yugoslavian three piece cut glass garniture bowl set. 17 Six pre-war pressed glass bowls along with a 1930's smoked glass salad bowl and saucer, and a Dartington cheese plate. 18 11 glass paperweights to include Murano, Cathness etc. 19 4 1930's mottled glass light shades. 4cm tall, 16cm diameter. 20 withdrawn from sale 21 A large black glass Cossack vodka ashtray together with a globe paperweight 22 A leather covered brown bottle depicts 4 various panelled sides 23 withdrawn from sale 24 An unusual end of day garniture glass bowl and vase set of iridescent form / colours. 25 4 pieces of studio glass to include Skansen etc A cut glass ships decanter with stopper along with 2 cut glass scent bottles and a vase decanter. 26cms High / 20cms high x 15cms 26 high 27 A pair of Victorian cut glass fluted wine goblets with gilt decoration having hollow stems. 19cm tall. 28 11 pieces of vintage cut and blown glass to include gilt decorated items, beakers etc, all with polished bases. Tallest 11cm. An early 20th century Bristol soda syphon by CE Beavis together with a French syphon by Stravers & Co, Earl St, St James. Together 29 with a beer bottle from Bristol United. 30cms High 30 A tall irridescent blue and green studio glass vase having angular bowl with waisted neck. 34cms Tall 31 A large irridescent studio glass stem vase together with a large bulbous green vase. 51cms & 40cms 32 4 pieces of glass wares to a decorative Danish blue bowl, a Caithness vase, an end of day coloured glass vase and another. 16cm tall. 33 A glass dressing table set with 4 candlesticks 34 An aquamarine coloured glass dressing table set 35 A quantity of glass paperweights to include control bubble and others (7 in total) 36 2 good quality Millefiori glass paperweights of decorative design. Unsigned. 37 An Art Deco style glass perfume bottle, with angular construction and stopper. 8cm tall. 38 A large pink decorative art glass bowl with a darker coloured glass pontil base. 32cm wide. 39 A set of three Art Deco style glass perfume bottles, on a bevelled glass stand (23cm long) 40 A silver plated and etched glass fruit bowl, on stand, with cherub decoration to base. 19cm x 23cm 41 A set of six small etched blue coloured drinking glasses. 42 A decorative pink coloured glass perfume bottle with metal rim. 13cm tall. 43 A twin handled amber coloured glass vase by Royal Leerdam, Holland. 29cm tall. 44 Two trinket pots with silver plated tops depicting owls along with a glass tray. 45 A glass champagne and wine cooler. 23.5cms high 46 2 late 20th century Bristol Blue glass posy vases, one with swirl decoration together with a pin dish. 13cm tall. An early 19th century John Rose & Co Coalport soup bowl and plate. Decorative design to the borders with notation to verso. 25cm 47 across. 48 A 19th century fine Indian Faience vase having a decorative foliate design to the bowl and waisted neck. 39cm tall. 2 Edwardian (1900-1920) Plaza Ware twin handles vases having good hunting scenes to each, handles in the form of trees to each 48A side. 32cms High Lomonsov USSR 1960's porcelain figurines to include a magpie, wax wing, polar bear cub, all with factory marks to base. Tallest being 49 26cm. 50 An assortment of commemorative wares (14 pieces) from Clacton On Sea and other places A pair of (2) Wadeheath handpainted 1930's Art Deco jusgs having geometric design with waisted necks and handles to each. Stamped 50A to base, shape no 787784. 20cms & 18cms HIgh 51 A quantity of Midwinter Moon pattern pottery consisting of 3 cups, 3 saucers, and a sugar bowl. 52 A large West German decorative vase (42cm) along with an Arthur Wood jug. 53 Two decorative West German vases, with markings to base. 26cm & 24cm tall. 54 Two Royal Doulton Lynn pattern Art Deco style tureens. AF 55 A West German earthen planter along with a West German studio pottery vase (20cm) and one other studio pottery vase. A mixed lot of kitchenalia to include a (possibly) silver plated German lined flask jug, a vintage glass quart measure, Hornsea style egg 56 cups, retro salt and pepper shakers etc 56A An early 1950's Pyrex glass serving dish complete with the original silver plate stand / surround. Together with a carved oak box 57 An Allum Isle of Wight pink blown glass vase along with two other pieces of coloured glass. 58 A Famille Bleu bowl / vase 59 Two Poole pottery dolphins together with four pieces of Hornsea pottery. 60 Four early ceramic pieces to include a German vase, Burleigh ware wall pocket, Kensington Shell Ware bowl and one other 61 A pair of 1930's plaster glazed decorative corgi dog figurines being 10cms high x 8cms long 62 A collection of 4 Toby jugs to include Shorter & Sons, Pirate & Sinbad 63 A pair of Chinese porcelain ducks in glazed green together with a pair of fowls (af) 64 A large Capo Di Monte china flower basket of decorative form together with a matching Capo Di Monte pot 65 A decorative continental Slovakian handmade studio vase depicting the Cheshire cat from Alice in Wonderland. Stamped to base. c 66 A collection of 32 Moorcraft Blackpool bunny rabbit figurines 67 A Chinese Qin Long tea pot 68 Withdrawn from sale 69 A Japanese coffee set to include coffee pot, sugar bowl,a creamer and 4 cups and saucers. Marked to base 70 A large West German Fat Lava Scheurich drip glazed brown vase, stamped to base 292-47. 71 2 decorative 1970's German Fat Lava vases having leaf decoration, both stamped to base with markings 72 2 decorative 1970's German Fat Lava vases being brown, one with handles to each side, both having markings to base. 73 A West German 1970's Rumptoff lidded pot together with 2 Fat Lava vases, all with markings to the base A good 1930's Clarice Cliff style flower vase. The decorative stem base having petal sides unfolding upwards. Unsigned to the base, 73A circa 1930's 74 withdrawn from sale A blue and white Guinness transfer decorated China Craft side plate in the Willow pattern style with humorous scene of two figures, one 75 saying ' My Goodness My Guinness!', circa 1963. 18cm diameter. 76 A good Beswick Hen Pigeon figurine model no 1383. Marked to base. 14cms High x 16cms Length 77 A good Beswick Cock Pigeon figurine model no 1383. Marked to base. 14cms High x 16cms Length A small collection of collectable china cups to include a Taunton tradional draught cider mug along with another, a BOvril (1950's) mug 78 and a ROAB cup and saucer dated 1933 party souvenir 79 A quantity of mid 20th century decorative china to include James Kent (old Foley) Carlton Ware, Brentleigh Ware, Sadler & Crown Ducal 80 A quantity of blue and white china to include Translucent, and Shell Ware, etc 81 Two Meissen style figurines, with crossed sword marks to base. One AF. 21cm tall. 82 A pair of porcelain German ballerina figurines marked to base. 10cm high. 83 A John Bull Winston Churchill tankard having British Bulldog and adorned with Union Jack flags 84 A Majolica style leaf dish with three frogs sat on the rim. 13cm x 28cm. 85 A pair of Victorian Majolica plates with pointed leaf pattern, marked to base. 86 A pair of Majolica 'His & Her' busts, marked to base '2061'. 16cm tall. A quantity of china to include Carlton Ware Australian design, 1900's Crested Ware cheese dish 'Aberdare,' a Staffordshire coach & 87 horses together with an early soap dish 88 Four pieces of West Germany studio pottery to include Scheurich, Rumtopf, and a bulbous vase.
Recommended publications
  • 1999 + Credits
    1 CARL TOMS OBE FRSA 1927 - 1999 Lorraine’ Parish Church Hall. Mansfield Nottingham Journal review 16th Dec + CREDITS: All work what & where indicated. 1950 August/ Sept - Exhibited 48 designs for + C&C – Cast & Crew details on web site of stage settings and costumes at Mansfield Art Theatricaila where there are currently 104 Gallery. Nottm Eve Post 12/08/50 and also in Nottm references to be found. Journal 12/08/50 https://theatricalia.com/person/43x/carl- toms/past 1952 + Red related notes. 52 - 59 Engaged as assistant to Oliver Messel + Film credits; http://www.filmreference.com/film/2/Carl- 1953 Toms.html#ixzz4wppJE9U2 Designer for the penthouse suite at the Dorchester Hotel. London + Television credits and other work where indicated. 1957: + Denotes local references, other work and May - Apollo de Bellac - awards. Royal Court Theatre, London, ----------------------------------------------------- 57/58 - Beth - The Apollo,Shaftesbuy Ave London C&C 1927: May 29th Born - Kirkby in Ashfield 22 Kingsway. 1958 Local Schools / Colleges: March 3 rd for one week ‘A Breath of Spring. Diamond Avenue Boys School Kirkby. Theatre Royal Nottingham. Designed by High Oakham. Mansfield. Oliver Messel. Assisted by Carl Toms. Mansfield Collage of Art. (14 years old). Programme. Review - The Stage March 6th Lived in the 1940’s with his Uncle and Aunt 58/59 - No Bed for Bacon Bristol Old Vic. who ran a grocery business on Station St C&C Kirkby. *In 1950 his home was reported as being 66 Nottingham Rd Mansfield 1959 *(Nottm Journal Aug 1950) June - The Complaisant Lover Globe Conscripted into Service joining the Royal Theatre, London.
    [Show full text]
  • Download Bristol Walking
    W H II T RR EE E D L H LL A A A N M D D II PP E TT G O S R N O V R RR EE O O W AA OO A D H RR U D BB G RR II B A LL S CC R E M ONO R E H N LL H A E H T H CC H R Y A CHERCH R TT EE RR A S O O O Y EE 4 M AD H LL E N C D II SS TT 1 RTSEY PP E L CC D R K N L 0 T TT A EE S EE O R HA S O G E CC NN 8 K A N C E N N AA E P M IIN A TT Y RD LEY RO B F H D W L II R F S P R PP M R R L RD W Y CC Y II K D A E O EE N R A A D A U R DD O O E U LLLL A AA D RD RR WAVE A H M EN A B P S P RR N O TT D M LL KK V TT A ININ T C D H H H R BB BB DD LA E O N T AD E R NN K S A A A EE A SS S N C A G RO B E AA D T VI M A L S OO A T RR D TT A OA ST RONA U M L B TT NER A OO O O C NN DD R E RR TT AAN TT M R E O B RR JJ CK T H Y EE NN OOH RONA O II N II R G R L O PP T R EE N OO H N O L AA RR A A RR II RR D T LL CH A A A A NSN C A O T RR O OO V T A R D N C SS V KK DD S D E C VV W D O R NSN H EE R R F EE L R O UU A L S IIE L N AD R A L L II N TT R IAL D K R H U OADO A O O ER A D R EE P VE OD RO O TT N AD O A T T IMPERIIM W D CC NE E D S N II A E OA N E L A D V E R F PP A S R E FR N R EY KK V D O O O TL A E UG T R R T HA RR R E ADA G R S W M N S IIN Y D G A A O P LL E AL PP R R S L L D N V Y WE H YN T II IIN DE WE S R L A LLE C A Y N O E T G N K R O F M N RORO II HA D TO R E D P A T E Y II L R L E P L Y E A A M L R E DD D U E E A R D U F MPTOM H N M R AA M AD A V A W R R R W T W L OA OA M OA S O M OO A IIL T HA R A C L O D L E L RR D A D P K D D II E E N O E AM Y D T HAM VA R R R O T T AD CO D N VE OR N O O M Y BBI D ST F COTHAMC R THA I ST A A FORD AA C T R ITIT G D T M O
    [Show full text]
  • Press Fact Sheet – Literary Bristol
    Destination Bristol 53 Queen Square I Bristol I BS1 4LH I www.VisitBristol.co.uk Media Contact: [email protected] I Tel: 0117 946 2203 PRESS FACT SHEET – LITERARY BRISTOL As you wander through the streets of Bristol it is easy to see how writers have been inspired by this beautiful and diverse city. Bristol is well known for being the birthplace of Robert Southey. Southey, a close friend of Wordsworth and Coleridge, whom he met in Bristol, later became a Poet Laureate. Although he only spent his early years living in Bristol, his time here had a lifelong influence on his work. William Wordsworth was also influenced by Bristol, it is said that he wrote the famous poem 'Lines Composed a Few Miles above Tintern Abbey' in Bristol at the house of Joseph Cottle who owned a book shop on the High Street. Samuel Taylor Coleridge launched his magazine, 'The Watchman,' in Bristol in 1795 at The Rummer hotel, in the heart of the Old City. Not all the poetry in Bristol has a happy history. The young Bristolian Thomas Chatterton, now a respected and revered contributor to Britain's literary past, was born and brought up near Redcliffe, where his family had held the office of sexton at St Mary Redcliffe for nearly 200 years. Educated at Colston's School, Chatterton later moved to London to find fame and wealth. After finding that he was not fitting in with his peers and failing to get his poems published, he took his own life at the young age of 17.
    [Show full text]
  • The Road to Bristol Old Vic
    250 YEARS OLD Thank you for being part of one of the most significant anniversaries in the history of British theatre. We’ve done our best to curate a programme worthy of your efforts, inspired by the astonishing creativity of the thousands of artists – from Sarah Siddons to Sally Cookson – who have delighted and entertained you and your forebears over the last 250 years. But at heart, ours is a story of passion, survival and reinvention. All the other theatres producing plays in 1766 have fallen down or been demolished because, at some point in their history, their audiences abandoned them. This one has survived because each time it’s faced disaster, Bristolians from all over the world have given it new life. It happened in 1800, when popular demand led to the ceiling being tipped up and the new gallery being built, increasing the capacity to an eye-watering 1,600. It happened in 1933 when Blanche Rogers initiated the campaign that the old place should be saved and become ‘Bristol’s Old Vic’. It happened in 2007 when Dick Penny held the open meeting (which many of you attended), leading to the Arts Council continuing its vital support for the theatre. And it’s happening throughout this wonderful anniversary, as you carry us towards the final stage of the refurbishment that will set us securely on our adventures over the next 250 years. So as you read about the shows we’re staging and the projects we’re curating during our birthday year, don’t forget to give yourself a warm pat on the back for being the people who are, in the end, responsible for all of it.
    [Show full text]
  • Local Plan Was Adopted on December 16Th 1997
    B RISTOL L OCAL P LAN The city council wishes to thank all the people of Bristol who were involved in planning the future of our city by making comments on the formulation of this Plan. After five years of debate involving consultation, a public local inquiry and modifications, the Bristol Local Plan was adopted on December 16th 1997. The Plan consists of this written statement and a separate Proposals Map. For further information, please contact Strategic and Citywide Policy Team Directorate of Planning, Transport and Development Services Brunel House St George’s Road Bristol BS1 5UY Telephone: 903 6723 / 903 6724 / 903 6725 / 903 6727 Produced by: Planning content The Directorate of Planning, Transport and Development Services Technical Production Technical Services and Word Processing Bureau of the Planning Directorate Graphic & 3-D Design Unit of the Policy Co-ordinator and Chief Executive’s Office Printed by Bristol City Council Contract Services – Printing and Stationery Department, Willway Street, Bedminster GRA1865 20452 P&S Printed on recycled paper ADOPTED BRISTOL LOCAL PLAN DECEMBER 1997 P REFACE The Bristol Local Plan was formally adopted in December 1997 after a long and lively debate involving many thousands of local people and numerous organisations with a stake in the city’s future. Bristol now has up to date statutory planning policies covering the whole city. This Plan will guide development up to 2001 and form the basis for a review taking Bristol into the 21st Century. The Plan sets out to protect open space, industrial land, housing, shopping and local services and to promote the quality of life for all the citizens of Bristol.
    [Show full text]
  • Youth Culture and Nightlife in Bristol
    Youth culture and nightlife in Bristol A report by: Meg Aubrey Paul Chatterton Robert Hollands Centre for Urban and Regional Development Studies and Department of Sociology and Social Policy University of Newcastle upon Tyne NE1 7RU, UK In 1982 there were pubs and a smattering of (God help us) cocktail bars. The middle-aged middle classes drank in wine bars. By 1992 there were theme pubs and theme bars, many of them dumping their old traditional names in favour of ‘humorous’ names like The Slug and Lettuce, The Spaceman and Chips or the Pestilence and Sausages (actually we’ve made the last two up). In 2001 we have a fair few pubs left, but the big news is bars, bright, shiny chic places which are designed to appeal to women rather more than blokes with swelling guts. In 1982 they shut in the afternoons and at 11pm weekdays and 10.30pm Sundays. In 2001 most drinking places open all day and many late into the night as well. In 1982 we had Whiteladies Road and in 2001 we have The Strip (Eugene Byrne, Venue Magazine July, 2001 p23). Bristol has suddenly become this cosmopolitan Paris of the South West. That is the aspiration of the council anyhow. For years it was a very boring provincial city to live in and that’s why the music that’s come out of it is so exciting. Cos it’s the product of people doing it for themselves. That’s a real punk-rock ethic. (Ian, music goer, Bristol). Contents Contents 2 List of Tables 5 Introduction 6 Chapter 1.
    [Show full text]
  • Pints West 122, Summer 2019
    No. 122 Summer 2019 INTS WES P Multi-award-winning magazine of the Bristol & District T and Bath & Borders branches of CAMRA, the Campaign for Real Ale Contents The opening of the Lyons Den Page 8 BAD Ladies he spread of micropubs in East Bristol continues! Following Page 40 BADRAG (rare ales group) Snuffy Jack’s in Fishponds and the Wooden Walls in Staple Hill, Page 30 Bath pub and brewery news TKingswood now has the Lyons Den, which opened around the Page 11 Bristol & District pub of the year beginning of May. Page 10 Bristol Beer Festival (cover photo) Named after the owner Sam Powell’s grandfather, whose surname was Page 36 Bristol Pubs Group Lyons, the Lyons Den is – like many a micropub – a conversion from a Page 23 Butcher’s Hook pub design award former shop (in this case a charity shop). TS W Page 51 CAMRA diaries & contacts IN ES The Lyons Den offers a wide and changing selection of real ales, Page 39 Cider: Ganley & Naish mostly from local breweries. On my recent visits there have been cask P T Page 18 Cider Saunter around the harbour The multi-award-winning magazine of the Bristol & District beers from breweries such as Good Chemistry, Croft Ales, Moor Beer, Page 44 Good Beer Guide selection Cocksure, New Bristol Brewery and Bristol Beer Factory, as well as a branch of CAMRA, the Campaign for Real Ale, plus the Bath Page 22 Inn and around Portishead couple of keg beer lines. Cider is also available, including the locally & Borders branch Page 19 Micropubs by no.
    [Show full text]
  • Company Name Property Reference Property Address RV Clarks Pies Ltd 00014109259009 259, North Street, Bedminster, Bristol, BS3 1
    Company Name Property Reference Property Address RV Clarks Pies Ltd 00014109259009 259, North Street, Bedminster, Bristol, BS3 1JN 10100 00014566016001 Bridge Inn, 16, Passage Street, Bristol, BS2 0JF 10100 Bristol City Council (Nh) 00012830999023 1-20 Transit Gypsy Site, Kings Weston Lane, Kings Weston, Bristol, BS11 8AZ 10150 0001430702601A Red Lion, 26, Worrall Road, Bristol, BS8 2UE 10150 00013173001006 Colloseum, Redcliff Hill, Bristol, BS1 6SJ 10200 00012362010101 Pt 1st & 2nd Flr, 10-12, Gloucester Road, Bishopston, Bristol, BS7 8AE 10250 00012362045016 45, Gloucester Road, Bishopston, Bristol, BS7 8AD 10250 Heliocentric Ltd 00012362064006 64, Gloucester Road, Bishopston, Bristol, BS7 8BH 10250 The Olive Shed Ltd 00012362123003 123, Gloucester Road, Bishopston, Bristol, BS7 8AX 10250 0001236213500B 135, Gloucester Road, Bishopston, Bristol, BS7 8AX 10250 00012362166023 166-168, Gloucester Road, Bishopston, Bristol, BS7 8NT 10250 The Co-Operative Group Ltd 00012362278012 278, Gloucester Road, Horfield, Bristol, BS7 8PD 10250 00012362287029 287, Gloucester Road, Bishopston, Bristol, BS7 8NY 10250 Philtonian Retail Ltd 00012362322012 322-324, Gloucester Road, Bishopston, Bristol, BS7 8TJ 10250 00012362393034 393-395, Gloucester Road, Bishopston, Bristol, BS7 8TS 10250 Mobile Broadband Network Ltd 00012432122456 T Mobile 68643 On Rooftop, Unit 15, Albion Dockside Estate, Hanover Place, Bristol, BS1 6UT 10250 Good Morning Foods Ltd 00012444102212 Unit C, Netham Ind Park, Netham Road, Bristol, BS5 9PJ 10250 May Gurney Ltd 00012499047101
    [Show full text]
  • Bristol's Post-Assessment Report 2015
    BRISTOL 2015 EUROPEAN GREEN CAPITAL Photo credit: Pattenden Andre Photo It doesn’t In it for stop here good CITYWIDE REVIEW Design: 375.co.uk O cial Partners O cial Supporters O cial Suppliers BRISTOL EUROPEAN GREEN CAPITAL 2015 CITYWIDE REVIEW BRISTOL EUROPEAN GREEN CAPITAL 2015 CITYWIDE REVIEW CONTENTS 04 20 OUR JOURNEY INSPIRING CHANGE Welcome 04 Telling Our Story 22 Foreword 06 Our Opening Ceremony 26 Working Together 08 Raising Awareness 30 Our Plan 10 Our Poet in Residence 32 The Funding 12 Our Local Currency 32 Our Vision 14 Bristol 2015 Lab 34 Highlights 16 Do15 in 2015 36 University of Bristol 42 University of the West of England 44 Destination Bristol 45 46 86 124 LOCAL EMPOWERMENT SUSTAINABILITY IT DOESN'T STOP HERE LEADERSHIP & INTERNATIONAL PROFILE Grants Programme 48 Bristol Green Capital Our Closing Ceremony 126 Partnership 88 National Schools 'It doesn't stop here' Programme 58 Green Tech Festival 92 Campaign and Activity 128 The Views of the European Go Green 62 Solar Balloon 96 Commission 130 Volunteering Programme 64 Fog Bridge 98 Thanks, Credits and Neighbourhood Arts Council England Acknowledgements 134 Arts Programme 66 Exceptional Award 100 Bristol City Council Sanctum 102 Green Capital Projects 72 Time and Space 103 Museums Programme 78 Withdrawn 103 Life Raft 80 Metamorphosis 104 Cunae 81 The Bristol Whales 108 Bristol's Festivals 82 Festival of the Future City 112 The Bristol Method 114 Happy City Index 115 The Bristol Summit Series 116 International Programme 120 COP21 122 WELCOME TO BRISTOL 4 BRISTOL EUROPEAN GREEN CAPITAL 2015 CITYWIDE REVIEW Bristol’s much more than a city.
    [Show full text]
  • The Preservation and Repair of Historic Stained and Leaded Glass Neal A
    PRESERVATION 33 BRIEFS The Preservation and Repair of Historic Stained and Leaded Glass Neal A. Vogel and Rolf Achilles National Park Service U.S. Department of the Interior Heritage Preservation Services “Stained glass” can mean colored, painted or enameled glass, and other building elements has shaped and colored or glass tinted with true glass “stains.” In this Brief the light in infi nite ways. term refers to both colored and painted glass. “Leaded glass” refers generically to all glass assemblies held in place by lead, Stained and leaded glass can be found throughout copper, or zinc cames. Because the construction, protection, America in a dazzling variety of colors, patt erns, and and repair techniques of leaded glass units are similar, textures (Fig. 1). It appears in windows, doors, ceilings, whether the glass itself is colored or clear, “stained glass” and fanlights, sidelights, light fi xtures, and other glazed “leaded glass” are used interchangeably throughout the text. features found in historic buildings (Fig. 2). It appears in all building types and architectural styles—embellishing Glass is a highly versatile medium. In its molten the light in a great cathedral, or adding a touch of state, it can be spun, blown, rolled, cast in any shape, decoration to the smallest rowhouse or bungalow. A and given any color. Once cooled, it can be polished, number of notable churches, large mansions, civic beveled, chipped, etched, engraved, or painted. Of buildings, and other prominent buildings boast all the decorative eff ects possible with glass, however, windows or ceilings by LaFarge, Tiff any, Connick, or none is more impressive than “stained glass.” Since one of many other, lesser-known, American masters, the days of ancient Rome, stained glass in windows but stained or leaded glass also appears as a prominent feature in great numbers of modest houses built between the Civil War and the Great Depression.
    [Show full text]
  • Spring 2013 Bristolcivicsociety.Org.Uk
    ETTER RISTOL B The Bristol Civic Society magazine B Issue 02 Spring 2013 bristolcivicsociety.org.uk including Annual Review and AGM details An independent force for a better Bristol Contents Join us 2 FEATURES Bristol Civic Society 4 Cumberland Piazza – Ray Smith - an independent force for a better Bristol 5 Temple Meads transport hub – Dave Cave - is a registered charity. 8 Ready, willing and able? – Christopher Brown 9 Unbuilt Bristol – Eugene Byrne A large part of our income, 10 Know your heritage at risk – Pete Insole which comes from membership subscriptions, 12 Local List – Bob Jones is spent on producing this magazine. 13 New Hope for Old Market – Leighton Deburca If you are not already a BCS member and would like 14 Census and Sensibility – Eugene Byrne to support us and have Better Bristol magazine 16 Saving Ashton Court Mansion – Peter Weeks delivered to your address, please consider joining us. 17 Bristol’s listed gardens - Ros Delany 18 The Architecture Centre - Christine Davies Individual membership for the first year is £10 if you set up a standing order and £20 annually thereafter. BRISTOL CIVIC SOCIETY ANNUAL REVIEW Contact Maureen Pitman, Membership Secertary 19 Chair’s Statement • [email protected] & AGM Invitation - Heather Leeson 0117 974 3637 20 Public Spaces Group 2012 Reviews - Alan Morris bristolcivicsociety.org.uk/ 21 Historical Group membership/membership form 2012 Review - Alan Morris 21 Heritage Group - Mariateresa Bucciante 22 Planning Application Group 2012 Review - John Payne 22 Notes
    [Show full text]
  • Vol. 24, No. 11 November 2020 You Can’T Buy It
    ABSOLUTELY FREE Vol. 24, No. 11 November 2020 You Can’t Buy It Tom Stanley, 2020 Untitled Attic Drawing #5 Acrylic Painting by Tom Stanley is part of the exhibit Hampton Gold 50 Years showing at Hampton III Gallery in Taylors, SC, from November 12 - December 31, 2020 ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Hampton III Gallery, Tom Stanley Page 3 - Art Support: NC Arts Council, SC Arts Council, CERF & Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site National Endowment for the Arts Page 4 - Editorial Commentary, City of North Charleston, Charleston Artist Guild & Page 5 - Ella Walton Richardson Fine Art Meyer Vogl Gallery Page 6 - Meyer Vogl Gallery cont. & Lowcountry Artists Gallery Page 6 - Kathryn Whitaker Page 8 - Lowcountry Artists Gallery cont. & Helena Fox Fine Art Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 9 - Helena Fox Fine Art cont., Gibbes Museum of Art & Ella Walton Richardson Fine Art Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Page 10 - Ella Walton Richardson Fine Art cont. & Art League of Hilton Head Page 11 - Art League of Hilton Head cont. & Bluffton Artisan Markets The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 12 - Hampton III Gallery / 50 Years Page 8 - Halsey McCallum Studio & Wells Gallery Page 13 - Greenville Open Studios 2020 & Artists Collective | Spartanburg Page 9 - Whimsy Joy by Roz & Deane V.
    [Show full text]