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Test Pentax 645D an Accessible Medium Format DSLR?
Test Pentax 645D An accessible medium format DSLR? o announce a camera costing With time, cameras evolved, and The 645D sports digital SLR will have no problem card followed by the other, etc.) €10,000 as "accessible" might today the most modern models the classic form of a solid medium working with a 645D. As the overall The Raw format used is DNG, and T sound somewhat strange to (Hasselblad H and Leica S) have format camera. It ergonomics are based on highly in- images can be read directly by many photographers. The term de- abandoned the "body plus inter- is pleasing to tuitive controls, you can instantly Adobe software. Other Raw conver- serves a few explanations. Finan- changeable back" form for a solid handle and find your way around. ters (DxO and others) should very cially, it is justified because a 40 architecture that enables a more ef- comfortable to Original functions are also found use: Pentax has shortly be able to read 645D files. Mpix digital medium format cur- ficient design. This is the type of given it the very in the 645D, for example double The camera handles nicely. The rently sells for more than €15,000, construction used by Pentax. best in APS-C SLR level (front/back and right/left tilt), a grip, which seems a little uncomfor- whereas the Pentax 654D is at The "body plus separate back" ar- ergonomics. A misty landscape Use in the handheld position would be good! camera is less rapid (continuous very useful feature for shooting table at first, turns out to be very ef- Jpeg and Raw €9,900 (including VAT). -
When You Buy the New Gfx100s and Trade in Any Working Full-Frame Or Medium Format Digital Camera
OFFER ENDS 30 APRIL WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA FUJIFILM-CONNECT.COM/PROMOTIONS The GFX100S and GF50mmF3.5 lens shown are sold separately. See in-store or online for details. Terms and conditions apply To claim your trade-in bonus, simply fill out the details over the page. The bonus will be paid directly into your bank account after the claim has been validated by FUJIFILM UK. Once validated, the bonus will be paid within 14 days. CANON PHASE ONE CANON EOS-1D C PHASE ONE XF 100MP CANON EOS-1D MKII PHASE ONE 645DF+ CANON EOS-1D MKII N PHASE ONE IQ1 100MP CANON EOS-1D MKIII PHASE ONE IQ140 CANON EOS-1D MKIV PHASE ONE IQ150 €500 TRADE-IN BONUS CANON EOS-1D X PHASE ONE IQ160 WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING CANON EOS-1D X MKII PHASE ONE IQ180 CANON EOS-1D X MKIII PHASE ONE IQ250 FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA CANON EOS-1DS PHASE ONE IQ260 CANON EOS-1DS MKII PHASE ONE IQ280 HASSELBLAD NIKON CANON EOS-1DS MKIII PHASE ONE IQ3 50MP HASSELBLAD A5D-50C NIKON D3 NIKON D800 CANON EOS 5D PHASE ONE IQ3 60MP HASSELBLAD A5D-80 NIKON D3S NIKON D800E CANON EOS 5D MKII PHASE ONE IQ3 80MP HASSELBLAD H4D-31 NIKON D3X NIKON D810 CANON EOS 5D MKIII PHASE ONE P20+ HASSELBLAD H4D-40 NIKON D4 NIKON D850 CANON EOS 5D MKIV PHASE ONE P21+ HASSELBLAD H4D-60 NIKON D4S NIKON D810A CANON EOS 5DS PHASE ONE P25+ HASSELBLAD H5D-200C NIKON DF NIKON Z5 CANON EOS 5DS R PHASE ONE P30+ HASSELBLAD H5D-50C NIKON D600 NIKON Z6 CANON EOS 6D PHASE ONE P40+ HASSELBLAD H5X NIKON D610 -
Operating Manual Before Using the Camera
PENTAX Corporation 2-36-9, Maeno-cho, Itabashi-ku, Tokyo 174-8639, JAPAN (http://www.pentax.co.jp/) PENTAX Europe GmbH Julius-Vosseler-Strasse, 104, 22527 Hamburg, (European Headquarters) GERMANY (HQ - http://www.pentaxeurope.com) (Germany - http://www.pentax.de) PENTAX U.K. Limited PENTAX House, Heron Drive, Langley, Slough, Berks SL3 8PN, U.K. (http://www.pentax.co.uk) PENTAX France S.A.S. 112 Quai de Bezons, B.P. 204 SLR Digital Camera 95106 Argenteuil Cedex, FRANCE (http://www.pentax.fr) PENTAX Italia S.r.l. Via Dione Cassio 15, 20138 Milano, ITALY (http://www.pentaxitalia.it) PENTAX (Schweiz) AG Widenholzstrasse 1, 8304 Wallisellen, Postfach 367, 8305 Dietlikon, SWITZERLAND (http://www.pentax.ch) PENTAX Scandinavia AB P.O. Box 650, 75127 Uppsala, SWEDEN Operating Manual (http://www.pentax.se) PENTAX Imaging Company A Division of PENTAX of America, Inc. (Headquarters) 600 12th Street, Suite 300 Golden, Colorado 80401, U.S.A. (PENTAX Service Department) Manual Operating 12000 Zuni Street, Suite 100B Westminster, Colorado 80234, U.S.A. (http://www.pentaximaging.com) PENTAX Canada Inc. 1770 Argentia Road Mississauga, Ontario L5N 3S7, CANADA (http://www.pentax.ca) PENTAX Trading 23D, Jun Yao International Plaza, 789 Zhaojiabang Road, (SHANGHAI) Limited Xu Hui District, Shanghai, 200032 CHINA (http://www.pentax.com.cn) http://www.pentax.co.jp/english • Specifications and external dimensions are subject to change without notice. 57988 Copyright © PENTAX Corporation 2008 For optimum camera performance, please read 02-200802 Printed in Philippines the Operating Manual before using the camera. Thank you for purchasing this PENTAX u Digital Camera. Please read this manual before using the camera in order to get the most out of all the features and functions. -
PROFIFOTO Spezial Sonderheft Für Professionelle Fotografie DIE NIKON S-KLASSE Erscheint Bei GFW Photopublishing Gmbh Media Tower, Holzstr
EEditorial/Impressumditorial/Impressum 0033 DDieie MMultimediaultimedia PProfisrofis FFOTOOTO NNikonikon DD3S3S uundnd DD300S300S 0044 PPROFIROFI NNikonikon SSB-900:B-900: SSystemblitzystemblitz 0099 NNikonikon GGaleriealerie GGeroero BBreloerreloer 1100 OOliverliver BBergerg 1111 MMarcusarcus BBrandtrandt 1122 SSPPEZZIALIAL BBjörnjörn HHakeake 1133 VVomom FFilm-Virusilm-Virus iinfiziertnfiziert IImm GGesprächespräch mmitit GGeroero BBreloerreloer 1144 NNahah ddranran NNeueeue PProfi-Objektiverofi-Objektive 1166 AAlternativenlternativen mmitit VVollformatollformat NNikonikon DD3X3X uundnd DD700700 1188 NNikonikon NNPSPS HHändleradressenändleradressen 2200 91NNIKONIKON SS--KLAASSESSE EDITORIAL www.nikon.de IMPRESSUM PROFIFOTO Spezial Sonderheft für professionelle Fotografie DIE NIKON S-KLASSE erscheint bei GFW PhotoPublishing GmbH Media Tower, Holzstr. 2, 40221 Düsseldorf Postfach 26 02 41 (PLZ 40095) MULTIMEDIA DSLRs Telefonzentrale: (0211) 3 90 09-0 Verschaffen Sie sich einen unfairen Vorsprung. Telefax: (0211) 3 90 09-55 Geschäftsführende Gesellschafter Die neue Nikon D3S. Thomas Gerwers, Walter Hauck, it den Kameras der S-Klasse Frank Isphording, Dr. Martin Knapp Der Funktions- erweitert Nikon die Möglichkeiten kreativer Fotografen: Ihre D-Movie- Redaktion reichtum der neuen M Thomas Gerwers DGPh (verantwortlich) Funktion bietet die Option zur Aufzeichnung Redaktions-Adresse: Nikon D3S und von Multimedia-Filmsequenzen in HD-Qua- Mürmeln 83 B lität. Die neue D3S mit FX-Vollformatsensor 41363 Jüchen der D300S bietet setzt außerdem neue -
LEICA SL-SYSTEM Technical Data
LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.0 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max. -
Memo 201544 Leica M (Typ 240) Edition "LEICA
SALES UPDATE Memo 201544/September 15, 2014 (Embargoed through Sept. 16, 2014, 3:30 A.M.ET) LEICA M EDITION “LEICA 60” Blending tradition with the future Leica Camera proudly presents the LEICA M (TYP 240) EDITION “LEICA 60” that pays homage to Leica’s tradition while embracing the future. This set comprises of the first digital camera to concentrate exclusively on the bare functions of photography - shutter speed, aperture, focusing and ISO sensitivity and a newly designed Leica Summilux-M 35mm/ f1.4 ASPH stainless steel lens. The camera design excludes the LCD and shoots in RAW. Designed in collaboration with Audi Design, there are only 600 sets worldwide. Each set is presented in a specially designed hand-made presentation box. BENEFITS OF THE LEICA M (TYP 240) EDITION “LEICA 60”: • Easy to use -only four buttons to capture a moment • New, classical design for camera and lens provides a special tactile experience • Outside metal parts made of stainless steel & cladding of cowhide leather with special embossing • Central ISO dial made of stainless steel on camera’s back side • Carrying protector made of steel and leather to protector the camera and lens • Use of a wide range of M lenses from 16-135 mm • Set is presented in a hand-made presentation box made in Germany • Special engraving on camera’s top cover and ‘Made in Germany‘ seal The LEICA M (TYP 240) EDITION “LEICA 60” consists of the camera, lens, battery, charger with power cables for EU and USA, carrying protector, accessory port cover, body cap, metal front and rear end caps, metal lens hood, metal screw ring for use without lens hood. -
Performance Evaluation of Thermographic Cameras for Photogrammetric Documentation of Historical Buildings
BCG - Boletim de Ciências Geodésicas - On-Line version, ISSN 1982-2170 http://dx.doi.org/10.1590/S1982-217020130004000012 PERFORMANCE EVALUATION OF THERMOGRAPHIC CAMERAS FOR PHOTOGRAMMETRIC DOCUMENTATION OF HISTORICAL BUILDINGS Avaliação da performance de câmaras tremográficas para documentação fotogramétrica de prédios históricos NACI YASTIKLI1 ESRA GULER 1 1Yildiz Technical University Faculty of Civil Engineering Department of Geomatic Engineering Davutpasa Campus, TR- 34220 Esenler-Istanbul, Turkey E-mail: [email protected], [email protected] ABSTRACT Thermographic cameras record temperatures emitted by objects in the infrared region. These thermal images can be used for texture analysis and deformation caused by moisture and isolation problems. For accurate geometric survey of the deformations, the geometric calibration and performance evaluation of the thermographic camera should be conducted properly. In this study, an approach is proposed for the geometric calibration of the thermal cameras for the geometric survey of deformation caused by moisture. A 3D test object was designed and used for the geometric calibration and performance evaluation. The geometric calibration parameters, including focal length, position of principal point, and radial and tangential distortions, were determined for both the thermographic and the digital camera. The digital image rectification performance of the thermographic camera was tested for photogrammetric documentation of deformation caused by moisture. The obtained results from the thermographic camera were compared with the results from digital camera based on the experimental investigation performed on a study area. Keywords: Documentation; Historical Building; Photogrammetry; Thermographic Cameras; Geometric Calibration; Performance Evaluation. Bol. Ciênc. Geod., sec. Artigos, Curitiba, v. 19, no 4, p.711-728, out-dez, 2013. -
L E N S C a T a L
TokinaLensCatalog-Inter-Photokina 10.9.10 2:00 PM Page 1 LENS CATALOG www.tokinalens.com TokinaLensCatalog-Inter-Photokina 10.9.10 2:00 PM Page 2 Digital Eyes Floating Element Assembly Aluminum Alloy Die-Cast Model VISIONARY TECHNOLOGY MAKES A DIFFERENCE YOU CAN SEE. Tokina’s proprietary AT-X technology has been evolving toward optical perfection for more than 30 years. Since our mission began in 1981 we have made continuous advances. Each new model is a further refinement in a continuing legacy of excellence in design and materials. The current AT-X PRO series continues this evolution of excellence by using the most state-of-the-art technology anywhere. More Quality Than Meets The Eye. The Tokina difference comes from special material selection and assembly technology that employs micron-unit quality control. This ensures optimum consistency while maintaining the highest quality for every lens. Worldwide, both professionals and knowledgeable photography enthusiasts rely on Tokina lenses. AT-X Technology AT-X comes from our original concept of “Advanced Technology Extra.” This vision encompasses a special group of lenses that are manufactured without compromise, using the most advanced design and fabrication technologies available. The use of unique and unprecedented optical systems independently pioneered by Tokina, has made advanced features, high performance, lightweight, and compact designs a reality. Of course, we have also given full attention to ergonomics and handling. To any user, AT-X means excellent performance through superior technology. 2 TokinaLensCatalog-Inter-Photokina 10.9.10 2:00 PM Page 3 DIGITAL SERIES Flexible printed circuit board SD (Super Low Dispersion) Glass Mechanisms 1. -
Digital Slrs
DIGITAL SLRs ©Jon Ortner A Passion for Achieving Impossibly Beautiful Images Groundbreaking technology. Meticulous engineering. Precision manufacturing. Thoughtful ergonomics. They all contribute to the legendary performance of Nikon digital SLR cameras. The defining element of every Nikon digital SLR is our uncompromising passion for excellent photography. Nikon FX-format digital SLRs have redefined bundled with the 18–55mm Zoom-NIKKOR VR the power and versatility of digital photography. image stabilization lens, also includes EXPEED 2 The flagship D3X, featuring the Nikon-original and full 1080p HD movie capability, and its Guide 24.5-megapixel FX-format (35.9mm x 24.0mm) Mode makes taking great pictures easy. Featuring a CMOS imaging sensor, and the D3S, with its as- Vari-Angle LCD monitor, full HD movie capabilities, tounding ability to capture commercial-quality, a new Effects Mode, and a new HDR setting for low-noise/high ISO images and HD video, unleash great shots in high-contrast conditions, the all-new new creative possibilities. The D700 offers many of D5100 gives your imagination a powerful spring- the imaging capabilities of the already legendary board. With the D90, the first digital SLR with to D3, but in a more compact body. offer video capture, the D5000, and the D3000, there’s a Nikon DX-format camera perfectly suited Nikon DX-format digital SLRs, like the flagship to virtually any task or skill level. 12.3-megapixel D300S, also incorporate many of the D3’s advances. The new D7000 introduces Whatever Nikon digital SLR you choose, you’ll advanced EXPEED 2 image processing, full 1080p have the power, precision, and versatility to HD movies, and an all-new 2,016-pixel RGB produce breathtaking images made possible by your 3D Color Matrix Metering sensor. -
Kerrisdale Cameras: Used List
KERRISDALE CAMERAS USED LIST This used list is used by our staff internally. We post it on Mondays and Thursdays. This may result in some items appearing as available when they have been sold between these two periods. For more accurate information please contact us using the information provided below. Report Date: 11/12/20 To Note: Descriptions are abbreviated because they are from our 'back-office' inventory system and meant for internal-use and therefore not fully "user-friendly". Items shown here were in stock on the morning of the report's date. Contact us to check current availability as items may have sold since this report was run. The item in stock may only be available in one of our seven stores. In most cases, we can transfer an item to any of our stores within one to three business days. Items marked "reserve" may be on hold. Please contact us to check availability. Item marked with two asterisks ** indicate that it is an item that regularly comes into stock and may have more than one in stock available. Also, many new items are required to be held for a month before we can sell them, as required by some municipalities' bylaws. These items are included here. We can accept deposits to hold an item for you until the police allow us to release it for sale. Contact Us: For more product information, to order, to find out which store the item is in, to request a transfer to another store, or to confirm stock availability, please call us at 604-263-3221 or toll-free at 1-866-310-3245 or email us: [email protected] Web Used -
Olympus Has Fallen – Who’S Next?
Olympus has Fallen – Who’s next? In better days – The tough, compact OM-4Ti with the 50mm f1.2 Zuiko was an iconic film SLR of the late 1980s. In a move that will surprise few watchers of the camera industry, Olympus is selling their camera business to Japan Industrial Partners, a private equity group that specializes in helping troubled companies spin off insolvent businesses. JIP is most famous for having bought the VAIO computer business from Sony in 2014, which it spun off as a separate company that sells computers mostly in Japan, although a few models have made it to niche markets in other countries. In the press release, Olympus and JIP claim that the business will continue to make and sell cameras. It is unclear whether or not the Olympus brand name will survive on cameras, or whether that will be retained exclusively by the much larger medical equipment division (Olympus Imaging is about 6% of Olympus, a maker of medical and scientific equipment). The Zuiko and OM-D brands are specifically mentioned in the press release as going to the new company (which has the placeholder name NewCo in the release). Is what they’re calling NewCo in the press release viable? Can anyone run an independent camera company (that, oddly, also makes digital voice recorders) with annual sales of just under 50 billion Yen ($500 million)? It is the sixth largest player in the global interchangeable lens camera market, far behind Canon, Sony, Nikon and Fujifilm. Olympus’ camera business is about 10% the size of Canon’s or Sony’s by revenue, less than 15% the size of Nikon’s, and a little over 1/3 the size of Fujifilm’s. -
Interaction of Image Noise, Spatial Resolution, and Low Contrast Fine
Interaction of image noise, spatial resolution, and low contrast fine detail preservation in digital image processing Uwe Artmanna and Dietmar Wuellerb a,bImage Engineering, Augustinusstrasse 9d, 50226 Frechen, Germany; ABSTRACT We present a method to improve the validity of noise and resolution measurements on digital cameras. If non-linear adaptive noise reduction is part of the signal processing in the camera, the measurement results for image noise and spatial resolution can be good, while the image quality is low due to the loss of fine details and a watercolor like appearance of the image. To improve the correlation between objective measurement and subjective image quality we propose to supplement the standard test methods with an additional measurement of the texture preserving capabilities of the camera. The proposed method uses a test target showing white Gaussian noise. The camera under test reproduces this target and the image is analyzed. We propose to use the kurtosis of the derivative of the image as a metric for the texture preservation of the camera. Kurtosis is a statistical measure for the closeness of a distribution compared to the Gaussian distribution. It can be shown, that the distribution of digital values in the derivative of the image showing the chart becomes the more leptokurtic (increased kurtosis) the stronger the noise reduction has an impact on the image. Keywords: Noise, Noise Reduction, Texture, Resolution, Spatial Frequency, Kurtosis, MTF, SFR 1. INTRODUCTION ColorFoto is a German photography magazine with a focus on objective and complex tests on digital still camera systems. Since we started testing in 1997, the tests had to be adjusted from time to time to keep track with the development in the camera market, so the test results correlate with the subjective image quality, experienced by the user.