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Eric Nemeyer’s WWW.JAZZINSIDEMAGAZINE.COM August-September 2018 JAZZ HISTORY FEATURE ArtArt Blakey,Blakey, PartPart 88 Interviews SteveSteve WilsonWilson Jazz Standard, September 6--9 RufusRufus ReidReid Jazz Standard, September 13--1616 Comprehensive DirectoryDirectory of NY ClubS, ConcertS MikeMike SternStern Spectacular Jazz Gifts - Go To www.JazzMusicDeals.com To Advertise CALL: 215-887-8880 December 2015 Jazz Inside Magazine www.JazzInsideMagazine.com 1 COVER-2-JI-15-12.pub Wednesday, December 09, 2015 15:43 page 1 MagentaYellowBlacCyank ORDER THIS 200+ Page Book + CD - Only $19.95 Call 215-887-8880 To Advertise CALL: 215-887-8880 August-September 2018 Jazz Inside Magazine www.JazzInsideMagazine.com 1 Eric Nemeyer’s Jazz Inside Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) August-September 2018 – Volume 9, Number 6 Cover Photo and photo at right of Mike Stern By Ken Weiss Publisher: Eric Nemeyer Editor: Wendi Li Marketing Director: Cheryl Powers Advertising Sales & Marketing: Eric Nemeyer Circulation: Susan Brodsky Photo Editor: Joe Patitucci Layout and Design: Gail Gentry Contributing Artists: Shelly Rhodes Contributing Photographers: Eric Nemeyer, Ken Weiss Contributing Writers: John Alexander, John R. 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CALL: 215-600-1850 www.SellMoreTicketsFast.com To Advertise CALL: 215-887-8880 August-September 2018 Jazz Inside Magazine www.JazzInsideMagazine.com 5 named Ray leVier who was burned in an accident as a kid. I’ve always been amazed that he can INTERVIEWINTERVIEW play, his fingers stop at the first knuckle. After my accident I was struggling with how to hold the pick and I had to have some tendon transfers just so I could do a pinch. Since then I’ve had a couple more surgeries in order to have an opposa- Mike Stern ble thumb. I asked Ray how he held his sticks and he said to try wig glue, which has helped. If you The Fall and Rise of Mike Stern want something bad enough, it’s amazing what you can do. As far as any benefits to my playing, By Ken Weiss 23rd Street. I was catching a cab to take a flight to that’s kind of a work in progress. I’m trying to go on the road that day. I looked at both sides of not think about what I have to do. When I heard Mike Stern (b. January 10, 1953, Boston, Massa- the street, like you normally would, and I tripped playbacks of the new recording I thought that it chusetts) has long been one of music’s finest gui- over the debris and broke both of my humerus sounded better than it felt because there’s some tarists. He’s received six Grammy-nominations bones. The right one was badly injured. I ended pain involved. I still have pain when I’m playing after early associations with Miles Davis, Billy up seeing a great hand specialist that [guitarist] but the adrenalin kicks in and the music is heal- Cobham, Blood, Sweat & Tears, and Jaco Pasto- Wayne Krantz recommended and a couple ing, it just gets your mind off shit if you can push rius. This interview took place on April 7, 2018 months later I was able to play with Chick Corea yourself into that zone. I probably need to have just prior to his performance at South Jazz Club at the Blue Note. my shoulder done next. in Philadelphia. Stern openly spoke of his recent devastating accident and details about his past. JI: So you feared your career was over? JI: The new recording’s titles read like a chrono- logical presentation of your accident and recovery Jazz Inside Magazine: You were Michael Sedg- MS: I was more than scared that I wasn’t going process. Did you set out to capture your journey wick at birth, how did you become Mike Stern? to play again, that I wouldn’t even be able to in that way? teach. I love to play the guitar, it just helps in so Mike Stern: I was adopted by my stepfather. I many ways – my whole vibe. It’s a real gift for MS: Not really, the tunes were already written. I kind of didn’t see my dad. I saw him for the first me to be able to play and be into music. was actually going to do something with Chick few years after my parents got divorced but he and then the accident happened. I titled them after had a different family at that point, and I think he JI: Is the photo on the cover of your CD the actu- I did the record. I named it Trip because that’s was in favor of not having to pay for two fami- al site where you fell? what happened and I didn’t want to try to hide lies. I met my half-sister, [actress] Kyra Sedg- from it. You have to just keep going when these wick about twenty years ago for the first time. MS: No. That’s a photo of another street taken by things happen to you in life. I wanted to embrace We have the same dad. She’s a totally great per- the wife of Will Lee, the bass player. I’m not a this and maybe give somebody else some inspira- son, unbelievable. She married Kevin Bacon and big fan of getting my picture taken so I was hap- tion, and I’ve had good feedback. so that makes him my half-brother-in-law. py to use her photo. They’re really down to earth. JI: Your song “Gone,” which appears on Trip, is JI: You’ve been forced to make alterations in touchingly sad and delicate. You’re known for JI: Trip (Heads Up) is your first release since your playing due to your injuries. Have any bene- laying down monster chops and playing hard, how is it to write and perform a work that leaves you so exposed? “I love to do it [practice] because music is MS: I’ve always been partial to ballads, I think so endless. I feel like I’m a beginner, we all it’s a natural thing for me in my heart.