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TIG NOTARO LIVE LIVE To be clear, Tig Notaro's second album is titled LIVE [liv, verb]. LIVE AT THE MOTH LIVE [liv, verb] was recorded, uh, live [l v, adj. or adv.] at Largo on August 3rd, 2012 at her monthly show, "Tig Has Friends." The day before this set, Tig was diagnosed with cancer in both CATALOG #: SC277 breasts. This news was the bookend to an agonizing year in which Tig spent weeks in the RELEASE DATE: JULY 16, 2013 hospital battling an intestinal bacteria infection. A week after being released from the hospital, FORMAT: 2xCD/PICTURE DISC/DIGITAL her mother unexpectedly died. Then, in the middle of it all, her relationship fell apart. Which CD BOX LOT: 30 leads us here. Tig's 30 minute set is not much more than an open-mic set in that it's half LP BOX LOT: 25 scripted, raw and real. It's an insightful detailing of her assessing a horrible set of circumstances GENRE: COMEDY in a calm, clever and clear manner. KEY MARKETS: LOS ANGELES, NEW YORK, CHICAGO, AUSTIN, MIAMI, NASHVILLE, “Live at The Moth” was recorded on December 5th at The Avalon Hollywood. The story, BOSTON, PHILADELPHIA, recorded for the acclaimed storytelling podcast, is a companion piece of sorts to LIVE. In the 16 minute piece, Tig elaborates on the death of her mother and the untimely passing eventually VINYL NOT RETURNABLE lead to a reconnection with her step father. "In 27 years doing this, I've seen a handful of truly great, masterful standup sets. One was Tig Notaro last night at Largo." – Louis C.K. "What distinguishes her comedy is how forcefully it turns inward, drawing attention to its form, testing its limitis...her pleasingly strange concepts are executed with such conviction that they seem to develop an eccentric logic all their own" – The New York Times "Tig Notaro just blew my mind at Largo. One of the most amazing stand-up sets I've ever seen." – Ed Helms 2xCD UPC: 656605027722 PICTURE DISC UPC: 656605027715 SELLING POINTS 1. Has sold 85,000+ downloads to date via Louis C.K.’s website. DIGITAL UPC: 656605027739 2. Features on This American Life, CBS Morning News, Rolling Stone, Fresh Air, The Moth, SPIN. 3. Vinyl is pressed on 500 limited edition picture discs. EXCLUSIVELY DISTRIBUTED BY SC DISTRIBUTION PHONE: (812) 335-1572 / FAX: (888) 678-0167 US DOMESTIC SALES CONTACT JACQUI REFICE <[email protected]> INTERNATIONAL SALES CONTACT KRAEGAN GRAVES <[email protected]> 1499 WEST SECOND STREET BLOOMINGTON, IN 47403 WWW.SECRETLYCANADIAN.COM.

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Comedy Roster
COMEDY ROSTER 2 DOPE QUEENS ELI CASTRO JUSTIN WILLMAN PHOEBE ROBINSON AARON CHEN ELLIE TAYLOR KANAN GILL RACHEL BLOOM ALI SIDDIQ ENISSA AMANI KATE BERLANT RACHEL FEINSTEIN ALI WONG ERIC ANDRE KATHLEEN MADIGAN RAE SANNI AMANDA SEALES EUGENE MIRMAN KENAN THOMPSON RAMY YOUSSEF AMOS GILL EUGENIO DERBEZ KEVONSTAGE RANDY FELTFACE ANDREW BACHELOR FAHIM ANWAR KIDS IN THE HALL REGGIE WATTS ANDREW SANTINO FLIGHT OF THE CONCHORDS KRISTEN SCHAAL RHYS DARBY ANDY DALY GAD ELMALEH KRISTINA KUZMIC ROB DELANEY ANJELAH JOHNSON GARY OWEN KYLE DUNNIGAN ROB RIGGLE ARNEZ J GEORGE LOPEZ KYLE KINANE RORY SCOVEL AWKWAFINA GUILTY FEMINIST KYLE MOONEY RUSSELL PETERS BECK BENNETT H. JON BENJAMIN LANGSTON KERMAN RYAN HAMILTON BERT KREISCHER HANNAH EINBINDER LARRY THE CABLE GUY SAL VULCANO BETH STELLING HANNAH GADSBY LAS CULTURISTAS SAMANTHA BEE BILLY EICHNER HEATHER MCMAHAN LAUREN LAPKUS SARAH SHERMAN BILLY GARDELL ILANA GLAZER LAZY SUSAN SARAH SILVERMAN BITCH SESH ILIZA LESLIE JONES SEANN WALSH BJ NOVAK ISSA RAE LEWIS BLACK SEBASTIAN MANISCALCO BO BURNHAM IVAN DECKER LIL DUVAL SETH MEYERS BOWEN YANG JAKE NORDWIND LIL REL HOWERY SHENG WANG BRANDON WARDELL JB SMOOVE LOS TRES TRISTES TIGRES SIMON GIBSON BRIAN POSEHN JEFF FOXWORTHY LUKE NULL SMALL TOWN MURDER BROAD CITY JEN BRISTER MARC MARON SMART, FUNNY & BLACK CHELSEA HANDLER JEN KIRKMAN MATT INGEBRETSON STAVROS HALKIAS CHLOE FINEMAN JENA FRIEDMAN MAWAAN RIZWAN STEVE TREVIÑO CHRIS DISTEFANO JEANNE ROBERTSON MEG STALTER STEVEN WRIGHT CHRIS HARDWICK JESSICA WILLIAMS MICHAEL IAN BLACK TAYLOR TOMLINSON CHRIS TUCKER JESUS TREJO MICHAEL CHE THE COMEDY GET DOWN CLAUDIA O’DOHERTY JIM GAFFIGAN MICHAEL RAPAPORT THE DOLLOP COLE ESCOLA JIM JEFFERIES MICHELLE BUTEAU THE LONELY ISLAND COMEDY BANG! BANG! JIMMY TATRO MICHELLE WOLF THE MISFITS DAN CUMMINS JO FIRESTONE MY DAD WROTE A PORNO THE TENDERLOINS DAN SODER JOE MANDE MY FAVORITE MURDER THIS MIGHT GET WEIRD DAN ST.
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The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness.
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Women in Comedy
WOMEN IN COMEDY BACKGROUND: MAKERS: Women In Comedy tracks the rise of women in the world of comedy, from the “dangerous” comedy of 70s sitcoms like Norman Lear’s Maude to the groundbreaking women of the 1980s American comedy club boom and building to today’s multifaceted landscape. Today, movies like Bridesmaids break box office records and the women of Saturday Night Live are often more famous than their male counterparts, but it didn’t start out that way. Early breakout female comics had to keep their jokes within the safe context of marriage, motherhood, and a man’s world. But they still found a way to be subversive. As Joan Rivers puts it, “I was furious about having to get married… It all comes out on stage. So that’s what I do onstage. I really tell them the truth.” Soon comedy became a vehicle for women to take on some of the most sensitive and controversial issues of the day. On television in the 1960s, entertainers like Carol Burnett and Mary Tyler Moore illuminated the core issues of feminism with humor that was both sly and truthful. But it took a powerful male producer to bring the most provocative feminist characters onto the screen. Maude, who Lear introduced to audiences in 1971, was a feminist firebrand on her fourth husband, strong and independent with a razor sharp wit. “When Maude was on the air,” Lear tells us, “I used to get letters from the First Lady, Betty Ford…. And she always signed every letter ‘Maude’s #1 fan’.” When Maude chose to have an abortion at 47, religious groups protested, but the episode was watched by 65 million Americans.
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For Tig Notaro's Stand-Up
Tulane University Tulane 'stands up' for Tig Notaro's stand-up October 07, 2015 12:00 PM Claire Davenport [email protected] Tig Notaro shot to stardom as a comedian after she was blindsided by a health crisis and the death of her mother, a New Orleanian, in 2012. The documentary Tig (2015) chronicles the surprising results that ensued when she chose to confront “the worst four months of her life” head-on through her comedy. An HBO comedy special called "Tig Notaro: Boyish Girl Interrupted" was released in August 2015. She got laughs and cheers from Tulane students and community members during her performance in McAlister Auditorium on Tuesday (Oct. 6). (Photo by Scott McDermott/HBO) Tig Notaro is not the type of comedian to stick to a script during her stand-up. For most of her show in McAlister Auditorium on the Tulane University uptown campus Tuesday (Oct. 6), she interacted with the audience. “Is the girl from Whole Foods in the audience?” Notaro shouted at one point into the crowd. “Thanks for letting me know where to go for my performance.” At the end of her show, she shook her head and laughed at the standing ovation she received. “Sit down guys please, I"m just a normal person â¦ here, you can touch my arm,” she said, reaching out into the crowd. Notaro may call herself “just a normal person,” but she has achieved national recognition as a comedian. She is on Rolling Stone"s “List of 50 Funniest People in America,” and appeared on many comedy shows including “The Sarah Silverman Project” and “Conan O"Brien.” Tulane University | New Orleans | 504-865-5210 | [email protected] Tulane University While known for her stand-up, she is known for addressing heavier topics through humor.
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Comedy in Bloomington
(clockwise, from top left) The Comedy Attic’s proprietor, Jared Thompson, surrounded by cuddly friends. Tig Notaro, the opening headliner at last year’s Limestone Comedy Festival, gets down to the level of her audience. Photo by Tall + Small Photography The marquee at the Buskirk-Chumley Theater. Photo by Tall + Small Photography Bloomington- based touring comic Ben Moore. Pizza magnate and longtime Comedy Caravan supporter Ray McConn. By Jeremy Shere • Photography by Shannon Zahnle comedy mington in The Art and Business of Bl Making People Laugh 92 Bloom | April/May 2014 | magbloom.com magbloom.com | April/May 2014 | Bloom 93 enjoyed a golden age of comedy. It began in led the way, introducing fans to a new brand of He and Sobel agreed to try comedy at une 8, 2013. The Buskirk- the late-1970s and owes a debt, indirectly, to smart, socially conscious comedy. By the Bear’s Place on Monday nights. This time, Chumley Theater is packed. the launch of television’s Monday Night mid-80s, comedy clubs based on the East and McConn promoted the show heavily, and on It’s the closing night of Bloom- Football telecasts. For a few years, before most West coasts had spawned national franchises Monday, Jan. 10, 1983, comics Rob Haney, ington’s inaugural Limestone people had big TVs, football fans flocked to while TV shows such as A&E’s An Evening at Dea Staley, and Teddy LeRoi played to a full Comedy Festival. The Bear’s Place on East 3rd Street — one of the the Improv and HBO’s Comedy Hour and house.
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Comedy Roster
COMEDY ROSTER 2 DOPE QUEENS DULCÉ SLOAN JORDAN KLEPPER RACHEL BLOOM AARON CHEN DUSTY SLAY JUDD APATOW RACHEL FEINSTEIN ADAM CONOVER ELI CASTRO JULIO TORRES RAE SANNI ALEX FERNANDEZ ELLIE TAYLOR JUSTIN WILLMAN RANDY FELTFACE ALI SIDDIQ ENISSA AMANI KANAN GILL REGGIE WATTS ALI WONG ERIC ANDRE KATE BERLANT RHYS DARBY ALOK VAID-MENON EUGENE MIRMAN KATHLEEN MADIGAN ROBBY HOFFMAN AMANDA SEALES EUGENIO DERBEZ KENAN THOMPSON ROB DELANEY AMOS GILL FAHIM ANWAR KEVONSTAGE ROB RIGGLE ANDREW BACHELOR FLIGHT OF THE CONCHORDS KIDS IN THE HALL RORY SCOVEL ANDREW LOPEZ FRANCESCA D'UVA KIRAN DEOL ROISIN CONATY ANDREW SANTINO FRANCHESCA RAMSEY KRISTEN SCHAAL RUSSELL PETERS ANDY DALY GAD ELMALEH KRISTINA KUZMIC RYAN HAMILTON ANJELAH JOHNSON GARY OWEN KYLE DUNNIGAN SAL VULCANO ARNEZ J GEORGE LOPEZ KYLE KINANE SAMANTHA BEE AWKWAFINA GRACE KUHLENSCHMIDT KYLE MOONEY SARAH SHERMAN BARATUNDE THURSTON GUILTY FEMINIST LANGSTON KERMAN SARAH SILVERMAN BECK BENNETT GUZ KHAN LARRY THE CABLE GUY SEBASTIAN MANISCALCO BERT KREISCHER H. JON BENJAMIN LAS CULTURISTAS SETH MEYERS BETH STELLING HANNAH EINBINDER LAUREN LAPKUS SHANE TORRES BILLY EICHNER HANNAH GADSBY LAZY SUSAN SHENG WANG BILLY GARDELL HEATHER MCMAHAN LESLIE JONES SIMON GIBSON BITCH SESH ILANA GLAZER LEWIS BLACK SMALL TOWN MURDER BJ NOVAK ILIZA LEYENDAS LEGENDARIAS SMART, FUNNY & BLACK BO BURNHAM IMOMSOHARD LIL DUVAL STAVROS HALKIAS BOWEN YANG ISSA RAE LIL REL HOWERY STEVE TREVIÑO BRANDON LEAKE IVAN DECKER LOS TRES TRISTES TIGRES STEVE WAY BRETMAN ROCK JAKE NORDWIND MARC MARON STEVEN WRIGHT BRIAN POSEHN JASON
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Withmargaret Cho Andfriends
SPECIAL THANKS With special thanks to: Hot Rod Shop Inc., and This event is generously supported by The Wal- Felix Lighting. lace Foundation and Chevron. Based in New York City, The Wallace Foundation is an independent A very special thanks to the members of Stu- national philanthropy dedicated to fostering im- dent Ambassadors for the Arts (SAFTA) for provements in learning and enrichment for disad- their work on this event: vantaged children and the vitality of the arts for everyone. It seeks to catalyze broad impact by Gloria Ashaolu supporting the development, testing, and sharing Anna Bruns* of new solutions and effective practices. For Kevin Carley more information, visit wallacefoundation.org. FRONT ROW Isabel Chen Liting Chen Cal Performances’ suite of student life and learn- WITH MARGARET CHO Nikki Cheung ing programs, including Front Row, is made pos - Naniette Coleman sible, in part, by Chevron. Zoe Forest AND FRIENDS Vickie Jin Cal Performances produces and presents perfor - Kathryn Kityama mances of the highest artistic quality, enhanced BY UCB STUDENTS, Daryanna Lancet by programs that explore compelling intersec- FOR UCB STUDENTS Sharon Lau tions of education and the performing arts. Emily Lin Founded in 1906, Cal Performances fulfills this Chloe Lo mission by presenting a diverse range of more Seth Lu than 100 music, dance, and theater perform- Priscilla Ng ances each season, as well as creating a context Janice Ng for the work through supporting education and Parth Nobel community programs. Adalie Palma ALI Swetha Prabhakaran WONG Meg Scriber Jessely Serrano* Vibha Seshadri George Wang Josie Wen* APARNA Kammy Wong NANCHERLA Sondra Yu Angela Zhao Leila Zhu Talya Ziplipsky HARI *also members of the Student Curators of Cal Performances KONDABOLU RACE.
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Sample Chapters. - Bio + Contact
CONTENTS. - hello. - overview + design. - talent highlights. - marketing + pr. - competitive analysis. - sample chapters. - bio + contact. DAVID CROSS HELLO. Hi. Welcome. Mandee Johnson here, one of the producers and creators of The Super Serious Show. Joel Mandelkorn, my co-producer and partner is here too... We started The Super Serious Show in the summer of 2010 at a time when the independent comedy scene in Los Angeles was lacking shows presented and produced outside established comedy venues. We set out to build a stand-up show that represented everything we loved. An hour pre-party with great music, an amazing food truck for cheap eats, free beer/wine, and a well curated lineup. We are not comedians. We are producers. I’m also a photographer... Obviously. The portraits started off with a simple goal: document the comedians on the show. To capture each comedian at this time and place I took two 4x5 Polaroids (one serious and one silly) at The Super Serious Show. Over the last nine years the series has grown, the portraits are an iconic symbol of the show and the independent comedy. It also became a deeply personal series to me - it not only documents the comedians themselves but a moment in time in comedy history. To be clear, we didn’t start this show with big plans. We started it to be a part of the comedy community. I definitely didn’t start shooting the portraits to create a series with over 1,000 portraits, but here we are. Our lives are intertwined with this world- relationships dating back before marriages, pre-kids..
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GLAAD's Annual Report on LGBTQ Inclusion
W H E R E W E A R E GLAAD’s O N annual report on LGBTQ T V inclusion ‘1 6 – ‘1 7 2 CONTENTS 3 From the desk of Sarah Kate Ellis, GLAAD President & CEO 4 Methodology 5 Highlights 6 Summary of Broadcast Findings 8 Summary of Cable Findings 10 Summary of Streaming Findings 12 Gender Representation 14 Race & Ethnicity 16 Representation of Black Characters 18 Representation of Latinx Characters 20 Representation of Asian-Pacific Islander Characters 22 Representation of Characters With Disabilities 24 Representation of Bisexual Characters 26 Representation of Transgender Characters 28 Representation in Alternative Programming 29 Representation in Daytime Programming 30 Representation in Spanish-Language Programming 31 GLAAD’s Entertainment Media Team 3 FROM THE DESK OF SARAH KATE ELLIS For more than 20 years, GLAAD has tracked the nuanced motivation, developed backstory, and the same presence of lesbian, gay, bisexual, transgender, and odds of death. When the most repeated ending for a queer (LGBTQ) characters on television. In that time, the queer woman is violent death, producers must do better entertainment and cultural landscapes have changed to question the reason for a character’s demise and what dramatically, and today we see the highest percentage of they are really communicating to the audience. LGBTQ series regular characters on broadcast television found since expanding our count to gather more Moreover, it is not enough for LGBTQ characters simply comprehensive data 12 years ago. Additionally, record- to be present on screen; they must be crafted with high percentages of both black characters and those with thought, attention, and depth.
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Schadenfreude Contrast/Juxtaposition Hyperbole/Escalation Bon Mot Caricature Double Blunde
AP Language and Composition Summer Assignment 2017 Ms. Goodwin and Mr. Pflieger Summer Comedy Assignment Welcome to AP Lang! We are looking forward to reading, writing and working with you next year. In preparation for the class, we ask you to complete the following assignment prior to the first day of school. We will uses these texts and analytical experiences as key components of the first days of class. Part 1: Create a glossary of the following terms to guide you in your reading of comedic texts this summer. ● Irony (dramatic, situational, verbal) ● Satire ● Parody ● Absurdity ● Paradox ● Cognitive dissonance ● Non sequitur ● Impression ● Misunderstanding (deliberate or otherwise) ● Pun ● Litotes ● Heckling ● Black comedy (discomfort with truth) ● Schadenfreude ● Contrast/Juxtaposition ● Hyperbole/escalation ● Bon mot ● Caricature ● Double blunder/relapse ● Epigram ● Farce ● Common ground ● Freudian slip ● Inversion/reversal ● Lampoon ● Malapropism ● Recovery ● Spoof ● Spoonerism ● Paraprosdokian Part 2: Required Readings A. Fulllength book: Everyone will read Assassination Vacation by Sarah Vowell. B. Feature film or play Select a quality comedy and plan to watch it at least twice. Suggested titles: Tootsie, Airplane! , The Graduate , The Lady Eve , The Importance of Being Earnest , The Kid (Charlie Chaplin), Deadpool , Spy , Stripes , Annie Hall , Waiting for Guffman , The Big Lebowski , This is Spinal Tap! C. Comedian at work: Select and watch a standup comedian’s special (think Dave Chappelle, Tig Notaro, Larry the Cable Guy, Aziz Ansari, Dennis Miller, Louis CK, etc.) or a televised monologue comedian in several episodes (think Stephen Colbert, Samantha Bee, Jimmy Kimmel, etc.). D. Print/visual comedy: Read a comic strip every day/week for a month, or follow one publication’s political cartoons for a month ( The New York Times, The New Yorker, The National Review , etc.) or read a humorous graphic novel in its entirety ( American Born Chinese , Axe Cop, etc.).
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Tig Notaro: a Comedian Makes “Sick” Humor the Main
THE ARTS AND MEDICINE Tig Notaro A Comedian Makes “Sick” Humor the Main Act Jennifer Abbasi ithin the first 5 minutes of her semiautobiographi- There’s magic in that set if you listen to it, a camaraderie and cal television “traumedy” One Mississippi, we see electricity that come through the recording. At one point Notaro W Tig Notaro—last name Bavaro on the show—visit an wavers, wondering if she should switch to lighter fare, and a man airport restroom three times. When her character’s brother, Remy, in the audience shouts out, “This is fucking amazing!” arrives to pick her up, he blurts out that she also looks like shit. Humor lifted Tig, both the real and fictionalized ver- He’s right: She’s skeletal, but for good reason. She’s recently un- sions. In her memoir, I’m Just a Person, published in June, she dergone a bilateral mastectomy for invasive breast cancer and describes the natural high she felt leaving the stage that night, now she’s dealing with a severe case of Clostridium difficile in- the complete opposite of her psychological state 30 minutes fection that’s causing those trips to the restroom. Heaping on the prior. In a scene in One Mississippi, Tig and a nurse share a big, misfortune, she has flown in to be at her mother’s hospital bed- hearty laugh after her mother has taken her last labored breath. side when she is taken off life support. An accident, we learn, has It’s imagined, though—a fantasy version of events Tig conjures left Tig’s mother brain dead.
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Funny Business: Women Comedians and the Political
FUNNY BUSINESS: WOMEN COMEDIANS AND THE POLITICAL ECONOMY OF HOLLYWOOD SEXISM by DIANA MARTINEZ A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy March 2017 DISSERTATION APPROVAL PAGE Student: Diana Martinez Title: Funny Business: Women Comedians and the Political Economy of Hollywood Sexism This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Sangita Gopal Chairperson Quinn Miller Core Member Priscilla Ovalle Core Member Kenneth Calhoon Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2017 ii © 2017 Diana Martinez iii DISSERTATION ABSTRACT Diana Martinez Doctor of Philosophy Department of English March 2017 Title: Funny Business: Women Comedians and the Political Economy of Hollywood Sexism In the last five years there has been great public interest in Hollywood’s “gender problem,” namely its unequal representation of women in key creative roles such as director, producer, and studio head. Yet, in the long history of women in film and television, comedians have had the greatest success and degree of agency over their work. From silent film comediennes like Mabel Normand to Lucille Ball, Carol Burnett, and more recently Tina Fey and Amy Schumer, women comedians have resoundingly had success behind-the-screen as well as in front of it. In order to comprehend the disjuncture between the data and the women comedians’ success, we must account for the women at the center of contemporary popular culture who seem to have successfully navigated highly gendered structures of media.
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