Murray Arts Academy 2019-2020

Total Page:16

File Type:pdf, Size:1020Kb

Murray Arts Academy 2019-2020 Murray Arts Academy 2019-2020 Mount Paran Christian School’s Murray Arts Academy provides instruction in dance, drama, and music for individuals wishing to advance their training in the arts. Classes meet in the Murray Arts Center and culminate in “open studio” performances, recitals, and concerts. 2019-2020 session registration begins immediately. Please see below for details pertaining to the schedule of classes, contact information, and registration. Murray Arts Academy Dance – Spring Session Tuesday Wednesday Thursday Dance Session Dates: Murray Arts Murray Arts Murray Arts Spring: Jan. 13 – April 24 Academy Dance Academy Dance Academy Dance 4:30-5:30 Hip-Hop 3:30-4:30 Ballet/Pre-Pointe Dance Concert Date: (Grades 6-8) Spring - $210 (Grades 6-8) Spring - $210 Spring: April 2, 2020 5:45-7:00 Adv. Tap* 4:30-5:45 Int. Ballet/Pointe* Multiple-class discounts (Grades 9-12) Spring - $240 (Grades 9-12) Spring - $240 available! Contact 5:45-6:45 Int. Contemporary* [email protected] (Grades 9-12) Spring - $210 6:45-8:00 Adv. Contemporary* (Grades 9-12) Spring - $240 7:00-8:00 Adult Beg Ballet* $40 per 7:00-8:00 Adult Beg. Ballet* month/$10 per class $40 per month/$10 per class *Murray Arts Academy Dance class enrollment by teacher placement. For registration and placement information, contact: [email protected] Early Ages Dance, Acting and Musical Theatre** Monday Wednesday Thursday MPCS Eagle Adventure Zone provides licensed 3:15-4:15 Ages 4-5 3:15-4:00 Ages 5-7 3:15-4:00 Ages 3-4 after school assistance Creative Ballet/Tap Acting Creative Ballet with supervision of nd young students before 4:15-5:00 K-2 Grade 4:15-5:30 Ages 8-11 4:00-5:00 Ages 5-6 and after classes. For Musical Theatre Adv. Acting Primary I Ballet/Tap more information, 5:00-6:00 Ages 8-11 5:00-6:00 Ages 6-7 contact Donna McCoy at: Adv. Musical Theatre Primary II Ballet/Tap [email protected] **Early ages dance, acting, and musical theater provided through partnership with Once Upon A Ballet and Musical Theatre. For registration information, contact Once Upon A Ballet: [email protected]. Murray Arts Academy Music For those interested in studying music, private music lessons are available for students of all ages in piano, guitar, voice and band/orchestra instruments. Lessons are scheduled Monday-Thursday, from 8 am-8 pm; on Friday from 8 am–6 pm. For registration, availability, scheduling, and fees, contact teachers below, or: [email protected]. Piano Guitar Drum Set/Percussion Woodwind Instruments Sherri Barrett: Dan Baraszu: Brian Baraszu: Christi Brogden (Sax/Clarinet): [email protected] [email protected] [email protected] [email protected] Paula Roberts: Derek McCloud: Nancy Collier (Flute and bassoon): [email protected] [email protected] [email protected] Bob Tolton (Clarinet): Voice Strings Brass Instruments [email protected] Heather Witt-Owens: Emily Hindes – Violin/Viola: Vince Jackson (Tuba): [email protected] [email protected] Bill Van Dyke (Sax/Flute/Clarinet): [email protected] [email protected] Amy Little: Chris Riggenbach – Bass: David Klausman (Trumpet): [email protected] [email protected] [email protected] Zachary Optiz (Trombone): [email protected] MURRAY ARTS ACADEMY REGISTRATION NAME ____________________________________________DOB_____/_____/______ Statement of Release and ADDRESS_______________________________________________________________ Permission CITY __________________________________ STATE _________ ZIP_______________ Please read the following statement, circle PARENT NAME _____________________________________________________________ “yes” or “No” after each clause, and sign. PHONE ONE _____________________ PHONE TWO ____________________________ I affirm, except as indicated on this form, E-MAIL _________________________________________________________________ that my child is in good health and able to participate in all activities. �yes �no SCHOOL ________________________________________ GRADE (2019-20) ________ PREVIOUS MUSIC/DANCE EXPERIENCE �yes �no If Yes, please describe: With the understanding that safety ________________________________________________________________________ standards will be met, I release Mount ________________________________________________________________________ Paran Christian School, the Murray Arts Center of Mount Paran Christian School, EMERGENCY CONTACT NAME AND # ________________________________________ and the Murray Arts Academy and ALLERGIES OR HEALTH CONCERNS _________________________________________ instructional staff from possible claims for injury to person or property which ________________________________________________________________________ may arise from participation in activities, and hereby covenant and agree to hold DANCE - List classes for which you are registering (list multiple classes; only one student per form): harmless the school, its employees, agents Class Day/Time Fee or representatives from any claim, liability 1. or expense arising out of, or in any way ___________________________________________________________________________________________________________________________________________________________________________________ connected with, any incident or injury 2. resulting from such participation. ___________________________________________________________________________________________________________________________________________________________________________________ �yes �no TOTAL DANCE FEES DUE: $______________ In the event of a medical emergency, Dance Tuition Payment Options (circle): One Payment (Aug) Two Payments (Aug/Jan) if parent(s) or emergency contact are not available, I give MPCS permission to Tuition for Dance classes is payable to MPCS. Monthly dance tuition payments are due on the transport my child to a medical emergency first class day of each month. On the check memo line, please include name of student, dance room for treatment. �yes �no class, and month to which the payment applies. Returned checks will incur a $30 fee. Photographs of my child participating in MUSIC* - List lessons for which you are registering (list multiple classes; only one student per form): Murray Arts Academy activities may be Instrument/Voice Teacher used in Murray Arts Academy marketing 1. materials. �yes �no ___________________________________________________________________________________________________________________________________________________________________________________ 2. ___________________________________________________________________________________________________________________________________________________________________________________ ____________________________________ *Tuition for private music lessons is payable directly to the music instructor. Signature of Parent/Guardian ______/______/________ Return completed registration forms (and payments for dance) to the Murray Arts Center of Date Mount Paran Christian School. Music payments are made directly to the teacher. • Dance classes are subject to a minimum enrollment; if not met, refunds will be OFFICE USE: applied. amt. pd.: _________ • ABSENCE POLICY: DANCE - No refunds will be issued for absences; make-up classes are available at the discretion of the teacher. complete: � yes � no • ABSENCE POLICY: MUSIC – absence policies are set by each instructor. check #___________ • Dancers must dress for class in appropriate clothing set forth by the instructor. date ____/____/_____ • Dancers are asked to arrive 10 minutes prior to the start of class and remain in the ----------------------------- dance hallway until directed to enter the studio. bal. due or N/A:_____ • Parents and siblings waiting for students must wait in “The Rest” area of the Murray amt. pd.: _________ Arts Center, located on the first floor. check #___________ • Students needing assistance traveling from MPCS lower school to their arts lessons date ____/____/_____ should contact MPCS After School Care at: [email protected] .
Recommended publications
  • Thad Jones Discography Copy
    Thad Jones Discography Compiled by David Demsey 2012-15 Recordings released during Thad Jones’ lifetime, as performer, bandleader, composer/arranger; subsequent CD releases are listed where applicable. Each entry lists Thad Jones compositions/arrangements contained on that recording. Album titles preceded by (•) are contained in the Thad Jones Archive collection. I. As a Leader or Co-Leader Big Band Leader or Co-Leader (chronological): • Thad Jones/Mel Lewis Orchestra, Live at the Vanguard (rec. 1/7 [sic], 3/21/66) [live recording donated by George Klabin] Contains: All My Yesterdays (2 versions), Backbone, Big Dipper (2 versions), Mean What You Say, Morning Reverend, Little Pixie, Willow Weep for Me (Brookmeyer), Once Around, Polka Dots and Moonbeams (small group), Low Down, Lover Man, Don’t Ever Leave Me, A-That’s Freedom • Thad Jones/Mel Lewis Orchestra, On Tour (rec. varsious dates and locations in Europe) Discs 1-7, 10-11 [see Special Recordings section below] On iTunes. • Thad Jones/Mel Lewis Orchestra, In the Netherlands (rec. 1974) [unreleased live recording donated by John Mosca] • Thad Jones/Mel Lewis Orchestra, Presenting the Thad Jones-Mel Lewis Orchestra (rec. 5/4-5-6/66) Solid State UAL18003 Contains: Balanced Scales = Justice, Don’t Ever Leave Me, Mean What You Say, Once Around, Three and One • Thad Jones/Mel Lewis Orchestra, Opening Night (rec. 1[sic]/7/66, incorrect date; released 1990s) Alan Grant / BMG Ct. # 74321519392 Contains: Big Dipper, Polka Dots and Moonbeams (small group), Once Around, All My Yesterdays, Morning Reverend, Low Down, Lover Man, Mean What You Say, Don’t Ever Leave Me, Willow Weep for Me (arr.
    [Show full text]
  • THE COUNTRY DANCER Is Published Twice a Year
    The magazine of Calendar of Events THE COUNTRY DANCE SOCIETY OF AMERICA EDITOR March 25, 1961 SQUARE DANCE - DICK FORSCHER & CLIFF BULLARD THE May Gadd (in cooperation with the McBurney YMCA), New York C.D.S. ASSISTANT EDITORS April or May C.D.S. THEATER BENEFIT, New York. Details counTRY A.C. King Diana Lockard Maxwell Reiskind to be announced. DAnCER CONTRIBUTING EDITORS April 6 - 8 26th ANNUAL MOUNTAIN FOLK FESTIVAL, Berea, Penn Elizabeth Schrader Evelyn K. Wells Ky. The Festival is affiliated with the J. Donnell Tilghman Roberta Yerkes Country Dance Society o! America. April 14 - 16 C.D.S. SPRING HOUSE PARTY WEEKEND, Hudson ART EDITOR Guild Farm, Andover, New Jersey. Genevieve Shimer April 29 tentative C.D.S. SPRING FrnTIVAL in New York THE COUNTRY DANCER is published twice a year. Subscription is June 2.3 - 26 DANCE WEEKEND at PII{E)iOODS, Boston C.D.S. by membership in the Country Dance Society of America (annual Centre. dues $5, educational institutions and libraries $3.) Inquiries and subscriptions should be sent to the Secretary, Country Dance August 6 - 20 PllmUOODS CAMP: 'lWO DANCE WEEKS, National Society of America, 55 Christopher Street, New York 14, N.Y. C.D.S., Buzzards Bay, Mass. Tel: ALgonquin 5-8895. August 20 - 27 PIN»>OODS CAMP: FOLK MUSIC AND ~ORDER WEEK, Copyright 1961 by the Country Dance Society Inc. National C.D.S., Buzzards Bay, Mass. , Table of Contents lll@llll§lll§lll§lll§lll§lll§lll§ lll§lll§lll§lll§lll§lll§ Page PICTURE CREDITS By Gloria Berchielli, New York: Jack-in-the­ Calendar of Events •••••••••••••••••••••••••••• 3 Green, p.8.
    [Show full text]
  • Thad Jones Chronology Copy
    Thad Jones Chronology Compiled by David Demsey • 1923/March 28 - Born, Pontiac Michigan; father a lumber inspector for General Motors, had moved to MI from Vicksburg, MS. One of ten children – Thad: “We lost one sister in a drowning accident, and Elvin had a twin brother that died at an early age, but the remaining eight survive.” (Source: liner of H. Jones Have You Met This Jones?) • Professional career began during high school (later 1930s) • C. 1936-7, started to play trumpet at age 14 • C. 1936 in Arcadia Club Band in Pontiac, MI, led by trumpet-playing uncle Bill; band also contained Hank Jones • C. 1939, Formed The Hungry Five, played school dances; contained pianist Vivian Scott, tenorist Dan Turner • Last year in high school (1939?) played in 13-piece band in Saginaw, MI; had first contact with Big Nick Nicolas and Sonny Stitt, formed group with others from Flint, MI, went on road for 2.5 years, broke up in Indianapolis • 1941 traveling with Connie Cornell band through South • 1943 in Dallas for about six months, with band led by altoist Red Calhoun • 1943/December-April 1946 – U.S. Army; first big band experience in G.I. band led by Jack Teagarden, Jr.; arranged for G.I. band that toured with the show “Bedtime Stories” • 1946, formed own band in Oklahoma City • 1946, played in Des Moines with Harold and Seymour Gray for 7 months • 1948, recorded Swing, Not Spring, w/Billy Mitchell, Terry Pollard, piano/vibes; James Richardson? Alvin Jackson?, b; Elvin Jones, d. • 1950-53 formed group with tenor saxophonist Billy Mitchell, also
    [Show full text]
  • Arts, Crafts, Dance, Drama and Music) for Persons with Handicapping Conditions
    DOCUMENT RESUME ED 103 396 40 SP 009 003 TITLE Materials on Creative. Arts (Arts, Crafts, Dance, Drama and Music) for Persons with Handicapping Conditions. INSTITUTION American Alliance for Health, Physical Education, and Recreation, Washington, D.C. SPONS AGENCY Bureau of Education for the Handicapped (DHEW/OT), Washington, D.C. PUB DATE Jan 75 GRANT OEG-0-72-5454-233563 NOTE 102p. AVAILABLE FUOM American Alliance for Health, Physical Education, and Recreation, 1201 16th Street, N.V., Washington, D.C. 20036 ($2.75) EDRS PRICE MF-$0.76 HC-$5.70 PLUS POSTAGE DESCRIPTORS Art; *Creative Activities; Dance; Drama; *Handicapped Students; Music; *Resource Materials ABSTRACT This guide provides information about resources for use in the creative arts--art, crafts, dance, drama, and music programs--for individuals with various handicapping conditions. Listings are provided for printed references, audiovisual materials, resource persons actively involved in one or more areas of the creative arts, associations and organizations concerned with creative arts and/or specific handicapping conditions, and material and equipment suppliers. State-of-the-art statements regarding the creative arts in general and specific modalities are included. References to research studies and annotated descriptions of resource materials constitute a major part of the guide. Activity suggestions, organizational guidelines, and implications for programing in art, crafts, dance, drama, and/or music for persons with various handicapping conditions are provided. Seloacted information and materials developed for the general population and adapted for use with special populations are integrated into this guide. (Author/PB) BEST,cony,AVAILABLE V MATERIALS ON CREATIVE ARTS (Arts, Crafts, Dance, Drama and Music) FOR PERSONS WITH I.
    [Show full text]
  • Society for Ethnomusicology 59Th Annual Meeting, 2014 Abstracts
    Society for Ethnomusicology 59th Annual Meeting, 2014 Abstracts Young Tradition Bearers: The Transmission of Liturgical Chant at an then forms a prism through which to rethink the dialectics of the amateur in Eritrean Orthodox Tewahedo Church in Seattle music-making in general. If 'the amateur' is ambiguous and contested, I argue David Aarons, University of Washington that State sponsorship is also paradoxical. Does it indeed function here as a 'redemption of the mundane' (Biancorosso 2004), a societal-level positioning “My children know it better than me,” says a first generation immigrant at the gesture validating the musical tastes and moral unassailability of baby- Holy Trinity Eritrean Orthodox Church in Seattle. This statement reflects a boomer retirees? Or is support for amateur practice merely self-interested, phenomenon among Eritrean immigrants in Seattle, whereby second and fails to fully counteract other matrices of value-formation, thereby also generation youth are taught ancient liturgical melodies and texts that their limiting potentially empowering impacts in economies of musical and symbolic parents never learned in Eritrea due to socio-political unrest. The liturgy is capital? chanted entirely in Ge'ez, an ecclesiastical language and an ancient musical mode, one difficult to learn and perform, yet its proper rendering is pivotal to Emotion and Temporality in WWII Musical Commemorations in the integrity of the worship (Shelemay, Jeffery, Monson, 1993). Building on Kazakhstan Shelemay's (2009) study of Ethiopian immigrants in the U.S. and the Margarethe Adams, Stony Brook University transmission of liturgical chant, I focus on a Seattle Eritrean community whose traditions, though rooted in the Ethiopian Orthodox Church, are The social and felt experience of time informs the way we construct and affected by Eritrea's turbulent history with Ethiopia.
    [Show full text]
  • Neffa2018 Program-Reduced-File-Size.Pdf
    Seventy-Fourth Annual New England Folk Festival April 20 – 22, 2018 Mansfield High School & Mansfield Middle School Mansfield, Massachusetts Friday, April 20, one session Saturday, April 21, two sessions Sunday, April 22, one session 7:00 PM – 11:30 PM 10:00 AM – 5:30 PM 10:00 AM – 5:30 PM 4:00 PM – 11:30 PM Doors open one hour before each session. LETTER FROM THE PRESIDENT MUSIC DANCING CRAFTS SINGING FOOD JAMMING SPRING Dear Friends: The seventy-fourth annual New England Folk Festival has arrived!!! I am so excited to be able to enjoy this time with you. Dearer to me than ever is the chance to reunite with old and new friends. The lively music, the zesty dancing, the singing, the costumes and the crafts – these are things we cherish each year. They are also expressions of a deeper goal. At NEFFA we seek to fulfill NEFFA’s specific purpose, as outlined decades ago by the organization’s founders: “To preserve folk traditions in New England and elsewhere, and to encourage the development of a living folk culture.” Our simple aim for the upcoming Festival is to create a weekend filled with fun and joy. NEFFA is really just a large extended family, and we have lost someone who has had a large influence on not just how the program gets shaped but how we treat each other in the process. Linda Leslie was mentor and friend to many of us. We will hold a special tribute to our beloved Program Chair, Board member, and friend on Saturday at 8 PM in the High School gym.
    [Show full text]
  • Arts, Crafts, Dance, Drama, Music, Bibliotherapy
    OCROENT R 5UBE E0 159 857 EC 112 285 TITLE Materials on Creative Arts A Crafts,vance, Drama, Music, Bibliotherapy) for Persons Handicapping Conditions. RevisEd. INSTITUTION American Alliance for Health, Physical Education, and Recreation, Washington, E.C. Informaticn and Research Utilization Center. PUB DATE Mar- 77 NOTE 103p. AVAILABLE FROM American Al iance'for Health, Physical Education, and Recreation, 1201 Sixteenth street, N.H., Washington, D.C. 20036 ($4.00) EDRS PRICE ME -$O.83 Plus Postage. EC Not Availati- from EDRS. DESCRIPTORS *Annotated Bibliographies; Art Therapy; *Audiovisual Aids; Bibliotherapy; *Creative Activities; *Creative Art; Danc.4 Dance Therapy; Developmental Disabilities; Drama; Emotionally Disturbed; *Handicapped Children; Handicrafts; Learning Disabilities; Mentally flandiCafred; Music; MUSic Therapy; Periodicals; Physically Handicapped; *Resource Guides; Speech Handicapped ABSTRACT Intended as a resource guide for persons include such subjects as arts, craws, dance, and music in-ptcgrams for the handicapped, resources are listed for printed materials, audiovisual materials, resource persons and organizations, and material and equipment suppliers. Brief literature reviews sum up the state of the art in the specific art forms and research trends in using art with the handicapped. .Analysis of research shows emphasis on tiebasic rights of impaired, disabled and handicapped. individuals to participate in creative arts activities as their interests presuppose. them, and an end to the proliferation of prcgtam.aids
    [Show full text]
  • 50+ Recreation September 2017
    50+ Recreation September 2017 Our mission is to enrich the lives of our citizens. ISSUE 9 www.ColumbusRecParks.com 50+ Fall Walking Jamboree Walk with a Doc Friday, October 6 Take steps to a healthier you with Walk with a Doc. Smith Farms’ Barn Take an hour-long walk led by a Mount Carmel 3285 Watkins Rd., 43207 Health Physician. Walkers can come and walk for as little or as long as they like and enjoy good 8:30 am check-in; 9 am start company, a healthy snack and fun prizes. Join us for a fun walk around the farm and Three Creeks Park. We will use three trails ranging Walks are held inside during bad weather. from 1 to 4 miles. 2017 Walking Dates - 8:30 - 9:30 am Refreshments, line dancing, hayride and prizes. Marion Franklin & Far East & Woodward Park Dodge Sept 2, 16 Sept 9, 23 Oct 7, 21 Oct 14, 28 Nov 4 Nov 11 Golden Hobby Shop 630 S. Third St. in German Village Columbus, Ohio 43206 September 2017 Issue 9 Phone 614-645-8329 Shop Hours of Operation: Tuesday- Saturday COAAA Page 6 10 am – 5 pm Dance Information Page 2 Free parking Dodge Intergenerational Page 4 Gillie 50+ Center Page 5 Golden Hobby Gift Shop will be offering FREE Golden Hobby Shop Page 1 classes in September, October and November. Lazelle Woods Multigenerational Page 6 Saturday, September 9 11 am-1 pm Marion Franklin Multigenerational Page 7 Make ‘n Take session for adults and kids together Martin Janis 50+ Center Page 8 making Buckeye necklaces.
    [Show full text]
  • Eric Nemeyer's
    Eric Nemeyer’s WWW.JAZZINSIDEMAGAZINE.COM August-September 2018 JAZZ HISTORY FEATURE ArtArt Blakey,Blakey, PartPart 88 Interviews SteveSteve WilsonWilson Jazz Standard, September 6--9 RufusRufus ReidReid Jazz Standard, September 13--1616 Comprehensive DirectoryDirectory of NY ClubS, ConcertS MikeMike SternStern Spectacular Jazz Gifts - Go To www.JazzMusicDeals.com To Advertise CALL: 215-887-8880 December 2015 Jazz Inside Magazine www.JazzInsideMagazine.com 1 COVER-2-JI-15-12.pub Wednesday, December 09, 2015 15:43 page 1 MagentaYellowBlacCyank ORDER THIS 200+ Page Book + CD - Only $19.95 Call 215-887-8880 To Advertise CALL: 215-887-8880 August-September 2018 Jazz Inside Magazine www.JazzInsideMagazine.com 1 Eric Nemeyer’s Jazz Inside Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) August-September 2018 – Volume 9, Number 6 Cover Photo and photo at right of Mike Stern By Ken Weiss Publisher: Eric Nemeyer Editor: Wendi Li Marketing Director: Cheryl Powers Advertising Sales & Marketing: Eric Nemeyer Circulation: Susan Brodsky Photo Editor: Joe Patitucci Layout and Design: Gail Gentry Contributing Artists: Shelly Rhodes Contributing Photographers: Eric Nemeyer, Ken Weiss Contributing Writers: John Alexander, John R. Barrett, Curtis Daven- port; Alex Henderson; Joe Patitucci; Ken Weiss. ADVERTISING SALES 215-887-8880 Eric Nemeyer – [email protected] ADVERTISING in Jazz Inside™ Magazine (print and online) Jazz Inside™ Magazine provides its advertisers with a unique opportunity to reach a highly specialized and committed jazz readership. Call our Advertising Sales Depart- ment at 215-887-8880 for media kit, rates and information. SUBSCRIPTION INFORMATION SUBMITTING PRODUCTS FOR REVIEW Jazz Inside™ (published monthly). To order a subscription, call 215-887-8880 or visit Companies or individuals seeking reviews of their recordings, books, videos, software Jazz Inside on the Internet at www.jazzinsidemagazine.com.
    [Show full text]
  • Ners |N ’Pete Kelly's Blues (Tradraurk Re«L.Tered U.S
    oris Day eiiq Up Top R°ie luits Warners |n ’Pete Kelly's Blues (Tradraurk Re«l.tered U.S. Feral OIIir»l Primed by Joba Maher Frlallag Co- Chiras» w I Hollywood — Doris Day, after Vol. 22—No. 5 Chicago, March 9, 1955 Hollywood—Jack Webb was negotiating at deadline of Might years With Warner Brothers, [ha- been released from her con- Part One of Two Parts this issue to sign Ella Fitzgerald for the role of Maggie Kract at her own request. Jackson in the upcoming screen version of Pete Kelly’s P In 1947, after soloing on one of Blues, Richard Breen’s films- ILes Brown’s biggest records, Senti- adaptation of the radio serial of hmntal Journey, she left the band the same name Webb starred in Ko make a try as a single. She got some years ago. las far as a date in a small New Maggie Jackson was one of the lYork club and didn’t appear to be principal characters — a Kansas [going much further when she was City night club singer—in the radio New York — One of the [signed, at the suggestion of song- serial but the role will be expanded plagues of a jazz ptanist'« life [writers Sammy Cahn and Jule into one of more importance in the is the state of unharmony of [Styne, by producer-director Michael film. The locale and general out­ piano« Curtiz for the lead in Romance on lines of the story remain the same, club» and auditorium». Recently, ' the H igh Seas. with Webb in the role of the trum­ I She recently completed the lead pet player (the soundtrack to be in MGM’s Ruth Etting biofilm, recorded by Dick Cathcart).
    [Show full text]
  • Basie Basie Mp3, Flac, Wma
    Basie Basie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Basie Country: US Released: 1955 Style: Big Band, Swing MP3 version RAR size: 1138 mb FLAC version RAR size: 1148 mb WMA version RAR size: 1498 mb Rating: 4.2 Votes: 261 Other Formats: AAC ASF DTS MP4 AA VOX TTA Tracklist Hide Credits Blues Backstage A1 Written-By – Foster* Down For The Count A2 Written-By – Foster* Eventide A3 Written-By – Doggett* Ain't Misbehavin' (I'm Savin' My Love For You) A4 Written-By – Razaf*, Waller*, Brooks* Perdido B1 Written-By – Drake*, Lengsfelder*, Tizol* Ska-Di-Dle-Dee-Bee-Doo B2 Written-By – Hefti* Two Franks B3 Written-By – Hefti* Rails B4 Written-By – Harding*, Gillespie* Companies, etc. Record Company – Clef Records, Inc. Credits Alto Saxophone – Ernie Wilkins, Marshall Royal Arranged By – Buster Harding (tracks: A3 to B4), Ernie Wilkins, Frank Foster (tracks: A1, A2), Manny Albam (tracks: A1, A2), Neal Hefti Baritone Saxophone – Charlie Fowlkes Bass – Eddie Jones Clarinet – Marshall Royal Cover, Design [Cover Design] – David Stone Martin Drums – Gus Johnson Engineer – Muenster-Dummel* Liner Notes, Supervised By – Norman Granz Organ – Count Basie (tracks: B1, B4) Photography By [Photo By] – David B. Hecht Piano – Bill Hughes (tracks: B2), Count Basie (tracks: A1 to A4, B2, B3) Tenor Saxophone – Ernie Wilkins, Frank Foster, Frank Wess Trombone – Benny Powell, Bill Hughes (tracks: A1, A2, B1, B4), Henry Coker Trumpet – Joe Newman, Renauld Jones*, Thad Jones, Wendell Culley Notes On sleeve front: Muenster-Dummel Hi-Fi Recording. On labels: (Under the personal supervision of Norman Granz) Clef Records, Inc.
    [Show full text]
  • Batuko and Funana: Musical Traditions of Santiago, Republic of Cape Verde
    University of Texas Rio Grande Valley ScholarWorks @ UTRGV Music Dissertations and Theses College of Fine Arts 5-1997 Batuko and Funana: Musical Traditions of Santiago, Republic of Cape Verde Susan Hurley-Glowa The University of Texas Rio Grande Valley Follow this and additional works at: https://scholarworks.utrgv.edu/mus_etd Part of the Music Commons Recommended Citation Hurley-Glowa, Susan, "Batuko and Funana: Musical Traditions of Santiago, Republic of Cape Verde" (1997). Music Dissertations and Theses. 2. https://scholarworks.utrgv.edu/mus_etd/2 This Dissertation is brought to you for free and open access by the College of Fine Arts at ScholarWorks @ UTRGV. It has been accepted for inclusion in Music Dissertations and Theses by an authorized administrator of ScholarWorks @ UTRGV. For more information, please contact [email protected], [email protected]. Batuko and Funana: Musical Traditions of Santiago, Republic of Cape Verde Susan Margaret Hurley-Glowa B.M., SUNY at Potsdam, 1981 Hochschulabschlussprufung, Aufbaustudium (Graduate Performance Diploma,), Staatliche Hochschule fur Musik, Freiburg im Breisgau, Germany, 1984 M.M., University of Louisville, 1986 M.A., Brown University, 1991 Thesis Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Music (Program in Ethnomusicology) at Brown University May 1997 This dissertation by Susan Margaret Hurley-Glowa is accepted in its present form by the Department of Music, (Program in Ethnomusicology) as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date... Jeff Todd Titon Recommended to the Graduate Council Date Date . Marc Perlman Approved by the Graduate Council Date .....
    [Show full text]