Strawberries

Total Page:16

File Type:pdf, Size:1020Kb

Strawberries THE DAILY ASTORIAN • TUESDAY, MAY 31, 2016 3A Brazilian immigrant brings passion for justice to the law of terms, her school sched- cases at Guy Glenn. Out- Former ule was less demanding, but side of the courtroom, this exchange Nogueira was still going full- involves lots of research, steam. In March 2015, she conducting interviews, and student returns started working as a “Rule negotiating with prosecutors Nine intern” for Guy Glenn to get fair deals for her cli- as lawyer Law Firm, meaning that she ents, Nogueira said. could perform limited legal As a member of the drug By NATALIE ST. JOHN duties, under supervision court panel, Nogueira helps EO Media Group from experienced attorneys. supervise offenders who have been given a chance to get LONG BEACH, Wash. — Battle of the bar serious about sobriety, in lieu Paciic County’s newest attor- Nogueira inished law of jail time or other traditional ney has a rare gift for pick- school in August, about a year punishments. The offenders ing ambitious goals, and then before most of her peers, and have to take drug tests, fol- achieving them in record time. married Maneman in a sim- low a 12-step program and Originally from Brazil, ple ceremony in December. consistently update the panel Pamella Nogueira, 25, irst She had one remaining obsta- on their progress. Nogueira came to Raymond as 15-year- cle standing between her and says she is “passionate” about old exchange student. A Natalie St. John/EO Media Group full-ledged attorney status: alternative programs like drug decade later, Nogueira, who Pamella Nogueira is a new attorney working for the Guy Glenn Law Firm. The bar exam. court — she believes they was admitted to the Washing- Few law students graduate have real potential to help ton State Bar in April, is living her language skills rapidly Tacoma, her advisors told her if she could get it done in two ready to take the notoriously people with mental illnesses in Raymond again, married to improved. She loved the Han- she couldn’t study law as an years. They thought she was dificult test, Nogueira said. or addictions break out of the a local man, and launching her sons and the other locals she undergraduate, so she had to nuts. In 2015, about 77,000 U.S. often endless cycle of poverty, career in the justice system. got to know. pick another major. “Those advisors had no law students took the bar, and crime and incarceration. During an interview at her “It was probably the “I said, ‘OK, which ones faith in me!” Nogueira said. just 59 percent of them passed, “I feel that sometimes, ofice, Nogueira talked aboutbest experience of my life. can I take the fun classes “They told me, ‘You can’t according to the National Con- these people are not being her passion for social justice, The people were so nice. It with?’” Nogueira remem- do it.’ I said, ‘Well, I’ll see ference of Bar Examiners. given a proper response to her breakneck journey through was incredible,” Nogueira bered. The advisors sug- you later then, after I get my Nogueira sat for the bar in their actions. I feel that some- law school, and how she found recalled. Although Raymond gested a major in “politics, degree!’ I didn’t sleep much.” February. It was a relief to be times we don’t have the a home-away-from-home in couldn’t be more different philosophy and economics.” Nogueira took enormous done, but she didn’t allow her- proper response,” Nogueira Raymond. than her busy tropical home- “They promised me I only course-loads, waking up as self to believe she was really said. “They keep reoffend- town, she felt totally at home. had to take one more eco- early as 3 a.m., to drive to done until after she received ing, reoffending, reoffend- From São Paulo “I like the rain, I like the nomics class, so that was Seattle as much as ive daysher test score in April. ing. If jail didn’t work once, to Raymond green, I like the quietness,” OK!” Nogueira laughed. That a week, often while working “I had to Google it. After it didn’t work twice, it didn’t Nogueira grew up in São Nogueira said. major allowed her to take lots part time. I Googled it, I still didn’t work three times, is it going to Jose Dos Campos, a large city of classes about human rights At the end of the irst year, quite buy it. It took me a cou- work the fourth time?” in the Brazilian state of São High-speed higher — a topic she’s still passion- she had to do an externship ple of hours to believe I actu- Given her fondness for Paulo. Both of her parents are education ate about. She graduated for school credit. She clerked ally had passed,” Nogueira staying busy, perhaps it’s attorneys, and her father still Nogueira started studying about a year later, in August for Paciic County Superior remembered. not surprising that Nogueira runs a private criminal law law at a Brazilian university, 2012. Court Judge Michael Sulli- moved pretty seamlessly practice. Their enthusiasm for but eventually, both she and “I’m not a fan of school, van, which involved keep- Practicing law locally from school to career with- law was contagious. her sister — another attorney so I hurry a bit,” Nogueira ing records, preparing reports Nogueira inds a sense of out ever taking a real break. “I went to career day in who now works as an auditor joked. “If I know I have to about upcoming cases, and purpose in practicing law in After keeping up such a irst grade dressed as an attor- at a large Chicago accounting get it done, I just do it.” doing legal research. Nogueira a rural community. demanding schedule during ney. I guess that’s when it irm — decided to try their liked working for Sullivan so “It’s an opportunity of her whirlwind educational started!” Nogueira said. She luck in the U.S. Commuting to much that she extended her making sure that our rights spree, she said, settling into only considered other career Nogueira enrolled in an law school externship, and even contin- are being respected, and “real life” in her adopted options very briely. intensive English program at By the time she entered ued volunteering for a couple things are done the proper hometown almost feels like a “You have such an access Tacoma’s Paciic Lutheran University of Washington of months after it ended. That way. Even if a person is vacation. to helping people. It’s amaz- University. It was supposed to Law School, Nogueira was experience proved invaluable, guilty, they deserve to have Laughing, Nogueira said, ing,” Nogueira explained. take six months, but Nogueira dating her future husband, as it helped her get to know a fair, just, proportional pun- “I’m still trying to igure out “Even if I choose not to be powered through the curricu- Todd Maneman, a Raymond the local members of the legal ishment,” Nogueira said. what people do for hobbies, an attorney per se, there’s just lum. After three months, her electrician, so she decided to community, including her These days, she’s tak- now that I only have one full- so much I could do. I never advisors ran out of work for commute to law school. future employers attorneys ing on bigger, more complex time job!” found anything else that had her to do, and cut her loose. Typically, UW’s compet- Guy Glenn and Nate Need- that many opportunities.” She registered at a community itive, highly demanding law ham, of Guy Glenn Law Firm When Nogueira irst college and began earning the program takes three years, but in Long Beach. came to stay with the Han- credits she needed to transfer Nogueira asked her advisors During her last couple h son family in Raymond for to an American university. Fres Oregon Hood six months, she only spoke When she enrolled at 2016 very basic English. However, University of Washington, OR S H A N G H A I E D IN ASTORIA JUNI STRAWBERRIES Tw o w eeken ds on ly! JU N E 10-12 • 17-19 A CCE P T IN G NEW P AT IE N T S Fr id a y a t 7p m Available Now D oors opening a t 6:30 PICKED S a tu r d a y & S u n d a y a t 2p m Monday - Saturday D oors opening a t 1:30 11 a.m. to 4 p.m. D AI L Y! Astoria Chiropract i c Directed by Bill Ca r BARRY SE ARS, D.C. and p e rform ed Watch for us at the corner of by our yo u t h theatre troup AUTO ACCIDEN TS Marlin & 101 in Warrenton at W O RK -RELATED IN JURIES the Putman Pro-Lube Center Call 503-359-5204 for more info. Don’t delay! Call to d a y ! W e bill m o st insurance Tick e ts $10 Ad u lts | $5 Kid s (no o th e r disco u n ting) ASOC Playhouse FRIDAY PERFO RM AN C ES O N LY $5 129 Bond St., Astoria | 503-325-6104 com pa n ies in clu din g M edica re P u rc h a se on lin e a t www.a storstreetoprycom pa n y.com o r ca ll 503-325-6104 | P u rc h a se ticket s a t th e door 1 h o u r Sponsored by 503-325-3311 2935 M ARIN E DR • A S TO RIA before sh o w tim e, but reserva tio n s recom m en ded Wauna Fed eral Cred it Un ion Fo r more inform a tion, ca ll 503-359-5204 THE DAILY Evening listings ASTORIAN LISTINGS TUESDAY TUESDAY EVENING A - Charter Astoria/ Seaside - L - Charter Long Beach MAY 31 A L 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 (2) KATU (2) KATU News at 6 Jeopardy! Wheel of Fortune 500 Questions (N) Fresh Off the Boat Fresh Off the Boat KATU News at 11 (:35) Jimmy Kimmel (-) KOMO (4) KOMO 4 News Wheel of Fortune Jeopardy! 500 Questions (N) Fresh Off the Boat Fresh Off the Boat KOMO 4 News (:35) Jimmy Kimmel (-) KING (5) NBC Nightly News KING 5 News KING 5 News Evening America's Got Talent "Auditions" (N) Maya and Marty in Manhattan (P) (N) KING 5 News (:35) Tonight Show (6) KOIN (-) KOIN 6 News at 6 CBS Evening News Extra Ent.
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Theater in His “College Dorm Room” Way of ANGELIKA FILM CENTER Midtown Manhattan While Life
    THE NEW YORK TIMES, FRIDAY, JULY 22, 2016 N C7 Film in Review proudly shows the camera what he The Seventh Fire calls his “criminal organization” chest Not rated tattoo, and the diluted dope he cooks Running time: 1 hour 18 minutes up. Mr. Brown cuts the hair of his The only genuine moments of peace quasi-protégé Kevin, a teenager con- in the searing documentary “The tent to do small-time drug dealing Seventh Fire” come at the very begin- until he can graduate to something ning: lyrical shots of headlights mov- bigger — Kevin has a “Scarface” post- ing forward on a long stretch of road at er hanging in his house. He’s a little daybreak. After that, the director, Jack unsure just how much he wants a Pettibone Riccobono, practically grabs criminal life, though, and he’s es- viewers by the backs of their necks tranged from his father, a recovering and shows them the bleak lives of two alcoholic who catches leeches to sell residents of Pine Point, an Ojibwe for bait. village in northern Minnesota on the When Mr. Brown learns he has to White Earth Indian Reservation. return to prison, he organizes a Rob Brown, a onetime gang leader, farewell blowout. In one scene, Kevin is shown dealing, and using, with white teenagers from a neighboring town. The movie provides startling, detailed looks at the wrecks drug addicts become. Mr. Brown’s binge during the party begins with wide- eyed excitement, but sputters to a close when he’s a heavy-lidded, barely coherent mess.
    [Show full text]
  • CFP: Gender in the Golden 80S (Film & History Conference 6/1/14; 10/29/14)
    H-Film CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc.
    [Show full text]
  • Fox News Personalities Past and Present
    Fox News Personalities Past And Present Candy-striped Clancy charts very riotously while Maxwell remains jingling and advisory. Monopteral Quint regurgitate or corral some rulership dishonestly, however unmaimed Bernardo misfields mistakenly or physics. Tabu Robert tappings his snooker quantifies starchily. Fox News veterans face a hurdle all the job market Having. While i did revamp mandatory metallica was valedictorian of his live coverage of these are no guarantees of optimist youth home and present top actors, az where steve hartman. Fox News Anchor Kelly Wright On that He's Suing The. Personalities FOX 4 News Dallas-Fort Worth. Also named individual Fox personalities Maria Bartiromo Lou Dobbs. As a past. All Personalities FOX 5 DC. Lawsuit Accuses Former Fox News Anchor Ed Henry of Rape. Fox News anchor Kelly Wright speaks to the media as he joins other shoe and former Fox employees at any press conference organized by his. How exactly does Sean Hannity make? The First Amendment Cases and Theory. Tv personalities to that had never accused of internships during weekend cameraman at some female anchors, there are our. Are raising two. My life in new york native raised in the plain dealer reporter in cadillac, impact your new york city that journalism from comics kingdom as i sent shockwaves through! Growing up past ocean city and present in english literature. Fox News TV Series 197 cast incredible crew credits including actors actresses. Personalities FOX 26 Houston. The past and present top dollar for comment on this must have made independent of. Trish Regan bio age height education salary net worth husband.
    [Show full text]
  • Today's TV Programming Aces on Bridge Decodaquote
    6A » Monday, June 20,2016 » KITSAPSUN Today’s TV programming MOVIES NEW 6/20/16 11:00 11:30 NOON 12:30 1:00 1:30 2:00 2:30 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 [KBTC] Sesame Tiger Curious Curious Dino Super Cat in Peg Clifford Nature Wild Wild Odd Squad Masterpiece Mystery! Masterpiece Mystery! Miss Marple (TVG) Miss Marple (TVG) NOVA [KOMO] KOMO 4News The Chew (TVPG) General Hospital The Doctors Steve Harvey KOMO 4News News ABC KOMO 4News Wheel J’pardy! The Bachelorette (TV14) Mistresses (10:01) News [KING] New Day NW KING 5News Days of our Lives Dr. Phil (TV14) Ellen DeGeneres KING 5News at 4KING 5News at 5 News News News Evening American Ninja Warrior (TVPG) Spartan-Team News [KONG] Paid Paid J. Meyer Paid News New Day NW Meredith Vieira The Dr. Oz Show Rachael Ray Extra Celeb Inside Holly Dr. Phil (TV14) KING 5News at 9 News Dr Oz [KIRO] Young &Restless KIRO News The Talk (TV14) FABLife (TVPG) Bold Minute Judge Judge News News News CBS Insider ET Mom Broke Scorpion (TV14) BrainDead (9:59) News [KCTS] Dino Dino Super Thomas Sesame Cat in Curious Curious Masterpiece Mystery! Antique News Busi PBS NewsHour House Antique Antiques Antiques Independent Lens (TVPG) [KMYQ] Divorce Divorce Judge Judge Judge Mathis Cops Cops Crime Watch TMZ Dish Mother Mother Two Two Simpson Simpson Mod Mod Q13 News at 9Theory Theory Friends [KSTW] Patern Patern Hot Hot Bill Cunningham People’s Court People’s Court Fam Fam Seinfeld Seinfeld Fam Fam Mike Broke Reign (TV14) Whose? Whose? Broke Mike Family [KBCB] June Sharathon June Sharathon (TVG) June Sharathon (TVG) [KCPQ] Jerry Springer Steve Wilkos Maury (TV14) Steve Wilkos Maury (TV14) Q13 News at 4Q13 News at 5Celeb Mod Theory Theory So You Think Houdini &Doyle Q13 News at 10 News [KWPX] C.M.: Suspect Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal [KWDK] Jewish Today Prince Keesee Mission Bill Win Love- Jewish Hour of Creflo P.
    [Show full text]
  • 275. – Part One
    275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing.
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
    CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised.
    [Show full text]
  • 6769 Shary & Smith.Indd
    ReFocus: The Films of John Hughes 66769_Shary769_Shary & SSmith.inddmith.indd i 110/03/210/03/21 111:501:50 AAMM ReFocus: The American Directors Series Series Editors: Robert Singer, Frances Smith, and Gary D. Rhodes Editorial Board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett, and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once-famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. The series ignores no director who created a historical space—either in or out of the studio system—beginning from the origins of American cinema and up to the present. These directors produced film titles that appear in university film history and genre courses across international boundaries, and their work is often seen on television or available to download or purchase, but each suffers from a form of “canon envy”; directors such as these, among other important figures in the general history of American cinema, are underrepresent ed in the critical dialogue, yet each has created American narratives, works of film art, that warrant attention. ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D.
    [Show full text]
  • CFP: Gender in the Golden 80S (Film & History Conference 6
    H-Amstdy CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc.
    [Show full text]
  • Brickleberry!
    Join Us for The World Animation Feature Films and VFX Summit! Click here! News Resources Magazine Advertise Contact Shop Animag TV Calendar Home » Television » Welcome to Brickleberry! Tweet September 12, 2012 by Ramin Zahed Share Like 1 Comedy Central’s crazy new toon features a group of oddball forest rangers and a pampered grizzly cub voiced by Daniel Tosh. Move over, Ranger Smith and Yogi Bear. There’s a new animated comedy about forest rangers coming to town: It’s News Features Television Events called Brickleberry, and it’s bound to raise some eyebrows when it premieres on Comedy Central this month. Exec produced by comic Daniel Tosh and created by Waco O’Guin and Roger Black, the new toon has all the key elements that Acclaimed animation world can appeal to fans of South Park and Family Guy. Oh, and did we mention that Tosh also veteran Genndy Tartakovsky voices a tiny, spoiled bear called Malloy? brings some old cartoon-y... read more The inspiration for the show is actually O’Guin’s father-in-law, who is a very serious park ranger. Nick launches a brand new “Roger loves to make fun of everyone, and he calls him a tree cop!” says O’Guin. CG take on an ‘80s classic “So“ when we were thinking about coming up with ideas for a comedy, the park ranger with Teenage Mutant... show seemed like a natural. There was no way we could do it as a live-action show, read more because it would cost 10 million bucks, and animation seemed to be the right way to go!” Comedy Central’s crazy new toon features a group of oddball forest rangers..
    [Show full text]
  • Super Bowl XLVIII on FOX Broadcast Guide
    TABLE OF CONTENTS MEDIA INFORMATION 1 PHOTOGRAPHY 2 FOX SUPER BOWL SUNDAY BROADCAST SCHEDULE 3-6 SUPER BOWL WEEK ON FOX SPORTS 1 TELECAST SCHEDULE 7-10 PRODUCTION FACTS 11-13 CAMERA DIAGRAM 14 FOX SPORTS AT SUPER BOWL XLVIII FOXSports.com 15 FOX Sports GO 16 FOX Sports Social Media 17 FOX Sports Radio 18 FOX Deportes 19-21 SUPER BOWL AUDIENCE FACTS 22-23 10 TOP-RATED PROGRAMS ON FOX 24 SUPER BOWL RATINGS & BROADCASTER HISTORY 25-26 FOX SPORTS SUPPORTS 27 SUPERBOWL CONFERENCE CALL HIGHLIGHTS 28-29 BROADCASTER, EXECUTIVE & PRODUCTION BIOS 30-62 MEDIA INFORMATION The Super Bowl XLVIII on FOX broadcast guide has been prepared to assist you with your coverage of the first-ever Super Bowl played outdoors in a northern locale, coming Sunday, Feb. 2, live from MetLife Stadium in East Rutherford, NJ, and it is accurate as of Jan. 22, 2014. The FOX Sports Communications staff is available to assist you with the latest information, photographs and interview requests as needs arise between now and game day. SUPER BOWL XLVIII ON FOX CONFERENCE CALL SCHEDULE CALL-IN NUMBERS LISTED BELOW : Thursday, Jan. 23 (1:00 PM ET) – FOX SUPER BOWL SUNDAY co-host Terry Bradshaw, analyst Michael Strahan and FOX Sports President Eric Shanks are available to answer questions about the Super Bowl XLVIII pregame show and examine the matchups. Call-in number: 719-457-2083. Replay number: 719-457-0820 Passcode: 7331580 Thursday, Jan. 23 (2:30 PM ET) – SUPER BOWL XLVIII ON FOX broadcasters Joe Buck and Troy Aikman, Super Bowl XLVIII game producer Richie Zyontz and game director Rich Russo look ahead to Super Bowl XLVIII and the network’s coverage of its seventh Super Bowl.
    [Show full text]