Kesha documentry download torrent ‘I Felt I Didn’t Deserve to Be Unapologetically Joyous’ opens up about being back to party-animal mode despite her ongoing struggle with the producer Dr. Luke. Put on your glitter eyeshadow and break out your DVDs, because the early 2010s may be up for a comeback. At least, that’s how Kesha’s forthcoming album, High Road , makes it seem. It was a decade ago that the Tennessee-raised Kesha Rose Sebert, in her smash “TiK ToK,” reported waking up in the morning “feelin’ like P. Diddy.” Now one thundering song, “My Own Dance,” opens with the 32-year old singing that she “woke up this morning feeling myself / hungover as hell, like 2012.” On a few levels, 2012’s a significant year for her to reference. That’s when Kesha released her second full-length album, Warrior , which was her last album to land megahits in turned-up nightclubs across the globe. It was the era of not just peak pop Kesha, but also Lady Gaga and Katy Perry, an era when Rihanna was still regularly releasing singles and encouraging listeners to pour it up. For Kesha herself, 2012 was a time of going out constantly, living the “couch-surfing life” in the Los Angeles neighborhood of Echo Park, she told me recently over the phone as she sat in Southern California traffic. It was also, she has said, a time of trauma. In 2014 she sued her manager and producer, Lukasz Gottwald, a.k.a. Dr. Luke, alleging that he abused her—including by drugging and sexually assaulting her—throughout her rise from an unknown 18-year-old songwriter to an international sensation. Gottwald denied her accusations and pushed back in court, resulting in a legal and reputational battle that’s ongoing. Judges have not ruled on the truth of Kesha’s claims, but her bids to sever business ties with Gottwald have been dismissed on the basis of merit and statutes of limitations. The producer is seeking more than $40 million in damages from her for defamation and breach of contract, according to a 2018 motion filed by Kesha’s legal team. Agreements signed early in her career with him remain intact. (Gottwald’s representatives did not respond to a request for comment.) Given that dark context, how does Kesha think back on her breakout phase? She studiously avoided mentioning Gottwald directly, because she’s no longer discussing the saga in public. But her answer did hint at a complicated reality. “In most parts of my life, I’ve had beautiful moments,” she said. “There were exhausting moments. There were moments that I quite frankly hated.” As for her old hits, she said, “there are some songs that are not my favorite to play. But I don’t want to get into that, because I don’t want to ruin a joyous song for someone else. I know that a lot of fans might have a connection to a song that isn’t my favorite memory of making it.” For a while now, understandably, it has seemed that Kesha was leaving behind the carefree sound of her early career. Her first album since Warrior , 2017’s Rainbow , marked a rootsy sonic reset in which the Gottwald conflict loomed, unnamed but obvious. In the ballad “Praying,” she showed off her underrated belting ability while serving up a #MeToo-era statement of overcoming. “After everything you’ve done,” she sang, “I can thank you for how strong I have become.” There were raucous songs, too, but they channeled rock and roll’s defiance rather than EDM’s escapism. “I felt like Rainbow was a time and place to address some more serious things,” she told me. Yet for High Road , Kesha’s raging again—in the hedonistic rather than anguished sense of the word. The lead single, “Raising Hell,” crosses gospel uplift with New Orleans bounce as she yowls, “I’m all fucked up in my Sunday best / No walk of shame ’cause I love this dress.” Other forthcoming bangers address such topics as getting drunk, getting high, losing your phone before calling an Uber, and forgetting how to spell your own name. “I’m at a place in my life where I’m really okay with how much I love pop music,” she told me. “I’m really okay if people think I’m a cheesy bitch—because part of me is.” Fans may cheer the return of this playful version of Kesha. But they may also worry about its sincerity. After High Road’ s January 2020 release, she’ll reportedly be one album away from fulfilling the requirements of her original contract with Gottwald’s production company—the contract that fans’ #FreeKesha campaign has tried to nullify. According to a New York Times story around the time of Rainbow ’s release, Gottwald works “in an approval capacity, but not hands-on,” with regards to Kesha’s new material and is likely entitled to a cut of her publishing revenues. It would thus seem possible that her return to brash pop is happening out of expedience, or even under duress. Such fears have faded for me, though, since listening to the six tracks her team made available from High Road . It’s impossible to know for sure, but Kesha sounds like she’s making the music she wants to make. Her new songs are not autopilot retreads of her early successes. They’re pretty dazzling examples of synthesis: The naturalistic singing of Rainbow meets the sneers of 2010’s Animal , with crassly funny lyrics that really only she could write. The struggle she’s focusing on isn’t about what happened in the past, or even what’s facing her now. It’s how to thrive regardless. “I don’t have to live in being a tragedy, or being a party girl,” she said. “I can be all of the things.” Or, as she drawls in “My Own Dance”: “Don’t circumcise my circumstance.” Kesha said she initially wasn’t sure how to follow Rainbow . Early songwriting attempts for her next album trended toward country. Then her brother called and asked why she wasn’t making pop music anymore. “I had to do some thinking about it,” she said. “I felt I didn’t deserve to just be unapologetically joyous and happy, because as the whole world knows, I’ve been through some … traumatic things in my life.” The first crack at answering her brother’s question resulted in “My Own Dance,” a floor-shaking reckoning with the public pressure to shut up and sing. “The internet called and it wants you back / But could you kind of rap and not be so sad?” she sings on the track. I told her that the song makes it seem like she’s flipping a middle finger to fan expectations even as she embraces them. “It was, like, reluctant,” she said with a laugh. “ Okay, fine, I’m gonna write a pop song . And I ended up loving it . It was making my life happier by making happier music.” High Road is not all pump-up material, though. “Resentment,” a quiet collaboration with and , amounts to an impressively nuanced essay on the title feeling. “Father Daughter Dance” addresses her sadness about never knowing her own dad. The many moods are the point. “You can be a woman who goes out and you party, and you have drinks … and you smoke some weed, and then you get a tattoo,” she said. “And then the next day you go for a run, and then you meditate, and then you go to the studio and write a song about a totally different emotion. That’s just what being human is.” Kesha kept steering our conversation toward being “present,” the existential-emotional state that she sought with High Road . To hear her tell it, this theme is the same one that underlay all of her old-school party fare. “Ever since I was young, I’ve had an affinity for writing almost nihilist pop music just about living your life while you have it,” she said. “Something I am very much living in is trying to make use of every single day and appreciating that today is all I have for sure.” That’s indeed a classic pop sentiment (see Drake’s early-2010s motto, YOLO, for example). But it’s hard to avoid the thought that focusing on the right now would also be a helpful strategy for someone whose career path has been somewhat derailed, who has experienced what she describes as abuse, and whose much-publicized bid for commercial independence has stalled. Though she won’t talk about those struggles in any explicit terms, she will record tracks like “Rich, White, Straight Men,” a sea-shanty-like protest song that she put online recently. “What if rich, white, straight men / Didn’t rule the world anymore?” goes the merry refrain amid lyrics about immigration, abortion, and public education. “In one listen, you’ll understand where I stand on a lot of social issues,” she told me. “It is one of my favorite songs I’ve ever written … And talk about therapeutic.” The rich, white, straight man she’s battling in court continues to operate in the music industry, albeit with controversy. Other artists, including Kelly Clarkson and Pink, have called him “kind of a bully” and “not a good person,” respectively. Dan Reynolds of Imagine Dragons—who collaborated on Kesha’s “My Own Dance”—tweeted a recent plea for musicians to boycott Gottwald until he releases Kesha from her contract. Still, a few up-and-coming artists, including the singer Kim Petras and the rapper Doja Cat, have been getting some public traction—plus criticism—with Dr. Luke–produced pop similar in spirit to Kesha’s earlier music. All of which is to say that the public is still talking about Gottwald v. Sebert , even if Kesha no longer is. Does she want her fans to keep tweeting #FreeKesha? Does she like that they continue to call out listeners of Petras, Doja Cat, and other apparent Gottwald allies on social media? As our interview drew to a close, I asked whether she had a message for her fans about how to feel about her lawsuit. The publicist on the line cut in: “I think we are just going to stay totally focused on the music.” Kesha said, “Cool,” and paused. I thought she was going to hang up. But she had an answer, though oblique, about what to say to her fans. “I love them, and I’m so grateful they’ve been by my side for what’s been 10 years since ‘TiK ToK’ came out,” she said. “I saw a sign at the last show that said, ‘You saved my life,’ and I just want them to know that in turn they’ve saved mine. I want them to know that.” Kesha documentry download torrent. Kesha: Rainbow - The Film. Kesha: Rainbow - The Film. Apple Music - Exclusive Film. 'Kesha: Rainbow - The Film' is a half hour documentary created exclusively for Apple Music. The film mixes never-before-seen documentary footage with psychedelic vignettes to tell the story of Kesha's emotional comeback story from the brink of failure to her triumphant return at the 2018 GRAMMYs. The inspiring story of redemption meditates on how some of life's darkest setbacks can be transformed into strength and healing. The film was called "an arresting thirty minutes" by Billboard and "more than your typical musical documentary" by Paper Magazine. USA Today called it "must-see viewing" in their front page review. High Road. ​ High Road is the fourth studio album by Kesha. The album began production in June 2018. It was due to be released on January 10, 2020, but was pushed back to January 31, 2020. Contents. Background. Production of the album begun in June of 2018. A photo of Kesha in the studio working on the album surfaced online on February 6, 2019. On June 3, Kesha retweeted a fan's tweet (@crazykeshafans) which stated, "K4 IS COMING. GET READY FOR THE RELEASES." In a video posted on August 12, one day after the two year anniversary of Rainbow , Kesha stated, "maybe more magical jams are coming soon!" [1] When asked about new music on an Instagram story Q&A, Kesha answered: "That's top secret sorry! I could tell you but only the aliens know !" In an Instagram livestream, Sage said the songs were recorded and Kesha was filming stuff for the album. The Hollywood Reporter wrote in an article, regarding Kesha's outfit for her room at 29Rooms: “ Kesha was the first to arrive, wearing a mermaid-inspired blue embellished caftan and long platinum blonde hair that were on point for her otherworldly room, inspired by her soon-to-be released music [2] ” In a 2019 article from Billboard , Kesha stated, “ While writing my new album, I seemed to lose track of all of my f–ks. I have danced a lot while making this one and cried some tears. I’m not sure what genre it is. Y’all will have to tell me. [3] ” For her covershoot for Billboard , she said about her album, [4] “ I can go back to talking a little bit of shit. I really wanted to put a solid footprint back into pop music, like, 'I can do this, and I can do this on my own.' I don't know if this is my last pop record, but I want to have one where I go out with a bang. ” According to Twitter, Kesha was in London doing an album playback on October 8. Later in October, Kesha posted a clip of the instrumental to "Raising Hell" and a melting candle. The words "HIGH" are on the left, possibly teasing the name of the album. If you look closely at the bottom of the candle, you can see "HIGH ROAD 2019". The same day, she posted the clip in reverse and with "ROAD" to the right. [5] On October 21, Rolling Stone confirmed the title High Road and premiered the album's trailer. [6] On October 25th, Kesha posted a video announcing the track list on October 25. [7] On November 18, all the tracks’ lengths were revealed on iTunes. On December 18, 2019, RCA Records confirmed that there would be more songs added to the album. [8] The entire album leaked January 29, 2020, two days before the release date. During her Reddit AMA, she finished a song five days prior to the album's release, which she revealed to be "Summer". It was a last minute addition to the album. Music and composition. In a statement to Rolling Stone , Kesha expanded on how the process of making High Road was different from that of Rainbow : "I feel like this time around I reconnected to the unrestrained joy and wildness that's always been a part of me — and in this process I have had the most fun I've ever had making a record. I hope my fans love it as much as I loved making it — and know I always have y'all in mind." she continued, "On the last record, I feel like I had to address some very serious things, and now this time around I have reclaimed my love of life. To quote one of my favorite songs of all time I've decided to 'fight for my right to party!' On my own terms. I won't be defined by my past, but I will learn from it. I am so happy, and I hope that happiness is infectious." "When I wrote Rainbow, I was in a very different headspace," she says. "I had to address some very serious things." Over footage of her in the studio working on High Road , Kesha continues, "But now, on my new record, I revisit my roots of pure and utter debaucherous joy. Kesha got her balls back, and they're bigger than ever. So have a good time while you're on this road trip from Hell." The trailer ends with footage of a Kesha-shaped candle played in reverse, building itself back up from melted wax. [9] According to Billboard , [10] the sound of the album is said to be "uptempo" as well as a reminiscent of both Animal and Rainbow . She has enlisted the help of Jeff Bhasker (Harry Styles, Bruno Mars), Macklemore's Ryan Lewis ("Praying", "Good Old Days"), Imagine Dragons' Dan Reynolds, Justin Tranter (Britney Spears, Justin Bieber, Selena Gomez), Tayla Parx (Ariana Grande's "thank u, next") and fun.'s Nate Ruess. The album also saw the return of Kesha's rap technique. "I'm reclaiming a part of my voice that was integral in finding in the first place. I would always kind of s— talk — that's what I call it other; people would refer to it as rapping. But I did it on my earliest earliest demos when I was 15 and 16 and writing songs for my mom [songwriter ]. It's something that I've been doing before I ever put out the record, far before I put out my first record. So I said, 'Why keep myself from doing something I enjoy doing and my fans enjoy when I do it and it brings me happiness?' It's kind of fun-feeling and irreverent and not taking myself seriously, and that's the kind of person I am." [11] Promotion. To promote the album, a hotline is available for fans to call to get updates on new music. [12] When called, a recorded message from Kesha is played, “ Aren't we all demons? Don't we all love to raise a little hell? I know I do. Time to get saved y'all. Release those demons. Let them dance. ” A text message is sent with a link to sign up for Kesha's phonebook. [13] After signing up, fans should receive a message saying, “ Can't go to heaven without raising a little hell, darlin, let's go ” Following the release of the lead single, "Raising Hell" became Shazam's song of the day. Kesha also became the cover of YouTube's Pop Hotlist, Spotify's TGIF, and Apple Music's A-List Pop playlists. In addition, Spotify advertised "Raising Hell" on their Toronto and Times Square billboards. MTV also played the on loop on a NYC billboard. Kesha and Big Freedia performed the song on Jimmy Kimmel Live! and the American Music Awards on October 28 and November 24, respectively. On November 30, Kesha performed the song solo on The Graham Norton Show . Two promotional singles were released from the album, "My Own Dance" and "Resentment", which both were serviced as singles in Australia. On January 10, 2020, Kesha performed "Raising Hell" again with Big Freedia on The Late Show with Stephen Colbert . While being interviewed by Colbert, she did his make-up with products from Kesha Rose Beauty. On January 27, Kesha announced on her first TikTok video that "Tonight" would be released as the second official single. She later confirmed it would be released the following day. On January 30th, Kesha also performed "Resentment" for the first time with Wrabel on The Late Late Show with James Corden . After the album was released, Kesha appeared on Carpool Karaoke: The Series and announced her collaboration with the app Color Stories, which named photo filters after songs on the album. Ke$ha / Kesha - Partial discography (2010-2020) (Opus. 2010 - Animal (Disc Two: Cannibal, International Bonus Track & Japanese And Australian Deluxe. ) 2011 - I Am the Dance Commander + I Command You to Dance: The Remix Album 2012 - Warrior (Deconstructed EP, Deluxe Edition & Japanese Edition Bonus Tracks) 2017 - Rainbow (Japanese Bonus Track) 2020 - High Road. CD Single - Dirty Picture (CD Single) [Taio Cruz ft Ke$ha] & Tik Tok (Germany - UK Single). Mixed - 3OH!3 - My First Kiss (ft Ke$ha), Flo Rida - Right round (ft Ke$ha), Keala Settle - This is me (The Reimagined remix) (ft Ke$ha & Missy Elliott), Ke$ha - Don't think twice,it's all right (Released on The Freewheelin' Bob Dylan; 1963), Ke$ha - Praying (Frank Walter remix), Ke$ha - This is me, Macklemore - Good old days (ft Ke$ha), Pitbull - Timber (ft Ke$ha), Taio Cruz - Dirty Picture (ft Ke$ha) & The Struts - Body talks (ft Ke$ha). Ke$ha / Kesha - Partial discography (2010-2020) (Opus. How to check if there are duplicate files: FSlint -> https://www.pixelbeat.org/fslint/ How to find and remove duplicate photos on your Windows OS: Awesome Duplicate Photo Finder -> http://www.duplicate-finder.com/photo.html. Always check the audio quality, cause even a Lossless format like FLAC can have poor quality everything depends on how and where it was obtained: Spek -> http://spek.cc/ 2010 - Animal (Disc Two: Cannibal, International Bonus Track & Japanese And Australian Deluxe. ) 2011 - I Am the Dance Commander + I Command You to Dance: The Remix Album 2012 - Warrior (Deconstructed EP, Deluxe Edition & Japanese Edition Bonus Tracks) 2017 - Rainbow (Japanese Bonus Track) 2020 - High Road. CD Single - Dirty Picture (CD Single) [Taio Cruz ft Ke$ha] & Tik Tok (Germany - UK Single). Mixed - 3OH!3 - My First Kiss (ft Ke$ha), Flo Rida - Right round (ft Ke$ha), Keala Settle - This is me (The Reimagined remix) (ft Ke$ha & Missy Elliott), Ke$ha - Don't think twice,it's all right (Released on The Freewheelin' Bob Dylan; 1963), Ke$ha - Praying (Frank Walter remix), Ke$ha - This is me, Macklemore - Good old days (ft Ke$ha), Pitbull - Timber (ft Ke$ha), Taio Cruz - Dirty Picture (ft Ke$ha) & The Struts - Body talks (ft Ke$ha).