Eugene O'neill Foundation Document Overview
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Biography of Eugene O'neill
Biography of Eugene O’Neill Trevor M. Wise Eugene Gladstone O’Neill was born on October 16, 1888, at the Barrett hotel in New York city, New York, son of James o’Neill, a well-known matinee idol, and Mary Ellen (Ella) Quinlan. Much of O’Neill’s youth was spent in the wings of the theater as he toured the country with his parents and older brother Jamie, watching his father perform his most famous role—the Count of Monte Cristo. When not touring the country with his family, O’Neill attended Catholic boarding school at St. Aloysius Academy at Mount Saint Vincent in the Bronx borough of New York. he then spent four years at Betts Academy, a non-sectarian prep school in Stamford, Connecticut. O’Neill spent the summers with his family at the Monte Cristo Cottage in New London, Connecticut, the only permanent home O’Neill knew as a child. in 1903, at the age of fifteen, o’Neill became aware of his mother’s morphine addiction and was introduced to alcohol by his brother Jamie, setting him on a path of heavy drinking and alcohol abuse. in the fall of 1906, o’Neill enrolled in princeton University, only to be expelled in the following spring for his poor academic per- formance. in october 1909, o’Neill secretly married Kathleen Jenkins, his first of three wives. Shortly after the wedding, o’Neill set sail for honduras to prospect for gold, but found none. While abroad, O’Neill lived the life of a waterfront derelict, working odd jobs and drinking heavily, until he contracted malaria and was forced to return to the United States. -
“Angels in America”
Press Contact: For National Theatre: Susie Newbery [email protected] For Broadway: Rick Miramontez / Molly Barnett / Chelsea Nachman / Ryan Ratelle [email protected] / [email protected] / [email protected] / [email protected] 212 695 7400 FOR RELEASE ON THURSDAY, SEPTEMBER 7, 2017 THE GREAT WORK RETURNS NATHAN LANE & ANDREW GARFIELD STAR IN THE NATIONAL THEATRE PRODUCTION OF TONY KUSHNER’S LANDMARK PLAY “ ANGELS IN AMERICA ” ON BROADWAY FEATURING SUSAN BROWN, DENISE GOUGH, AMANDA LAWRENCE, JAMES McARDLE, & NATHAN STEWART-JARRETT DIRECTED BY MARIANNE ELLIOTT PERFORMANCES BEGIN ON FRIDAY, FEBRUARY 23, 2018 AT THE NEIL SIMON THEATRE OPENING NIGHT SET FOR WEDNESDAY, MARCH 21 STRICTLY LIMITED 18-WEEK ENGAGEMENT New York, NY – Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Starring two-time Tony Award® winner Nathan Lane and Academy Award® and Tony Award nominee Andrew Garfield, the cast of Angels in America will feature fellow original National Theatre cast members Susan Brown, Denise Gough, Amanda Lawrence, James McArdle, and Nathan Stewart-Jarrett. -
O'neill and Nietzsche: the Making of a Playwright and Thinker
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 O'Neill and Nietzsche: The Making of a Playwright and Thinker Regina Fehrens Poulard Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Poulard, Regina Fehrens, "O'Neill and Nietzsche: The Making of a Playwright and Thinker" (1974). Dissertations. 1385. https://ecommons.luc.edu/luc_diss/1385 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Regina Fehrens Poulard 0 'NEILL AND NIEI'ZSCHE: THE MAKING OF A PI.A'YWRIG HT AJ.'JD THDl'KER by Regina Foulard A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy June 1974 ACKNOWLEIGMENTS I wish to thank the director of llzy" dissertation, Dr. Stanley Clayes, and llzy" readers, Dr. Rosemary Hartnett and Dr. Thomas Gorman, for their kind encouragement and generous help. ii PREFACE Almost all the biographers mention Nietzsche's and Strindberg's influence on O'Neill. However, surprisingly little has been done on Nietzsche and O'Neill. Besides a few articles which note but do not deal exhaustively with the importance of the German philosopher1 s ideas in the plays of O'Neill, there are two unpublished dissertations which explore Nietzsche's influence on O'Neill. -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
Ah, Wilderness! by Eugene O’Neill
By Eugene O’Neill Directed by Douglas C. Wager Spring 2002 Guthrie on Tour Study Guides are made possible by STUDY GUIDE T H E G U T H R I E T H E A T E R J O E D O W L I N G Artistic Director The Guthrie Theater receives support from the National Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature. The Minnesota State Arts Board received additional funds to support this activity from the National Endowment for the Arts. ============================================================================================================ Ah, Wilderness! by Eugene O’Neill With this production, the Guthrie honors the generosity of Target, Marshall Field's Project Imagine and the National Endowment for the Arts with support from the Heartland Arts Fund. =============================================================================================================== A S T U D Y G U I D E published by The Guthrie Theater Senior Editor: Michael Lupu Editor: Belinda Westmaas Jones Research: Dramaturg: Michael Maletic Kate Bredeson Jason Brown Sam Chase Produced with the support of: Jo Holcomb Jo Holcomb Belinda Westmaas Jones Sheila Livingston Michael Lupu Catherine McGuire Michael Maletic Julie McMerty Shane R. Mueller Carla Steen Patricia Vaillancourt Website Layout and Maintenance: Patricia Vaillancourt All rights reserved. No part of this Study Guide may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. -
LIVE from LINCOLN CENTER "The Nance" TCA Bios
“The Nance” TCA Panelist Biographies Douglas Carter Beane’s credits on Broadway include Rodgers + Hammerstein’s Cinderella (Tony Award nomination), The Nance (nominated for five Tony Awards and two Drama Desk Awards), Lysistrata Jones (Tony Award nomination), Sister Act (Tony Award nomination), the stage adaptation of the film Xanadu (Outer Critics Circle & HX Awards for Best Musical, Drama Desk Award for Best Book, and four Tony nominations including Best Musical) and The Little Dog Laughed (Tony Award; West End Olivier Award nomination). His other plays include As Bees In Honey Drown (Outer Critics Circle John Gassner Award), Mr. and Mrs. Fitch, Music From a Sparkling Planet, The Country Club, Advice From a Caterpiller, The Cartells, and Mondo Drama. He has written the libretto for the Metropolitan Opera's Die Fledermaus, which is currently in their repertory, and his ballet, Artists and Models, 1929 is a part of the dance show In Your Arms. He wrote the film adaptation of his play Advice From a Caterpiller as well as the screenplay of To Wong Foo, Thanks For Everything, Julie Newmar. His play The Cartells has been optioned by HBO to be turned into a series. Lincoln Center Theater will produce his next play, Shows For Days, this spring and he is developing a play in verse, Fairycakes, which he will both write and direct. He resides in New York City with his husband, composer Lewis Flinn, their son, Cooper and daughter, Gabrielle. Nathan Lane most recently played Hickey in the acclaimed Robert Falls production of The Iceman Cometh in Chicago. His credits at Lincoln Center Theater include The Nance, Some Americans Abroad and The Frogs. -
Press Kit (PDF)
Synopsis 1 The ocean is a wilderness reaching 'round the globe, wilder than a Bengal jungle, and fuller of monsters, washing the very wharves of our cities and the gardens of our sea-side residences. - Henry David Thoreau, 1864 For the nineteenth century, the world beneath the sea played much the same role that "outer space" played for the twentieth. The ocean depths were at once the ultimate scientific frontier and what Coleridge called "the reservoir of the soul": the place of the unconscious, of imagination and the fantastic. Proteus uses the undersea world as the locus for a meditation on the troubled intersection of scientific and artistic vision. The one-hour film is based almost entirely on the images of nineteenth century painters, graphic artists, photographers and scientific illustrators, photographed from rare materials in European and American collections and brought to life through innovative animation. The central figure of the film is biologist and artist Ernst Haeckel (1834-1919). As a young man, Haeckel found himself torn between seeming irreconcilables: science and art, materialism and religion, rationality and passion, outer and inner worlds. Through his discoveries beneath the sea, Haeckel would eventually reconcile these dualities, bringing science and art together in a unitary, almost mystical vision. His work would profoundly influence not only biology but also movements, thinkers and authors as disparate as Art Nouveau and Surrealism, Sigmund Freud and D.H. Lawrence, Vladimir Lenin and Thomas Edison. The key to Haeckel's vision was a tiny undersea organism called the radiolarian. Haeckel discovered, described, classified and painted four thousand species of these one-celled creatures. -
Spring 2015 Issue of the Foundation’S Newsletter
April 2015 SOCIETY BOARD PRESIDENT Jeff Kennedy [email protected] VICE PRESIDENT J. Chris Westgate [email protected] SECRETARY/TREASURER Beth Wynstra [email protected] INTERNATIONAL SECRETARY – ASIA: Haiping Liu [email protected] INTERNATIONAL SECRETARY – Provincetown Players Centennial, 4-5 The Iceman Cometh at BAM, 6-7 EUROPE: Marc Maufort [email protected] GOVERNING BOARD OF DIRECTORS CHAIR: Steven Bloom [email protected] Jackson Bryer [email protected] Michael Burlingame [email protected] Robert M. Dowling [email protected] Thierry Dubost [email protected] Eugene O’Neill puppet at presentation of Monte Cristo Award to Nathan Lane, 8-9 Eileen Herrmann [email protected] Katie Johnson [email protected] What’s Inside Daniel Larner President’s message…………………..2-3 ‘Exorcism’ Reframed ……………….12-13 [email protected] Provincetown Players Centennial…….4-5 Member News………………….…...14-17 Cynthia McCown The Iceman Cometh/BAM……….……..6-7 Honorary Board of Directors..……...…17 [email protected] The O’Neill, Monte Cristo Award…...8-9 Members lists: New, upgraded………...17 Anne G. Morgan Comparative Drama Conference….10-11 Eugene O’Neill Foundation, Tao House: [email protected] Calls for Papers…………………….….11 Artists in Residence, Upcoming…...18-19 David Palmer Eugene O’Neill Review…………….….12 Contributors…………………………...20 [email protected] Robert Richter [email protected] EX OFFICIO IMMEDIATE PAST PRESIDENT The Eugene O’Neill Society Kurt Eisen [email protected] Founded 1979 • eugeneoneillsociety.org THE EUGENE O’NEILL REVIEW A nonprofit scholarly and professional organization devoted to the promotion and Editor: William Davies King [email protected] study of the life and works of Eugene O’Neill and the drama and theatre for which NEWSLETTER his work was in large part the instigator and model. -
GPISD High School Summer Reading Choice List 2017
GPISD High School Summer Reading Choice List 2017 In addition to the course-specific required text, students in Pre-AP English I, Pre-AP English II, AP Language, and AP Literature classes are required to read one book of choice and be prepared to do an assignment over the reading when they return to class in the Fall. The students may use this list as a guide for choosing an appropriate title or they may choose to read a book written by an author not on this list. The summer reading book of choice should be something that the student wants to read. The selection can be from any genre if the content and reading level are appropriate to the age and ability of the student. The titles on this list encompass a variety of genres and content, so it is the responsibility of the student and parent to make an appropriate selection. To help you pick a selection, you can: read reviews and a synopsis at http://www.goodreads.com or www.commonsensemedia.org read a synopsis on the Young Adults’ Choices Reading List | International Literacy Association (ILA) at https://www.literacyworldwide.org/get-resources/reading- lists/young-adults-choices-reading-list ask family, friends, neighbors, or teachers for their recommendations *Indicates titles suggested for incoming 9th and 10th graders Drama Arcadia by Tom Stoppard Cat on a Hot Tin Roof by Tennessee Williams The Cherry Orchard by Anton Checkhov The Children's Hour by Lillian Hellman Death of a Salesman by Arthur Miller A Doll's House by Henrik Ibsen Dutchman by Amiri Baraka Fences by August Wilson The Glass Menagerie by Tennessee Williams Hamlet by William Shakespeare The Harvest Festival by Sean O'Casey Hedda Gabler by Henrik Ibsen Homecoming by Harold Pinter The Iceman Cometh by Eugene O'Neill The Importance of Being Earnest by Oscar Wilde King Lear by William Shakespeare The Little Foxes by Lillian Hellman Long Day's Journey into Night by Eugene O'Neill M. -
Examining the Iceman Cometh and Hughie in Relation to the Rhetoric of the Roosevelt Administration
The New Deal Cometh: Examining The Iceman Cometh and Hughie in Relation to the Rhetoric of the Roosevelt Administration John Curry Eugene O'Neill Review, Volume 33, Number 1, 2012, pp. 91-109 (Article) Published by Penn State University Press For additional information about this article https://muse.jhu.edu/article/468307 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] THe NeW DeAL CoMetH: EXAMINING THE ICEMAN COMEtH AND HUGHiE IN ReLATION TO THe RHeTOrIC OF THe ROOSeVeLT ADMINISTrATION John Curry Wall Street got drunk. It got drunk and now it’s got a hangover. The question is, how long will it sober up and not try to do all these fancy financial instruments? —President George W. Bush, July 18, 2008 We can’t afford to let the same phony arguments and bad habits of Washington kill financial reform and leave American consumers and our economy vulnerable to another meltdown. —President Barack Obama, December 12, 2009 In 1939 Eugene O’Neill completed The Iceman Cometh, his powerful drama about the failed lives and sustaining pipe dreams of the unemployed alcohol- ics who inhabit a run-down tavern in New York. That same year saw a critical EUGeNe O’NeILL ReVIeW, VoL. 33, No. 1, 2012 COPYRIGHT © 2012 THE PENNSYLVANIA STATE UNIVERSITY, UNIVERSITY PARK, PA EOR 33.1_07_Curry.indd 91 16/02/12 10:48 PM change in American economics as the second-term government of Franklin Roosevelt struggled to reverse massive unemployment and faltering public confidence in the regulatory policies of the New Deal. -
' : A8'$EAGPDIB Carol “Lee ;Jones ;:F; a Thesis Submitted to the Faculty of the ' M ? of Mohiss' .:Ln 'Partial “Fulfillment
An examination of four O'Neill plays as tragedies Item Type text; Thesis-Reproduction (electronic) Authors Jones, Carol Lee, 1935- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 17:49:56 Link to Item http://hdl.handle.net/10150/318871 " AH E M 1 H A $ I 0 H OP: FOBB: 0 > HEIIL; PEATS : ; ' : A 8' $EAGPDIB8 ; ' ' Carol “lee ; Jones ;:f; A Thesis Submitted to the Faculty of the . ' ' m? OF mohiss' . :ln ' partial “Fulfillment- of the Requirements For the Degree of . : ; . MASTER' OF ' ABf S' : . In the Graduate College THE. OTIPERSITT -OF ARIZOHA STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The University of Arizona and is deposited in The university Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special nermission, provided that accurate acknowledgment of source is made. Requests for per mission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Bean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author.