FINAL Virginia Woolf Program
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Love's Labour's Lost
CAL PERFORMANCES PRESENTS CAST Wednesday, November 4, 2009, 8pm Love’s Labour’s Lost Thursday, November 5, 2009, 7pm Friday, November 6, 2009, 8pm Saturday, November 7, 2009, 2pm & 8pm Sunday, November 8, 2009, 3pm Zellerbach Hall Shakespeare’s Globe in Love’s Labour’s Lost John Haynes CAST by William Shakespeare Ferdinand, King of Navarre Philip Cumbus Berowne Trystan Gravelle Artistic Director for Shakespeare‘s Globe Dominic Dromgoole Longaville William Mannering Dumaine Jack Farthing Director Set and Costume Designer Composer The Princess of France Michelle Terry Dominic Dromgoole Jonathan Fensom Claire van Kampen Rosaline Thomasin Rand Choreographer Fight Director Lighting Designer Maria Jade Anouka Siân Williams Renny Krupinski Paul Russell Katherine Siân Robins-Grace Text Work Movement Work Voice Work Boyet, a French lord in attendance on the Princess Tom Stuart Giles Block Glynn MacDonald Jan Haydn Rowles Don Adriano de Armado, a braggart from Spain Paul Ready Moth, his page Seroca Davis Holofernes, a schoolmaster Christopher Godwin Globe Production Manager U.S. Production Manager Paul Russell Bartolo Cannizzaro Sir Nathaniel, a curate Patrick Godfrey Dull, a constable Andrew Vincent U.S. Press Relations General Management Richard Komberg and Associates Paul Rambacher, PMR Productions Costard, a rustic Fergal McElherron Jaquenetta, a dairy maid Rhiannon Oliver Executive Producer, North America Executive Producer for Shakespeare’s Globe Eleanor Oldham and John Luckacovic, Conrad Lynch Other parts Members of the Company 2Luck Concepts Musical Director, recorder, shawms, dulcian, ocarina, hurdy-gurdy Nicholas Perry There will be one 20-minute intermission. Recorders, sackbut, shawms, tenor Claire McIntyre Viol, percussion David Hatcher Cal Performances’ 2009–2010 season is sponsored by Wells Fargo. -
Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh. -
A Condo to Call Your Office Page 3
Vol. XXVI, Number 52 • Wednesday, March 30, 2005 ■ 50¢ AA condocondo toto callcall youryour officeoffice pagepage 33 www.PaloAltoOnline.com The reign of student stress Author of book about teens under pressure discusses how storm of student stress continues to pour Page 20 Check out the Weekly’s new online classifieds at fogster.com Photo illustration: Nicholas Wright ■ Upfront City’s police face new lawsuit alleging discrimination Page 3 ■ Neighborhoods In Barron Park, it’s sidewalks vs. speed tables Page 9 ■ Sports Stanford women’s basketball makes NCAA statement Page 24 apr.com REDEFINING QUALITY SINCE 1990 R eading between the emotional line makes the difference between finding a house and a home. PALO ALTO This classic 1930’s 5bd/4ba home has been beautifully remodeled to create a spectacular blend of traditional charm and modern day amenities. Lovely landscaped 15,000+/-sf lot with remodeled cottage. $3,499,000 PALO ALTO Four year old Mediterranean style 4bd/3ba home in Old Palo Alto. Gourmet kitchen with island breakfast nook. Formal living room, dining room and family room. Distinguished amenities. 7500+/-sf lot. $1,950,000 REDWOOD CITY Spacious ranch home with vaulted ceiling and fireplace in living room. Eat-in kitchen. Family room. Large master bedroom suite. Hardwood floors, double pane windows, 2 car garage. Patio, gardens and lawn. $949,955 apr.com | PALO ALTO OFFICE 578 University Avenue 650.323.1111 APR COUNTIES | Santa Clara | San Mateo | San Francisco | Alameda | Contra Costa | Monterey | Santa Cruz Page 2 • Wednesday, March 30, 2005 • Palo Alto Weekly UpfrontLocal news, information and analysis Federal lawsuit filed by skateboarder against officer failing to properly train the officer. -
The Iron Bar. Episodes in the Modern History of Prison Physical Culture, Body Typing & the Ban on Weight Lifting in American Correctional Institutions
THE IRON BAR. EPISODES IN THE MODERN HISTORY OF PRISON PHYSICAL CULTURE, BODY TYPING & THE BAN ON WEIGHT LIFTING IN AMERICAN CORRECTIONAL INSTITUTIONS. by Victoria Felkar BKIN, The University of British Columbia, 2012 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Kinesiology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2014 ©Victoria Felkar, 2014 Abstract The aim of this study is to explore the modern history of prison physical culture in order to better understand how perceptions of the muscular criminal male body have influenced the construction of prison physical culture and opportunities for physical activity in American correctional institutions. My focus on the recent weight lifting ban in the United States is designed to appraise how criminological knowledge of the muscular criminal male body has influenced penal policy over time. Through a selection of specific historical episodes in prison physical culture from the late 18th century to current correctional practice I evaluate the complicated interplay between penology, criminology, somatotyping, politics, prison physical culture and the enactment of the legal ban on prison weight lifting in 1994. Working from a critical socio-historical perspective this study intends to add to the limited knowledge of prison physical culture, research on physical activity in correctional facilities and attitudes toward the corporeal experience of those confined to prison. My study -
Title: Title: Title
Title: 1837: A History Author: Salutin, Rick Publisher: Playwrights Canada Press 1976 Description: roy drama - Canadian - historical five characters three male; two female (doubling) two acts A lively, humorous and ultimately tragic look at Canada's ill-starred revolution for national independence. Title: 1837: The Farmer's Revolt Author: Salutin, Rick Publisher: Playwrights Canada Press 1976 Description: roy drama - Canadian - historical five characters three male; two female (doubling) two acts A lively, humorous and ultimately tragic look at Canada's ill-starred revolution for national independence. Title: 2000 Author: MacLeod, Joan Publisher: Talonbooks 1997 Description: roy drama - Canadian five characters two male; three female two acts "The relationships of the young, the aging and the middle-aged, and between urban life and nature at the end of the millenium. 'I am intrigued by the notion of the wild invading the city and the city invading the wild, by the idea of things being not quite right in the nature and the reproach of the millenium.' - Joan MacLeod." Title: 99 Histories Author: Cho, Julia Publisher: Dramatists Play Service Inc. 2005 Description: roy drama - family relations six characters (doubling) two male; four female two acts setting: suburb of Los Angeles; approx. 100 min. What is remembered is made up. The only homelands that exist are imaginary. Love is nothing; there is only 'chung'. Eunice, a former prodigy, comes home to decide what to do with the baby that has unexpectedly taken root inside her. But before she -
Romeo & Juliet
Romeo & Juliet by William Shakespeare The title page of Romeo & Juliet from the First Folio of Shakespeare’s plays, published in 1623. Handsome bound facsimiles of Romeo & Juliet , published in the Globe Folios series in association with the British Library, are available from the shop, price £9.99. Each volume includes an introduction by the foremost First Folio scholar, Anthony James West. Sources, early Performance and Publication Shakespeare’s principal sources for Romeo & Romeo & Juliet was almost certainly first Juliet were a long narrative poem called The performed by Shakespeare’s company, the Tragicall Historye of Romeus and Juliet by Arthur Chamberlain’s Men, in or around 1596 – a Brooke, first published in 1562 and, to a lesser ‘lyrical’ period of Shakespeare’s writing career degree, the prose romance Rhomeo and Julietta which also includes A Midsummer Night’s Dream, by William Painter. Both sources were based Richard II and many of the Sonnets . No records on a French version of the Italian story Giulietta exist to tell us where it was first seen, but it e Romeo first published in about 1530. Such is likely to have been either the Theatre or the The Curtain Theatre, Shoreditch (to the right), where Italian ‘novelles’ were popular reading in Curtain playhouse in Shoreditch. It has been Romeo & Juliet was probably first performed in or around Shakespeare’s time and Painter’s collection, suggested that Richard Burbage, the company’s 1596. A detail from Abram Booth’s ‘View of London from The Palace of Pleasure , was singled out by the leading man, took the role of Romeo (he would the North’. -
Torturing the Artist: Celebrity and Trope in Media Representations of the Abstract Expressionists
1 Torturing the Artist: Celebrity and Trope in Media Representations of the Abstract Expressionists A Senior Honors Thesis in the Department of Art and Art History By Phoebe Cavise Under the advisement of Professor Eric Rosenberg Professor Malcolm Turvey 2 Table of Contents Acknowledgements ……………………………………………………………………... 3 Introduction About the Paper ……………………………………………………………… 5 Definitions …………………………………………………………………… 8 Celebrity, Suicide, and Celebrity Suicides ………………………………….. 11 About the Process …………………………………………………………… 19 Chapter I. Pollock: Life, Death, and Everything In Between …………………………... 23 Chapter II. Pollock Background …………………………………………………………………. 44 Biopic: Portrait of a Genre ………………………………………………….. 49 Media within Media ………………………………………………………… 53 The Tools of Torture ………………………………………………………... 74 Chapter III. Rothko: Life, Death, and Everything After ……………………………….. 81 Chapter IV. Red Background …………………………………………………………………. 88 Reality and Red ……………………………………………………………... 91 Misery’s Company ………………………………………………………… 103 Productions and Press ……………………………………………………… 108 Chapter V. Directing Red ……………………………………………………………... 119 Conclusions………………………………………………………………………...….. 130 Bibliography ………………………………………………………………………….. 134 3 Acknowledgments First and foremost, thank you to Professor Eric Rosenberg for his complete faith in me. When I proposed a questionably-relevant thesis topic he accepted it wholeheartedly and has done nothing but encourage me every step of the way, even when many of those steps came later than planned. His enthusiasm was paramount to this paper’s completion. Thank you to Professor Ikumi Kaminishi who has advised the latter half of my college career. I am lucky to have worked with someone so supportive and brilliant, whose challenging Theories and Methods class forced me to become a better art historian. Thank you to Professor Malcolm Turvey for joining this project on a topic only half- related to the field in which he is so respected. I only wish my thesis could have been more relevant to his knowledge and utilized his expertise more. -
Fall 2020 and Beyond Highlights List ______
9/28/2020 VIKING PAMELA DORMAN BOOKS PENGUIN PRESS RIVERHEAD BOOKS _________________________ FALL 2020 AND BEYOND HIGHLIGHTS LIST _________________________ Hal Fessenden Tel: 001.212.366.2797 Fax: 001.212.243.6002 Email: [email protected] Emily Leopold Tel: 001.212.366.2790 Fax: 001.212.243.6002 Email: [email protected] For FILM, TELEVISION, and DRAMATIC ADAPTATION RIGHTS, FAX your request to 001.212.366.2933. Please include the book’s TITLE, AUTHOR, and IMPRINT. 1745 Broadway, New York, NY 10019 1 SPRING 2020 REAL LIFE: A Novel By Brandon Taylor Fiction | Riverhead | February 18, 2020| World Rights Agent: DeFiore and Company Manuscript available *REAL LIFE has been shortlisted for The Booker Prize. For information on his upcoming title, FILTHY ANIMALS, publishing June 22, 2021, turn to page 24 of this guide* A searing novel in ten parts, REAL LIFE excavates the social intricacies of a summer weekend on one level, and a lifetime of buried pain, on another. Taylor touches both seductively and scathingly on love’s proximal relationship to violence (and the inherently complex sexual politics of that proximity), the unknowability of another’s grief, the indefatigable human desire for connection, and the microaggressions attendant to racism, homophobia, and additional kinds of othering. Brandon Taylor is the associate editor of Electric Literature's Recommended Reading and a staff writer at Literary Hub. His writing has received fellowships from Lambda Literary, Kimbilio Fiction, and the Tin House Summer Writer's workshop. His stories and essays have appeared at Literary Hub, Catapult, Them.com, Gulf Coast, Little Fiction, Amazon's Day One, Out Magazine online, Necessary Fiction, Joyland, Vol. -
Guide to Plays for Performance
Guide to Plays for Performance Welcome to our Guide to Plays for Performance! I hope this Guide will not only be a useful tool for you in helping to choose next season’s play, but also a valuable companion throughout your career in the theatre. The Guide will give you a good overview of our list with detailed information on our most- performed plays as well as new releases and acquisitions. A more comprehensive version of the Guide is available online, and you are welcome to print off any sheets that are of particular interest to you there. Towards the end of this guide you will find a detailed listing of all our plays for performance, including cast details. If you find a play there that you would like a closer look at, just let me know and I will be happy to send you an approval copy of the script. If you wish to receive our quarterly supplements, with information about the most recent acquisitions, you must let me have an email address (send to: [email protected]) so that I can add you to our electronic mailing list. Check before rehearsals May I remind you that it is essential that before rehearsals begin, you check availability with me, as inclusion in the Guide does not necessarily indicate that amateur rights have been released, and some plays may be withdrawn later on without notice. I hope you will find an exciting and inspiring play for a future production in this Guide and look forward to hearing from you. -
To Read the Program Online
The Artistic Director’s Circle Season Sponsors Gail & Ralph Bryan Una K. Davis Brian & Silvija Devine Joan & Irwin Jacobs Sheri L. Jamieson Frank Marshall & Kathy Kennedy Becky Moores Jordan Ressler Charitable Fund of the The William Hall Tippett and Ruth Rathell Tippett Foundation, Jewish Community Foundation David C. Copley Foundation, Mandell Weiss Charitable Trust, Gary & Marlene Cohen, The Rich Family Foundation The Dow Divas, Foster Family Fund of the Jewish Community Foundation, The Fredman Family, Wendy Gillespie & Karen Tanz, Lynn Gorguze & The Honorable Dr. Seuss Fund at The San Diego Scott Peters, Kay & Bill Gurtin, Debby & Hal Jacobs, Lynelle & William Lynch, Foundation and Molli Wagner Steven Strauss & Lise Wilson SEPTEMBER 3 – OCTOBER 13 PRODUCTION SPONSOR Una K. Davis Dear Friends, LA JOLLA PLAYHOUSE PRESENTS Christopher Ashley Debby Buchholz There’s a moment in tonight’s musical The Rich Family Artistic Director of La Jolla Playhouse Managing Director of La Jolla Playhouse – don’t worry, no spoilers here – where IN ASSOCIATION WITH a power-mad viceroy, overseeing BERKELEY REPERTORY THEATRE Spain’s colonization of the Americas, MISSION STATEMENT: envisions a glorious future in which most of the towns along the western La Jolla Playhouse advances coast of North America will eventually theatre as an art form and as a vital be named after Catholic saints. San Diego, regardless of the social, moral and political platform thoughts or opinions of our area’s Native population at the by providing unfettered creative time, would indeed become one of those towns; the Spanish opportunities for the leading artists explorer Juan Rodríguez Cabrillo christened it San Miguel in BOOK BY of today and tomorrow. -
Full-Lengths
Title: 1837: A History Author: Salutin, Rick Publisher: Playwrights Canada Press 1976 Description: roy drama - Canadian - historical five characters three male; two female (doubling) two acts A lively, humorous and ultimately tragic look at Canada's ill-starred revolution for national independence. Title: 1837: The Farmer's Revolt Author: Salutin, Rick Publisher: Playwrights Canada Press 1976 Description: roy drama - Canadian - historical five characters three male; two female (doubling) two acts A lively, humorous and ultimately tragic look at Canada's ill-starred revolution for national independence. Title: 2000 Author: MacLeod, Joan Publisher: Talonbooks 1997 Description: roy drama - Canadian five characters two male; three female two acts "The relationships of the young, the aging and the middle-aged, and between urban life and nature at the end of the millenium. 'I am intrigued by the notion of the wild invading the city and the city invading the wild, by the idea of things being not quite right in the nature and the reproach of the millenium.' - Joan MacLeod." Title: 2nd Nature, A Hummer Opera As published in Theatrum Magazine (Feb/Mar 1991) Author: Taylor, Deanne Publisher: Theatrum Publishing 1991 Description: roy fantasy all female cast; large cast six female (doubling) two acts 'The action of the play takes place in a realm where mind and body, sprit and flesh, culture and nature co-exist. In this realm, generation after generation, power is shared between VOLO, the wielder of the concept of "I" who acts in the social body, and AUTO, who rules the visceral affairs of the homebody with the first ministers - GUSTA (Agriculture), CARDIA (Circulation), DOC (Health and Defense), and OVARY (Immortality). -
Avenue Q Program:Avenue Q
Welcome Dear Friends, UPCOMING Welcome to the Globe’s production of Avenue Q at the Spreckels Theatre! This summer the Globe “campus” has reached beyond Balboa Park to produce this exciting west coast 2007 SUMMER premiere at one of San Diego’s historic downtown landmarks. Still one of the biggest hits on Broadway, the Tony Award-winning Avenue Q is a hilarious show that has a distinctive- SHAKESPEARE ly urban sensibility, and we thought it was the perfect production to launch our new col- FESTIVAL laboration with the Spreckels. HAMLET The Globe’s relationship with the Spreckels dates back to 1978 when the downtown TWO GENTLEMEN OF VERONA theatre graciously hosted the Globe’s 1978-79 winter season following the devastating fire MEASURE FOR MEASURE in the Old Globe Theatre. The Spreckels is a part of the great era of downtown theatre June 16 - September 30, 2007 palaces and its President and CEO Jacquelyn Littlefield has a long history of arts support Lowell Davies Festival Theatre in this community. We look forward to working with the Spreckels on Avenue Q and future productions to provide the highest quality theatrical events for the region while expanding ❖❖❖ our reach to new audiences. Back at the Globe, the Summer Season is going strong, with our nationally-renowned HAY FEVER Shakespeare Festival, featuring three of the Bard’s most important works: Hamlet, The Two Jul 14 - Aug 19, 2007 Gentlemen of Verona and Measure for Measure, playing in nightly rotation in our beautiful outdoor Lowell Davies Festival Theatre. In addition, Noel Coward’s wickedly funny Hay Old Globe Theatre Fever runs in the Old Globe Theatre, while the magical comedy Bell, Book and Candle, makes ❖❖❖ its home on the Cassius Carter Centre Stage.