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The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
America Letter the Danish Immigrant Museum
America Letter The Danish Immigrant Museum ® AN INTERNATIONAL CULTURAL CENTER Spring 2011 • Vol. xxiV, No. 1 2212 WASHiNGToN STREET • ELK HoRN, ioWA 51531 • 712-764-7001 • www.danishmuseum.org Across Oceans, Across Time, Across Generations: The Dierssens Director’s Corner America Letter Published three times annually by On a wintery January night, I met our new The Danish Immigrant Museum 2212 Washington Street Scan|Design interns at Eppley Airfi eld in Omaha. Elk Horn, iowa 51531 Jule Andersen, Maria Bjørg Rasmussen and 712-764-7001 800-759-9192 FAx 712-764-7002 Sara Sjölin arrived directly from Copenhagen to a Eva Nielsen, editor www.danishmuseum.org blizzard on the Great Plains. Blowing and drifting email: [email protected] snow made roads impassable and led many Board of Directors schools and companies, including The Danish President – Harriet Albertsen Spanel, bellingham, WA Immigrant Museum, to close for several days. Vice President – Mark Nussle, Palos Park, iL Secretary – Dennis Andersen, Atlanta, GA For two days, they stayed with Dawn and me at our home in Treasurer – Clark Mathisen, omaha, NE Blair before we could drive to Elk Horn. On the afternoon of Jon borgman, Harlan, iA Lone Christensen, brown Deer, Wi the second day, we were able to drive to Omaha and visit the Ane-Grethe Delaney, Wayzata, MN / Durham Western Heritage Museum. Here, I oriented them to the university Park, FL rich history of Danes in Omaha – where Den Danske Pioneer and Mark Frederiksen, Falcon, Co Kurt Hansen, Rosemount, MN the Danish Brotherhood in America were founded. According to Kristi Johnson, bethesda, MD the 2000 U.S. -
The Railroad Man's Magazine, Jan 1911
PRICL lO CENTS BY THE YEAR. $199 MAGAZINE Funny Side JAN U A RY Favorite There is one thing thai is always fashion's first favorite, j ft and that is beauty. Style of dress, of coiffure, of head- gear, and so on, may change with every month or season, as whim, fancy, or milliners' decree may dictate, but beauty of skin and complexion is of the fash- ions that remain permanent from age to age. This explains the fact of the enduring popularity of Pears' Soap which, being all pure soap, possessing unique emollient properties, that preserve, refine, and improve the beauty of the skin and complexion, never ceases to be the leading soap wherever beauty holds her enchanting sway. DELICACY—The delicacy and dainti- ness of the skin of youth are pre- served by the daily use of PEARS. REFINEMENT—The skin is refined, softened, anil beautified by the exquisite soothing influence of PEARS. It is far more economical to use r ^9 PEARS than it is to use ordinary toilet soaps. "All rif/iti tecured" OP ALL SCENIEU SOAI'S PEARS' OTTO OF ROSE IS THE BEST. THE RAILROAD MAN'S MAGAZINE—ADVERTISING SECTION. The world's greatest singers make records only for the Victor The world's greatest singers! The greatest tenors; the greatest sopranos; the greatest contraltos; the greatest baritones; the greatest bassos. Not among the greatest, but the greatest of all nationalities. all sopranos Caruso, the greatest of all tenors Melba, the greatest of McCormack, the greatest Irish tenor Tetrazzini, the greatest Italian soprano Martin, the greatest American tenor Eames] Dalmores, -
The Herald, August 15, 1891
Cedarville University DigitalCommons@Cedarville The eC darville Herald The eC darville Herald 8-15-1891 The eH rald, August 15, 1891 Cedarville University Follow this and additional works at: http://digitalcommons.cedarville.edu/cedarville_herald Part of the Civic and Community Engagement Commons, Family, Life Course, and Society Commons, and the Mass Communication Commons Recommended Citation Cedarville University, "The eH rald, August 15, 1891" (1891). The Cedarville Herald. 102. http://digitalcommons.cedarville.edu/cedarville_herald/102 This Newspaper is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The eC darville Herald by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. f - t i V O L . 1 2 CEDAKVILLE, OHIO, SATURDAY, AUGUST 15, 1891 '' - K 0 . .28 ' W E l^EfliLIcf). The Logan club lias secured the ■ A K eat Set. and as many can attest incites to in - Andrew Bros, and Co. have just re old Frazier room for headquarters and cendiary and murder.” What a pity ceived a car load of harness which » ............... , - ....... - , ..... M«.E ditor :—I t is now demon willj iu a short time, have plenty of onr good sister had not been some they, will sell cheap. AN ISJ>EM8S»MNT WUBKI.Y NEWSPAPER. strated that the people of Cedarville campaign literature on hands, and the ore the meanest and meat despicable where around Sinai to whisper to- the Go to Charlie Smith for a shave. rooms will be kept open during the set of fool* and ^unties that ever greatLawGiVer beforelie pronounced Teeth extracted without pain by .SATURDAY, AUGUST, 15 1891. -
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Lynchehaun, Ross (2013) American cinema after 9/11. PhD thesis http://theses.gla.ac.uk/4268/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] American Cinema after 9/11 Ross Lynchehaun M.A. Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Theatre, Film and Television Studies School of Culture and Creative Arts University of Glasgow April 2012 © Ross Michael Lynchehaun, 2012 i Abstract The terrorist attacks in the United States of September 11, 2001, were unprecedented in the modern era, and they heralded a new era in politics as the Bush Administration pursued rigorous security policies at home and staged military operations in Afghanistan, and subsequently Iraq. Witness testimonies, and newspaper articles in the immediate aftermath of the attacks, revealed that many of those watching coverage of the attacks on television temporarily mistook the reporting for a Hollywood block-buster, an indication that there was some kind of relationship between 9/11 and Hollywood film-making. -
A Reading of "A Good Man Is Hard to Find" and "A Curtain of Green": the Influence of Parable on Flannery O&
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1991 A Reading of "A Good Man Is Hard to Find" and "A Curtain of Green": The nflueI nce of Parable on Flannery O'Connor and Eudora Welty. Allison Carol Chestnut Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Chestnut, Allison Carol, "A Reading of "A Good Man Is Hard to Find" and "A Curtain of Green": The nflueI nce of Parable on Flannery O'Connor and Eudora Welty." (1991). LSU Historical Dissertations and Theses. 5111. https://digitalcommons.lsu.edu/gradschool_disstheses/5111 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Appendix 1: Short Introduction to Film Study
Appendix 1: Short Introduction to Film Study The next few pages offer an alphabetical list of topics often used in the critical evaluation of film with sample questions to aid in the critical discussion.1 Acting/Actors/Stars The cinema has long been driven by the visual appeal of its actors. Acting styles have changed since the silent days from the pantomime of the dive to the preference for nonpro- fessionals in the neorealist period to the present close connection between television, new media, and film. Silent-era actors in particular were universally popular because of the lack of linguistic barriers in their performances. Over the decades the personas of certain actors has even become identified with national, cultural, and class identities as well as with the style of living and attitudes in various time periods. In Italy, actors such as Alberto Sordi and Marcello Mastroianni were widely identified with the basic character traits of the Italian populace as were female stars such as Sophia Loren, Monica Vitti, or Anna Magnani. What type of acting style is used (nonprofessionals, method acting, theatrical, star persona)? Audience Film industries, including Italy, have periodically changed the type of films they produce in response to changes in target audiences. In the United States for example, Hollywood film production was targeted toward a female audience until the 1960s when the target audience became increasingly younger and male. In Italy, production in the 1960s and 1970s and thereafter introduced entertainment (art cinema, erotically charged cinema) not available on television because of censorship codes. What was the intended audience of the film? How was the film received when released? How has the film aged? Camera techniques Film theorists such as Christian Metz and Pier Paolo Pasolini wrote of the ability of shot selection to provide a language for film.2 The image on the screen has been filmed through the eye of a camera, which approaches its subject from certain angles and movements. -
University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 46100 a Xerox Education Company 73-11,599
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image o f the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part o f the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections w ith a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Video Catalog 2012.Xlsx
Geddes Language Center - Video Listings - Winter 2012 # RU 8.194 4 DVD Russian 2:06 2005 IT 8.145 8 1/2 DVD Italian 2:18 1963 IT 8.095 1860 VHS Italian 1:12 N/A IT 8.057 1900 DVD Italian 7:15 1977 CH 8.197 2046 DVD Chinese-Mandarin 2:09 2004 KO 8.080 41047 DVD Korean 2:05 2007 CH 8.047 1,000 kM beyond the Yellow River VHS English 5:30 1990 SP 8.258 1: Prelude to Tragedy DVD English 3:00 1983 JA 8.155 10 ProMises to My Dog PAL DVD Japanese 1:57 2008 FR 8.527 10th District Court DVD French 1:37 2004 EN 8.147 1995 faculty reading: Creative Writing Program VHS English 1:10 1995 EN 8.160 1997 faculty reading: Creative Writing Department VHS English 1:22 1997 SP 8.258 2: Revolution, Counterrevolution, and Terror 4:00 1983 CH 8.155 20 30 40 DVD Chinese-Mandarin 1:41 2004 IT 8.117 20 secolo: '39-'45, 2 setteMbre 1939 VHS Italian 0:55 N/A KO 8.074 200 Pound Beauty DVD Korean 2:00 2006 EN 8.399 2006 World Cup FilM DVD English&Spanish&French&Portugu1:52 2006 SP 8.258 3: Battleground for Idealists 5:00 1983 KO 8.002 301/302 DVD & VHS Korean 1:48 2004 FR 8.612 35 rhums DVD French 1:42 2009 FR 8.612 35 shots of ruM DVD French 1:42 2009 FR 8.456 36 fillette VHS French 1:27 1988 FR 8.238 37.2 le Matin VHS French 1:58 1986 CH 8.069 3T CoMpany, the VHS Chinese 1:44 N/A SP 8.143 4 de Boston VHS Spanish 0:25 2001 SP 8.258 4: Franco and the Nationalists 6:00 1983 FR 8.071 400 blows, The DVD & BD French 1:39 1959 HE 8.047 5 FilMs by Ram Loevy DVD Hebrew 1:45 2009 SP 8.258 5: The Revolution DVD English 6:00 1983 SP 8.258 6: Victory and Defeat DVD English 1:00 -
The Railroad, Consumerism, and Deep Time in Nineteenth-Century Literature
1 JUNCTIONS: THE RAILROAD, CONSUMERISM, AND DEEP TIME IN NINETEENTH-CENTURY LITERATURE A dissertation presented by Laurel Ann Kornhiser to The College of Arts and Sciences In partial fulfillment of the requirements for the degree of Doctor of Philosphy in the field of English Northeastern University Boston, Massachusetts January 2010 2 JUNCTIONS: THE RAILROAD, CONSUMERISM, AND DEEP TIME IN NINETEENTH-CENTURY LITERATURE by Laurel Ann Kornhiser ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate School of Arts and Sciences of Northeastern University, January 2010 3 ABSTRACT The railroad was both the icon of the Industrial Revolution and one of the most significant transformative forces of the nineteenth century. Despite this, as Herbert Sussman suggests, “With few exceptions, during the Victorian period, the machine appears in the minor works of major poets and the major works of minor poets” (2). The same can be said of prose writers. This study examines four major prose works, two written by American authors and two by British writers, in which the railroad plays more than a minor role: Walden by Henry David Thoreau, Dombey and Son by Charles Dickens, Middlemarch by George Eliot, and Sister Carrie by Theodore Dreiser. These works represent the railroad at different stages of development. Middlemarch (1871) is set at the moment when the railroad is poised to appear on the Midlands landscape. Walden and Dombey and Son were both written within the first two decades of the train’s appearance, a time period when the far-reaching effects of this new technology were first being registered. -
Historical Dictionary of Japanese Cinema
HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor Science Fiction Literature, by Brian Stableford, 2004. Hong Kong Cinema, by Lisa Odham Stokes, 2007. American Radio Soap Operas, by Jim Cox, 2005. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. Fantasy Literature, by Brian Stableford, 2005. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. African-American Television, by Kathleen Fearn-Banks, 2006. Lesbian Literature, by Meredith Miller, 2006. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. British Radio, by Seán Street, 2006. German Theater, by William Grange, 2006. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. Sacred Music, by Joseph P. Swain, 2006. Russian Theater, by Laurence Senelick, 2007. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. Postmodernist Literature and Theater, by Fran Mason, 2007. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. Polish Cinema, by Marek Haltof, 2007. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. Renaissance Art, by Lilian H. Zirpolo, 2008. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. Horror Cinema, by Peter Hutchings, 2008. Westerns in Cinema, by Paul Varner, 2008. Chinese Theater, by Tan Ye, 2008. Italian Cinema, by Gino Moliterno, 2008. Architecture, by Allison Lee Palmer, 2008. Russian and Soviet Cinema, by Peter Rollberg, 2008. African American Theater, by Anthony D. Hill, 2009. -
Monetary Policy:1955-56: Hearings Before the United States Joint
MONETARY POLICY: 1955-56 HEARINGS BEFORE THE SUBCOMMITTEE ON ECONOMIC STABILIZATION OF THE JOINT ECONOMIC COMMITTEE CONGKESS OE THE UNITED STATES EIGHTY-FOUETH CONGKESS SECOND SESSION PURSUANT TO Sec. 5 (a) of Public Law 304 (79th Congress) DECEMBER 10 AND 11, 1956 Printed for the use of the Joint Economic Committee UNITED STATES GOVERNMENT PRINTING OFFICE 85560 WASHINGTON : 1957 For sale by the Superintendent of Documents, U. S. Government Printing Office Washington 25, D. O. - Price 45 cents Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis JOINT ECONOMIC COMMITTEE (Created pursuant to sec. 5 (a) of Public Law 304, 79th Cong.) PAUL H. DOUGLAS, Senator from Illinois, Chairman WRIGHT PATMAN, Representative from Texas, Vice Chairman SENATE HOUSE OF REPRESENTATIVES JOHN SPARKMAN, Alabama RICHARD BOLLING, Missouri J. WILLIAM FULBRIGHT, Arkansas WILBUR D. MILLS, Arkansas JOSEPH C. O'MAHONEY, Wyoming AUGUSTINE B. KELLEY, Pennsylvania RALPH E. FLANDERS, Vermont JESSE P. WOLCOTT, Michigan ARTHUR V. WATKINS, Utah HENRY O. TALLE, Iowa. BARRY GOLDWATER, Arizona THOMAS B. CURTIS, Missouri GROVER W. ENSLEY, Executive Director JOHN W. LEHMAN, Clerk SUBCOMMITTEE ON ECONOMIC STABILIZATION WRIGHT PATMAN, Texas, Chairman JOSEPH C. O'MAHONEY, Wyoming -r AU3USTINE B. KELLEY, Pennsylvania ARTHUR V. WATKINS, Utah JESSE P. WOLCOTT, Michigan WILLIAM H. MOORE, Economist n Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis CONTENTS Statements in order of appearance: Page Bell, Elliott V., editor and publisher, Business Week magazine, New York 4 Levitt, Arthur, State comptroller, State of New York, Albany 23 Young, Robert R., chairman of the board, New York Central system, New York 41 Martin, William McC., Jr., Chairman, Board of Governors of the Federal Reserve System (accompanied by members of the Federal Open Market Committee) 71, 115 Haves, Alfred, president, Federal Reserve Bank of New York; Vice Chairman, Federal Open Market Committee (accompanied by members of the Federal Open Market Committee and Robert G.