“Grace You to the Finish!” Philippians 1:3-8 a Man

Total Page:16

File Type:pdf, Size:1020Kb

“Grace You to the Finish!” Philippians 1:3-8 a Man “Grace You To the Finish!” Philippians 1:3-8 A man was stranded all alone on a deserted Pacific island for years. Finally one day a boat comes sailing into view, and the man frantically waves and draws the skipper’s attention. The boat comes near the island and the sailor gets out and greets the stranded man. After a while the sailor asks, “What are those three huts you have here?” “Well, that’s my house there.” “What’s that next hut?” asks the sailor. “I built that hut to be my church.” “What about the other hut?” “Oh, that’s where I used to go to church.” Sadly this story has an element of truth to it. Many churches have lost what it means to be a church body. Perhaps worse than excessive church hopping is being in a church for years but never truly knowing people. Never truly loving people. Never truly realizing just how a church body is to be. Anne Ortlund {wife of the late pastor Ray Ortlund} said, “Every congregation has a choice to be one of two things. You can choose to be a bag of marbles clanging up against each other, hard, not really connecting to each other except in collision. On Sunday morning you can choose to go to church or to sleep in: who really cares whether there are 192 or 193 marbles in a bag? Or you can choose to be a bag of grapes. Mushed together, the juices begin to mingle and there is no way to extricate yourselves, even if you tried. Our lives blend together in love and in Christ we produce a sweetness that ministers to others. Each is a part of all. But so many people go to church today and stay unknown and lonely sitting in their place in their pew, giving their offerings, maybe even serving in some way in the church, but not really connected to the people of God. ” Let’s get honest with ourselves here. What kind of church are we? What kind of church member are you? Are you a marble or a grape? Do we collide and clang with one another like marbles or are we mushed together like grapes? What we’ll see in today’s passage is that we are called together, as one body, to serve the Lord with joy and mutual affection. And the only way that this can ever be true for us is by God’s grace. We will never be united in joyful fellowship unless God gets a hold of our hearts and transforms us by His sovereign grace. The main truth that we’ll see in these 5 verses is that- THE GOSPEL GLUES GOD’S PEOPLE TO GOD AND GOD’S PEOPLE TOGETHER. We’ll see this evidenced in Paul’s prayers for the Philippian church. Observe how the Gospel has glued Paul to this church that he planted : LOOK AT VERSE 3-4… I thank my God in all my remembrance of you, always in every prayer of mine for you all making my prayer with joy… Here we see the deep care and warmth that Paul has for the Philippian congregation. It has been some 10 years since he first planted this church on his 2 nd missionary journey, and yet the affections are still there. He ‘s still glued to them. At the outset of his letter Paul gives evidence of his gratitude for the Philippians. Let’s break down the content of Paul’s prayer: 1} “I thank my God in all my remembrance of you…” Paul uses this word “thanks” { eucharisto } and it’s various forms some 46x in his letters to express his gratitude for others. Paul is always thanking God for other people. His thankfulness never wavered. His thankfulness went public. Paul tells the Philippians that every time he remembers them, he thanks God for them. Every time they cross his mind, every time that he hears a report about them, every time they support his ministry, he thanks God for them. 2} “always in every prayer of mine…” This does not mean that this is all he does. Paul doesn’t pray for the Philippians every time that he prays. It is not as if Paul is riding on a donkey, crossing a bridge and the bridge gives way and as he plummets into the canyon below he cries out, “Jesus! Help me! And may the Philippians have Gospel-centered fellowship!” But it denotes the frequency of his prayers for them. 3} “for you all…” Notice too that he makes his prayer for “all” of the Philippians. This is noteworthy because we will find out in chapter 4 that there are 2 women feuding in the church. Paul is not taking sides. He is praying for the entire church body. 4} “making my prayer with joy…” Paul’s thankfulness for the Philippians was always accompanied by joy. Joy is the thrust of this letter and Paul gives evidence of that in his prayers. In fact, the Greek emphasizes the joy with which Paul prayed because it places “with joy” before the words “making my prayer.” The Greek is “with joy, making my prayer.” It is with joy that Paul prays for this church. But notice also how the words “all, every” dominate this verse. We could paraphrase it this way: “I continually thank God every time I remember every one of you, every time and in every prayer of mine for every single one of you, I pray with joy!” Paul was constantly thanking God for every church member at Philippi every time he prayed. Remember where Paul is: a Roman prison awaiting his death! Paul’s circumstances and the uncertainty of his future did not hinder his joy nor his prayers for others. Even though Paul had no idea what the future held for him, his focus was not on himself but on others. Why? How can a person be on death row and be so concerned for others? How can a person be facing such “unknown” in his future and not be focused on himself? Because- THE GOSPEL GLUES GOD’S PEOPLE TO GOD AND GOD’S PEOPLE TOGETHER. The Gospel, God’s grace, can transform you in such a way that you get your eyes off of yourself in the midst of your trial and suffering and on to other people with whom you are in fellowship with. They become the center of your attention. They become the focus of your prayers. What causes this in person? The Gospel. Paul was evidence of a life transformed by God’s grace. His prayers for the Philippians never wavered. He told them publicly how grateful he was. He prayed for everyone in the church every time he thought of them. He prayed with joy and thanksgiving for everyone! Is that how we pray here at Grace? Do we thank God for everyone here? When we pray for others, does it cause joy to rise up in us? Do we even pray for each other here or are we so focused on ourselves? But what about that person that just irritates you? The one that gets under your skin {there are many of us like that here!}? Do you pray for them and when you do does it cause joy to rise up in you? We have a long way to go as a church family, but we can get there by God’s transforming grace. THE GOSPEL GLUES GOD’S PEOPLE TO GOD AND GOD’S PEOPLE TOGETHER. Now notice the reason why Paul prays continually, thankfully, joyfully, comprehensively. LOOK AT VERSE 5… “… because of your partnership in the gospel from the first day until now.” The reason Paul prayed such gospel-centered prayers is because the Philippians had partnered with him in the gospel ministry. In fact, the word here for “partnership” is the Greek word koinonia , which is sometimes translated as “fellowship.” Fellowship is a theme of this letter. Paul uses this word 13 of the 19x it is used in the New Testament, 5x of which occur in some form in Philippians {i.e. Philippians 1:5; 1:7; 2:1; 3:10; 4:15}. Fellowship or partnership was a common word used in Paul’s day for anyone who started a business together. If you started a company with a friend, you would have said, “We started a fellowship {koinonia } together selling mules {or whatever}.” Fellowship is more than dinner at someone’s house or a pot-luck after church. Fellowship is uniting together for a common cause, in this case, the gospel message. The Philippian church had partnered with Paul from the very beginning when they responded to the gospel message. In Acts 16 we have the story of the planting of this church, and what a rag-tag group it was! A rich woman named Lydia, a former demon-possessed girl, and a suicidal jailer! That is a testimony to the transforming grace of God. Would you plant a church with these people as your core group? Grace transforms! And this little church supported Paul throughout the years. They prayed for him. They supported him financially. They were partners together; together for the gospel. The gospel is what tied them together and what ties us as a church body together. Look around, we’re like the Philippian church, a bunch of rag-tag individuals united together for the gospel. That is our common ground. We all have differing opinions and tastes: politics, music, movies, food (some of you don’t like BBQ sauce!), clothing, etc.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • I Kept My Grammys in a Basement Closet Because of This Fear That If You Live in That Moment Too Long, You Lose the Focus to M
    THE 59TH ANNUAL GRAMMY AWARDS BEST COUNTRY SONG Lambert took center stage at the iHeart Country Festival in “Blue Ain’t Your Color” Austin in April. KEITH URBAN Songwriters Clint Lagerberg, Hillary Lindsey, Steven Lee Olsen This fresh spin on barroom seduction, the fourth single from Urban’s Ripcord album, is the result of a collaboration between songwriting veteran Hillary Lindsey (who won the category in February with Little Big Town’s “Girl Crush,” which she co-wrote with Lori McKenna and Liz Rose) and relative newcomers Steven Lee Olsen and Clint Lagerberg. And though the tune was an aesthetic departure for Urban, who recorded it as a drum machine-driven waltz, it has spent six weeks (and counting) at No. 1 on Hot Country Songs and became the artist’s 18th top 40 hit on the Hot 100. “Die a Happy Man” THOMAS RHETT Songwriters Sean Douglas, Thomas Rhett, Joe Spargur Rhett dedicated this designed-for-frst- artist recruited pop specialists Sean “Vice” dances track to his wife, Lauren (who Douglas (Nick Jonas, David Guetta) and MIRANDA LAMBERT co-stars with him in the video), but it Joe Spargur (Fifth Harmony, Jason Derulo) Songwriters Miranda Lambert, Shane resonated with romantic country fans to co-write the single. McAnally, Josh Osborne everywhere, topping Country Airplay for With her divorce from Blake Shelton in six weeks early in 2016. “Happy Man” “Humble and Kind” the rearview mirror, Lambert teased the gives new meaning to the adage “home is TIM McGRAW November release of her double-disc The where the heart is,” citing all the ways in Songwriter Lori McKenna Weight of These Wings — one of the year’s which its subject (to Rhett, at least) is the With a video inspired by Oprah Winfrey most anticipated country albums — by eighth wonder of the world.
    [Show full text]
  • Craving You (Feat. Maren Morris)
    Craving You (feat. Maren Morris) Thomas Rhett Every time we have to say goodbye I'm counting down until we say hello Every touch is like the strongest drug I don't know how much longer I can goI never had something that I can't walk away from But, girl, my self-control's so paralyzed When it comes to you, no, I ain't got no patience There's something 'bout you girl I just can't fightYou're like that cigarette That shot of 100 proof No matter how much I get I'm always craving That feeling when we kiss The way your body moves No matter how much I get I'm always craving you Craving you All the in-between is killing me You know I come unglued from missing you Sunset eyes, no, I don't have to try Because you know exactly what to doI never had something that I can't walk away from (walk away from) But, girl, my self-control's so paralyzed When it comes to you, no, I ain't got no patience (I ain't got no patience) There's something 'bout you I just can't fightYou're like that cigarette That shot of 100 proof No matter how much I get I'm always craving That feeling when we kiss The way your body moves No matter how much I get I'm always craving you Craving you (I'm always craving you) Craving you Craving you Every time we have to say goodbye I'm counting down until we say hello Every touch is like the strongest drug I don't know how much longer I can go (Yeah, yeah, yeah) You're like that cigarette That shot of 100 proof No matter how much I get I'm always craving That feeling when we kiss The way your body moves No matter how much I get I'm always craving you, yeah Craving you Craving you (I'm craving you baby) I'm craving you I'm craving you babe Lyrics provided by https://www.songarea.com/.
    [Show full text]
  • Top Performers
    BLAKE, MAREN, FGL, LUKE COMBS LEAD 2017 AIRPLAY an life get much better for Blake Shelton? He anchors one of TV’s top shows, headlines concert dates, has a No. 1 album, and is now the 2017 Country radio airplay leader. CShelton’s 2017 airplay totals propel him to both the top Overall Performer and Top Male spots, driven by a pair of songs – “A Guy With A Girl” and “Every Time I Hear That Song” – that spent three weeks at No. 1. A third single – “I’ll Name The Dogs” – was in the Top 5 as 2017 came to a close. Adding to Shelton’s totals were four cuts from his new album Texoma Shore that charted the week of its release, though he would have topped airplay even without the points generated by those cuts. THEYEAR Florida Georgia Line’s trio of 2017 hits extend Tyler Hubbard and Brian Kelley’s dominance in INMUSIC the Duo/Group Performer category to fi ve years. They’re also the only non-solo male artist to make this year’s Top 10 Overall airplay performers. The Blake Shelton meteoric rise of Maren Morris continued in 2017. Airplay from “80s Mercedes” and “I Could Use A Love Song” vaulted her to the most-heard female artist of the year. Adding to her Country radio presence this year was a featured performance on the No. 1 single “Craving You” with Thomas Rhett. (Airplay points for that song are not included in Morris’ totals.) This year’s Top New Artist title goes to Luke Combs.
    [Show full text]
  • 2017 Year End Chart!
    Brothers Osborne It Ain’t My Fault EMI Records Nashville (UMGN) CONTENTS 2017 Year End Chart! — Charts Dear Readers; It has been yet another extraordinary year of growth for the CDX Traction Mainstream Country. We wish to congratulate Brothers Osborne and all the fine folks atEMI Records (UMGN) for having the top single of the year with “It Ain’t My Fault.” Kudos! Merry Christmas and Happy New Year to all. Onward into 2018! PAGE 2-6 — The CDX-TRACtion weekly newsletter is published on Wed. mornings by CDX, Inc. — Connecting Nashville’s music Stay tuned, industry and country radio for over 25 years. For more information call Joe Kelly 615-292-0123 or email VP/GM Joe CDX VP/GM [email protected] Kelly- [email protected] WWW.CDXCD.COM/CDX-TRACTION “Monitored Radio Airplay” Vol 1. Dec 22, 2017 YTD Wks On POS Track | Artist | Label Chart Chart Spins 1 It Ain't My Fault | Brothers Osborne | EMI Records Nashville (UMGN) 87245 41 2 You Look Good | Lady Antebellum | Capitol Records Nashville (UMGN) 85061 31 3 I Could Use A Love Song | Maren Morris | Columbia Nashville (SMN) 77921 39 4 Drinkin' Problem | Midland | Big Machine Records (BMLG) 76110 30 5 Round Here Buzz | Eric Church | EMI Records Nashville (UMGN) 73121 35 6 Ask Me How I Know | Garth Brooks | Pearl Records Inc. 73061 38 7 A Girl Like You | Easton Corbin | Mercury Records (UMGN) 72066 46 8 Somebody Else Will | Justin Moore | Valory Music Co. (BMLG) 71149 35 9 More Girls Like You | Kip Moore | MCA Nashville 70722 40 10 Yours If You Want It | Rascal Flatts | Big Machine Records (BMLG) 68974 30 11 Fix A Drink | Chris Janson | Warner Bros / WAR 68599 30 12 Black | Dierks Bentley | Capitol Records (UMG) 68364 23 13 Flatliner | Cole Swindell | Warner Bros.
    [Show full text]
  • The Relational Ethics of Church Music
    ABSTRACT The Relational Ethics of Church Music Nathan Myrick, Ph.D. Mentor: Monique M. Ingalls, Ph.D. Music is an “indispensable” aspect of Protestant Christian worship, to use Brian Wren’s term (2000, 48). Yet it is also perceived as one of the most divisive aspects of that activity, with scholars, practitioners, and congregants alike contributing to this perspective. As scholars such as Donald Hustad (1993), Harold Best (1993, 2003), J. Nathan Corbitt (1998), Brian Wren (2000), James K. A. Smith (2009), and Jeremy S. Begbie (2011) have similarly noted, music connects people to each other and enlivens our emotional and relational convictions. This reality strongly suggests that music has ethical significance; if music is so emotionally and relationally powerful, and can be a source of unity and division, then it should be examined from within an ethical frame. It is surprising, however, that few scholars of Christian worship have attempted to consider music’s way of being in the world from an ethical perspective. This dissertation argues that a central problem in scholarship on music in Christian worship is that the ethical significance of church music has been sidestepped, ignored, or generally undertheorized. Using a multidisciplinary methodology drawn from ethnomusicological fieldwork at three Waco, Texas, Baptist churches and synthesizing theories of discourse, formation, and care ethics oriented towards restorative justice, I argue that church music is ethical when it preserves people in and restores people to just relationships with each other and, when applied directly to ecclesial settings, relationship with God. The Relational Ethics of Church Music by Nathan Myrick, B.A., M.A.T.
    [Show full text]
  • THOMAS RHETT (FT. MAREN MORRIS) “Craving You” Staying At
    Thomas Rhett (Ft. Maren Morris) Craving You Valory Music Co. (BMLG) THOMAS RHETT (FT. MAREN MORRIS) CONTENTS “Craving You” Staying At #1! — Charts Dear Readers; Once again, we congratulate THOMAS RHETT, MAREN MORRIS, and Valory Music Co. (BMLG) for topping the chart at #1 with “Craving You.” LUKE COMBS/When It Rains It Pours/Columbia Nashville (SMN) is both the Greatest Spin Gainer and the Most Added single in the chart this week. Three new singles made their presence known with a new chart debut this week! #63 CHRIS STAPLETON/Broken Halos/Mercury Records (UMGN) #66 DIERKS BENTLEY/What The Hell Did I Say/Capitol Records (UMG) #78 DAN + SHAY/Road Trippin/Warner Bros. Records (WMN) The following stations have been FROZEN for at least 2 consecutive weeks KQUS-FM (Hot Springs, AR) WKKY-FM (Geneva, OH) PAGE 2-4 KSMA-FM (Mason City, IA) WMEV-FM (Marion, VA) — WDMS-FM (Greenville, MS) WOKA-FM (Douglas, GA) Chart Breakouts WGKC-FM (Mahomet, IL) PAGE 5-6 The following stations have been FROZEN for THIS WEEK. — KVAY-FM (Lamar, CO) WQLC-FM (Lake City, FL) Currently On CDX WEIO-FM (Huntingdon, TN) WUBB-FM (Savannah, GA) PAGE 6 — The following songs have been moved to RECURRENT status. TRACtion Texas Chart AUSTIN MEADE / Courage To Talk MATT GARY / BACK PAGE 8-9 BRADLEY BANNING / Don’t Mess With Texas MATT KIMBROW / Homesick Crazy — DREW FISH / Sounds Like A Plan RACHAEL TURNER / Hurts Don’t It DUSTIN SONNIER / People Like Me RANDY ROGERS BAND, THE / Tequila Eyes JERRETT ZOCH (& THE OSR BAND) / Still Not Over You STATESBORO REVUE, THE / Satisfied MADDIE WILSON / Love Like Theirs WILLIAM MICHAEL MORGAN / Missing We are close to CDX Volume 651’s launch and are now starting up production on Volume 652.
    [Show full text]
  • Danamare Productions Mobile DJ & Karaoke Karaoke Songbook Sorted by Title
    Danamare Productions Mobile DJ & Karaoke Karaoke Songbook Sorted by Artist 1 Artist Title ID 10 Years Beautiful 320 112 Peaches and cream 320 2 Live Crew Me So Horny (PA) 320 3 Doors Down Let Me Go (Rock Version) 320 3 Doors Down Loser 320 3 DOORS DOWN LOSER 320 3 Doors Down Citizen Soldier 320 3 Doors Down Kryptonite 320 3 Doors Down Kryptonie 320 3 Doors Down Kryptonite 320 38 Special Hold On Loosely 320 42nd STREET LULLABYE OF BROADWAY 320 5 man electric band Signs 320 5 Seconds Of Summer She Looks So Perfect 320 5 Seconds Of Summer Amnesia- 5 Seconds Of Summer 320 5 Seconds Of Summer Amnesia- 320 5 Seconds Of Summer She Looks So Perfect 320 50 Cent Disco Inferno 320 50 Cent In Da Club 320 98 Degrees The Hardest Thing 320 98 Degrees I Do 320 A-ha Take me on 320 A CHORUS LINE WHAT I DID FOR LOVE 320 A CHORUS LINE NOTHING 320 A Gret Big World & Christina Say Something 320 A3 Woke Up This Morning 320 Aaliyah I Don't Wanna 320 Aalyiah Try Again 320 Aaron Neivelle Tell it like it is 192 Aaron Neville Everybody Plays The Fool 320 Aaron Tippin People Like Us 320 Abba Waterloo 320 Abba Dancing Queen 320 Abba Waterloo 320 AC DC / Stiff Upper Lip 320 AC DC / Highway To Hell 320 AC DC / Whole Lotta Rosie 320 AC DC / Stiff Upper Lip 320 AC-DC You shook me all night long 320 AC DC Big Balls (PA) 320 Danamare Productions Mobile DJ & Karaoke - Karaoke Songbook by Artist 2 Artist Title ID ACDC Back In Black 320 ACDC Hell's Bells 320 ACDC (made famous by ~) (karao Highway to hell 320 Ace Of Base Living In Danger 320 Ace Of Base Sign -- Act Naturally
    [Show full text]
  • Craving You Thomas Rhett Mp3 Download Album Cover Craving You Thomas Rhett Mp3 Download Album Cover
    craving you thomas rhett mp3 download album cover Craving you thomas rhett mp3 download album cover. Every time we have to say goodbye I'm counting down until we say hello Every touch is like the strongest drug I don't know how much longer I can go. I never had something that I can't walk away from But, girl, my self-control's so paralyzed When it comes to you, no, I ain't got no patience There's something 'bout you, girl, I just can't fight. You're like that cigarette That shot of 100 proof No matter how much I get I'm always craving That feeling when we kiss The way your body moves No matter how much I get I'm always craving you Craving you. All the in-between is killing me You know I come unglued from missing you Sunset eyes, no, I don't have to try Because you know exactly what to do. I never had something that I can't walk away from (walk away from) But, girl, my self-control's so paralyzed When it comes to you, no, I ain't got no patience (I ain't got no patience) There's something 'bout you I just can't fight. You're like that cigarette That shot of 100 proof No matter how much I get I'm always craving That feeling when we kiss The way your body moves No matter how much I get I'm always craving you Craving you (I'm always craving you) Craving you Craving you.
    [Show full text]
  • 1 Column Unindented
    DJ PRO OKLAHOMA.COM TITLE ARTIST SONG # Just Give Me A Reason Pink ASK-1307A-08 Work From Home Fifth Harmony ft.Ty Dolla $ign PT Super Hits 28-06 #thatpower Will.i.am & Justin Bieber ASK-1306A-09 (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes MH-1016 (Kissed You) Good Night Gloriana ASK-1207-01 1 Thing Amerie & Eve CB30053-02 1, 2, 3, 4 (I Love You) Plain White T's CB30094-04 1,000 Faces Randy Montana CB60459-07 1+1 Beyonce Fall 2011-2012-01 10 Seconds Down Sugar Ray CBE9-23-02 100 Proof Kellie Pickler Fall 2011-2012-01 100 Years Five For Fighting CBE6-29-15 100% Chance Of Rain Gary Morris Media Pro 6000-01 11 Cassadee Pope ASK-1403B 1-2-3 Gloria Estefan CBE7-23-03 Len Barry CBE9-11-09 15 Minutes Rodney Atkins CB5134-03-03 18 And Life Skid Row CBE6-26-05 18 Days Saving Abel CB30088-07 1-800-273-8255 Logic Ft. Alessia Cara PT Super Hits 31-10 19 Somethin' Mark Wills Media Pro 6000-01 19 You + Me Dan & Shay ASK-1402B 1901 Phoenix PHM1002-05 1973 James Blunt CB30067-04 1979 Smashing Pumpkins CBE3-24-10 1982 Randy Travis Media Pro 6000-01 1985 Bowling For Soup CB30048-02 1994 Jason Aldean ASK-1303B-07 2 Become 1 Spice Girls Media Pro 6000-01 2 In The Morning New Kids On The Block CB30097-07 2 Reasons Trey Songz ftg. T.I. Media Pro 6000-01 2 Stars Camp Rock DISCMPRCK-07 22 Taylor Swift ASK-1212A-01 23 Mike Will Made It Feat.
    [Show full text]
  • MARTIN. Hi EXTOL Year-O’D .Margaret Benton, Missing the Body Was
    PER COPY .VOLUME. 27. NUMBER 48 MEMPHIS, TENNESSEE, SATURDAY, JANUARY 4, 1958 PRICE SIX CENTS Body Of Girl, Missing 77 Days, Found l_n_Drainag-e —The decomposing, body of two-, rabbit hunting. ... MARTIN. Hi EXTOL year-o’d .Margaret Benton, missing The body was. discovered about BUiVC—VZVWUC-g--- 111, -toevo .livwnv —a fourt£i~of~ a mile nn~tiie^rear- of noon, Tuesday, by hcher grandfather of the child’s home, on Ralelgh- / and >tiiree other men while they were LaGrange Rd., near Hall Rd. About .1 8 miles northeast of Germantown, H The chlld’j grandfather, James 1 Flctehcr, 53, said "it was afloat .WouldWould Reslore= face down in about 18 inci)«» ot 1- water in a drainage ditch about mo feat wide." What first, grew attention to the ditch, one of the Certain Provisions hunters fell a rabbit and went large Audience about 15 feet from tlie ditch to 18139662 pick it up. Fletcher said “at first we thought- Attends Annual it-was a (i'jseqi-ded doll because the WASIUNGTOP^- (INS) — Sen. flesh did not appear like tinman Jacob K. Javits tR). N. Y., said flesh. Afier looking at U inonen- Monday he will press at the. next tarily we decided it was a doll and New Year's Event session of Congress for next civil was about to walk off, whef>. I rights legislation despite . slim A large audience attending decided to take a closer look. ’ I celebration of rite signing of the chances for its approval. discovered it was the body of a Javits said he will seek to -re- Eiiuna>ud|>.it!on Proclamation on child." -u New Year's Day' hqard hvo speak­ ' store certain controversial ■ provi­ The grandfather went- on to ex­ sions eliminated from the civil ers discusK?:! Abraham Lltu-oln.
    [Show full text]
  • ACM Week with Maren Morris
    nowing you’re a winner before you get to Las Vegas is a neat trick KMaren Morris shares with ACM radio winners (see page 27) and a few others. “The fi rst people I reached out to were my friends Brothers Osborne and Jon Pardi, because we all got to win our fi rst ACMs together on the same day,” the Academy’s New Female Vocalist says of her Male and Duo/Group cohorts. “I’ve known the brothers since I moved to town,” she says. “They had just gotten a record deal. I’ve only doubling up known Jon for the last two years, but ACM Week With there’s this new class mentality where you root for each other. You’re the young Maren Morris guns, the newbies. It bonds you forever, because you always remember those people you came up with. It’s a really cool thing to see your friends rise up with you.” Also cool? Returning to the site of your fi rst awards show for not one but two nationally televised performances, and a bit of fun, too. Having learned a few lessons the hard way, however, there was also a fair bit of caution in her schedule. Morris shares the story of her big Vegas weekend with Country Air- check below. KEEP THE WHEELS ROLLING Even with the three-week advance notice on her big win, Morris is up for fi ve more. A week before the show, she’s not counting any chickens. “This is the fi rst time I’ve gone into an awards show being a winner, so that pressure’s taken off a little bit,” she explains.
    [Show full text]