Intro to Running Photography
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Canon Lenses Canon Lenses from Snapshots to Great Shots
final spine = 0.4625" Canon Lenses Lenses Canon From Snapshots to Great Shots You own a Canon DSLR, but which Canon lens is best for your shooting Jerod Foster is an style and your budget? This guide by pro photographer Jerod Foster editorial and travel From Snapshots to Great Shots Great Snapshots to From will help you learn the features of Canon lenses to capture the photographer and author of Sony NEX-6: From stunning pictures you want for a price that matches your needs. Snapshots to Great Shots; Foster starts with the basics of using lenses in the Canon lineup— Color: A Photographer’s Guide to Directing the Canon Lenses from kit, to prime, to wide angle, to telephoto, to zoom, and more. Whether it’s portraits, landscapes, sports, travel, or night photography, Eye, Creating Visual Depth, and Con- veying Emotion; and Storytellers: A you will have a better understanding of the different Canon lenses Photographer’s Guide to Developing and your choices for investing in them. In this guide you will: From Snapshots to Great Shots Themes and Creating Stories with • Master the key camera features that relate to lenses—depth Pictures. He also leads photography of field, perspective, and image stabilization workshops and is a photography professor at Texas Tech University. Visit • Learn the difference between full frame versus cropped sensors his website and read his popular and how they affect specific lenses photography blog at jerodfoster.com. • Understand best practices for maintaining your lenses and for taking better pictures • Accessorize -
Owner's Manual
VQT5E43_ENG_SPA.book 1 ページ 2013年12月25日 水曜日 午後7時41分 Owner’s Manual INTERCHANGEABLE LENS FOR DIGITAL CAMERA Model No. H-NS043 Please read these instructions carefully before using this product, and save this manual for future use. If you have any questions, visit: USA and Puerto Rico : www.panasonic.com/support Canada : www.panasonic.ca/english/support VQT5E43 PP F0114HH0 until 2014/1/29 VQT5E43_ENG_SPA.book 2 ページ 2013年12月25日 水曜日 午後7時41分 Contents THE FOLLOWING APPLIES ONLY IN CANADA. Information for Your Safety..................................... 2 CAN ICES-3(B)/NMB-3(B) Precautions........................................................... 4 Supplied Accessories ............................................. 5 Names and Functions of Components ................... 6 Attaching/Detaching the Lens................................. 7 Information for Your Safety Cautions for Use................................................... 10 Troubleshooting .................................................. 10 Keep the unit as far away as possible from Specifications........................................................ 11 electromagnetic equipment (such as microwave Limited Warranty................................................... 12 ovens, TVs, video games, radio transmitters, high-voltage lines etc.). -If you see this symbol- ≥ Do not use the camera near cell phones because doing so may result in noise adversely affecting Information on Disposal in other Countries the pictures and sound. outside the European Union ≥ If the camera is adversely affected -
FED 2 Fed-2 35Mm FILM CAMERA Instruction Manual
FED-2 Instruction manual FED 2 Fed-2 35mm FILM CAMERA instruction manual This text is NOT identical to the one in the official Instruction Manual. 01. Film Counter 02. Film wind knob 03. Rangefinder optic 04. Aperture index dot 05. Scale setting ring 06. Viewfinder aperture 07. Automatic releaser button 08. Automatic releaser lever 09. Synchronizer socket 10. Front lens nut 11. Aperture setting ring 12. Depth of field scale 13. Focusing ring Fed-2 frontal View This manual contains a brief description of camera Fed-2 and the basic rules for using the camera. It cannot serve as a photography manual. Slight differences between the description and the camera may occur as a result of technical modification being introduced in the design of the camera. Camera Fed-2 operated on standard 35 mm film with a picture size of 24×36 mm. The great resolving power of the lens makes it possible to obtain perfect large-size pictures. The wide range of shutter speeds, the trigger winder, synchronizer, automatic releaser, dioptric view-finder setting, the light weight and compactness of the camera will satisfy the requirements of either amateur or professional photographer. The camera is fitted with lens Industar-26M or with Industar-61 with lanthanum Optics. The camera is so designed that it is also possible to use interchangeable lenses Industar-50, Jupiter-9, Jupiter-11, Jupiter-12 and others. In taking a picture the camera is focused with the help of the range-finder. The automatic releaser incorporated in the camera allows – 1 – FED-2 Instruction manual the photographer to take pictures of himself. -
F4q Between Meter and Film Plane
modern Most ssnsaiiolla/ tleve/o,bh1811t- In past 20 ysat;S newest cameras, lenses & important accessories ing rectangular collar and full focusing CANON PELLIX OR FT: Fresnel screen. OTHER FEATURES: WITH, WITHOUT PELLICLE Mercury battery-powered CdS exposure meter behind lens coupled to shutter speeds and aperture controls measures Va picture area at shooting aperture, instant return mirror, quick return aper Svps/"/JIV ~iJislJeQ ture, depth-of-field preview lever, mir ror lock-up lever, quick-loading film compac.f SLR. bOdy mechanism. PRICE: $239.95 with f/l.8 lens, $289.95 with f/l.4 lens, $324.95 with f/l.2 lens. Whether you're with it or agin it, undou6tedl one of the bi&gest sensa bons In S R camera des\~ns within tHe past 20 years IS the stationary mir ror Canon Pellix. While camera tech Supen'or lens nicians and knowledgeable photogra MANUFACTURER'S SPECIFICATIONS: phers argued possible SLR faults: flip mounfing Canon Pellix QL 35mm eye-level single ping mirrors, vibrations, loss of viewing lens reflex camera. LENS: Interchange at the instant of picture taking, Canon able breech-lock 50mm f/1.8 Canon went and did something about it. They methanism . FL, 50mm Canon f/l.4 FL, 58mm Can made a single-lens reflex with a sta on f/l.2 FL with stops to f/22, focus tionary mirror that did not move . Ergo: to 24 in. SHUTTER: Titanium foil focal no bl ink, no added vibration. p lane with speeds from 1 to 1/1000 But Canon didn't introduce the pel sec. -
Aperture Digital Photography Fundamentals
Aperture Digital Photography Fundamentals K Apple Computer, Inc. © 2005 Apple Computer, Inc. All rights reserved. No part of this publication may be reproduced or transmitted for commercial purposes, such as selling copies of this publication or for providing paid for support services. Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Apple, the Apple logo, Apple Cinema Display and ColorSync are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Aperture is a trademark of Apple Computer, Inc. 1 Contents Preface 5 An Introduction to Digital Photography Fundamentals Chapter 1 7 How Digital Cameras Capture Images 7 Types of Digital Cameras 8 Digital Single-Lens Reflex (DSLR) 9 Digital Rangefinder 11 Camera Components and Concepts 11 Lens 12 Understanding Lens Multiplication with DSLRs 14 Understanding Digital Zoom 14 Aperture 15 Understanding Lens Speed 16 Shutter 17 Using Reciprocity to Compose Your Image 17 Digital Image Sensor 20 Memory Card 20 External Flash 21 Understanding RAW, JPEG, and TIFF 21 RAW 21 Why Shoot RAW Files? 22 JPEG 22 TIFF 22 Shooting Tips 22 Reducing Camera Shake 23 Minimizing Red-Eye in Your Photos 25 Reducing Digital Noise Chapter 2 27 How Digital Images Are Displayed 27 The Human Eye’s Subjective View of Color 29 Understanding How the Eye Sees Light and Color 30 Sources of Light 30 The Color Temperature of Light 31 How White Balance Establishes Color Temperature 3 31 Measuring the Intensity of Light 32 Bracketing the Exposure of an Image 33 Understanding How a Digital Image Is Displayed 33 Additive vs. -
Clinical Photography Manual by Kris Chmielewski Introduction
Clinical Photography Manual by Kris Chmielewski Introduction Dental photography requires basic knowledge about general photographic rules, but also proper equipment and a digital workflow are important. In this manual you will find practical information about recommended equipment, settings, and accessories. For success with clinical photo documentation, consistency is the key. The shots and views presented here are intended as recommendations. While documenting cases, it is very important to compose the images in a consistent manner, so that the results or stages of the treatment can easily be compared. Don’t stop documenting if a failure occurs. It’s even more important to document such cases because of their high educational value. Dr. Kris Chmielewski, DDS, MSc Educational Director of Dental Photo Master About the author Kris Chmielewski is a dentist and professional photographer. Highly experienced in implantology and esthetic dentistry, he has more than 20 years experience with dental photography. He is also a freelance photographer and filmmaker, involved with projects for the Discovery Channel. 2 CONTENT Equipment 4 Camera 5 Initial camera settings for dental photography 7 Lens 8 Flash 10 Brackets 14 Accessories Retractors 15 Mirrors 16 Contrasters 17 Camera & instrument positioning 18 Intraoral photography Recommended settings 22 Frontal views 23 Occlusal views 23 Lateral views 24 Portraits Recommended settings 26 Views 27 Post-production 29 How to prepare pictures for lectures and for print 30 3 Equipment Equipment For dental photography, you need a camera with a dedicated macro lens and flash. The equipment presented in these pages is intended to serve as a guide that can help with selection of similar products from other manufacturers. -
LEICA COMPACT CAMERAS Experience the Joy of Life
Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY LEICA COMPACT Phone +49-6441-2080-0 I Fax +49-6441-2080-333 I www.leica-camera.com CAMERAS LEICA COMPACT CAMERAS Experience the joy of life. 02 01 03 01 LEICA D-LUX 02 LEICA V-LUX In all its incredible diversity, life is filled with magical moments. Mo - Inspiration is the source of creativity. And the Leica D-Lux is the ideal The beauty of life is always waiting to be discovered. The Leica V-Lux ments that simply demand to be captured. The compact cameras from companion for capturing the most memorable moments of daily life. is perfect for every kind of journey of discovery. The ideal composition Leica offer an unsurpassed level of freedom to do just that – in every Recording them with your own creative vision. Perfectly composed, of every subject can quickly be assessed in its high-resolution view - situation life brings. And as you would expect, they capture pictures thanks to the high-resolution integrated viewfinder. As a high-perfor- finder. Speaking of speed: its autofocus is amazingly fast. Its new, large that record every nuance in brilliant quality. mance Leica compact camera, it features an extremely fast lens with sensor offers almost infinite opportunities for exploring the creative a maximum aperture of f/1.7. In combination with its large sensor and possibilities of selective focus. An enormously broad range of photos, The Leica D-Lux, the Leica V-Lux, and the Leica C capture pictures a zoom range of 24 to 75 mm (35 mm equivalent), it guarantees almost from macro to extreme telephoto can be captured by its superb 25 to from the very heart of life. -
The History of Petzval Lenses 11-06-11 14:43
The history of Petzval Lenses 11-06-11 14:43 Antique & Classic Cameras Home Blog Camera Appraisals Rolleiflex Rolleicords Rolleiflex Buying Tip Leica M Lenses 50 Summicron-M Lenses 35 Summicron-M Lenses Leica 28mm M-Lenses Most Watched Leica Leica M Cameras Leica Screw Lenses Leica Screw Cameras Leica Lens Reviews Leica R Lenses Sonnar Lens Petzval Lens Soft Focus Lenses Soft Focus Lenses 2 Soft Focus Lenses 3 Soft Focus Lens Sales Soft Focus Lens Test Heliar Lenses Canon RF Lens Canon 50mm F/1.2 LTM Canon RF Cameras Fuji 6x7 & 6x9 Fuji 645 Cameras Hasselblad 6x6 Hasselblad C Lenses Pentax 6x7 Lenses Ricohflex Nikon RF Lens Zeiss Contax RF Lens Contax G Lens Super Ikonta Minolta-35 RF Pentax M42 Lens Bokeh Fuji 617 Olympus Stylus Epic 1890 Lens Catalogue 1892 Steinheil Lens Ads 1892 Zeiss Lens Ads 1904 Dallmeyer Lens Ads 1904 Busch Lens Ads 1904 Goerz Lens Ads Antique Wood Cameras Photographers 1860-1900 1857 CC Harrison Lens Harrison Globe Lens 1871 Camera Catalog 1883 Blair Envelope 1895 Sunart Camera 1910 Premo Catalog 1848-1875 Advertisements Camera Books Most Watched Lens Vade Mecum Links Contact Us About Us Morgan Low Ball Dollars Petzval Portrait Lenses and Their History Daguerre announced his process to the world on August 19, 1839. The original Daguerre & Giroux Camera utilized a lens designed and manufactured by Charles Chevalier, celebrated microscope maker and son of Vincent Chevalier who founded their optical business in France. The Chevalier 16-inch telescope objective was comprised of a cemented doublet and was achromatic. The lens, which covered a whole plate, had a working aperture of f/17, and suffered from considerable spherical abberations. -
Photography-Guide.Pdf
The Art of Photography A guide to digital Photography AN E-BOOK BY SHUTTER | TUTORIALS www.shuttertutorials.wordpress.com | www.facebook.com/ShutterTutorials Author Tanay Shandilya CONTENT WORKING OF A DSLR CAMERA THE SENSOR AND CUP UNDERSTANDING LIGHT DYNAMIC RANGE UNDERSTANDING ISO EXPOSURE CAMERA SHUTTER SPEED UNDERSTANDING CAMERA LENSES UNDERSTANDING PHOTOGRAPHY ‘CIRCLE OF CONFUSION’ OPTICAL ZOOMING PERSPECTIVE CHANGE THE HISTOGRAM FULL FRAME v/s CROPPED SENSOR GET TO KNOW FLASH PHOTOGRAPHY Working Of A DSLR Camera A camera based on the single-lens reflex (SLR) principle uses a mirror to show in a viewfinder the image that will be captured. The cross-section (side-view) of the optical components of an SLR shows how the light passes through the lens assembly (1), is reflected into the pentaprism by the reflex mirror (which must be at an exact 45 degree angle) (2) and is projected on the matte focusing screen (3) opens, and the image is projected and captured on the sensor (4), after which actions, the shutter closes, the mirror returns to the 45 degree angle, the diaphragm reopens, and the built in drive mechanism re-tensions the shutter for the next exposure. (5). Via a condensing lens (6) and internal reflections in the roof penta-prism. (7) the image is projected through the eyepiece (8) to the photographer‘s eye. Focusing is either automatic, activated by pressing half-way on the shutter release or a dedicated AF button, as is mainly the case with an autofocusing film SLR; or manual, where the photographer manually focuses the lens by turning a lens ring on the lens barrel. -
The New Leica Summarit-M Family
leica-camera.com +49(0)6442-208-0Telephone +49(0)6442-208-333 /Fax /D-35606 Solms / Oskar-Barnack-Straße11 Leica CameraAG Trademarks of Leica Camera Group “Leica” as well as product names = ®Registered trademark / © 2007 Leica Camera AG Subject to modifications in design, specification and offer Concept and design : Heine/Lenz/Zizka, Frankfurt am Main / Image indication : Product photography : Alexander Habermehl, Title / Alexander Göhr / Factory photography : Michael Agel / Brochure order number : German 92115 / English 92116 / French 92117 / Italian 92118 / Spanish 92119 / Dutch 92120 / Japanese 92121 / 10/07/ ELW/B Precision lenses for unsurpassed pictures – analog or digital unsurpassedpictures–analogordigital Precision lensesfor LeicaSummarit-Mfamily The new World-class lenses from our factory in Germany With its Summarit-M : Amazing quality plus outstanding value new Summarit-M lenses, Leica is opening up the challenging world of With four focal lengths of 35, 50, 75 and 90 mm, the new Summarit-M rangefinder photography to a wider target group. High-performance class covers all of the traditional applications in rangefinder photog- Summarit-M lenses are the culmination of decades of striving to achieve raphy. Our philosophy is to consistently reduce things to their absolute perfect optical and mechanical quality by using premium materials, essentials, and the new Summarit-M lenses represent the very best that precision production techniques, cutting-edge multi-coatings, and can be achieved today using traditional spherical lens design, for both in dividual hand adjustment. They are all produced at our factory in analog and digital Leica M photography. All are 6-bit coded for opti- Germany and carry the “Made in Germany” quality mark. -
Part 2 Photography
This is the Comprehensive Digital & General Photography Review Certified Digital Designer Professional Certification Examination Review Within this presentation – We will use specific names and terminologies. These will be related to specific products, software, brands and trade names. ADDA does not endorse any specific software or manufacturer. It is the sole decision of the individual to choose and purchase based on their personal preference and financial capabilities. the Profession It is about the world vision and expression through a lens It is about how light and color can change the results It is about images which can cause us feel emotions or to act or react It is about images – manipulated in multiple ways It is mental conception – transferred through graphical effects It is about creating memories with digital media It is expressing complicated ideas through visual applications THIS is what we call DIGITAL PHOTOGRAPHY ADDA Professional Certification Series Digital & General Photography Section ADDA Professional Certification Series – Digital & General Photography Acronyms ADDA American Digital Design Association American Design Drafting Association SLR Single Lens Reflex Camera DSLR Digital Single Lens Reflex Camera ISO International Standards Organization. Used instead of ASA as prefix to a cameras sensitivity to light The scale is identical to the ASA scale back in the film days . LCD Liquid Crystal Display TTL Through the Lens CCD Charge Coupled Device. More commonly known as the camera sensor. ADDA Professional Certification Series – Digital & General Photography Acronyms RAW Raw image format, contains minimally processed data from the image sensor of a digital camera or image scanner. Raw files are so named because they are not yet processed and ready to be used with a bitmap graphics editor , computer, or printing machine. -
Lenses & Accessories
LENSES & ACCESSORIES Oct 2014 Edition The essence of aesthetics Already pioneers in the field of digital single lens mirrorless cameras, LUMIX’s Micro Four Thirds lenses are once again breaking new ground. Combining state-of-the-art digital technology with cutting-edge optics, the new lenses offer uncompromising quality, exceptional image rendering, and an agility capable of capturing the most fleeting of moments, all in an amazingly compact format. From wide-angle to telephoto, the extensive range delivers top-class performance, whether you are shooting stills or high-quality HD video. Of one thing we are sure, this remarkable family of lenses will take your creativity to a new dimension. A Breakthrough in Size and Weight: A Digital Design that Delivers INDEX Mirrorless Configuration Beautiful Images from Corner to Corner LEICA Lens LUMIX G VARIO 7-14mm / F4.0 ASPH. p30 In developing LUMIX G, Panasonic set out When a 35mm camera lens is used on a digital SLR camera, p31 Mirror box LEICA DG NOCTICRON 42.5mm / F1.2 ASPH. / POWER O.I.S. p06 LUMIX G VARIO 12-32mm / F3.5-5.6 ASPH. / MEGA O.I.S. to create a digital SLR camera system with sharpness and light intensity can be lost and colors can LEICA DG SUMMILUX 15mm / F1.7 ASPH. p08 LUMIX G VARIO 14-42mm / F3.5-5.6 II ASPH. / MEGA O.I.S. p32 truly superior mobility. This meant that both bleed at the frame edges, where light enters at an angle. LEICA DG SUMMILUX 25mm / F1.4 ASPH. p10 LUMIX G VARIO 14-42mm / F3.5-5.6 ASPH.