Maestro Paul Freeman Discography
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The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Fri, Sep 18, 2020 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 40:01 Paine Symphony No. 1 in C minor, Ulster 11966 Naxos 8.559747 636943974728 Op. 23 Orchestra/Falletta 00:42:3102:34 Puccini Quando m'en vo' soletta per la Netrebko/Vienna 09185 Decca B001566 028947829478 via (Musetta's Waltz) from La Philharmonic/Noseda 1 boheme 00:46:0513:38 Liszt Hungarian Rhapsody No. 2 Thomas Labe 04785 Dorian 9025 053473025128 01:01:13 42:21 Delibes Sylvia: Act 1 Razumovsky 04166 Naxos 8.553338- 730099433822 Sinfonia/Mogrelia 9 01:44:3419:55 Delibes Sylvia: Act 2 Razumovsky 04166 Naxos 8.553338- 730099433822 Sinfonia/Mogrelia 9 02:05:59 29:02 Delibes Sylvia: Act 3 Razumovsky 04166 Naxos 8.553338- 730099433822 Sinfonia/Mogrelia 9 02:36:0103:10 Ponce Little Star (Estrellita) Perlman/Sanders 00116 EMI 49604 077774960427 02:40:1119:45 Beethoven Piano Sonata No. 28 in A, Op. Murray Perahia 05304 Sony 93043 827969304327 101 03:01:2619:16 Bizet L'Arlesienne Suite No. 2 Philharmonia 06499 EMI 62853 077776285320 Orchestra/Karajan 03:21:4205:03 Hoffstetter Serenade (Andante cantabile) Kodaly Quartet 11034 Naxos 8.558180 636943818022 03:27:45 31:38 Chausson Symphony in B flat, Op. 20 Boston 06919 BMG 60683 090266068326 Symphony/Munch 04:00:5316:47 Boccherini Symphony in D minor, Op. 12 Tafelmusik/Lamon 01856 DHM 7867 054727786723 No. 4 "House of the Devil" 04:18:40 09:21 Sibelius Finlandia, Op. 26 Berlin 00365 DG 413 755 28941375520 Philharmonic/Karajan 04:29:0129:56 Suk Pohadka, A Fairy Tale BBC Symphony/Hrusa 06384 BBC MM300 n/a 05:00:2706:17 Liszt Hungarian Rhapsody No. -
Partitur Del 1 EN
Joakim Sandgren Sinfonietta for Chamber orchestra Instruments and mutes Flute Oboe (cloth) B-flat clarinet, also Bass clarinet (cloth) Bassoon (cloth) F horn C trumpet (straight, cup, harmon) Trombone (straight, cup) 1 Percussionist * Piano Violin 1 (practice mute) Violin 2 (practice mute) Viola (mute) Cello (mute) Double bass Duration 13 minutes Score in C * Percussion and mallets 2 snare drums without snares (nails, rod sticks) Vibraphone (elastic, medium hard mallets) 1 large muted bass drum (small drumstick, gope mallets) 1 small muted bass drum (small drumstick, gope mallets) 1 large tam-tam** (heavy soft mallets) 1 small tam-tam** (heavy soft mallets) 4 wood drums (heavy soft mallets) ** the large and small tam-tam should lie on thick blanket covering a table Joakim Sandgren h = 80 Sinfonietta 1997 - 1999 A molto legato, vibrato e dolcissimo ∞ ` ~~~~~~~~~ 1 with a cloth ` ~~~~~~~~~ ∞ I b œ . 4 ˙ b œ b œ ` ~~~~~~~~~ 2 œ b œ œ ˙ œ Œ b œ œ ‰ b œ œ b œ ≈ Œ œ œ œ ˙ œ Ó Ob l & 2 l b ˙ l ˙ n œ l l l π F π π l F π % F cold, stiff, and non vibrato molto l straight mute half valve II ¶ norm. valve, d.t. 1) £ l 2 half valve Œ . Œ ‰ –j ≠ ‰ Œ Ó Œ – ≠ Trp & 2 # ≠ – – – æ # – – – l - - - l -˙ #_ œj - l - – l –j - l - l π> > > > > >- > > l poco l F poco π l l l l molto legato, vibrato e dolcissimo (valve) l l l ~~ l l (valve) l cup mute ` (valve) 2) £ ` £ £ ` ~~~~ l _œ _œ_ œ ~~~~~ l l b_ ˙ l _œ _œ l _œ _œ l I2 b œ œ b ˙ œ b œ b œ œ œ Trb l B 2 Œ l Ó l Ó l Œ l Œ Ó l π π π π l F l F l l % F l l molto across the drum, up to down (from rim to rim) l 2 snare dr. -
Communications Under the Seas: the Evolving Cable Network and Its
Communications under the Seas The Evolving Cable Network and Its Implications edited by Bernard Finn and Daqing Yang The MIT Press Cambridge, Massachusetts London, England © 2009 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. For information about special quantity discounts, please email special_sales@mitpress .mit.edu This book was set in Bembo by The MIT Press. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Communications under the seas : the evolving cable network and its implications / edited by Bernard Finn and Daqing Yang. p. cm. — (Dibner Institute studies in the history of science and technology) Includes bibliographical references and index. ISBN 978-0-262-01286-7 (hardcover : alk. paper) 1. Cables, Submarine—History. 2. Telecommunication—Social aspects—History. 3. Communication, International. I. Finn, Bernard S., 1932– II. Yang, Daqing, 1964– TK5103.15.C66 2009 621.387’8409162—dc22 2008042011 10 9 8 7 6 5 4 3 2 1 Index Admiralty (U.K.), 187 for voice communications, 37–38, 46, “Memorandum on the Protection of 51 British Submarine Cables,” 194 vacuum tube amplifiers, 30, 37, 46, 247 Ahvenainen, Jorma, 119 Anglo-American Telegraph Company, 29t, Alcatel, 175, 280 66, 71, 82–83, 162–163, 166 Alexander, grand duke of Russia, 124, 126 anti-trust legislation, 199 Algeria, 185 Associated Press, 169, 266 All America Cables, 33, 35, 84, 280 Atlantic Telegraph Company, 18, 66, 167 All-American Telegraph Companies, 89 AT&T. -
College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark D
James Madison University JMU Scholarly Commons Dissertations The Graduate School Summer 2017 College orchestra director programming decisions regarding classical twentieth-century music Mark D. Taylor James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Arts and Humanities Commons Recommended Citation Taylor, Mark D., "College orchestra director programming decisions regarding classical twentieth-century music" (2017). Dissertations. 132. https://commons.lib.jmu.edu/diss201019/132 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark David Taylor A Doctor of Musical Arts Document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music August 2017 FACULTY COMMITTEE Committee Chair: Dr. Eric Guinivan Committee Members/ Readers: Dr. Mary Jean Speare Mr. Foster Beyers Acknowledgments Dr. Robert McCashin, former Director of Orchestras and Professor of Orchestral Conducting at James Madison University (JMU) as well as a co-founder of College Orchestra Directors Association (CODA), served as an important sounding-board as the study emerged. Dr. McCashin was particularly helpful in pointing out the challenges of undertaking such a study. I would have been delighted to have Dr. McCashin serve as the chair of my doctoral committee, but he retired from JMU before my study was completed. -
Monday Playlist
February 10, 2020: (Full-page version) Close Window “I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.” — WA Mozart Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Awake! 00:01 Buy Now! Elgar The Spanish Lady Suite Guildhall String Ensemble/Salter RCA 7761 07863577612 00:14 Buy Now! Goldmark Sakuntala (Concert Overture), Op. 13 Budapest Philharmonic/Korodi Hungaroton 12552 N/A Trio in B flat for Clarinet, Horn & Piano, 00:32 Buy Now! Reinecke Campbell/Sommerville/Sharon EMI 81309 774718130921 Op. 274 Watkinson/City of London 01:00 Buy Now! Vivaldi Violin Concerto in A minor, Op. 4 No. 4 Naxos 8.553323 730099432320 Sinfonia/Kraemer 01:09 Buy Now! Grieg Holberg Suite, Op. 40 English Chamber Orchestra/Leppard Philips 438 380 02894388023 K. & M. Labeque/Philharmonia 01:31 Buy Now! Bruch Concerto for Two Pianos, Op. 88a Philips 432 095 028943209526 Orchestra/Bychkov Nicolet/Netherlands Chamber 02:01 Buy Now! Bach, C.P.E. Flute Concerto in A minor Philips 442 592 028944259223 Orchestra/Zinman Academy of St. Martin-in-the- 02:26 Buy Now! Mozart Symphony No. 21 in A, K. 134 Philips 422 610 028942250222 Fields/Marriner 02:47 Buy Now! Handel Trio Sonata in F, Op. 2 No. 4 Heinz Holliger Wind Ensemble Denon 7026 N/A 03:01 Buy Now! Wagner Liebestod ~ Tristan und Isolde Price/Philharmonia/Lewis RCA Victor 23041 743212304121 03:09 Buy Now! Janacek Pohadka (Fairy Tale) Alisa and Vivian Weilerstein EMI Classics 73498 724357349826 03:22 Buy Now! Dvorak Symphony No. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
Korngold, Erich Wolgang
Erich Wolgang Korngold (1897-1957) Violin Concerto A clear understanding of Erich Korngold comes magically into focus when one acknowledges the profound similarities with Gustav Mahler. This prolific prodigy, composer, arranger, and conductor, like Mahler before him, did it all. Korngold was born in Brno, in modern day Czechoslovakia - a German influenced city of the Austro-Hapsburg empire, much like near by Iglau had been for Mahler. Both of them were born into Jewish families, struggling with their familial roots and the confusing national identity of the region. The two are inextricably linked to this formative soil, and in the very rich artistic environment of 1875-1925. Though not exact contemporaries they did meet, a young Erich was introduced by his father to Gustav in 1906 – the latter at his zenith within Viennese music circles and the former being heralded as the next genius. The adopted Viennese pedigree of both composers permeates their world view and their music, but Korngold’s acceptance in Vienna was much less complicated than Mahler’s. Dr. Julius Korngold, Erich’s father had stepped into the shoes of the fabled Edouard Hanslick, the great critic of the Neue Freie Press ( New Free Press). The ins and outs of Viennese musical circles were not a closed door at all – as they had been for Mahler. After being duly impressed with the young boy, Mahler suggested that Alexander von Zemlinsky be Korngold’s teacher, which though there were other influences, remained the only official teacher/pupil relationship, and it didn’t last very long. Julius, in his connected position was also able to privately publish three very early works in 1909 - with Erich at the ripe old age of 12. -
Issue 26 May 2006 Submarine Telecoms Forum Is Published Bi-Monthly by WFN Strategies, L.L.C
Regional Systems Issue 26 May 2006 Submarine Telecoms Forum is published bi-monthly by WFN Strategies, L.L.C. The publication may not be reproduced or transmitted in any form, in whole or in part, without the ExordiumWelcome to the May 2006, 26th issue of Submarine Telecoms Forum, our Regional permission of the publishers. Systems edition. Submarine Telecoms Forum is an independent com- mercial publication, serving as a freely accessible forum for My original Scuba diving certification was accomplished some 30 plus years ago, and professionals in industries connected with submarine optical it wasn’t until recently that I decided to upgrade it to the next level. Not that I had any fibre technologies and techniques. extra time to burn; but it just seemed like the right time to “confirm” the skills I had been Liability: while every care is taken in preparation of this using for all those years. Anybody can dive the tropics, but only the fanatical few dive a publication, the publishers cannot be held responsible for the frigid Virginia quarry in April. accuracy of the information herein, or any errors which may occur in advertising or editorial content, or any consequence We have, once again, some excellent articles for you, the fanatical few of the telecoms arising from any errors or omissions. industry. The publisher cannot be held responsible for any views Alan Robinson discusses SubOptic 2007, as well as the future of Apollo and Gemini expressed by contributors, and the editor reserves the right cable systems. Georges Krebs gives his view of the evolving submarine cable market, to edit any advertising or editorial material submitted for publication. -
CONNECTED APART Winter 2021
CONNECTED APART Winter 2021 1 COMPOSE YOUR FUTURE qhere World-class faculty. State-of-the-art facilities you have to see (and hear) to believe. Endless performance and academic possibilities. All within an affordable public university setting ranked the number five college town in America.* Come see for yourself how the University of Iowa School of Music composes futures...one musician at a time. To apply, or for more information, visit music.uiowa.edu. *American Institute for Economic Research, 2017 MUSIC.UIOWA.EDU WINTER 2021 VIRTUAL PERFORMANCES The past year has been difficult for everyone, and we know that for many families, incomes have been reduced or become more unpredictable. To ensure that every CYSO family—no matter their CYSO is investing in the future of music and the financial situation—can enjoy our virtual performances, we've next generation of leaders. We provide music replaced our normal ticketing with a pay-what-you-can donation. education to nearly 800 young musicians ages 6-18 through full and string orchestras, jazz, CYSO virtual winter performances will debut on Saturday, steelpan, chamber music, masterclasses, music March 27, 2021 at 7:00 pm CST. For those who are able, the suggested donation is $40 (the equivalent of $10 per tick- composition and in-school programs. Students et for a family of four) to access all winter performance videos. learn from some of Chicago’s most respected Visit cyso.org/concerts to purchase your tickets. If you cannot professional musicians, perform in the world’s afford a ticket donation at this time, simply fill out the form with a great concert halls, and gain skills necessary for $0 amount to receive the performance link at no charge. -
Homer's Odyssey and the Image of Penelope in Renaissance Art Giancarlo FIORENZA
223 Homer's Odyssey and the Image of Penelope in Renaissance Art Giancarlo FIORENZA The epic heroine Penelope captured the Renaissance literary and artistic imagination, beginning with Petrarch and the recovery of Homer's poetry through its translation into Latin. Only a very small number of humanists in the 14'h century were able to read Homer in the Greek original, and Petrarch's friend Leontius Pilatus produced for him long-awaited Latin translations of the Iliad 1 and Odyssey in the 1360s • Profoundly moved by his ability to finally compre hend the two epics (albeit in translation), Petrarch composed a remarkable letter addressed to Homer in which he compares himself to Penelope: "Your Penelope cannot have waited longer nor with more eager expectation for her Ulysses than I did for you. At last, though, my hope was fading gradually away. Except for a few of the opening lines of certain books, from which there seemed to flash upon me the face of a friend whom I had been longing to behold, a momen tary glimpse, dim through the distance, or, rather, the sight of his streaming hair, as he vanished from my view- except for this no hint of a Latin Homer had come to me, and I had no hope of being able ever to see you face to face"'. The themes of anticipation and fulfillment, and longing and return that are associated with the figure of Penelope coincide with the rediscovery of ancient texts. To encounter Homer for the first time in a language with which one was 3 familiar was as much a personal as a literary experience • As Nancy Struever observes, Petrarch's Le Familiari, a collection of letters addressed to contemporary friends and ancient authors, values friendship and intimate exchange because 4 it leads to knowledge and affective reward • Books on their own (Le Familiari, XII, 6) constituted surrogate friends with whom Petrarch could correspond, con verse, exchange ideas, and share his affections. -
Innovative String Program Expands to Five Nashua Schools!
Innovative String Program Expands to Five Nashua Schools! By Carol Marine Have you heard of, or heard, the Sinfonietta Strings of Greater Nashua? If not you are in for a treat. Sinfonietta Strings is an innovative musical program in partnership with the United Way of Greater Nashua and the Nashua School District. Entering its fifth season, the Sinfonietta Strings offers students from all economic and cultural backgrounds an opportunity to learn to play a string instrument. Because of its continued success, this year the Sinfonietta has expanded to five elementary schools and added cello lessons and a third advanced ensemble. Sinfonietta Strings is a comprehensive string program offered to students in grades three and up. Currently 120 students are enrolled in Sinfonietta Strings. Sinfonietta members have the opportunity to collaborate with other players through weekly group lessons, concert preparation and a summer camp. Developed by Nashua’s own Nancy Goodwin, Sinfonietta Strings is not your run of the mill, check the box music lesson. In addition to becoming proficient in a string instrument, students experience an emotional and creative outlet as they develop an ear, learn the language of music and the art of collaboration in making music. A day in the musical life of a Sinfonietta Strings member may include a lesson with a professional violinist, violist and now a cellist. These two young cellists, Allison Frye and Logan Lovett, are learning proper cello posture at their first lesson this fall. Each week students gather for small group lessons which include individual instruction as well as the more complex but fun ensemble playing. -
A Conductor's Analysis of Amaral Vieira's Stabat Mater, Op.240: an Approach Between Music and Rhetoric Vladimir A
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 A conductor's analysis of Amaral Vieira's Stabat Mater, op.240: an approach between music and rhetoric Vladimir A. Pereira Silva Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Pereira Silva, Vladimir A., "A conductor's analysis of Amaral Vieira's Stabat Mater, op.240: an approach between music and rhetoric" (2005). LSU Doctoral Dissertations. 3618. https://digitalcommons.lsu.edu/gradschool_dissertations/3618 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A CONDUCTOR’S ANALYSIS OF AMARAL VIEIRA’S STABAT MATER, OP. 240: AN APPROACH BETWEEN MUSIC AND RHETORIC A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Vladimir A. Pereira Silva B.M.E., Universidade Federal da Paraíba, 1992 M. Mus., Universidade Federal da Bahia, 1999 May, 2005 © Copyright 2005 Vladimir A. Pereira Silva All rights reserved ii In principio erat Verbum et Verbum erat apud Deum et Deus erat Verbum. Evangelium Secundum Iohannem, Caput 1:1 iii ACKNOWLEDGMENTS This dissertation would have not been possible without the support of many people and institutions throughout the last several years, and I would like to thank them all for a great graduate school experience.