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Western Outlaws and Angels
‘SAND DOLLAR COVE’ Cast Bios CHAD MICHAEL MURRAY (Brody) – Chad Michael Murray first rose to prominence with fan favorite roles on the Warner Bros. dramas “Dawson’s Creek” and “Gilmore Girls.” He became a household name with his leading role as Lucas Scott in the massive Warner Bros. television hit “One Tree Hill” from 2003-2012, during which he won three Teen Choice Awards. He showcased his talents as a leading actor playing the outcast-turned-cool-kid throughout his near-decade run. He took position behind the camera as well, both writing and directing an episode of the series. Murray is currently in production on the action-thriller Killing Field, starring as Eric, a man whose life on his serene farm is interrupted when a cop and a pair of dangerous criminals shows up. Bruce Willis, Kate Katzman, Donna D’errico, Swen Temmel, and Zack Ward also star. Murray most recently wrapped production on Ted Bundy: American Boogeyman, starring as America’s most infamous serial killer. The film is slated for theatrical release in August 2021 through Fathom Events. He will also be seen in the upcoming “The Fortress” and “The Fortress 2,” also starring Bruce Willis as well as Jesse Metcalfe. Recently, he starred in the television movies “Colors of Love” and “Too Close for Christmas,” both opposite Jessica Lowndes. Murray has also starred in Lionsgate’s 2020 action film “Survive the Night” alongside Bruce Willis; the Hallmark Channel original movie “Write Before Christmas,” alongside Torrey DeVitto; seasons three and four of the hit teen drama “Riverdale,” in which he played an enigmatic cult leader; and as Atticus Virtue in the family sci-fi thriller Max Winslow and the House of Secrets, which told the story of five teenagers who competed to win a mansion owned by entrepreneur and scientist, Virtue. -
Gossip Girl-Season1 Episode3 (The Letter)
www.SSEcoach.com Gossip Girl-Season1 Episode3 – Blair reads her letter to Serena Title: Gossip Girl – The letter Time – 2:31 Part 1 - Script 1. Blair: Whenever something’s bothering you, I can always find you here. 2. Serena: You here for another catfight? 3. Serena: What’s that? 4. Blair: A letter; I wrote it to you when you were away at boarding school. 5. Blair: I never sent it. 6. Blair: Dear Serena, my world is falling apart and you’re the only one who would understand. My father left my mother for a 31 year old model; a male model. I feel like screaming because I don’t have anyone to talk to. 7. Blair: You’re gone. My dad’s gone. Nate’s acting weird. Where are you? Why don’t you call? Why did you leave without saying goodbye? 8. Blair: You’re supposed to be my best friend. I miss you so much. Love Blair. 9. Serena: Why didn’t you send it? I would’ve- 10. Blair: You would’ve what! 11. Blair: You knew Serena and you didn’t even call. 12. Serena: I didn’t know what to say to you. I didn’t know how to be your friend after what I did. I’m so sorry. 13. Blair: Erik told me what happened; I guess your family’s been going through a hard time too. 14. Gossip Girl: Spotted in Central Park: Two white flags waving. Could an Upper East Side peace accord be far off? 15. Gossip Girl: So what will it be? Truce or consequences? We all know one nation can’t have two queens. -
The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019
Masthead Logo Scholar Works Honors Theses Honors 2019 Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker University of Maine at Farmington Follow this and additional works at: https://scholarworks.umf.maine.edu/honors_theses Part of the Comparative Literature Commons Recommended Citation Decker, Nichole, "Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl" (2019). Honors Theses. 5. https://scholarworks.umf.maine.edu/honors_theses/5 This Research Project is brought to you for free and open access by the Honors at Scholar Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholar Works. For more information, please contact [email protected]. 2 Bricolage on the Upper East Side: The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019 “Okay, so you’re probably going, is this like a Noxzema commercial or what?” - Cher In this paper I will analyze the classic novel Emma, and the 1995 film Clueless, as an adaptive pair, but I will also be analyzing the TV series, Gossip Girl, as a derivative text. I bring this series into the discussion because of the ways in which it echos, parallels, and alludes to both Emma and Clueless individually, and the two as a source pair. I do not argue that the series is an actual adaptation, but rather, a sort of collage, recombining motifs from both source texts to create something new, exciting, and completely absurd. -
Tess Paras NEW Resume
Tess Paras SAG-AFTRA / AEA www.tessparas.com FILM & TELEVISION Crazy Ex-Girlfriend Recurring CW, Dir. Joanna Kerns Take My Wife Guest Star Comedy Bang! Bang!, Dir. Sam Zvibleman Girl Meets World Recurring DISNEY, Dir. Rider & Shiloh Strong Switched at Birth Co-Star ABC Family, Dir. John Lagomarsino Mulaney Co-Star FOX, Dir. Andy Ackerman Grimm Guest Star NBC, Dir. Norberto Barba Rake Co-Star FOX, Dir. Rosemary Rodriguez Wilfred Co-Star FX, Dir. Randall Einhorn Weeds Co-Star SHO, Dir. Uta Briesewitz White Collar Guest Star USA, Dir. John Kretchmer Law and Order Co-Star NBC, Dir. Darnell Martin The Good Wife Co-Star CBS, Dir. Chris Misiano Lights Out Co-Star FX, Dir. Jean de Segonzac Gossip Girl Co-Star WB, Dir. Wendey Stanzler Law and Order Co-Star NBC, Dir. Mario Van Peebles Law and Order: Criminal Intent Co-Star USA, Dir. Michael Smith Damages Co-Star FX, Dir. Tate Donovan Kings Co-Star NBC, Dir. Adam Davidson All My Children Recurring U/5 ABC THEATER 2014 CBS Diversity Sketch Comedy Showcase Actor/Writer El Portal Theatre, Dir. Rick Najera Broadway Backwards 4 with Whoopi Goldberg Ensemble American Airlines Theater (NYC) Miss Saigon Yvonne Prather Theaters Tour (AZ, FL, PA) …Genderf*ck Cabaret Lead/Gwen Under St. Marks Theater (NYC) Hair/East Village Fragments Ensemble Peculiar Works, Dir. Bob Bartley (NYC) Connecticut (One Woman Show) Woman Dir. Michelle Bossy (NYC) Halo Halo Cabaret Vocalist/Producer Triad Theater (NYC) National Anthem Soloist Izod Center, NJ Meadowlands COMMERCIALS *Commercial List Available Upon Request TRAINING B.S. Media, Culture & Communications, New York University (Magna Cum Laude, Journalism Minor) Acting: NYU, Karen Kohlhaas/Atlantic Theater Co., Primary Stages (NY), Lesly Kahn & Co. -
GOSSIP GIRL by Cecily Von Ziegesar
Executive Producer Josh Schwartz Executive Producer Stephanie Savage Executive Producer Bob Levy Executive Producer Les Morgenstein Executive Producer John Stephens Co-Executive Producer Joshua Safran Producer Amy Kaufman Producer Joe Lazarov Episode 206 “New Haven Can Wait” Written by Alexandra McNally & Joshua Safran Directed by Norman Buckley Based on GOSSIP GIRL by Cecily von Ziegesar Double White Revisions 8/20/08, pg. 41 Goldenrod Revisions 8/14/08, pgs. 2, 3, 3A Green Revisions 8/12/08, pg. 16 Yellow Revisions 8/12/08, pgs. 5, 20, 20A-21, 22, 23, 31, 31A, 31B-32, 32A, 33, 36, 37, 38, 38A-39, 49A, 50, 51 Full Pink Revisions 8/11/08 Full Blue Revisions 8/8/08 Production #: 3T7606 Production Draft 8/5/08 © 2008 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment, Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. “New Haven Can Wait” Character List CAST Serena van der Woodsen Blair Waldorf Dan Humphrey Jenny Humphrey Nate Archibald Chuck Bass Rufus Humphrey Lily Bass Eleanor Waldorf Dorota Vanessa Abrams Headmaster Prescott Headmistress Queller Assistant GUEST CAST * Dean Berube (pronounced Barraby) Jordan Steele Skull and Bones Leader Skull Bones Shirley History Professor Girl (Miss Steinberg) Yale Guy EXTRAS Constance and St. Jude’s Seniors Yale Students Serena’s Driver Yale Guys and Two Super-Hot Yale Girls Skull and Bones Members Three Masked -
For Indian River County Histories
Index for Indian River County Histories KEY CODES TO INDEXES OF INDIAN RIVER COUNTY HISTORIES Each code represents a book located on our shelf. For example: Akerman Joe A, Jr., M025 This means that the name Joe Akerman is located on page 25 in the book called Miley’s Memos. The catalog numbers are the dewey decimal numbers used in the Florida History Department of the Indian River County Main Library, Vero Beach, Florida. Code Title Author Catalog No. A A History of Indian River County: A Sense of Sydney Johnston 975.928 JOH Place C The Indian River County Cook Book 641.5 IND E The History of Education in Indian River Judy Voyles 975.928 His County F Florida’s Historic Indian River County Charlotte 975.928.LOC Lockwood H Florida’s Hibiscus City: Vero Beach J. Noble Richards 975.928 RIC I Indian River: Florida’s Treasure Coast Walter R. Hellier 975.928 Hel M Miley’s Memos Charles S. Miley 975.929 Mil N Mimeo News [1953-1962] 975.929 Mim P Pioneer Chit Chat W. C. Thompson & 975.928 Tho Henry C. Thompson S Stories of Early Life Along the Beautiful Indian Anna Pearl 975.928 Sto River Leonard Newman T Tales of Sebastian Sebastian River 975.928 Tal Area Historical Society V Old Fort Vinton in Indian River County Claude J. Rahn 975.928 Rah W More Tales of Sebastian Sebastian River 975.928 Tal Area Historical Society 1 Index for Indian River County Histories 1958 Theatre Guild Series Adam Eby Family, N46 The Curious Savage, H356 Adams Father's Been to Mars, H356 Adam G, I125 John Loves Mary, H356 Alto, M079, I108, H184, H257 1962 Theatre Guild -
SAFER at HOME in Select Theaters, VOD & Digital on February 26, 2021
SAFER AT HOME In Select Theaters, VOD & Digital on February 26, 2021 DIRECTED BY Will Wernick WRITTEN BY Will Wernick, Lia Bozonelis PRODUCED BY Will Wernick, John Ierardi, Bo Youngblood, Lia Bozonelis (Co-Producer), Jason Phillips (Co-Producer) STARRING Jocelyn Hudon, Emma Lahana, Alisa Allapach, Adwin Brown, Dan J. Johnson, Michael Kupisk, Daniel Robaire RUN TIME: 82 mins DISTRIBUTED BY: Vertical Entertainment For additional information please contact: LA Daniel Coffey – [email protected] Emily Maroon – [email protected] NY Susan Engel – [email protected] Danielle Borelli – [email protected] ABOUT THE FILM Synopsis Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside. Director’s Statement Making Safer at Home was challenging. Not just because of the technical hurdles the pandemic mandated, but because of the strange new features life had taken on in those early months of the pandemic. I found myself having unusual conversations, and realizations about myself and friends — things that only this type of stress could bring out. I noticed people making major, sometimes life changing decisions, quickly. Brake-ups, pregnancies, divorces, fights-- this instigated them all. Almost everyone I knew was caught in an indefinite cycle of every day feeling the same. And then we started working on this film. Safer at Home plays out essentially in real time, and shows what a long period of lockdown could do to a group of friends. -
Presidents Message
* Rhineland Published by the \ * Ardennes-Alsace 12th Armored * Central Europe Division Association VOL. 62 NOVEMBER 2008 NO. 3 HtUCMS-> 66TH ARMORED INFANTRY Presidents BATTALION George R. O'Bryan 1016 Monroe, Red Bud, IL 62278 Message 618-282-6079 [email protected] Now that the Abilene reunion is history everyone can begin The winter holidays are fast approaching. to concentrate on the next one to be held in Branson, MO. We My work often takes me to England this time understand that you won't have any trouble finding something of year for a week or two and I get to visit the to do in Branson. Although we have not been there since it has Salisbury Plain and Tidworth Barracks. become so popular, many people from this area have visited and The British still maintain a tank training they all recommend Branson, MO, as a wonderful place to spend facility at Tidworth Barracks and there is some time. See you there! frequently lots of activity. Large patches of We have received shocking and bad news from C/66th buddy mud where the tank crossing signs are posted Steve Czecha who reports legacy member Stuart Weiss passed and even an occasional tank traveling down away on Sept. 2 due to heart complications. Steve wrote, "Stuart the main streets. In the past, I have cautiously ventured down the Weiss was born in Philadelphia, PA, on May 25, 1956. He is long narrow entrance road to the main gate of Tidworth Barracks, survived by his beloved wife Tanya and daughter Jasmine. lined with a high fence topped with concertina wire, to be met by "Stuart came to the 12th AD Museum dedication in Abilene soldiers with automatic weapons. -
Do You Fit the Alloy Mold?
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 Do You Fit the Alloy Mold? The Homogenization of Structure and Audience in the Television Adaptations of 'Gossip Girl,' 'Pretty Little Liars,' and 'The Vampire Diaries' Caitlin Murray Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3064 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Caitlin Murray 2013 All Rights Reserved Do You Fit the Alloy Mold? The Homogenization of Structure and Audience in the Television Adaptations of Gossip Girl, Pretty Little Liars, and The Vampire Diaries A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English at Virginia Commonwealth University. by Caitlin Murray Bachelor of Arts, Virginia Tech, Blacksburg, VA, 2010 Director: Dr. Richard Fine, Professor of English Virginia Commonwealth University Richmond, Virginia April 25, 2013 Acknowledgment The author wishes to thank several people. I would like to thank my parents and my sister for their unending love and support. I would also like to thank Zachary for his support and patience in the year it took me to write this thesis. I would like to thank my committee members, Dr. Christenbury and Dr. Brinegar for all of the help they have given me throughout this process. -
Matthew Mcduffie
2 a monterey media presentation Written & Directed by MATTHEW MCDUFFIE Starring KALEY CUOCO SASHA PIETERSE CODY HORN LANDON LIBOIRON and VIRGINIA MADSEN PRODUCED BY: MARSHALL BEAR DIRECTOR OF PHOTOGRAPHY: DAVID J. MYRICK EDITOR: BENJAMIN CALLAHAN PRODUCTION DESIGNER: CHRISTOPHER HALL MUSIC BY: IAN HULTQUIST CASTING BY: MARY VERNIEU and LINDSAY GRAHAM Drama Run time: 93 minutes ©2015 Best Possible Worlds, LLC. MPAA: R 3 Synopsis Lifelong friends stumble back home after high school when word goes out on Facebook that the most popular among them has died. Old girlfriends, boyfriends, new lovers, parents… The reunion stirs up feelings of love, longing and regret, intertwined with the novelty of forgiveness, mortality and gratitude. A “Big Chill” for a new generation. Quotes: “Deep, tangled history of sexual indiscretions, breakups, make-ups and missed opportunities. The cinematography, by David J. Myrick, is lovely and luminous.” – Los Angeles Times "A trendy, Millennial Generation variation on 'The Big Chill' giving that beloved reunion classic a run for its money." – Kam Williams, Baret News Syndicate “Sharply written dialogue and a solid cast. Kaley Cuoco and Cody Horn lend oomph to the low-key proceedings with their nuanced performances. Virginia Madsen and Andy Buckley, both touchingly vulnerable. In Cuoco’s sensitive turn, this troubled single mom is a full-blooded character.” – The Hollywood Reporter “A heartwarming and existential tale of lasting friendships, budding relationships and the inevitable mortality we all face.” – Indiewire "Honest and emotionally resonant. Kaley Cuoco delivers a career best performance." – Matt Conway, The Young Folks “I strongly recommend seeing this film! Cuoco plays this role so beautifully and honestly, she broke my heart in her portrayal.” – Hollywood News Source “The film’s brightest light is Horn, who mixes boldness and insecurity to dynamic effect. -
Losingsightliterature.Pdf (126.6Kb)
Manno 1 Lindsey Manno Capstone Final Professor Cohen Losing Sight of Literature: The Commodity of Book Packaging In every young writer’s heart there is a dream, a dream that one day all of their hard work will lead to a successful, published novel. And not just any novel, but the next Great American novel that will be taught in classes for decades to come. Unfortunately, much of the publishing industry has another goal in mind when weeding through submissions and story ideas: making money and duplicating the success of Harry Potter or Twilight . In this paper, I plan to examine the workings of companies like Alloy Entertainment and James Frey’s Full Fathom Five Factory, each of which provide outlines and hire writers to put together novels for the Young Adult (YA hereafter) genre. By using a “novel by committee” format, these companies are weakening the publishing industry and making it that much more difficult for an up and coming writer to get their original work seen, much less published. They are doing away with what is considered to be the author and replacing it with brand names and product placement, changing the ideals of what it is to be a writer. In this essay, I will question whether or not these precooked ideas can still be considered art with any literary value, or if they’re simply commodities to companies consumed with the desire for money rather than the desire to share good books. First, though, it is important to determine what it is that allows something to be considered literature or to have literary value. -
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
Electronically Filed Docket: 14-CRB-0010-CD/SD (2010-2013) Filing Date: 12/29/2017 03:37:55 PM EST Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS 2010-2013 CABLE ROYALTY YEARS VOLUME I OF II WRITTEN TESTIMONY AND EXHIBITS Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Alesha M. Dominique D.C. Bar No. 990311 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] [email protected] Attorneys for MPAA-Represented Program Suppliers December 29, 2017 Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS FOR 2010-2013 CABLE ROYALTY YEARS The Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and/or distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”),1 in accordance with the procedural schedule set forth in Appendix A to the December 22, 2017 Order Consolidating Proceedings And Reinstating Case Schedule issued by the Copyright Royalty Judges (“Judges”), hereby submit their Written Direct Statement Regarding Distribution Methodologies (“WDS-D”) for the 2010-2013 cable royalty years2 in the consolidated 1 Lists of MPAA-represented Program Suppliers for each of the cable royalty years at issue in this consolidated proceeding are included as Appendix A to the Written Direct Testimony of Jane Saunders.