DOCSLIB.ORG

Asian Cultural Council Accconnects

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Asian Cultural Council Accconnects asian cultural council accconnects SPRING 2013 | ISSUE NO. 3 new york hong kong manila taipei tokyo AFGHANISTAN NATIONAL INSTITUTE OF MUSIC TOURS THE U.S. This past February, the Afghanistan National Institute of Music (ANIM) embarked on their historic first U.S. tour with support from the Asian Cultural Council. The tour initiated at the Kennedy Center in Washington, D.C. on February 7. They also performed at the The Classical Khmer Ballet, 1971 Royal Ballet of Cambodia, 2013 State Department, the Italian Embassy Photo by Anders Jiras and the World Bank then moved on to THE MANY SEASONS OF CAMBODIA Carnegie Hall in New York, culminating in a residency and concert at Boston’s New England Conservatory. These concerts In October 1971, the Asian Cultural Council made a modest grant to the Brooklyn featured the Afghan Youth Orchestra Academy of Music (BAM) to support the presentation of the Classical Khmer Ballet (AYO) and other ANIM ensembles of Cambodia. Previously called the Royal Ballet of Cambodia, they were renamed performing orchestral and chamber as a result of the 1970 coup that ousted Cambodia’s monarchy. The New York music on both Western and traditional Times described the Ballet’s performance as “a revelation.” Within eight years of this instruments. All the students are aged triumphant U.S. debut, 90% of Cambodia’s dancers and other artists would be dead, between 10 and 20 years old. “They are victims of the Khmer Rouge’s disastrous attempt to radically transform the country. extremely excited and happy to go on this tour and be a symbol of the positive In May 2013, ACC is supporting the return of the Cambodian Ballet to BAM, this changes happening in Afghanistan,” said time under the title of the Royal Ballet of Cambodia. Under the artistic direction the school’s founder and driving force, of HRH Buppha Devi, and in consultation with the ACC’s 2000 John D. Rockefeller Ahmad Sarmast. The Asian Cultural 3rd Awardee Proeung Chhieng, both of whom danced in the 1971 performance Council is proud to have been able to in Brooklyn, the Royal Ballet will present The Legend of Apsara Mera. Intrinsic provide support for this important tour. to this production are long years of reconstruction and conservation carried out in Cambodia by artists, scholars, students, and administrators in partnership with supporters from around the world. The ACC is honored to have participated in these efforts through the Cambodian Artists Mentorship Program (with support from the Rockefeller Foundation), project grants, and individual fellowships since the 1980s. Cambodian classical dance is one of the world’s cultural treasures. Its return to BAM’s Opera House is truly worthy of celebration. 50th Contemporary Grantee Staff and Secretary of State John Kerry greeting in this issue Anniversary Chinese Spotlights Trustee News members of the Afghanistan National Institute inside Playwright Series inside back of Music. Photo courtesy of State Department. inside SPRING 2013 | ISSUE NO. 3 ASIANCULTURALCOUNCIL.ORG COMING SOON... ACC CELEBRATES 50 YEARS GRANTEE SPOTLIGHTS JUL 15 | Gallery Series in Manila ACC Philippines Foundation will CAI GUO-QIANG GIVES BACK TO ACC host a series of exhibitions of Filipino ACC grantee Cai Guo-Qiang (1995), whose gunpowder drawings have sparked excitement DANCE TAIPEI at New York Live Arts on May 7 artists beginning July 15. Art sales will around the globe, announced plans to give a portion of his earnings from the prestigious benefit the ACC Philippines Fellowship To launch the celebration of its 50th Anniversary in New Praemium Imperiale Award to the Asian Cultural Council. The gift will support ACC’s Japan- Program. York, the Asian Cultural Council is presenting DANCE United States Arts Program endowment, which was established by life trustee Seiji Tsutsumi in TAIPEI, the work of four extraordinary contemporary 1983. ACC is grateful for Mr. Cai’s commitment to the mission of ACC. Photo by Lin Yi, courtesy Cai Studio choreographers —all based in Taipei, and all ACC NOV 11 | ACC Taipei Celebrates grantees: Fang-Yi Sheu & Artists; Shu-Yi & Dancers; ACC’s 50th Huang Yi Studio; Cheng Tsung-Lung. This event is made A fundraising event featuring a EDRALIN BONG CABRERA’S FILM ANG LALAKING PARISUKAT possible with support from the Taipei Economic Cultural performance of King Lear by ACC Office in New York and from ACC Taiwan Foundation. grantee Wu Xing-Guo (2005); a dance Congratulations to ACC grantee Bong Cabrera (2010) for starring in the film “Ang Lalaking piece performed by Bulareyaung Parisukat” (“Man of Squares”) which recently won best short film at the Manhattan International Pagarlava (1998 and 2007); and a joint Film Festival! performance by shakuhachi player Midori Moments: An ACC 50th Anniversary Celebration in Akihito Obama (2011) and puppeteer Hong Kong on Sunday, May 26 Manami Kimura (2004) at TaipeiEYE. BENEFIT CONCERT AT CARNEGIE HALL ACC is excited for the celebration, Midori Moments, a On February 26, ACC grantee Akihito Obama (2011) and former ACC Director Ralph Samuelson three-day outreach and education program which will NOV 5 Twenty-Five at Fifty, Fashion performed in The University of Tokyo Alumni Choir’s “Japan Earthquake Benefit & Sandy Relief feature a solo benefit recital by violinist and grantee Designer Rajo Laurel Celebrates Concert” at Carnegie Hall. The concert reflected the thoughts, hearts and minds of the many Midori Goto (2009). The recital will take place at the ACC’s 50th in Manila different people in both Japan and the U.S. involved in helping the survivors and remembering Hong Kong Academy for Performing Arts Amphitheatre A fundraising gala and fashion show, the victims of these two natural disasters. Photo by Peter Schaaf and a cocktail reception will be hosted by ACC Hong hosted by ACC Philippines Foundation Kong after the performance. Board Member Rajo Laurel, celebrates his fashion label’s 25th anniversary and ACC GRANTEES EXHIBIT AT THE GUGGENHEIM MUSEUM ACC’s 50th. ACC grantees Araya Rasdjarmrearnsook (1994), Aung Myint (2003), Navin Rawanchaikul (2005, 2011), and Tran Luong (1998, 2008) are all participating in the exhibition No Country: PROTECT WHAT IS PRECIOUS BEIJING, CHINA Contemporary Art for South and Southeast Asia, the inaugural exhibition of the Guggenheim Left: (l-r) ACC’s Director of Development Lauren UBS MAP Global Art Initiative, which runs until May 22. The exhibition features work by 22 artists Cherubini, Chairman Wendy O’Neill, and Executive Director Miho Walsh with Coco Zhao, a grantee and collectives representing some of the most compelling and innovative voices in South and who performed at the Protect What is Precious Southeast Asia today. ©Araya Rasdjarmrearnsook event, a collaboration between Girard Perrgeaux and Christie’s, on January 28, 2013 at Yuan Space in Beijing. ACC HONG KONG ALUMNI REUNION A long-awaited reunion for our alumni in Hong Kong and China was held at the Cabaret Theatre Right: (l-r) ACC Trustee David Rockefeller, Jr. and jazz singer and grantee Coco Zhao (2004, 2009) of the Hong Kong Fringe Club on February 6, 2013. Under the theme “New York, New York!” the from China at Protect What is Precious event on fun-filled evening brought together over 60 alumni from across the spectrum of the local arts January 28, 2013 at Yuan Space in Beijing. scene, of which some showcased their talents in drumming, singing, dancing, and story-telling to celebrate the happy occasion. Photo by: Cheung Chi Wai CONTEMPORARY CHINESE PLAYWRIGHT A MULTI-MEDIA ACC ALUMNI CREATION SERIES IN NEW YORK ACC alumni artists, assembled by Michelle Vosper, former Director of ACC Hong Kong and currently a senior advisor to ACC, participated in a multi-media creation in Hong Kong. All born In March 2013 the ACC supported the Contemporary Chinese Playwright Series (CCPS), in the year of the Dragon, the ‘Dragons’ included video artist May Fung (1993); architects a week-long exploration of contemporary Chinese theater conceived of by playwright Fanny Ang (2010) and Tony Ip (2011); composer Florence Cheung (2000); ceramic artist David Henry Hwang, whose work is being celebrated during the Signature Theatre’s Fiona Wong (1998); sculpture artist Ho Siu Kee (2000); dance artists Chen Kai (2008) and 2012-13 season. Mr. Hwang selected three ACC grantees: Candace Chong from Victor Ma (1996); and theater artists Chong Mui Ngam (2004) and Janice Poon (2009). Abstract Hong Kong (2006), Nick Yu from Shanghai (2003, 2006), Meng Jinghui from Beijing calligrapher Wei Ligang (2005) created a special painting which will be sold to establish a new (2002), and playwright Wei-jan Chi from Taipei, to engage with playwrights, actors, (l-r) Meng Jinghui, David Henry Hwang, “ACC Alumni Fellowship” in honor of this occasion. Photo by Cheung Chi Wai and directors in New York to create English-language versions their plays, which were and Candace Chong at Signature Theatre presented at the Signature Theatre. Company. Photo by Erik Carter SPRING 2013 | ISSUE NO. 3 ASIANCULTURALCOUNCIL.ORG STAFF NEWS TRUSTEE NEWS ACC welcomes its new Director in Hong Kong, Josephine Wai. From 1999 to 2011, she was the Director, Arts Support of the Hong Kong Arts ACC congratulates Life Trustee Seiji ACC applauds Trustee Vincent Mai on Development Council (HKADC) and was Tsutsumi on being awarded the ACC’s receiving the Robert F. Kennedy Ripple of instrumental in establishing HKADC as Blanchette Hooker Rockefeller (BHR) Hope Award, along with Taylor Swift, for an important resource for artists and arts Award last fall. This award recognizes Mr. his dedication to human rights. groups in obtaining funding support. Tsutsumi’s continual support of the arts (l-r) Kerry Kennedy, Taylor Swift, and international cultural exchange. guest Frank Mugisha, and Vincent Mai ACC (l-r) Mrs. Asako Tsutsumi, Ms.
Load more

Recommended publications
  • Position Description
    Position Description EXECUTIVE DIRECTOR ASIAN CULTURAL COUNCIL (New York, NY) ABOUT ASIAN CULTURAL COUNCIL: The Asian Cultural Council (ACC) advances international dialogue, understanding, and respect through cultural exchange activities in Asia and the United States to create a more harmonious and peaceful world. This mission is accomplished through fellowships, grants, and other programs that support individual artists, scholars, arts professionals, and cultural institutions. Established by John D. Rockefeller 3rd in 1963 as the Asian Cultural Program of the JDR 3rd Fund to support cultural exchange in Asia and the US through grants to individuals and organizations working in the visual and performing arts, ACC incorporated as a 501(c)3 nonprofit in 1980. Based in New York City, ACC established offices as well as partner foundations in Tokyo (1983), Hong Kong (1986), Taipei (1995), and Manila (2000). To date, ACC has supported over 6,000 exchanges across 26 countries and regions, and 16 artistic disciplines. As a grantmaking and grantseeking organization, ACC raises funds from individual, foundation, and corporate donors. ACC also convenes arts leaders, fostering dialogue around the importance of cultural exchange in developing understanding and respect across international and cultural borders. Fellowships to individuals include not only grant funds to cover the costs of international travel, per diem, and research activities, but also substantial program support in the form of professional guidance, introductions to artists and other cultural leaders, and extensive logistical assistance. In addition, ACC supports cultural institutions to further its mission. For more information please visit: www.asianculturalcouncil.org. THE OPPORTUNITY: ACC is seeking a visionary leader with a proven track record of professional success and a passion to build and lead a dynamic, innovative, and unique organization focused on advancing cultural exchange between Asia and the US.
    [Show full text]
  • Asian Cultural Council 2018 Annual Report TABLE of CONTENTS
    asian cultural council 2018 annual report TABLE OF CONTENTS 1. Message from Chairman & Executive Director 2. Board of Trustees 3. Partner Foundations 4. Messages from ACC’s Asia Directors 8. 2018 Program Overview 12. Public Programs & Partnerships 14. 2018 Grantee Highlights 20. 2018 Grants 22. JDR 3rd Award 24. BHR Award 26. Global Anniversary Celebrations 36. 2018 Events around the World 37. Donors 40. Financial Summary 42. Staff Cover: Ethnomusicologist Susie Ibarra The Wooster Group performing The recording a sound test on Easton Glacier, WA Town Hall Affair in Japan AT THE HEART OF ACC is a celebration of meaningful connection across borders. We believe that bringing people together from seemingly disparate backgrounds to discover commonality and appreciate differences is what creates a global consonance and commitment to a shared future. By empowering artists, scholars, and arts professionals to travel and pursue life- changing experiences in Asia and the U.S., we enact our core belief that cultural exchange is the most powerful WENDY O’NEILL MIHO WALSH tool we have to build a more harmonious world. Chairman Executive Director In 2018, ACC celebrated 55 years of work in cultural exchange, our investment to date of $100 million in direct grant-giving, and support for exchange opportunities to artists and scholars in Asia and the U.S. We showcased our brilliant alumni and gathered our ever-expanding global network of friends at our 55th Anniversary Gala in New York, where we honored John D. Rockefeller 3rd Award recipient Shen Wei (ACC 1995, 2017) alongside longtime ACC supporters and leading philanthropists David and Susan Rockefeller, who announced a $1 million endowment gift from the Estate of David Rockefeller, Sr.
    [Show full text]
  • English in Subtitles
    International Artist Residencies The following is a transcript of the International Artist Residencies panel, co-hosted by the Asian Cultural Council, Beijing Contemporary Art Foundation, and La MaMa Experimental Theatre Club on October 12, 2018 as part of Creative China Festival 2018. The hosting organizations share the belief that international cultural exchange is essential to fostering understanding and respect in the world. This immersive international exchange holds the potential for powerfully transformative experiences that benefit the individual artists involved, the communities in the exchange country, and the artists’ communities at home. Focusing primarily on residency programs committed to the exchange of artists between China and the United States, International Artist Residencies gathered arts professionals who design and run residencies alongside artists who have participated in such programs for a three-panel discussion: Artist Residencies and Community Engagement, The Experience of the Residency, and After the Residency. Representatives from programs in China and the United States presented a range of residency models that employ varying strategies to facilitate community engagement, maintain alumni networks, and provide artists access to global artistic communities. To build on the momentum of this panel, Beijing Contemporary Arts Foundation has compiled a list of artist residency programs and resources in the U.S. and China. Please refer to the link at： https://bcaf.org.cn/International-Artist-Residencies Please note
    [Show full text]
  • Korean Arts Leader Duk-Hyung Yoo Receives John D
    asian cultural council 2015 ANNUAL REPORT Installation of washi for the performance of Recycling: Washi Tales, directed by Elise Thoron (ACC 2008, 2010) at the Asia Society in New York City 2015 ANNUAL REPORT 2 3 Board Message from the of Trustees Executive Director 4 5 Message from Message from ACC Tokyo ACC Hong Kong 6 7 Message from Message from ACC Taipei ACC Manila 8 20 Program Overview John D. Rockefeller 3rd + 2015 Grants Award 22 26 Alumni News Events 33 34 Statement of Donors Activities 36 37 Cover: Leeroy New’s (ACC 2015) stage Partners Staff installation at a meeting of the Asia-Pacific Economic Cooperation (APEC) held in Boracay Island, Philippines BOARD OF TRUSTEES Ocers Wendy O’Neill Chairman Hans Michael Jebsen Vice Chairman Josie Cruz Natori Vice Chairman Jonathan Fanton Treasurer Hope Aldrich Secretary Trustees Jane DeBevoise Ernest de Leon Escaler John H. Foster David C. Halpert Douglas Tong Hsu J. Christopher Kojima Richard S. Lanier President Emeritus Erh-fei Liu Elizabeth J. McCormack Chairman Emeritus Carol Rattray Missie Rennie David Rockefeller, Jr. Lynne Rutkin Marissa Fung Shaw William G. Spears Yuji Tsutsumi Valerie Rockefeller Wayne Life Trustees Colin G. Campbell Kenneth H.C. Fung Stephen B. Heintz Abby M. O’Neill Russell A. Phillips, Jr. Isaac Shapiro Michael I. Sovern Akiko Kitamura in India during her 2015 ACC fellowship for research in Cambodia, Myanmar, As of June , and India MESSAGE FROM THE EXECUTIVE DIRECTOR Miho Walsh Asian Cultural Council Alumni: Our Future, Building on our Past “Most importantly, it is our individual grantees who embody our mission.
    [Show full text]
  • 1 Japan Virtual Exchange Program
    Updated: 09/16/2020 Japan Virtual Exchange Program ＜ Application Guideline ＞ In 2020 and 2021, in response to the widespread human crisis caused by the COVID-19 pandemic, and the uncertainty of international travel until the pandemic is resolved, the Asian Cultural Council is calling for proposals from individuals and organizations in Japan and the U.S. with projects intended to strengthen and enhance impactful international connectivity and engagement between Japan and countries/regions of Asia, and Japan and the U.S., through activities and projects that can be enacted without international travel. This program will support creative, innovative responses to international engagement during this period of limited travel. In response to the economic impact of the pandemic, grant funds may be used to support artist honoraria and organizational costs of managing virtual programs. Applicant Eligibility • Individuals and organizations in Japan conducting virtual cultural exchange programs with the U.S. and the countries of Asia (eligible countries / regions*) • Individuals and organizations in the U.S. conducting virtual exchange projects with artists, scholars, and arts professionals in Japan • Applicants must be practicing artists, scholars of the arts, or arts professionals in an eligible field*, or nonprofit/NPO organizations administering programs for participants who fit this criteria • Individual applicants can apply with up to one collaborator. Programs involving more than two participants must apply through an NGO or NPO organization
    [Show full text]
  • Asian Cultural Council Staff Directory
    Asian Cultural Council Staff Directory New York Office: Staff Judy Kim Charlotte Fleming Executive Director Marketing and Communications Associate [email protected] I 212-843-0348 [email protected] I 212-843-0393 Liz Behrend MaryJo Kelly Program Officer [email protected] I Manager of Finance and Operations 212-843-0421 [email protected] I 212-843-0378 Dawn Byrnes Sarah Lamade Manager of Grants Administration Manager of Executive Administration and [email protected] I 212-843-0386 Board Relations [email protected] I 212-843-0401 Stephanie Chen Director of Marketing and Communications Charmaine Lee [email protected] 212-843-0367 I Manager of Development [email protected] I 212-843-0394 Yagna Nag Chowdhuri Manager of Strategic Research Riccardo Salmona [email protected] 212-843-0398 I Director of Advancement [email protected] I 212-843-0422 Eileen Connor Director of Finance & Operations Interns [email protected] I 212-843-0396 Chynna Lake Cecily D. Cook Social Media Intern Director of Grantee and Alumni Relations [email protected] [email protected] I 212-843-0389 Kevin Pham Chloe Eisen Development Intern Programs Administration Assistant [email protected] [email protected] Natalie Register Alumni Engagement Intern [email protected] Asian Cultural Council Staff Directory Hong Kong Office Taipei Office Josephine Wai Rita Chang Director Director [email protected] [email protected] Mary Zhang Joyce Chen Development & Administration Associate Program Manager [email protected] [email protected] Jocelyn Mui Julian Chu Program Associate Office Manager [email protected] [email protected] Manila Office Tokyo Office Teresa Rances Ritsu Yoshino Director Director [email protected] [email protected] Annaliza Villar Kurumi Kido Program Associate Program Associate [email protected] [email protected] Yasuko Kajita Administration Associate [email protected] .
    [Show full text]
  • Asian Cultural Council ANNUAL REPORT 6 West 48Th Street, 12Th Floor New York, NY 10036-1802 212 843 0403 Tel 212 843 0343 Fax [email protected] New York
    2011 asian cultural council ANNUAL REPORT 6 West 48th Street, 12th Floor New York, NY 10036-1802 212 843 0403 tel 212 843 0343 fax [email protected] new york Room 702, Hong Kong Arts Centre 2 Harbour Road, Wanchai Hong Kong +852 2895 0407 tel +852 2576 7206 fax hong kong [email protected] Suite 504 National Life Building 6762 Ayala Avenue, Makati City 1226 Philippines +632 757 3006 tel/fax [email protected] manila Unit 2, 10th Floor 303 Chung-Hsiao East Road Sec. 4 Taipei, Taiwan +866 2 8771 8836 tel taipei +866 2 8771 8844 fax [email protected] Toka Building, 8F 1-16-1 Ginza Chuo-ku, Tokyo 104-0061 Japan +81 3 3535 0287 tel tokyo +81 3 3535 5565 fax [email protected] asian cultural council 2011 ANNUAL REPORT Asian Cultural Council supports of each of its grant recipients and transformative cultural exchange fosters ongoing dialogue between by awarding grants to artists, and among its grantees and scholars, and arts and humanities artists, scholars, and specialists professionals, as well as through a robust network of organizations and educational contacts across disciplines and institutions from the United States across the globe. ACC supports and Asia for research, study, and its efforts by seeking funding creative work in the United States from individuals, foundations, and and Asia and within the countries corporations with an interest in of Asia. To achieve this goal, ACC and dedication to strengthening develops programs specifically ties between the United States tailored to the needs and interests and the countries of Asia.
    [Show full text]
  • Creative China Festival 2018: International Artist Residencies Panel & Discussion Friday, October 12, 2018 | 1:00 – 8:00
    Creative China Festival 2018: International Artist Residencies Panel & Discussion Friday, October 12, 2018 | 1:00 – 8:00 PM Keynote Speaker Ping Chong, Artistic Director, Ping Chong + Company http://www.pingchong.org/ Ping Chong is an internationally acclaimed artist and pioneer in the use of media in the theater. Since 1972, he has created over 100 productions including Throne of Blood, Cathay: Three Tales of China, Kwaidan, and Deshima. His ALAXSXA|ALASKA was presented at LaMaMa in Fall 2017 and continues to tour. In 1992, he created the first Undesirable Elements production, an ongoing series of community- based oral history projects. Representative works include BEYOND SACRED: Voices of Muslim Identity, CRY FOR PEACE: Voices from the Congo, and GAIJIN. UNDESIRABLE ELEMENTS/JAPAN premieres in January, 2019. TCG published two volumes of his plays “The East West Quartet” and “Undesirable Elements: Real People, Real Lives, Real Theatre.” Ping Chong is the recipient of a Guggenheim Fellowship, a USA Artist Fellowship, two BESSIE awards, two OBIE awards, a Doris Duke Performing Artist Award, a Ford Foundation Art of Change Fellowship and a 2014 National Medal of Arts. Panel 1: Artist Residencies and Community Engagement Moderator: Jamie Bennett, Executive Director, ArtPlace America www.artplaceamerica.org Jamie Bennett is the executive director of ArtPlace America, a partnership among private foundations, federal agencies, and financial institutions working to position arts and culture as a core sector of community planning and development, so that artists and arts organizations are regular collaborators in helping to build equitable, healthy, and sustainable futures. To date, ArtPlace has invested over $100 million, which has gone to support 279 projects in communities of all sizes; six place-based organizations that have committed to permanently working in this cross-sector way; and deep investigations into the intersections of arts and culture with energy and the environment, housing, immigration, public health, public safety, and transportation.
    [Show full text]
  • The Ford Foundation and Post-Independence Indian Theatre
    ROCKEFELLER ARCHIVE CENTER RESEARCH REPO RTS The Ford Foundation and Post-Independence Indian Theatre by Rashna Darius Nicholson University of Hong Kong © 2020 by Rashna Darius Nicholson Abstract With the research stipend from the Rockefeller Archive Center, initially, my intended research was to focus on theatre in Palestine. While Palestinian theatre is a worthwhile subject, I found that the Rockefeller Archive Center had a greater volume of archived records pertaining to theatre in India. As a result, I embarked on research with a concentration on the work of philanthropic organizations and their role in the India’s cultural development in the latter half of the twentieth century. Thus, I reconstructed a narrative of the history of the Indian theatre. 2 RAC RESEARCH REPORTS The Ford Foundation and Post- Independence Indian Theatre Fresh after the resolution of the Second World War, India in the 1950s was viewed as a potentially problematic setting for cultural development work due to the growing sentiment that the country posed a significant threat to US global hegemony. 1 While India held great potential for economic development and evolution, and while the Ford Foundation (FF) was able to do community development work there, the FF remained hesitant to work in the cultural sector in India during this Cold War period. Charles Fahs, who was the Director of the Humanities division at the Rockefeller Foundation (RF), commented in his diary that the difficulties of communist infiltration made a large number of writers and dramatists ineligible for support. This, according to Fahs, was what made the development of cultural relations with India problematic.2 In particular, Kathleen McCarthy, who wrote on the international cultural activities of the Ford Foundation from the fifties to the early eighties, described India as notably susceptible to communist influence because of its newly democratic nature in post-war Asia.
    [Show full text]
  • Scholarships for International Students 2017, St. John's College, Santa Fe
    Scholarships that Accept Applications from International Students Updated February 2017 Scholarship Databases: International Education Financial Aid, http://www.iefa.org/ International Scholarship Search, http://www.internationalscholarships.com/ International Scholarships Specific to Country, Region or Religion American Center of Oriental Research Scholarships and Fellowships http://www.acorjordan.org/index.php?option=com_content&task=view&id=70&Itemid=84&lang=english A series of monetary grants based on research within the Asian continent. Fellowships and Scholarships vary greatly. Deadline: early February. American Scandinavian Foundation http://www.amscan.org/study_in_america_details.html Available for citizens of Denmark, Finland, Iceland, Norway or Sweden for study or research programs (usually at the graduate level) in the United States for up to one year. Deadlines variable. Armenian Students Association of Americas, Inc. http://www.asainc.org/index.php Full-time students of Armenian ancestry are eligible to apply for scholarships of $500 to $1,500 per year. Applicants should be able to demonstrate financial need and good academic performance. Deadline: mid-March. Asian Cultural Council http://www.asianculturalcouncil.org/?page_id=26 Individual fellowship grants to artists, scholars, students, and specialists from Asia for study, research, travel, and creative work in the United States. Deadlines variable. Asian Development Bank (ADB) - Japan Scholarship Program http://www.adb.org/site/careers/japan-scholarship-program/main Full scholarships for one to two years for citizens of ADB's developing member countries pursuing postgraduate studies in development-related fields at participating academic institutions in the Asian and Pacific Region. Deadlines variable. 1 Belgian American Education Fund, Inc. http://www.baef.be/documents/fellowships-for-belgian-citizens.xml?lang=en Offers fellowships for study and research in the United States.
    [Show full text]
  • Fellowships and Awards for International Students
    Fellowships and Awards for International Students 1 Getting Started Application Components Award applications have a lot of moving parts. To develop a strong and compelling fellowship application, determine: Things to consider… 1. Is the funding opportunity a good fit for you, your rese arch, ambitions, study and/or personal interests? ◊ Identify funding opportunities based on “Fit” 2. Are you a good fit for the funding opportunity? (Discipline, Demographics, Travel, etc.) ◊ Organize funding search results 3. KNOW YOUR AUDIENCE - Who are the reviewers? ◊ Dedicate time and attention to prepare and/or What are they looking for (mission of the funding opportunity, criteria for review)? request application components ◊ Commit to the Writing and Revision Process 4. Typical application components (Draft, Review, Revise, Repeat, Repeat, Repeat, Repeat) ◊ Personal Statement ◊ DEADLINES - Know the application cycle for ◊ Research Proposal ◊ Curriculum Vitae (CV) or Resume each award ◊ Letters of Recommendation ◊ NOTE: Awards are typically disbursed about ◊ Timeline and Budget Justification 6-12 months after the application submission *Not all components listed are applicable for every window closes. This means that you are applying a year in advance for most awards. application* 2 3 within the Asian continent, and is open to various nationalities. This is available to pre- Scholarships, Fellowships, and Awards doctoral and post-doctoral students. Deadline: February 1 that Accept Applications from Non-US Citizens Allen Lee Hughes Fellowship and Internship Program Individuals interested in artistic and technical production, arts administration and APS/IBM Research Internship for Undergraduate Women Internships are salaried positions typically 10 weeks long at one of three IBM research community engagement.
    [Show full text]
  • DIRECTOR of ADVANCEMENT ASIAN CULTURAL COUNCIL New York, New York Asian Cultural Council
    DIRECTOR OF ADVANCEMENT ASIAN CULTURAL COUNCIL New York, New York Asian Cultural Council The Aspen Leadership Group is proud to partner with the Asian Cultural Council in the search for a Director of Advancement. The Asian Cultural Council (ACC) seeks an experienced development leader to expand its current fundraising capacity both annually and towards its recently initiated $20 million capital campaign. The Director of Advancement is a member of the senior team and will be responsible for managing the annual fund and the multi-year fundraising campaign. The mission of the Asian Cultural Council is to advance international dialogue, understanding, and respect through cultural exchange activities in Asia and the United States to create a more harmonious and peaceful world. Since its inception in 1963, the Asian Cultural Council has operated a program of long-term, immersive fellowships and shorter-term grants for individual artists, scholars, and arts professionals who wish to pursue specialized training not available in their home countries; find new creative inspiration through travel, research, and exploration; or pursue targeted research projects aligned with ACC's mission of advancing international understanding. Toward this goal, ACC's first priority in all grant areas is to support activities that involve cultural immersion; meaningful cross-cultural engagement; and relationship- building, collaboration, or exchange of best practices among peers. By combining funding with mentoring and personal introductions, ACC's program facilitates relationships that deepen cross-cultural ties beyond the duration of the grant. ACC maintains close connections with many past grant recipients throughout Asia and the U.S. and creates ongoing opportunities for engagement within the alumni community.
    [Show full text]