Olympus Has Fallen – Who’S Next?

Total Page:16

File Type:pdf, Size:1020Kb

Olympus Has Fallen – Who’S Next? Olympus has Fallen – Who’s next? In better days – The tough, compact OM-4Ti with the 50mm f1.2 Zuiko was an iconic film SLR of the late 1980s. In a move that will surprise few watchers of the camera industry, Olympus is selling their camera business to Japan Industrial Partners, a private equity group that specializes in helping troubled companies spin off insolvent businesses. JIP is most famous for having bought the VAIO computer business from Sony in 2014, which it spun off as a separate company that sells computers mostly in Japan, although a few models have made it to niche markets in other countries. In the press release, Olympus and JIP claim that the business will continue to make and sell cameras. It is unclear whether or not the Olympus brand name will survive on cameras, or whether that will be retained exclusively by the much larger medical equipment division (Olympus Imaging is about 6% of Olympus, a maker of medical and scientific equipment). The Zuiko and OM-D brands are specifically mentioned in the press release as going to the new company (which has the placeholder name NewCo in the release). Is what they’re calling NewCo in the press release viable? Can anyone run an independent camera company (that, oddly, also makes digital voice recorders) with annual sales of just under 50 billion Yen ($500 million)? It is the sixth largest player in the global interchangeable lens camera market, far behind Canon, Sony, Nikon and Fujifilm. Olympus’ camera business is about 10% the size of Canon’s or Sony’s by revenue, less than 15% the size of Nikon’s, and a little over 1/3 the size of Fujifilm’s. In fifth place just ahead of Olympus is probably Leica, which is comparable in annual camera revenue to Olympus, but relies on high- end collector cameras for a significant portion of its sales, and, unlike Olympus’ camera division, is either profitable now, or was prior to the coronavirus. The places below Olympus are occupied by Pentax (a little over 1/3 the size of Olympus, hard to see how it can survive, but see below), probably Panasonic (whose sales are hard to discern, but somewhere between Pentax and Olympus?), Hasselblad and Phase One. Have you seen one of these lately? The E-PL10 sells fairly well in parts of Asia, but is very uncommon elsewhere. #286 seller among mirrorless cameras on B&H (the first Olympus is #33) It is hard to see how what was once Olympus can survive with the product line we have known. Keeping a full mirrorless system with professional-grade lenses going is an expensive proposition, and one that is probably not justified by Olympus’ sales. Sales of cameras we barely see in the West are relatively strong in Japan and some other parts of Asia. Olympus sells quite a few low-end, very compact Micro 4/3 cameras that outperform phones, but are more pocketable than anything that has significant sales in North America and Europe. Many Western observers don’t realize that the Olympus PEN line still exists, associating Olympus exclusively with the OM-D series. There are, in fact three current PEN models, of which the highest-end PEN-F is the only one that (briefly) attracted any notice in the American or European press. That’s also where a lot of Canon’s EOS-M sales are probably going, as well as the lowest-end Fujifilm products that don’t (or barely) make it to these shores. An unusual Japanese-market phone (from Kyocera). It’s about the size of a credit card. Japan and Asia more generally transitioned to mirrorless well ahead of other parts of the world, and very pocketable electronics have always sold especially well in Asian markets. In the pre-smartphone era, there were tiny wonders of cell phones that existed only in Japan, and made a StarTAC look bulky by comparison. Some exist today, as much smaller alternatives to smartphones. The Japanese market has also featured a collection of sub 1-lb “laptops” for many years, very few of which officially make it overseas. Keeping some pocketable PEN cameras and a few compact lenses in the line for markets where they sell would be much easier than maintaining the OM-D line and the high-quality lenses they need to thrive. Another possibility that doesn’t require much effort is Olympus’ TOUGH compact camera line. In addition to a few interchangeable-lens models for markets where compactness is prized, and possibly some specialized compact cameras, what else might JIP want from Olympus’ camera business? It would be a shame to see their class-leading image stabilization go away – could some other company license the technology? They also have better pixel-shift technology than anyone else (Olympus can assemble the shifted image in camera, and even claim a handheld pixel-shift mode). Some of their success with both stabilization and pixel shift is due to the small sensor, but they have excellent technology as well. Thom Hogan also points out Olympus’ excellent optical design group. Some of those Zuiko Pro lenses are really beautiful designs. Any Japanese company trying to expand their lens lineup (which would mean Sony, Nikon, Fujifilm and possibly even Canon, although Canon has a very large internal capability) could benefit. The engineers could leave “NewCo”, either individually or as a group. The other possibility is that “NewCo” sells the optical design group to one of the major camera makers (or possibly a lensmaker), including patents and designs. For it to be attractive, many of the engineers would need to agree to come along. Sony’s lens group came from just such a transaction – they bought it with Konica-Minolta’s camera business. Konica-Minolta also still has a lens design group that does contract work, and Olympus could keep all or part of the lens design operation for themselves instead of selling it all to JIP (it’s one of the most likely parts of the business to be useful in their medical work). A lens design operation that remained within Olympus could certainly do contract work for “NewCo”, but there’s nothing keeping them from contracting with other camera firms, either Another possibility is brand licensing – it is unclear if Japan Industrial Partners has control of the Olympus brand for camera products, but they do have the venerable Zuiko lens brand and the OM-D camera brand. Best case: Some Android phones with “Zuiko” lenses, just like some have “Leica” lenses. Worst case: Grand old Olympus branding applied to cheap Samyang/Rokinon type lenses for a variety of mounts, possibly other photographic products too (including things Olympus never actually made). Look at Vivitar now, or at Polaroid until the Impossible Project recently wrestled that trademark back from the junk dealers. An Olympus-provided size comparison between an OM-D with a 300mm f4 and a generic full- frame DSLR with a 600mmf4 with the same field of view. If you don’t mind the loss of two stops of subject isolation, the size comparison is right on. The Olympus combo is also about $10,000 cheaper! Probably the biggest loss as we lose at least the majority of Olympus’ product line is (by far) the cheapest and lightest true sports camera on the market. An E-M1 (any version) really was a baby Nikon D5 or Canon EOS-1Dx or Sony A9. They hadn’t had the money to keep up with the latest versions of the big sports cameras, but they were real sports cameras. Super high speeds, pound tent pegs and wash it with a hose durability – oh, and they happened to use lenses that were half as long as their full frame competitors. Subject isolation was always a problem, because they really needed lenses that were half as long, but two stops faster (which would be just as bulky as the lens needed on full-frame) – but if you were willing to live with that limitation, you could have a 15 fps, subject-tracking monster with a big lens for a lot less money and weight than anywhere else. What’s the replacement? A Nikon D7500 with the 300mm f4 PF? That’s a capable body, not too big – and the PF lens is MUCH smaller than a 300mm f4 is supposed to be! A Z6 or Z50 with the same lens and the FTZ is also an option. The other possibility is a Canon body (EF or RF) with their version of a 300mm f4 – too bad it isn’t a DO lens. Nobody else really has the right lens – a Fujifilm X-T4 would be a great body, but what’s the lens? There’s the 55-200 f3.5-4.8, but that’s on the shorter and slower side, and not quite up to the rest of these lenses (or a Zuiko Pro lens) optically. There’s also the exotic 200mm f2, but that’s no longer a relatively reasonably priced setup for high school or small-college sports. Sony has some great bodies, led by the A7 III (this is supposed to be affordable, thus no A9) – but the lenses are all zooms that are going to be pretty slow (f5.6 or slower) by 300mm, until you get to the big exotics like the 400mmf2.8. What if you own an Olympus system? It’s not going to stop working when they discontinue it, and they are claiming that repairs will continue to be available. Supposedly, “NewCo” is taking over Olympus service worldwide.
Recommended publications
  • When You Buy the New Gfx100s and Trade in Any Working Full-Frame Or Medium Format Digital Camera
    OFFER ENDS 30 APRIL WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA FUJIFILM-CONNECT.COM/PROMOTIONS The GFX100S and GF50mmF3.5 lens shown are sold separately. See in-store or online for details. Terms and conditions apply To claim your trade-in bonus, simply fill out the details over the page. The bonus will be paid directly into your bank account after the claim has been validated by FUJIFILM UK. Once validated, the bonus will be paid within 14 days. CANON PHASE ONE CANON EOS-1D C PHASE ONE XF 100MP CANON EOS-1D MKII PHASE ONE 645DF+ CANON EOS-1D MKII N PHASE ONE IQ1 100MP CANON EOS-1D MKIII PHASE ONE IQ140 CANON EOS-1D MKIV PHASE ONE IQ150 €500 TRADE-IN BONUS CANON EOS-1D X PHASE ONE IQ160 WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING CANON EOS-1D X MKII PHASE ONE IQ180 CANON EOS-1D X MKIII PHASE ONE IQ250 FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA CANON EOS-1DS PHASE ONE IQ260 CANON EOS-1DS MKII PHASE ONE IQ280 HASSELBLAD NIKON CANON EOS-1DS MKIII PHASE ONE IQ3 50MP HASSELBLAD A5D-50C NIKON D3 NIKON D800 CANON EOS 5D PHASE ONE IQ3 60MP HASSELBLAD A5D-80 NIKON D3S NIKON D800E CANON EOS 5D MKII PHASE ONE IQ3 80MP HASSELBLAD H4D-31 NIKON D3X NIKON D810 CANON EOS 5D MKIII PHASE ONE P20+ HASSELBLAD H4D-40 NIKON D4 NIKON D850 CANON EOS 5D MKIV PHASE ONE P21+ HASSELBLAD H4D-60 NIKON D4S NIKON D810A CANON EOS 5DS PHASE ONE P25+ HASSELBLAD H5D-200C NIKON DF NIKON Z5 CANON EOS 5DS R PHASE ONE P30+ HASSELBLAD H5D-50C NIKON D600 NIKON Z6 CANON EOS 6D PHASE ONE P40+ HASSELBLAD H5X NIKON D610
    [Show full text]
  • LEICA SL-SYSTEM Technical Data
    LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.0 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max.
    [Show full text]
  • Memo 201544 Leica M (Typ 240) Edition "LEICA
    SALES UPDATE Memo 201544/September 15, 2014 (Embargoed through Sept. 16, 2014, 3:30 A.M.ET) LEICA M EDITION “LEICA 60” Blending tradition with the future Leica Camera proudly presents the LEICA M (TYP 240) EDITION “LEICA 60” that pays homage to Leica’s tradition while embracing the future. This set comprises of the first digital camera to concentrate exclusively on the bare functions of photography - shutter speed, aperture, focusing and ISO sensitivity and a newly designed Leica Summilux-M 35mm/ f1.4 ASPH stainless steel lens. The camera design excludes the LCD and shoots in RAW. Designed in collaboration with Audi Design, there are only 600 sets worldwide. Each set is presented in a specially designed hand-made presentation box. BENEFITS OF THE LEICA M (TYP 240) EDITION “LEICA 60”: • Easy to use -only four buttons to capture a moment • New, classical design for camera and lens provides a special tactile experience • Outside metal parts made of stainless steel & cladding of cowhide leather with special embossing • Central ISO dial made of stainless steel on camera’s back side • Carrying protector made of steel and leather to protector the camera and lens • Use of a wide range of M lenses from 16-135 mm • Set is presented in a hand-made presentation box made in Germany • Special engraving on camera’s top cover and ‘Made in Germany‘ seal The LEICA M (TYP 240) EDITION “LEICA 60” consists of the camera, lens, battery, charger with power cables for EU and USA, carrying protector, accessory port cover, body cap, metal front and rear end caps, metal lens hood, metal screw ring for use without lens hood.
    [Show full text]
  • Kerrisdale Cameras: Used List
    KERRISDALE CAMERAS USED LIST This used list is used by our staff internally. We post it on Mondays and Thursdays. This may result in some items appearing as available when they have been sold between these two periods. For more accurate information please contact us using the information provided below. Report Date: 11/12/20 To Note: Descriptions are abbreviated because they are from our 'back-office' inventory system and meant for internal-use and therefore not fully "user-friendly". Items shown here were in stock on the morning of the report's date. Contact us to check current availability as items may have sold since this report was run. The item in stock may only be available in one of our seven stores. In most cases, we can transfer an item to any of our stores within one to three business days. Items marked "reserve" may be on hold. Please contact us to check availability. Item marked with two asterisks ** indicate that it is an item that regularly comes into stock and may have more than one in stock available. Also, many new items are required to be held for a month before we can sell them, as required by some municipalities' bylaws. These items are included here. We can accept deposits to hold an item for you until the police allow us to release it for sale. Contact Us: For more product information, to order, to find out which store the item is in, to request a transfer to another store, or to confirm stock availability, please call us at 604-263-3221 or toll-free at 1-866-310-3245 or email us: [email protected] Web Used
    [Show full text]
  • My Edited Leica M Type 240 Manual Here
    LEICA M Instructions 129 3 DESIGNATION OF PARTS Top view 9. Microphone Figures in the front and rear cover pages 10. Fixed ring with a. Index for range setting Front view b. Depth of field scale and 1. Lens release button c. Red index button for changing lenses 2. Eyes for carrying strap 11. Aperture setting ring 3. Focusing button 12. White index point for aperture setting 4. Range finder viewing window 13. Lens hood 5. Brightness sensor1 14. Focusing ring with 6. Viewfinder viewing window a. Recessed grip 7. Self-timer LED 15. Main switch with detent positions for 8. Bottom cover locking point – OFF (camera turned off) – S (single pictures) – C (continuous pictures) – (self-timer) 16. Shutter release with a. Thread for cable release 17. Video shutter release 18. Time setting dial with detent positions for – A for automatic shutter speed control 1 – Shutter speeds /4000 - 8s (inc. intermediate values) – B (long-time exposure) 1 – Flash sync speed ( /180s) 19. Flash unit shoe 1 Leica M lenses with viewfinder attachment cover the brightness sensor. Information about functions with these and other lenses can be found in the "Displays / In the viewfinder", p. 238, and "Leica M lenses, p. 147 sections. 136 Rear view 31. INFO button 20. SET button – For displaying picture settings/data – For calling up the picture parameters menu – For displaying picture data during picture review – For calling up sub-menus the menu system – For applying settings – For applying settings/functions selected in sub-menus 32. Speaker 21. MENU button for calling up and exiting the main menu and 33.
    [Show full text]
  • €600 Trade-In Bonus on the Fujifilm Gfx
    30 SEPTEMBER 2017 OFFER ENDS €600 TRADE-IN BONUS ON THE FUJIFILM GFX 50S TRADE IN ANY WORKING FULL FRAME DSLR, FULL FRAME MIRRORLESS CAMERA OR DIGITAL MEDIUM FORMAT CAMERA AND GET MONEY OFF YOUR NEW FUJIFILM GFX 50S. PROMO.FUJI-OFFERS.COM/TRADEIN BRFFUK0075 AUGUST TRADE-IN LEAFLET GFX.indd 1 12/07/2017 09:53 €600 TRADE-IN BONUS ON THE FUJIFILM GFX 50S FUJIFILM G FORMAT 43.8x32.9MM SENSOR 51.4-MEGAPIXEL RESOLUTION X-PROCESSOR PRO IMAGING ENGINE 425-POINT AUTOFOCUS SYSTEM ISO SENSITIVITY FROM 50 TO 102,400 MULTIPLE FORMAT OPTIONS SEE THE GFX 50S IN ACTION. VISIT FUJIFILM-X.COM/GFX BRFFUK0075 AUGUST TRADE-IN LEAFLET GFX.indd 2 12/07/2017 09:53 30 SEPTEMBER 2017 OFFER ENDS QUALIFYING TRADE-IN MODELS CANON n CANON EOS 1D C n CANON EOS 1DX MKII n CANON EOS 5D MKIII n CANON EOS 1D MKII n CANON EOS 1DS n CANON EOS 5D MKIV n CANON EOS 1D MKII N n CANON EOS 1DS MKII n CANON EOS 5DS n CANON EOS 1D MKIII n CANON EOS 1DS MKIII n CANON EOS 5DS R n CANON EOS 1D MKIV n CANON EOS 5D n CANON EOS 6D n CANON EOS 1DX n CANON EOS 5D MKII HASSELBLAD n HASSELBLAD X1D-50C n HASSELBLAD A5D-50C n HASSELBLAD H4D-40 n HASSELBLAD H6D-100C n HASSELBLAD A5D-80 n HASSELBLAD H4D-60 n HASSELBLAD H6D-50C n HASSELBLAD H5D-50C n HASSELBLAD H4D-31 n HASSELBLAD H5D-200C n HASSELBLAD H5X LEICA n LEICA S n LEICA M n LEICA SL ( TYP 601 ) n LEICA M-P 240 MAMIYA n MAMIYA 645DF n MAMIYA CREDO 50 n MAMIYA CREDO 80 n MAMIYA CREDO 40 n MAMIYA CREDO 60 n MAMIYA ZD NIKON n NIKON D3 n NIKON D5 n NIKON D750 n NIKON D3S n NIKON DF n NIKON D800 n NIKON D3X n NIKON D600 n NIKON D800E n NIKON
    [Show full text]
  • "Agfaphoto DC-833M", "Alcatel 5035D", "Apple Ipad Pro
    "AgfaPhoto DC-833m", "Alcatel 5035D", "Apple iPad Pro", "Apple iPhone SE", "Apple iPhone 6s", "Apple iPhone 6 plus", "Apple iPhone 7", "Apple iPhone 7 plus", "Apple iPhone 8”, "Apple iPhone 8 plus”, "Apple iPhone X”, "Apple QuickTake 100", "Apple QuickTake 150", "Apple QuickTake 200", "ARRIRAW format", "AVT F-080C", "AVT F-145C", "AVT F-201C", "AVT F-510C", "AVT F-810C", "Baumer TXG14", "BlackMagic Cinema Camera", "BlackMagic Micro Cinema Camera", "BlackMagic Pocket Cinema Camera", "BlackMagic Production Camera 4k", "BlackMagic URSA", "BlackMagic URSA Mini 4k", "BlackMagic URSA Mini 4.6k", "BlackMagic URSA Mini Pro 4.6k", "Canon PowerShot 600", "Canon PowerShot A5", "Canon PowerShot A5 Zoom", "Canon PowerShot A50", "Canon PowerShot A410 (CHDK hack)", "Canon PowerShot A460 (CHDK hack)", "Canon PowerShot A470 (CHDK hack)", "Canon PowerShot A530 (CHDK hack)", "Canon PowerShot A540 (CHDK hack)", "Canon PowerShot A550 (CHDK hack)", "Canon PowerShot A570 (CHDK hack)", "Canon PowerShot A590 (CHDK hack)", "Canon PowerShot A610 (CHDK hack)", "Canon PowerShot A620 (CHDK hack)", "Canon PowerShot A630 (CHDK hack)", "Canon PowerShot A640 (CHDK hack)", "Canon PowerShot A650 (CHDK hack)", "Canon PowerShot A710 IS (CHDK hack)", "Canon PowerShot A720 IS (CHDK hack)", "Canon PowerShot A3300 IS (CHDK hack)", "Canon PowerShot D10 (CHDK hack)", "Canon PowerShot ELPH 130 IS (CHDK hack)", "Canon PowerShot ELPH 160 IS (CHDK hack)", "Canon PowerShot Pro70", "Canon PowerShot Pro90 IS", "Canon PowerShot Pro1", "Canon PowerShot G1", "Canon PowerShot G1 X", "Canon
    [Show full text]
  • 1016950571.Pdf
    TABLE OF CONTENTS FLASHES....................................................................................1 FLASHES, MACRO & VIDEO/LED LIGHTING............................ .................2 FLASH ACCESSORIES...................................................................... 3 PHONE & HOTSHOE ACCESSORIES......................................................4 REMOTES...................................................................................5 BATTERY GRIPS & MEMORY CARD ACCESSORIES. .................................6 BAGS & CASES.........................................................................7-9 STRAPS & POUCHES................................................................. ....10 CINE LENSES.................................................................. ...........11 DSLR LENSES................................................ ........................12-14 ADAPTERS.................................................................... ... ......15 FILTERS............................................................................................16 FILTER KITS. .............................................................................17 SPECIALTY FILTERS................................. ............................................18 TRIPODS....................................................................................19-20 CLEANING & CAMERA ACCESSORIES........... .......................................21 CONVERSION LENSES........... .........................................................22-23 CAMERA BATTERY
    [Show full text]
  • Capture One 12 12.1 Capture One Release Notes
    Capture One 12 12.1 Capture One release notes Capture One is made by Phase One (the world’s leading manufacturer of high-end digital camera systems) in collaboration with the world’s leading professional photographers. Capture One is a professional RAW converter offering you ultimate image quality with beautiful colors and incredible detail for more than 500 high-end cameras. It offers state- of-the-art tethered capture, powerful digital asset management, extensive adjustment tools and a flexible workflow through customizable workspaces. All run modes are included in the one installer and the run mode is determined by the license key used. The trial is also included in the installer and is registered as the full product upon activation. Capture One is available in a number of modes: • Capture One Pro • Capture One Pro DB (Digital Back support only) • Capture One Pro Fujifilm (Fujifilm camera support only) • Capture One Pro (for Sony) (Sony camera support only) • Capture One Express Fujifilm (Fujifilm camera support only) • Capture One Express (for Sony) (Sony camera support only) • Capture One Studio (Enterprise) • Capture One CH (Cultural Heritage) The release notes include notes for all releases of Capture One. Previous release notes can be found in the Phase One download archive. Best regards, Team Phase One 2 Contents Lens support 12.1.4 Camera and Lens Support 4 Phase One Lens Profiles (645) 41 12.1.4 Bug Fixes 5 A-Series and Technical Lens Profiles 41 Mamiya Lens Profiles (645) 41 12.1.3 Camera and Lens Support 6 Phase One XT Lens
    [Show full text]
  • Agfaphoto DC-833M, Alcatel 5035D, Apple Ipad Pro, Apple Iphone 6
    AgfaPhoto DC-833m, Alcatel 5035D, Apple iPad Pro, Apple iPhone 6 plus, Apple iPhone 6s, Apple iPhone 7 plus, Apple iPhone 7, Apple iPhone 8 plus, Apple iPhone 8, Apple iPhone SE, Apple iPhone X, Apple QuickTake 100, Apple QuickTake 150, Apple QuickTake 200, ARRIRAW format, AVT F-080C, AVT F-145C, AVT F-201C, AVT F-510C, AVT F-810C, Baumer TXG14, BlackMagic Cinema Camera, BlackMagic Micro Cinema Camera, BlackMagic Pocket Cinema Camera, BlackMagic Production Camera 4k, BlackMagic URSA Mini 4.6k, BlackMagic URSA Mini 4k, BlackMagic URSA Mini Pro 4.6k, BlackMagic URSA, Canon EOS 1000D / Rebel XS / Kiss Digital F, Canon EOS 100D / Rebel SL1 / Kiss X7, Canon EOS 10D, Canon EOS 1100D / Rebel T3 / Kiss Digital X50, Canon EOS 1200D / Rebel T5 / Kiss X70, Canon EOS 1300D / Rebel T6 / Kiss X80, Canon EOS 200D / Rebel SL2 / Kiss X9, Canon EOS 20D, Canon EOS 20Da, Canon EOS 250D / 200D II / Rebel SL3 / Kiss X10, Canon EOS 3000D / Rebel T100 / 4000D, Canon EOS 300D / Rebel / Kiss Digital, Canon EOS 30D, Canon EOS 350D / Rebel XT / Kiss Digital N, Canon EOS 400D / Rebel XTi / Kiss Digital X, Canon EOS 40D, Canon EOS 450D / Rebel XSi / Kiss Digital X2, Canon EOS 500D / Rebel T1i / Kiss Digital X3, Canon EOS 50D, Canon EOS 550D / Rebel T2i / Kiss Digital X4, Canon EOS 5D Mark II, Canon EOS 5D Mark III, Canon EOS 5D Mark IV, Canon EOS 5D, Canon EOS 5DS R, Canon EOS 5DS, Canon EOS 600D / Rebel T3i / Kiss Digital X5, Canon EOS 60D, Canon EOS 60Da, Canon EOS 650D / Rebel T4i / Kiss Digital X6i, Canon EOS 6D Mark II, Canon EOS 6D, Canon EOS 700D / Rebel T5i
    [Show full text]
  • LEICA M-SETS One Moment – Various Options
    LEICA M-SETS One moment – Various options. Configure your dream system freely from a choice of five M-Camera models and one of 19 different lenses. When selecting your camera body, you can choose … VERSATILITY The Leica M (Typ 240) benefits from more than 50 years of experience with the rangefinder system. At thesame Leica M (Typ 240) time, it combines these benefits with state-of-the-art digital technologies. Its video and Live View functions plus the extra large 1800 mAh battery make it and the Leica M-P the most versatile members of the Leica M-Camera family. UNIQUE Black-and-white is the essence of the art of photography. For the 24-MP, full-frame CMOS sensor of the Leica Leica M Monochrom M Monochrom, this means that it can capture images without the usual colour filters in front of the pixels.Lumi - (Typ 246) nance values are measured directly at the sensor. The result: 100 % sharper black-and-white pictures with previously unimaginable depth and clarity. M-CAMERAS M (Typ 240) M Monochrom (Typ 246) ORDER NO. 10 770 (black enamel) 10 930 (black chrome) 10 771 (silver chrome) AVAILABLE SINCE 2012 2015 SENSOR 24 MP CMOS Sensor 24 MP CMOS Sensor PROCESSOR Leica Maestro Leica Maestro MONITOR RESOLUTION 3"-TFT monitor (921,600 pixels) 3"-TFT monitor (921,600 pixels) MATERIAL with scratch-resistant cover in Corning® Gorilla® glass with sapphire glass cover LIVE VIEW Yes Yes VIDEO Yes Yes VIEWFINDER/EVF AS OPTIONAL Yes/EVF2 Yes/EVF2 EQUIPMENT FRAME SELECTOR – Yes BUFFER MEMORY 1 GB 2 GB FILE FORMAT JPG, DNG JPG, DNG Page 1 of 4 I As at April 2018 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY I Phone +49(0)6441-2080-0 I Fax +49(0)6441-2080-333 I www.leica-camera.com LEICA M-SETS M-LENSES Tri-Elmar - M Super - Elmar - M Summilux - M Super-Elmar - M 16-18-21 mm f/4 ASPH.
    [Show full text]
  • Press Information
    Press information The new Leica S-Adapter L enables the use of S-lenses on the Leica SL Wetzlar, 2 June 2016. The Leica S-Adapter L for the Leica SL mirrorless camera system is available from today. This adapter further expands the range of lenses that can be used with the Leica SL to include those of the Leica S medium format camera system. The S-Adapter L now allows the use of altogether 16 Leica S-Lenses with focal lengths from 24 to 180 mm (including six lenses with central shutters) in addition to the system’s own lenses, the Vario-Elmarit–SL 24–90 mm f/2.8–4 ASPH. and the Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8-4. The exceptionally fast S-Lenses are a consequence of more than 100 years of experience and expertise in optical design and precision engineering that permits only minimal tolerances. They unite traditional Leica quality with cutting edge technology and achieve uncompromising imaging qualities in almost all possible situations in the studio and on location. What’s more, the exceptional compatibility of the Leica SL-System grants photographers access to almost all Leica lenses ever made. For instance, all Leica T lenses can be mounted on the Leica SL without an adapter, the already available M-Adapter T enables the use of almost all Leica M-Lenses with the Leica SL, while the R-Adapter L (available Q3/2016) will provide access to an entire range of Leica R-System lenses. Another new addition to the range of accessories and equipment for the Leica SL camera system is the AA-SCL4 Audio Adapter available end of June.
    [Show full text]