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Cartoon Animals Vs. Actual Russians: Russian Television and the Dynamics of Global Cultural Exchange 2021
Repositorium für die Medienwissenschaft Jeffrey Brassard Cartoon Animals vs. Actual Russians: Russian Television and the Dynamics of Global Cultural Exchange 2021 https://doi.org/10.25969/mediarep/16243 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Brassard, Jeffrey: Cartoon Animals vs. Actual Russians: Russian Television and the Dynamics of Global Cultural Exchange. In: VIEW. Journal of European Television History and Culture, Jg. 10 (2021), Nr. 19, S. 4– 15. DOI: https://doi.org/10.25969/mediarep/16243. Erstmalig hier erschienen / Initial publication here: https://doi.org/http://doi.org/10.18146/view.252 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0/ Attribution - Share Alike 4.0/ License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz https://creativecommons.org/licenses/by-sa/4.0/ finden Sie hier: https://creativecommons.org/licenses/by-sa/4.0/ volume 10 issue 19/2021 CARTOON ANIMALS VS. ACTUAL RUSSIANS RUSSIAN TELEVISION AND THE DYNAMICS OF GLOBAL CULTURAL EXCHANGE Jeffrey Brassard University of Alberta [email protected] Abstract: Despite continual improvements in production and writing quality, live-action Russian series have fared poorly in the global market. While many deals have been struck, Western remakes of Russian series have failed to appear, and live-action programs have failed to find mainstream audiences outside of Russia. Russian animated series, on the other hand, have enjoyed global success. The success and failure of different types of Russian series in the global media market suggests that many of the central problems of cultural exchange remain. -
Is Castro's Cuba a Budding Narcostate?
Vol. 20, No. 4 April 2012 In the News Despite fall in U.S. food exports to Cuba, Advertising everywhere shipments of beans edge up every year Competition heats up in Cuba’s rapidly BY VITO ECHEVARRÍA It was also the same year Pat Wallesen visited decentralizing economy ................Page 3 he Cubans haven’t bought a single grain Cuba for the first time. Wallesen is managing of American rice for years. But when it partner of WestStar Food Co. in Corpus Christi, Tcomes to U.S. beans, state purchasing a major U.S. exporter of dry beans. SEC pressures Telefónica agency Alimport can’t seem to get enough. “The Cubans are opportunistic buyers,” said Spanish telecom giant is hounded over its According to USDA figures, dry bean exports Wallesen, telling CubaNews that global commo- business interests in Cuba ............Page 4 to Cuba reached $7.7 million last year, up from dity prices have fluctuated not only for beans lately, but other crops as well. He put total annu- $5.6 million in 2010 and $4.3 million in 2009. al dry bean purchases at 45,000 metric tons. Political briefs That’s still a lot less than the record $10.9 mil- “They buy when the time is right. They buy lion worth of beans sold in 2006, though dra- from the U.S. between November and Febru- Rubio lifts hold on Jacobson nomination; matically more than in 2007 and 2008, when U.S. Miami-Dade proposal under fire ...Page 5 ary,” he said. WestStar Foods sometimes sup- farmers exported only $73,000 and $68,000 plies the Cubans with its own inventory of worth of beans to Cuba (see chart, page 3). -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
Nine Inch Nails Pretty Hate Machine Free
FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well. -
Acts of Identity: a Political Theory of Biography
UNIVERSITY OF CALIFORNIA Los Angeles Acts of Identity: A Political Theory of Biography A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Political Science by William Samuel Stahl 2018 Ó Copyright by William Samuel Stahl 2018 ABSTRACT OF THE DISSERTATION Acts of Identity: A Political Theory of Biography by William Samuel Stahl Doctor of Philosophy in Political Science University of California, Los Angeles, 2018 Professor Joshua F. Dienstag, Chair My dissertation, Acts of Identity: A Political Theory of Biography, is prompted by the puzzle: why have so many political theorists shown interest in the genre of biography, seemingly such a private and apolitical genre? I answer that biography is a powerful lens through which to analyze the link between individual identity formation and political action. I develop this answer through four chapters that engage with a selection of political theorists who have written biographic works. In the first chapter, I examine Hannah Arendt’s claim that human beings are unlike other living things because each one of us develops a unique identity from the singularity of our biography. For her, who we are – and what makes us human – is what we say and do. In chapter two, I analyze Giorgio Agamben’s challenge to Arendt: he concludes that what makes us human is not what we say or do, but what we have the potential to do. This implies that our biography does not define who we are or make us human. I agree with the latter implication, but not the former. While the form of human life may not be biographic, individual identity is. -
The View from Here
The View from Here Figure 1 -- The iconic image of the South Canyon Fire blow-up that will claim the lives of 14 wildland firefighters. Acknowledging our current culture and its shortcomings while using its strengths to lead change. December 2018 The View from Here 1 This collection represents collective insight into how we operate and why we must alter some of our most ingrained practices and perspectives. Contents Introduction .................................................................................................................................... 3 I Risk ................................................................................................................................................ 4 1. The Illusion of Control ............................................................................................................. 5 2. It’s Going to Happen Again ................................................................................................... 14 3. The Big Lie – Honor the Fallen .............................................................................................. 19 4. The Problem with Zero ......................................................................................................... 26 5. RISK, GAIN, and LOSS – What are We Willing to Accept? .................................................... 29 6. How Do We Know This Job is Dangerous? ............................................................................ 39 II Culture ....................................................................................................................................... -
The Trolley Problem and the Dropping of Atomic Bombs Masahiro Morioka*
Journal of Philosophy of Life Vol.7, No.2 (August 2017):316-337 The Trolley Problem and the Dropping of Atomic Bombs Masahiro Morioka* Abstract In this paper, the ethical and spiritual aspects of the trolley problem are discussed in connection with the dropping of atomic bombs on Hiroshima and Nagasaki. First, I show that the dropping of atomic bombs was a typical example of the events that contained the logic of the trolley problems in their decision-making processes and justifications. Second, I discuss five aspects of “the problem of the trolley problem;” that is to say, “Rarity,” “Inevitability,” “Safety Zone,” “Possibility of Becoming a Victim,” and “Lack of Perspective of the Dead Victims Who Were Deprived of Freedom of Choice,” in detail. Third, I argue that those who talk about the trolley problem are automatically placed in the sphere of the expectation of response on the spiritual level. I hope that my contribution will shed light on the trolley problem from a very different angle, which has not been made by our fellow philosophers. 1. Introduction Brian Short writes a concise explanation of a standard type of the trolley problem in a recent issue of the LSA Magazine. You’re standing next to a train track when you spot a locomotive approaching. Farther down the track are five people in the path of the train but too far away for you to shout a warning to them. A lever next to you would allow you to divert the train – saving the lives of five people – onto a track with only one person standing on it. -
Sponsoring Committee: Professor Jennifer S. Tsien, Chairperson Professor Janet R
Sponsoring Committee: Professor Jennifer S. Tsien, Chairperson Professor Janet R. Horne Professor Stéphanie Bérard Professor Emily Ogden BEYOND “QUELQUES ARPENTS DE NEIGE : ” REPRESENTATION OF NEW FRANCE IN FRENCH TEXTS, 1703 TO 1780 Nathan D. Brown Department of French Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of French University of Virginia 2014 Copyright © 2014 Nathan D. Brown TABLE OF CONTENTS ACKNOWLEDGEMENTS 3 CHAPTER INTRODUCTION Abandoned Children on the Banks of the Saint Lawrence 5 CHAPTER 1 The Travel Narratives of Lahontan and Charlevoix: Imaging New France and 36 Naming its People CHAPTER 2 Sauvage foils or sauvage foibles ? : Fear of Degeneration and Hope for 88 Regeneration in New France CHAPTER 3 Utopian Visions and Dressing Across Borders : 136 The Discursive Role of New France in Alain-René Lesage's Beauchêne, Les Mariages de Canada, and La Sauvagesse CHAPTER 4 New France in the Discourse of Voltaire and Raynal : Cautionary Tales, 198 Sentimentality, Anglophilia. CONCLUSION Memories of New France : The New Becomes Old 249 ACKNOWLEDGEMENTS I wish to express my gratitude to Jennifer Tsien, who encouraged me to embark on this project, for her continuing advice, support, and enthusiasm. I also wish to thank Janet Horne and Stéphanie Bérard both of whom provided useful guidance and whose courses influenced my thinking on this topic. I would also like to acknowledge and thank Emily Ogden for her thoughts on this project. Any remaining errors and malapropisms in these pages are, of course, entirely my own. Finally, my deepest thanks go to Elizabeth Brown whose encouragement and good humor kept this project enjoyable and on time. -
The Anxious Hero Updated
THE ANXIOUS HERO: DISSECTING MASCULINITIES IN THIRTEENTH–CENTURY MEDIEVAL IBERIAN LITERATURE A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Spanish By Anthony Javon Perry, M.S. Washington, DC November 7, 2018 Copyright 2018 by Anthony Perry All Rights Reserved ii THE ANXIOUS HERO: DISSECTING MASCULINITIES IN THIRTEENTH–CENTURY MEDIEVAL IBERIAN LITERATURE Anthony Javon Perry, M.S. Thesis Advisor: Emily C. Francomano, Ph.D. ABSTRACT My dissertation examines the varying and converging constructions of gender and genre in four thirteenth–century medieval Iberian texts: Poema de mio Cid, Libro de Alexandre, Libro de Apolonio and Alfonso X’s Estoria de Espanna. By contextualizing the texts historically and using the perspectives of feminist theory, gender theory and cultural studies, I examine the constructions of masculinities within these texts and the role that these constructions play in the text’s genre. I contend that these texts bear witness to the anxious relationship between masculinity and power in the thirteenth century and aim to shape the reader’s/listener’s image of kingship/leadership and, in turn, hegemonic masculinity. They serve as a mirror for and of male leaders, a speculum principis for their thirteenth–century audience. In each text, the male protagonist is a hero and, therefore, exemplary of what I term hegemonic masculinity. The self–fashioning of the hero’s masculinity, as manifest in the Fall/Redemption narrative structure, reveals itself to be anxious. I ground my argument in the medieval exegesis surrounding the Fall/Redemption trope and its ubiquity. -
The Electrical Transformation of the Public Sphere: Home Video, the Family, and the Limits of Privacy in the Digital Age
THE ELECTRICAL TRANSFORMATION OF THE PUBLIC SPHERE: HOME VIDEO, THE FAMILY, AND THE LIMITS OF PRIVACY IN THE DIGITAL AGE By Adam Capitanio A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY American Studies 2012 ABSTRACT THE ELECTRICAL TRANSFORMATION OF THE PUBLIC SPHERE: HOME VIDEO, THE FAMILY, AND THE LIMITS OF PRIVACY IN THE DIGITAL AGE By Adam Capitanio One of the constituent features of the digital age has been the redrawing of the line between private and public. Millions of social media users willingly discuss intimate behavior and post private photographs and videos on the internet. Meanwhile, state and corporate bodies routinely violate individual privacy in the name of security and sophisticated marketing techniques. While these occurrences represent something new and different, they are unsurprising given the history of home and amateur media. In this dissertation, I argue that contemporary shifts in the nature of the public/private divide have historical roots in the aesthetics and style found in home movies and videos. In other words, long before Facebook and YouTube enabled users to publicly document their private lives, home movies and videos generated patterns of representation that were already shifting the unstable constitution of the “private” and the “public” spheres. Using critical theory and archival research, I demonstrate how home moviemakers represented their families and experiences in communal and liminal spaces, expanding the meaning of “home.” When video become the predominant medium for domestic usage, home mode artifacts became imbricated with television, granting them a form of phantasmagoric publicity that found fulfillment in the digital era. -
Ecce Distentio Est Uita Mea: St
Ecce Distentio est Uita Mea: St. Augustine’s philosophy of time in and beyond Confessions XI By Rachel Sanderoff Submitted to The Central European University Department of Philosophy In partial fulfilment of the requirements for the Master of Arts Degree in Philosophy. Supervisor: Professor Matthias Riedl Second Reader: Professor István Bodnár CEU eTD Collection Budapest, Hungary 2017 Contents Introduction .................................................................................................................................................. 3 Part I. Interpretive Approaches to Confessions Book XI ................................................................ 7 The Narrow Definition of Time .............................................................................................................. 7 Time and Eternity: The Theological Dimensions ............................................................................... 10 Time and Eternity: “Ascent” .................................................................................................................. 17 Conclusion ................................................................................................................................................ 27 Part II. Time and Eternity in Confessions I-IX ................................................................................ 30 Introduction: Time, Eternity and Augustine’s Rhetoric ..................................................................... 30 Distentio Animi in the ‘Autobiography’ .............................................................................................. -
And Critical Realism: the Role of Contradiction in Social Movement Activism 241
Durham E-Theses Against Morality: A Critical Realist Examination of a History of Western Sexual Normativity. An Appeal for Emancipation and Explanation through Emergentist Social Science BROCK, THOMAS,GEORGE,JAMES How to cite: BROCK, THOMAS,GEORGE,JAMES (2012) Against Morality: A Critical Realist Examination of a History of Western Sexual Normativity. An Appeal for Emancipation and Explanation through Emergentist Social Science, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3430/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 Abstract A model of reality derived from critical realism and historical sociology provides a sufficient account of Christian sexual morality and shows that powerful human agents are responsible for the normative regulation of non-procreative forms of sexual activity in the West. If we are to understand the sui generis powers of human agents, sociology must engage with a model of reality which adequately conceptualises an entwining synchronic and diachronic realm.