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Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
February 26, 2019 (XXXVIII:5) Jean-Luc Godard: BREATHLESS/À BOUT DE SOUFFLE (1960, 90 Min.)
February 26, 2019 (XXXVIII:5) Jean-Luc Godard: BREATHLESS/À BOUT DE SOUFFLE (1960, 90 min.) DIRECTED BY Jean-Luc Godard WRITING François Truffaut and Claude Chabrol (original scenario), Jean-Luc Godard (screenplay) PRODUCER Georges de Beauregard MUSIC Martial Solal CINEMATOGRAPHY Raoul Coutard FILM EDITING Cécile Decugis CAST Jean Seberg...Patricia Franchini Jean-Paul Belmondo...Michel Poiccard / Laszlo Kovacs Daniel Boulanger...Police Inspector Vital Henri-Jacques Huet...Antonio Berrutti Roger Hanin...Carl Zubart Van Doude...Himself Claude Mansard...Claudius Mansard play of shot-reverse shot' used in many Hollywood productions” Liliane Dreyfus...Liliane / Minouche (as Liliane David) (NewWaveFilm.com). In the article, Godard “praised the use of Michel Fabre...Police Inspector #2 shot-reverse shot as crucial to conveying a character’s mental Jean-Pierre Melville...Parvulesco the Writer point of view and their inner life.” In 1956, after returning to Jean-Luc Godard...The Snitch Paris from Switzerland and making his first two films, Godard Richard Balducci...Tolmatchoff returned to find that Cahiers du cinema, led by Francois Truffaut, André S. Labarthe...Journalist at Orly had become the leading film publication in France. Godard François Moreuil...Journalist at Orly would once again join the fray of French film enthusiasts championing the techniques of Hollywood auteurs like JEAN-LUC GODARD (b. December 3, 1930 in Paris, France) Hitchcock and Hawks, contributing articles “on some of his once said “All great fiction films tend toward documentary, just favorite auteurs such as Otto Preminger and Nicholas Ray” and as all great documentaries tend toward fiction.” Godard began his continuing “his theoretical debate with André Bazin” who film career with a short, which he directed, wrote, edited, acted “continued to commend the long take for its approximation to in, and did cinematography for. -
Memo, James Lynn To
The original documents are located in Box C50, folder “Presidential Handwriting, 10/6/1976” of the Presidential Handwriting File at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. EXECUTIVE OFFICE OF THE PRESIDENT OFFICE OF MANAGEMENT AND BUDGET OCT 6 1J76 INFORMATION MEMORANDUM FOR: THE P~S ENT FROM: James . Lynn SUBJECT: Artie e ~n Pensions Thank you for sending me your comments about the article on pensions. The article identifies a number of significant problems. The Civil Service Commission is currently doing a comp~ehensive evaluation of the financing mechanism for the Civil Service Retirement and Disability System, taking into account the Board of Actuaries 1972 report and the financing criteria established by the Employees Retirement Income Security Act of 1974. The study will cover: 0 The pegging of government retirement programs to a cost of living index, 0 The effects of inflation on total retirement cost, 0 The ability of future generations to support the drawdowns made against the fund by retired persons. -
100 YEARS at the PHOENIX Archive of an Oxford Cinema 1913 – 2013
100 YEARS AT THE PHOENIX Archive of an Oxford Cinema 1913 – 2013 Hiu M Chan Dedicated to the Phoenix and Oxford with love This archive is part of a post-graduate research project and so is work-in-progress. While every effort has been made to weed out errors and inconsistencies – derived from the source material (newspaper microfi che archives) – some will have inevitably slipped through. If you spot any errors and omissions please get in touch via the website http://phoenixcentenary.wordpress.com and we will update the database. The publishers are not responsible for the verifi cation of the entries; that is my remit. Thank you. Hiu M Chan and the Phoenix Centenary Project Published in conjunction with the centenary of the Oxford Phoenix Picture, 57 Walton Street, Oxford OX2 6AE © Hiu M Chan, 2013 All right reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any means, electronic or mechanical, without prior written permission of the author. ISBN 978-0-9567405-5-7 Design: Nick Withers Associate Editor: James Harrison Film lists typeset in Helvetica Neue Digitally printed and bound in England by Charlesworth Press, Wakefi eld, Yorkshire A special limited hardback edition was also published exclusively for use in the cinema on the 100th anniversary, 15th March 2013. For further details, research feedback, or to input any updates, corrections or amendments please contact: www.hiuandfi lm.com Oxfordfolio, 100A Cowley Road, Oxford OX4 1JE Preface 15th March 2013 marks the 100th anniversary of the Phoenix Picturehouse Cinema in Oxford. -
The Inventory of the Stanley Kauffmann Collection #1824
The Inventory of the Stanley Kauffmann Collection #1824 Howard Gotlieb Archival Research Center Kauffmann, Stanley #1824 12/12/13, 1/27/14 Preliminary Listing I. Printed Materials. (See also Series XI: Printed Materials.) A. Files. Box 1 1. “35 Pieces for Book on Literary Criticism,” 1959-1966. [F. 1] 2. “Ads,” 1955. [F. 2] 3. “AFC Reviews,” 1973-1975. 4. “Brenton, Times April 23, 2006,” 2006. [F. 3] 5. “Consider Lily, Cape May,” 1938-1939. 6. “Educational Material,” 1937-1942. [F. 4] 7. “Figures of Light,” 1971-1974. [F. 5] 8. “Film Preservation,” 1989-1990. 9. “Gielgud,” n.d. 10. “The Great Magoo,” n.d. 11. “Holland,” 1964-1972; includes correspondence; subfiles: [F. 6-11] a. Re: Dutch booklets and reviews on Writing. b. Re: 1972 correspondence. 12. “Hugo Poem,” 1971. [F. 12] 13. “Iceland,” 1970-1972. [F. 12-13] 14. “Interview with Film/Lit Quarterly,” 1987. [F. 14] 15. “Interviews,” 1972-1999. 16. “J. Simon Telluride,” 1998. 17. “Living Images—Jahiel,” n.d. [F. 15] 18. “Man of the World,” 1956. 19. “Martin Bernstein Reminiscences and Thanks,” n.d.; 8 copies. Box 2 20. “Memories Art Pictures,” 1928-1934; includes correspondence; juvenilia. [F. 1] 21. “Neg. + Misc.,” 1955. 22. “The New Republic,” 1964. 23. “NY Times pub 1998 Vanity Fair Telluride,” 1998. [F. 2] 24. “Out American Theater on Times Articles,” 1998-1999. 25. “Persons [illegible],” 1976-1977. [F. 3] 26. “Persons of the Drama,” 1976. 27. “Pinter Interview,” 1967-1971. 28. “Philanderer Trial,” 1953-1954. [F. 4-5] 29. “Players,” 1933-1980; includes subfiles: [F. 6] a. “New Plays Chronological,” 1936-1980.