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Test Pentax 645D an Accessible Medium Format DSLR?
Test Pentax 645D An accessible medium format DSLR? o announce a camera costing With time, cameras evolved, and The 645D sports digital SLR will have no problem card followed by the other, etc.) €10,000 as "accessible" might today the most modern models the classic form of a solid medium working with a 645D. As the overall The Raw format used is DNG, and T sound somewhat strange to (Hasselblad H and Leica S) have format camera. It ergonomics are based on highly in- images can be read directly by many photographers. The term de- abandoned the "body plus inter- is pleasing to tuitive controls, you can instantly Adobe software. Other Raw conver- serves a few explanations. Finan- changeable back" form for a solid handle and find your way around. ters (DxO and others) should very cially, it is justified because a 40 architecture that enables a more ef- comfortable to Original functions are also found use: Pentax has shortly be able to read 645D files. Mpix digital medium format cur- ficient design. This is the type of given it the very in the 645D, for example double The camera handles nicely. The rently sells for more than €15,000, construction used by Pentax. best in APS-C SLR level (front/back and right/left tilt), a grip, which seems a little uncomfor- whereas the Pentax 654D is at The "body plus separate back" ar- ergonomics. A misty landscape Use in the handheld position would be good! camera is less rapid (continuous very useful feature for shooting table at first, turns out to be very ef- Jpeg and Raw €9,900 (including VAT). -
Canon Lenses Canon Lenses from Snapshots to Great Shots
final spine = 0.4625" Canon Lenses Lenses Canon From Snapshots to Great Shots You own a Canon DSLR, but which Canon lens is best for your shooting Jerod Foster is an style and your budget? This guide by pro photographer Jerod Foster editorial and travel From Snapshots to Great Shots Great Snapshots to From will help you learn the features of Canon lenses to capture the photographer and author of Sony NEX-6: From stunning pictures you want for a price that matches your needs. Snapshots to Great Shots; Foster starts with the basics of using lenses in the Canon lineup— Color: A Photographer’s Guide to Directing the Canon Lenses from kit, to prime, to wide angle, to telephoto, to zoom, and more. Whether it’s portraits, landscapes, sports, travel, or night photography, Eye, Creating Visual Depth, and Con- veying Emotion; and Storytellers: A you will have a better understanding of the different Canon lenses Photographer’s Guide to Developing and your choices for investing in them. In this guide you will: From Snapshots to Great Shots Themes and Creating Stories with • Master the key camera features that relate to lenses—depth Pictures. He also leads photography of field, perspective, and image stabilization workshops and is a photography professor at Texas Tech University. Visit • Learn the difference between full frame versus cropped sensors his website and read his popular and how they affect specific lenses photography blog at jerodfoster.com. • Understand best practices for maintaining your lenses and for taking better pictures • Accessorize -
PROFIFOTO Spezial Sonderheft Für Professionelle Fotografie DIE NIKON S-KLASSE Erscheint Bei GFW Photopublishing Gmbh Media Tower, Holzstr
EEditorial/Impressumditorial/Impressum 0033 DDieie MMultimediaultimedia PProfisrofis FFOTOOTO NNikonikon DD3S3S uundnd DD300S300S 0044 PPROFIROFI NNikonikon SSB-900:B-900: SSystemblitzystemblitz 0099 NNikonikon GGaleriealerie GGeroero BBreloerreloer 1100 OOliverliver BBergerg 1111 MMarcusarcus BBrandtrandt 1122 SSPPEZZIALIAL BBjörnjörn HHakeake 1133 VVomom FFilm-Virusilm-Virus iinfiziertnfiziert IImm GGesprächespräch mmitit GGeroero BBreloerreloer 1144 NNahah ddranran NNeueeue PProfi-Objektiverofi-Objektive 1166 AAlternativenlternativen mmitit VVollformatollformat NNikonikon DD3X3X uundnd DD700700 1188 NNikonikon NNPSPS HHändleradressenändleradressen 2200 91NNIKONIKON SS--KLAASSESSE EDITORIAL www.nikon.de IMPRESSUM PROFIFOTO Spezial Sonderheft für professionelle Fotografie DIE NIKON S-KLASSE erscheint bei GFW PhotoPublishing GmbH Media Tower, Holzstr. 2, 40221 Düsseldorf Postfach 26 02 41 (PLZ 40095) MULTIMEDIA DSLRs Telefonzentrale: (0211) 3 90 09-0 Verschaffen Sie sich einen unfairen Vorsprung. Telefax: (0211) 3 90 09-55 Geschäftsführende Gesellschafter Die neue Nikon D3S. Thomas Gerwers, Walter Hauck, it den Kameras der S-Klasse Frank Isphording, Dr. Martin Knapp Der Funktions- erweitert Nikon die Möglichkeiten kreativer Fotografen: Ihre D-Movie- Redaktion reichtum der neuen M Thomas Gerwers DGPh (verantwortlich) Funktion bietet die Option zur Aufzeichnung Redaktions-Adresse: Nikon D3S und von Multimedia-Filmsequenzen in HD-Qua- Mürmeln 83 B lität. Die neue D3S mit FX-Vollformatsensor 41363 Jüchen der D300S bietet setzt außerdem neue -
Performance Evaluation of Thermographic Cameras for Photogrammetric Documentation of Historical Buildings
BCG - Boletim de Ciências Geodésicas - On-Line version, ISSN 1982-2170 http://dx.doi.org/10.1590/S1982-217020130004000012 PERFORMANCE EVALUATION OF THERMOGRAPHIC CAMERAS FOR PHOTOGRAMMETRIC DOCUMENTATION OF HISTORICAL BUILDINGS Avaliação da performance de câmaras tremográficas para documentação fotogramétrica de prédios históricos NACI YASTIKLI1 ESRA GULER 1 1Yildiz Technical University Faculty of Civil Engineering Department of Geomatic Engineering Davutpasa Campus, TR- 34220 Esenler-Istanbul, Turkey E-mail: [email protected], [email protected] ABSTRACT Thermographic cameras record temperatures emitted by objects in the infrared region. These thermal images can be used for texture analysis and deformation caused by moisture and isolation problems. For accurate geometric survey of the deformations, the geometric calibration and performance evaluation of the thermographic camera should be conducted properly. In this study, an approach is proposed for the geometric calibration of the thermal cameras for the geometric survey of deformation caused by moisture. A 3D test object was designed and used for the geometric calibration and performance evaluation. The geometric calibration parameters, including focal length, position of principal point, and radial and tangential distortions, were determined for both the thermographic and the digital camera. The digital image rectification performance of the thermographic camera was tested for photogrammetric documentation of deformation caused by moisture. The obtained results from the thermographic camera were compared with the results from digital camera based on the experimental investigation performed on a study area. Keywords: Documentation; Historical Building; Photogrammetry; Thermographic Cameras; Geometric Calibration; Performance Evaluation. Bol. Ciênc. Geod., sec. Artigos, Curitiba, v. 19, no 4, p.711-728, out-dez, 2013. -
Digital Slrs
DIGITAL SLRs ©Jon Ortner A Passion for Achieving Impossibly Beautiful Images Groundbreaking technology. Meticulous engineering. Precision manufacturing. Thoughtful ergonomics. They all contribute to the legendary performance of Nikon digital SLR cameras. The defining element of every Nikon digital SLR is our uncompromising passion for excellent photography. Nikon FX-format digital SLRs have redefined bundled with the 18–55mm Zoom-NIKKOR VR the power and versatility of digital photography. image stabilization lens, also includes EXPEED 2 The flagship D3X, featuring the Nikon-original and full 1080p HD movie capability, and its Guide 24.5-megapixel FX-format (35.9mm x 24.0mm) Mode makes taking great pictures easy. Featuring a CMOS imaging sensor, and the D3S, with its as- Vari-Angle LCD monitor, full HD movie capabilities, tounding ability to capture commercial-quality, a new Effects Mode, and a new HDR setting for low-noise/high ISO images and HD video, unleash great shots in high-contrast conditions, the all-new new creative possibilities. The D700 offers many of D5100 gives your imagination a powerful spring- the imaging capabilities of the already legendary board. With the D90, the first digital SLR with to D3, but in a more compact body. offer video capture, the D5000, and the D3000, there’s a Nikon DX-format camera perfectly suited Nikon DX-format digital SLRs, like the flagship to virtually any task or skill level. 12.3-megapixel D300S, also incorporate many of the D3’s advances. The new D7000 introduces Whatever Nikon digital SLR you choose, you’ll advanced EXPEED 2 image processing, full 1080p have the power, precision, and versatility to HD movies, and an all-new 2,016-pixel RGB produce breathtaking images made possible by your 3D Color Matrix Metering sensor. -
Portrait Photography Loadout
COPYRIGHT Copyright © 2015 by Mark Condon. All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review. All photographers’ images remain the copyright of each individual photographer and have been reproduced with their permission. Any use of the respective photographers’ images contained within this book is forbidden without their express written permission. First Published, 2015 Alexandria, NSW 2015 Australia www.shotkit.com 1 DISCLAIMERDISCLAIMER The views and opinions expressed in this book are those of the respective photographers and do not necessarily reflect the views of the author. External links may include affiliate tracking. This in no way affects the cost of the final product. Any small commission generated by affiliate purchases go into the maintenance and upkeep of the Shotkit site,, which offers all its information completely free of charge. Thank you for your support. 2 FOREWORDFOREWORD Photography is a pursuit where the equipment garners almost as much attention as the art we use it to produce. Despite the less-is-more mantra of the purists who encourage a limited gear collection as a way to reduce distraction, each new camera release seems to attract familiar symptoms of Gear Acquisition Syndrome. - the unfounded desire to have the latest and the greatest. Is it wrong that we simply desire to advance our abilities through the purchase of these items? They may be unnecessary, but new gear promotes fresh enthusiasm for our art; the hope that our next picture will be better than our last. -
Owner's Manual
VQT5E43_ENG_SPA.book 1 ページ 2013年12月25日 水曜日 午後7時41分 Owner’s Manual INTERCHANGEABLE LENS FOR DIGITAL CAMERA Model No. H-NS043 Please read these instructions carefully before using this product, and save this manual for future use. If you have any questions, visit: USA and Puerto Rico : www.panasonic.com/support Canada : www.panasonic.ca/english/support VQT5E43 PP F0114HH0 until 2014/1/29 VQT5E43_ENG_SPA.book 2 ページ 2013年12月25日 水曜日 午後7時41分 Contents THE FOLLOWING APPLIES ONLY IN CANADA. Information for Your Safety..................................... 2 CAN ICES-3(B)/NMB-3(B) Precautions........................................................... 4 Supplied Accessories ............................................. 5 Names and Functions of Components ................... 6 Attaching/Detaching the Lens................................. 7 Information for Your Safety Cautions for Use................................................... 10 Troubleshooting .................................................. 10 Keep the unit as far away as possible from Specifications........................................................ 11 electromagnetic equipment (such as microwave Limited Warranty................................................... 12 ovens, TVs, video games, radio transmitters, high-voltage lines etc.). -If you see this symbol- ≥ Do not use the camera near cell phones because doing so may result in noise adversely affecting Information on Disposal in other Countries the pictures and sound. outside the European Union ≥ If the camera is adversely affected -
FED 2 Fed-2 35Mm FILM CAMERA Instruction Manual
FED-2 Instruction manual FED 2 Fed-2 35mm FILM CAMERA instruction manual This text is NOT identical to the one in the official Instruction Manual. 01. Film Counter 02. Film wind knob 03. Rangefinder optic 04. Aperture index dot 05. Scale setting ring 06. Viewfinder aperture 07. Automatic releaser button 08. Automatic releaser lever 09. Synchronizer socket 10. Front lens nut 11. Aperture setting ring 12. Depth of field scale 13. Focusing ring Fed-2 frontal View This manual contains a brief description of camera Fed-2 and the basic rules for using the camera. It cannot serve as a photography manual. Slight differences between the description and the camera may occur as a result of technical modification being introduced in the design of the camera. Camera Fed-2 operated on standard 35 mm film with a picture size of 24×36 mm. The great resolving power of the lens makes it possible to obtain perfect large-size pictures. The wide range of shutter speeds, the trigger winder, synchronizer, automatic releaser, dioptric view-finder setting, the light weight and compactness of the camera will satisfy the requirements of either amateur or professional photographer. The camera is fitted with lens Industar-26M or with Industar-61 with lanthanum Optics. The camera is so designed that it is also possible to use interchangeable lenses Industar-50, Jupiter-9, Jupiter-11, Jupiter-12 and others. In taking a picture the camera is focused with the help of the range-finder. The automatic releaser incorporated in the camera allows – 1 – FED-2 Instruction manual the photographer to take pictures of himself. -
F4q Between Meter and Film Plane
modern Most ssnsaiiolla/ tleve/o,bh1811t- In past 20 ysat;S newest cameras, lenses & important accessories ing rectangular collar and full focusing CANON PELLIX OR FT: Fresnel screen. OTHER FEATURES: WITH, WITHOUT PELLICLE Mercury battery-powered CdS exposure meter behind lens coupled to shutter speeds and aperture controls measures Va picture area at shooting aperture, instant return mirror, quick return aper Svps/"/JIV ~iJislJeQ ture, depth-of-field preview lever, mir ror lock-up lever, quick-loading film compac.f SLR. bOdy mechanism. PRICE: $239.95 with f/l.8 lens, $289.95 with f/l.4 lens, $324.95 with f/l.2 lens. Whether you're with it or agin it, undou6tedl one of the bi&gest sensa bons In S R camera des\~ns within tHe past 20 years IS the stationary mir ror Canon Pellix. While camera tech Supen'or lens nicians and knowledgeable photogra MANUFACTURER'S SPECIFICATIONS: phers argued possible SLR faults: flip mounfing Canon Pellix QL 35mm eye-level single ping mirrors, vibrations, loss of viewing lens reflex camera. LENS: Interchange at the instant of picture taking, Canon able breech-lock 50mm f/1.8 Canon went and did something about it. They methanism . FL, 50mm Canon f/l.4 FL, 58mm Can made a single-lens reflex with a sta on f/l.2 FL with stops to f/22, focus tionary mirror that did not move . Ergo: to 24 in. SHUTTER: Titanium foil focal no bl ink, no added vibration. p lane with speeds from 1 to 1/1000 But Canon didn't introduce the pel sec. -
Aperture Digital Photography Fundamentals
Aperture Digital Photography Fundamentals K Apple Computer, Inc. © 2005 Apple Computer, Inc. All rights reserved. No part of this publication may be reproduced or transmitted for commercial purposes, such as selling copies of this publication or for providing paid for support services. Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Apple, the Apple logo, Apple Cinema Display and ColorSync are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Aperture is a trademark of Apple Computer, Inc. 1 Contents Preface 5 An Introduction to Digital Photography Fundamentals Chapter 1 7 How Digital Cameras Capture Images 7 Types of Digital Cameras 8 Digital Single-Lens Reflex (DSLR) 9 Digital Rangefinder 11 Camera Components and Concepts 11 Lens 12 Understanding Lens Multiplication with DSLRs 14 Understanding Digital Zoom 14 Aperture 15 Understanding Lens Speed 16 Shutter 17 Using Reciprocity to Compose Your Image 17 Digital Image Sensor 20 Memory Card 20 External Flash 21 Understanding RAW, JPEG, and TIFF 21 RAW 21 Why Shoot RAW Files? 22 JPEG 22 TIFF 22 Shooting Tips 22 Reducing Camera Shake 23 Minimizing Red-Eye in Your Photos 25 Reducing Digital Noise Chapter 2 27 How Digital Images Are Displayed 27 The Human Eye’s Subjective View of Color 29 Understanding How the Eye Sees Light and Color 30 Sources of Light 30 The Color Temperature of Light 31 How White Balance Establishes Color Temperature 3 31 Measuring the Intensity of Light 32 Bracketing the Exposure of an Image 33 Understanding How a Digital Image Is Displayed 33 Additive vs. -
Clinical Photography Manual by Kris Chmielewski Introduction
Clinical Photography Manual by Kris Chmielewski Introduction Dental photography requires basic knowledge about general photographic rules, but also proper equipment and a digital workflow are important. In this manual you will find practical information about recommended equipment, settings, and accessories. For success with clinical photo documentation, consistency is the key. The shots and views presented here are intended as recommendations. While documenting cases, it is very important to compose the images in a consistent manner, so that the results or stages of the treatment can easily be compared. Don’t stop documenting if a failure occurs. It’s even more important to document such cases because of their high educational value. Dr. Kris Chmielewski, DDS, MSc Educational Director of Dental Photo Master About the author Kris Chmielewski is a dentist and professional photographer. Highly experienced in implantology and esthetic dentistry, he has more than 20 years experience with dental photography. He is also a freelance photographer and filmmaker, involved with projects for the Discovery Channel. 2 CONTENT Equipment 4 Camera 5 Initial camera settings for dental photography 7 Lens 8 Flash 10 Brackets 14 Accessories Retractors 15 Mirrors 16 Contrasters 17 Camera & instrument positioning 18 Intraoral photography Recommended settings 22 Frontal views 23 Occlusal views 23 Lateral views 24 Portraits Recommended settings 26 Views 27 Post-production 29 How to prepare pictures for lectures and for print 30 3 Equipment Equipment For dental photography, you need a camera with a dedicated macro lens and flash. The equipment presented in these pages is intended to serve as a guide that can help with selection of similar products from other manufacturers. -
LEICA COMPACT CAMERAS Experience the Joy of Life
Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY LEICA COMPACT Phone +49-6441-2080-0 I Fax +49-6441-2080-333 I www.leica-camera.com CAMERAS LEICA COMPACT CAMERAS Experience the joy of life. 02 01 03 01 LEICA D-LUX 02 LEICA V-LUX In all its incredible diversity, life is filled with magical moments. Mo - Inspiration is the source of creativity. And the Leica D-Lux is the ideal The beauty of life is always waiting to be discovered. The Leica V-Lux ments that simply demand to be captured. The compact cameras from companion for capturing the most memorable moments of daily life. is perfect for every kind of journey of discovery. The ideal composition Leica offer an unsurpassed level of freedom to do just that – in every Recording them with your own creative vision. Perfectly composed, of every subject can quickly be assessed in its high-resolution view - situation life brings. And as you would expect, they capture pictures thanks to the high-resolution integrated viewfinder. As a high-perfor- finder. Speaking of speed: its autofocus is amazingly fast. Its new, large that record every nuance in brilliant quality. mance Leica compact camera, it features an extremely fast lens with sensor offers almost infinite opportunities for exploring the creative a maximum aperture of f/1.7. In combination with its large sensor and possibilities of selective focus. An enormously broad range of photos, The Leica D-Lux, the Leica V-Lux, and the Leica C capture pictures a zoom range of 24 to 75 mm (35 mm equivalent), it guarantees almost from macro to extreme telephoto can be captured by its superb 25 to from the very heart of life.