The Cord Weekly (November 8, 1990)
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August-September 2020
2013 KBA -BLUES SOCIETY OF THE YEAR CELEBRATING OUR 25TH YEAR IN THIS ISSUE: -Consider This- by Lionel Young -The 1960s American Folk Blues Festivals and Manchester Volume 27 No5 August/September Memories -by David Booker 2020 -How To Make a Black Cat Bone - by Rick Saunders Editor- Chick Cavallero -Atlantic City Pop Festival – by Chick Cavallero -Gone But Not Forgotten-Howlin Wolf -by Todd Beebe Consider This -The Forgotten Walter- by Chick Cavallero and bobcorritire.com By Lionel Young -CD Reviews –CBS Members Pages Lionel Young is perhaps the greatest performer in the history of the IBC. He is the CONTRIBUTERS TO THIS ISSUE: only performer to win both the Solo Lionel Young, David Booker, Todd Competition and the Band Competition at the Beebe, Chick Cavallero, Jack Grace, Blues Foundation’s International Blues Dan Willging, Jim O’Neal, Challenge. He did both representing the Bluesoterica.com, Al Chessis, Colorado Blues Society. Racism has our world https://bobcorritore.com, Rick in turmoil and Lionel has witnessed this racism Saunders firsthand. This is Lionel’s story… Sometimes I forget who I am as a person. This exercise helps me to remember some important things about who I am. I believe that this country is changing fast for the long haul. I think in the future, people will look back at this time as pivotal. Please 1 take what’s happening now as an opportunity. This is a time for empathy. Try not to give in to fear and act from it. The disease of racism in this country the United States of America affects me in several ways. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
A Historical Analysis of Living Blues Magazine
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2012 A Historical Analysis of Living Blues Magazine Melanie Young Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Music Commons Recommended Citation Young, Melanie, "A Historical Analysis of Living Blues Magazine" (2012). Electronic Theses and Dissertations. 324. https://egrove.olemiss.edu/etd/324 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. A HISTORICAL ANALYSIS OF LIVING BLUES MAGAZINE A Thesis Presented for the Master of Arts Degree The University of Mississippi Melanie Young December 2012 Copyright Melanie Young 2012 ALL RIGHTS RESERVED ! ABSTRACT This thesis examines Living Blues magazine and its history through its stated cultural focus on African American music. ! ""! ! DEDICATION This thesis is dedicated to the founders of Living Blues; to the editors, staff, writers, and photographers past, present, and future; and to all of the blues artists who have been—and will be—represented within its pages. ! """! ! ACKNOWLEDGEMENTS I express my deepest appreciation to my committee chair, Dr. David Wharton, and committee members, Dr. Ted Ownby and Dr. Adam Gussow. In addition, I thank graduate advisor Dr. Kathryn McKee for her kind assistance throughout my career as a student at the University of Mississippi. My assistantship as circulation manager in the Living Blues office, awarded by the Center for the Study of Southern Culture and supervised by publications manager Mark Camarigg, provided necessary financial assistance for my studies in Oxford. -
Music & Artists on Myspace
JACKSONVILLE INSIDE internet revolution • new album from From Tinseltown to the St. Johns Town Center The Cadets • win tickets to see changing the face Shrek the Third! • Southside pub crawl • Last Free Ride at of southside San Marco Theatre entertaining u newspaper free weekly guide to entertainment and more | april 26-may 2, 2007 | www.eujacksonville.com 2 april 26-may 2, 2007 | entertaining u newspaper table of contents feature Internet Revolution ....................................................................................PAGES 12-15 St. Johns Town Center ..............................................................................PAGES 16-17 Southside Pub Crawl ........................................................................................ PAGE 21 movies Last Free Ride/Sunset Scavanger Sailbus ........................................................... PAGE 6 Movies in Theaters This Week .......................................................................PAGES 6-9 Seen, Heard, Noted & Quoted ............................................................................. PAGE 7 Vacancy (movie review) ..................................................................................... PAGE 8 at home Bobby (DVD review) ......................................................................................... PAGE 10 Drive (TV review) ............................................................................................. PAGE 11 Video Games .................................................................................................. -
ROCK/POP New Releases Churchwood, 3: Trickgnosis on This Album, 3:Trickgnosis, Churchwood Weaves a Hypnotic Spell That Straddles Genres and Invents Its Own Mythology
SEPTEMBER NEW RELEASE GUIDE STREET DATE: September 16, 2014 5% DISCOUNT on New Release Items through September 23 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com September 2014 WBDCelcome!! Welcome!! New Releases been proud of? Just who the heck is Jason Feathers anyway? Utah Philips was another original---they broke the mold with this story- RISE AND SHINE! That’s the title of the brand new CD from Caspar tellin’, folk singin’, Wobbly who ranted and railed against things that Babypants. This the 8th CD from Caspar (aka Chris Ballew from The simply just weren’t right. Free Dirt Records makes available once again Presidents of the United States of America) who has contributed greatly the career retrospective four CD set that contains all things Utah. to the kindie movement by singing hip, hep and happening tunes about Who let Jason Feathers out of Flori-bama anyway? Was it Toothpick? bugs and snakes and crawly things helped out by various Seattle-based Might’ve known. musicians of note. And how about a Yoga-centric New Age CD from the award winning How come De Oro ain’t on no maps? Paul Avgerinos? Or the latest from Ireland’s grand Eleanor McEvoy, Sid Griffin is an original. Founder of the legendary Long Ryders, then STUFF? Or an LP/CD package from PowerPopmeisters, The Jigsaw Seen? Western Electric and currently The Coal Porters, author and broadcaster Or the re-release of an out-of-print Omar and the Howlers CD? And so who occasionally lets a solo album escape. -
The Portland Piper the Online Publication of the Greater Portland Flute Society Vol
The Portland Piper The Online Publication of the Greater Portland Flute Society Vol. 34, No.3 Table of Contents Click on any of the columns below to go directly to this edition’s feature. Letter from the President GPFS Music Lending Library Providing members with a vision Highlights from our librarian and of where GPFS is headed. membership about the content of the Click here to go to page. library, including music reviews! Click here to go to page. How You Can Help Our Flutist Friends Simple ways you can support the Highlights from the abundant, quality mission of GPFS – participate, resources available from around the volunteer, connect, donate. country and globe. Click here to go to page. Click here to go to page. GPFS News & Upcoming Low Notes Highlights of recent society Insightful connections to information activities, including upcoming and resources focused on low flutes. events – Fall Guest Artist, Paul Click here to go to page. Edmund Davies and applications for Student Study Grants. We Read Click here to go to page. Enriching our musical life through literature with a musical focus. Click here to go to page. OR & PNW Upcoming GPFS Instrument Rental Events How members can rent the alto and Direction to other fluting and bass flutes available from GPFS. learning opportunities in our Click here to go to page. greater region. Click here to go to page. GPFS Member Feature Index of Commercial Members Learn more about our rich Direction to webpage with easy membership talent. This issue’s contact links to all vendors profile – Adam Eccleston! supportive of GPFS and newsletter Click here to go to page. -
Pdf Only Link Here
JULY 22–AUGUST 4, 2021 ISSUE #387 THE INKWELL Bryce Parks Publisher & Everything Else [email protected] Kristina Nesteby Design & Layout [email protected] Mike Ironside Nightlife [email protected] Lisa Stevenson Advertising [email protected] 563-580-1691 Lori Menke Advertising COVER [email protected] 16 Dubuque County Fair 319-450-5151 The fair returns on July 27–Aug. 1 with two big grandstand concerts, stock car racing, CONTRIBUTING WRITERS demolition derby, and so much more Gwen Beatty Photo: Bob Felderman Good Advice 19 DubuqueFest Fine Arts Festival [email protected] Iowa’s longest-running fi ne arts festival hosts two days of a juried art fair, live Matt Booth music, and literary arts activities Mattitude Aug. 7 and 8 in Washington Park [email protected] Sara Carpenter FEATURES DIY Advice 18 ChamberFest DBQ [email protected] 23 Music on the March Danny Fairchild 31 Picture Yourself in the Tri-States Dining & Horoscopes [email protected] 32 Dockside Bar & Grille Bob Gelms SECTIONS Bob’s Book Reviews [email protected] 4 Events 12 Arts Pam Kress-Dunn Columnist 24 Nightlife [email protected] 32 Columnists Sunil Malapati Dining WHERE’S WANDO? [email protected] We’ve hidden Wando somewhere in this issue of Sara Eliot Steuer 365ink. Can you fi nd him? Feature Writer [email protected] 365ink Magazine SPECIAL THANKS 432 Bluff St, Dubuque, IA 52001 563-588-4365 Christy Monk, Gina Siegert, Julien’s Journal, Fran [email protected] Parks, Tim Brechlin, Gen. Bob Felderman, Ron & Dubuque365.com Jennifer Tigges, Dave Haas, Rich Belmont & Facebook: @dubuque365 Margie Blair, Mike Damaso, Paul Gilligan, Instagram: @365ink Paul & Sandy Meyer, Coco the offi ce dog, Wesley Cat, Copper Kettle’s Seared Sesame All contents © 2006–2021, Tuna Bowls, all of our 365ink friends and Community Incorporated. -
For Additional Information Contact the Archives Center at 202.633.3270 Or [email protected]
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BRANFORD MARSALIS NEA Jazz Master (2011) Interviewee: Branford Marsalis (August 26, 1960 - ) Interviewer: Dr. Anthony Brown, engineered by Ken Kimery Date: May 24-25, 2012 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 160 AB: Today is May 24, 2012 and this is the Smithsonian Oral History Interview with saxophonist, composer, bandleader, educator, radio and TV personality and erstwhile thespian, or actor, NEA Jazz Master Branford Marsalis in his home in Durham, North Carolina. Good morning Mr. Marsalis, how are you doing? BM: Good morning, Mr. Brown. How are you? AB: OK. If we can go ahead and forgo the formalities if I may call you Branford, you can call me whatever you want. BM: Un-huh. For additional information contact the Archives Center at 202.633.3270 or [email protected] AB: OK. So since this is the NEA Jazz Masters interview conducted by Anthony Brown, assisted by Ken Kimery. Let’s go ahead and start from the beginning and get the…. (beeping noise in background) We might have to deal with that. BM: I’ll turn this off. AB: OK. Go ahead…. Today is May 24, 2012 and this is the Smithsonian Jazz Oral History Interview with saxophonist, composer, bandleader, educator, radio and TV personality, and erstwhile thespian, or actor, NEA Jazz Master, Branford Marsalis, conducted in his home in Durham, North Carolina. Good Morning, how are you doing? BM: Good morning, Mr. Brown. -
George Thorogood and the Destroyers Im Juli Zwei Exklusive Deutschland-Konzerte in Köln Und München
George Thorogood and The Destroyers Im Juli zwei exklusive Deutschland-Konzerte in Köln und München Wer George Thorogood and The Destroyers schon einmal live erlebt hat weiß, dass dieser Künstler sich selbst und seine Band immer wieder zu Höchstleistungen antreibt. Auf der Bühne beweist der 57-Jährige eindrücklich, dass er den Rock’n’Roll mit Leib und Seele lebt. Die Geschichte von George Thorogood and The Destroyers beginnt in den 70er Jahren: George Thorogood selbst spielt Baseball als Halbprofi und gerade als sich die ersten sportlichen Erfolge abzeichnen stellt ihn seine Band The Destroyers vor die Wahl – Musik oder Sport. Die Wahl fällt auf die Musik und in den 80ern und 90ern geht es für die Band mit Hits wie „You Talk Too Much“, „I Drink Alone“, „Get A Haircut“ und „Bad To The Bone“ steil bergauf. Letzterer wird sogar bei "Terminator 2" und vielen anderen Serien und Kinofilmen eingesetzt. Das 2004 veröffentlichte Greatest Hits Album ist für 60 Wochen Nr. 1 der Billboard Blues Charts und gewinnt damit den „Award For The Blues Record Of The Year“. Im Sommer 2006 kommt dann das letzte Album von George Thorogood and The Destroyers auf den Markt: "The Hard Stuff". Nach vielen Jahren der Bühnenabstinenz in hiesigen Breitengraden holt Triple M Entertainment die Bluesrock-Legende erstmals wieder für zwei exklusive Shows nach Deutschland. Köln und München stehen im Juli auf dem Tourneeplan. In Show And Concert 2013 George Thorogood and The Destroyers presented by Mario Mendrzycki 01. Juli 2013 Köln / Live Music Hall 11. Juli 2013 München / Theaterfabrik Der VVK beginnt am Freitag, 01.