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The Forgotten Female Figurines of Elephantine
Journal of Journal of Ancient near Ancient Near Eastern Eastern Religions 18 (2018) 111–132 Religions brill.com/jane The Forgotten Female Figurines of Elephantine Collin Cornell* Sewanee: The University of the South [email protected] Abstract In spite of renewed scholarly interest in the religion of Judeans living on the island of Elephantine during the Persian period, only one recent study has addressed the religious significance of the fired clay female figurines discovered there. The present article seeks to place these objects back on the research agenda. After summarizing the history of research, it also makes a new appraisal of the role of these objects in the religious life of Elephantine Judeans. Two factors prompt this reevaluation: first, newly found examples of the same figurine types; and second, Bob Becking’s recent research on Elephantine Aramaic texts attesting the phenomenon of “lending deities.” Keywords early Judaism – goddesses – Elephantine – Persian Period – Old Testament – Bob Becking The interest of Elephantine to the study of early Judaism is patent. In the fifth century BCE, during the same era that Ezra the Scribe reportedly read “the book of the law of Moses” to the Judean community in Jerusalem (Neh 8), another Judean community was living on an island at the southernmost border * My thanks to the Tam Institute of Jewish Studies at Emory University for awarding me the Schatten Student Grant, which enabled me to examine the Elephantine shrine plaque in person at the Egyptian Museum of Berlin (Ägyptisches Museum und Papyrussammlung Staatliche Museen zu Berlin-Preußischer Kulturbesitz) in summer 2017. Thanks also to Josefine Kuckertz for her correspondence and for notifying me that the Berlin Museum might possess the shrine plaque; to Olivia Zorn and Frank Marohn for their generous museological help; and to Elizabeth Waraksa, Tamara Cohn Eskenazi, Ryan Thomas, Gard Granerød, and Bob Becking for providing insightful feedback on various drafts of the present article. -
Some Weapons of the Gods in Ancient Egypt Until the End of the New Kingdom
Journal of the Faculty of Tourism and Hotels-University of Sadat City Vol. 1, Issue 1, June, 2017 Some Weapons of the Gods in Ancient Egypt until the End of the New Kingdom Dr. Iman Muhammad Ahmad El-Mahdy Associated Professor at the Faculty of Tourism and Hotels, Tourism Guidance department - University of Sadat City Abstract This paper studies the appearance and role of some weapons which associated with the gods in ancient Egypt and shows its aspects and its scenes. The paper concluded that the physical weapons which appeared with the gods were used in the battles and conflicts from ancient times so most of the gods who used these weapons were represented in human form or in animal form with human hands holding the weapons. In addition to the physical weapons there were incorporeal weapons such as the magic. The hands and the wings were used also for protection. Keywords: Weapons, Gods, Ancient Egypt, New Kingdom. Introduction From most ancient times the Weapons were used in Egypt such as the spears, the battleaxe and the maces for the defense of the land as the scenes showed on the most ancient archaeological artifacts such as palettes, knives and maces but the ancient Egyptians sought the power and the support from their gods who supported and accompanied them with their weapons as it was appeared on the top of the lion and enemies palette where the standards of the gods with human hands leads the prisoners. (fig. 1). The study focuses on the association between some gods and some weapons such as knife, staves, bows, arrows, etc., and searches for this phenomenon in an attempt to understand and explain the motivation for using the weapons by the gods. -
Nile War Gods
NILE WAR GODS SampleChris Handforth file CREDITS SPECIAL THANKS TO Author: Chris Handforth Mom and Dad, for fostering and enduring my love Editor: Chris Handforth of mythology. Artists: Chris Handforth, publicdomainvectors.org, Meghan and Neall, for introducing me to Scion. Pixabay.com, Scion Art Packs Alex. Team Scion will miss you. Rest in Peace. © 2019 Onyx Path Publishing. All rights reserved. References to other copyrighted material in no way constitute a challenge to the respective copyright holders of that material. “Scion” and all characters, names, places, and text herein are copyrighted by Onyx Path Publishing. This product was created under license. STORYPATH SYSTEM, STORYPATH NEXUS COMMUNITY CONTENT PROGRAM, and all related game line terms and logos are trademarks of Onyx Path Publishing. All setting material, art, and trade dress are the property of Onyx Path Publishing. www.theonyxpath.com SampleThis work contains material that is copyright Onyx Path Publishing. file Such material is used with permission under the Community Content Agreement for Storypath Nexus Community Content Program. All other original material in this work is copyright 2019 by Christopher Handforth and published under the Community Content Agreement for Storypath Nexus Community Content Program. 3 NILE WAR GODS at least one tucked into their high-quality garments. While Anhur is a flurry of violence and action in a fight, he is -pa NILE WAR GODS tient and calculating before battles begin. He insists Gods elcome to the Storypath Nexus! This supplement and mortals respect him in all matters; his temper is short Wexamines three additional Gods from the Netjer when he feels unappreciated. -
Hathor – a Sky Deity Symbolic of the Sun Who Is the Feminine
Hathor – a sky deity symbolic of Hathor – a sky deity symbolic of Neper – an Earth deity associated the sun who is the feminine the sun who is the feminine with, farming, grain and harvest. representation of dance, joy, love representation of dance, joy, love His importance scientifically is and maternal care. and maternal care. knowing when to plant and sow. Neper – an Earth deity associated Anubis – a deity representing Anubis – a deity representing with, farming, grain and harvest. mummification and tombs. His mummification and tombs. His His importance scientifically is darkened face was a symbol of darkened face was a symbol of knowing when to plant and sow. the Nile’s eroding banks. the Nile’s eroding banks. Horus – a sky deity whose eyes Horus – a sky deity whose eyes Nut – a sky deity who was a represent the Sun and Moon. The represent the Sun and Moon. The representation of the stars, universe movement of the sun and moon movement of the sun and moon and astronomy. The movement of were thought to be Horus flying were thought to be Horus flying the stars was very important to through the sky. through the sky. ancient cultures. Nut – a sky deity who was a Osiris – a deity of life, agriculture Osiris – a deity of life, agriculture representation of the stars, universe and vegetation. He is a symbol of the and vegetation. He is a symbol of the and astronomy. The movement of observable cycles of nature and was observable cycles of nature and was the stars was very important to particularly important to the annual particularly important to the annual ancient cultures. -
The Gazelle in Ancient Egyptian Art Image and Meaning
Uppsala Studies in Egyptology - 6 - Department of Archaeology and Ancient History Uppsala University For my parents Dorrit and Hindrik Åsa Strandberg The Gazelle in Ancient Egyptian Art Image and Meaning Uppsala 2009 Dissertation presented at Uppsala University to be publicly examined in the Auditorium Minus of the Museum Gustavianum, Uppsala, Friday, October 2, 2009 at 09:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Abstract Strandberg, Åsa. 2009. The Gazelle in Ancient Egyptian Art. Image and Meaning. Uppsala Studies in Egyptology 6. 262 pages, 83 figures. Published by the Department of Archaeology and Ancient History, Uppsala University. xviii +262 pp. ISSN 1650-9838, ISBN 978-91-506-2091-7. This thesis establishes the basic images of the gazelle in ancient Egyptian art and their meaning. A chronological overview of the categories of material featuring gazelle images is presented as a background to an interpretation. An introduction and review of the characteristics of the gazelle in the wild are presented in Chapters 1-2. The images of gazelle in the Predynastic material are reviewed in Chapter 3, identifying the desert hunt as the main setting for gazelle imagery. Chapter 4 reviews the images of the gazelle in the desert hunt scenes from tombs and temples. The majority of the motifs characteristic for the gazelle are found in this context. Chapter 5 gives a typological analysis of the images of the gazelle from offering processions scenes. In this material the image of the nursing gazelle is given particular importance. Similar images are also found on objects, where symbolic connotations can be discerned (Chapter 6). -
Ancient Records of Egypt, Volume
class93% BO~~BVR Library of ~delbertCollege V.3 of Western Rerane Unlvsrsity, Olsvoiand. 0. ANCIENT RECORDS OF EGYPT ANCIENT RECORDS UNDER THE GENERAL EDITORSHIP OF WILLIAM RAINEY HARPER ANCIENT RECORDS OF ASSYRIA AND BABYLONIA EDITED BY ROBERT FRANCIS HARPER ANCIENT RECORDS OF EGYPT EDITED BY JAMES HENRY. BREARTED ANCIENT RECORDS OF PALESTINE, PH(EN1CIA AND SYRIA EDITED BY WILLIAM RAINEX HARPEB ANCIENT RECORDS OF EGYPT HISTORICAL DOCUMENTS FROM THE EARLIEST TIMES TO THE PERSIAN CONQUEST. COLLECTED EDITED AND TRANSLATED WITH COMMENTARY JAMES HENRY BREASTED, PH.D. PROFESSOR OF EGYPTOLOGY AND ORIENTAL HISTORY IN TIIE UNIVBEWTY OF CHICAGO VOLUME I11 WHE NINETEENTH DYNASTY CHICAGO THE UNIVERSITY OF CHICAGO PRESS 1906 LONDON: LUZAC & CO. LEIPZIGI : OTTO HABRASSOWITZ Published May 1906 QLC.%, Composed and Printed By The University of Chicago Press Chicago. Illinois. U. S. A. TABLE OF CONTENTS VOLUME I THEDOCUMENTARY SOURCES OF EGYPTIANHISTORY . CHRONOLOGY........... CHRONOLOGICALTABLE ........ THEPALERMO STONE: THE FIRST TO THE FIFTH DYNASTIES I. Predynastic Kings ........ I1. First Dynasty ......... 111. Second Dynasty ........ IV. Third Dynasty ......... V . Fourth Dynasty ........ VI . Fifth Dynasty ......... THETHIRD DYNASTY ........ Reign of Snefru ...s . b ;- .... Sinai Inscriptions ......... Biography of Methen ........ THE FOURTHDYNASTY ........ Reign of Khufu ......... Sinai Inscriptions ......... Inventory Stela ......... Examples of Dedication Inscriptions by Sons . Reign of Khafre ......... Stela of Mertitydtes ........ Will of Prince Nekure. Son of King Khafre ... Testamentary Enactment of an Unknown Official. Establishing the Endowment of His Tomb by the Pyramid of Khafre ........ Reign of Menkure ......... Debhen's Inscription. Recounting King Menkure's Erec- tion of a Tomb for Him ....... TEE RFTHDYNASTY ......... Reign of Userkaf ......... v vi TABLE OF CONTENTS Testamentary Enactment of Nekonekh .... I. -
Ten Egyptian Plagues for Ten Egyptian Gods and Goddesses the God of Israel Is Greater Than All Other Egyptian Gods and Goddesses
- Ten Egyptian Plagues For Ten Egyptian Gods and Goddesses The God of Israel is greater than all other Egyptian Gods and Goddesses. Moses was a great prophet, called by God with a very important job to do. As an instrument in the Lord's hand he performed many signs, or "wonders", attempting to convince Pharaoh to allow the Israelites freedom from their bondage of slavery to the Egyptians. These "wonders" are more commonly referred to as "plagues" sent from the God of Israel, as a proof that the "one true God" was far greater than all of the multiple Gods of the Egyptians. These Egyptian Plagues were harsh and varied to correspond to the ancient egyptian gods and goddesses that were prevelant during Moses time in Egypt. The number ten is a significant number in biblical numerology. It represents a fullness of quantity. Ten Egyptian Plagues Means Completely Plagued. Just as the "Ten Commandments" become symbolic of the fullness of the moral law of God, the ten ancient plagues of Egypt represent the fullness of God's expression of justice and judgments, upon those who refuse to repent. Ten times God, through Moses, allows Pharaoh to change his mind, repent, and turn to the one true God, each time increasing the severity of the consequence of the plagues suffered for disobedience to His request. Ten times Pharaoh, because of pride, refuses to be taught by the Lord, and receives "judgments" through the plagues, pronounced upon his head from Moses, the deliverer. The Ten Egyptian Plagues testify of Jesus the Anointed One and His power to save. -
Glossary.Pdf
GLOSSARY [ ] – encloses material which does not exist today either on the wall or in earlier modern copies, but which is believed to have been present originally. Lacunae in the texts are indicated with […] in the translations. ( ) – encloses words not written in the original text, but understood to have been present (as with the frequently unwritten suffix pronoun =i) or added as necessary in translation. < > – encloses material believed to have been mistakenly omitted by the ancient scribe. adj. – adjective m. sing. def. art. – masculine singular adj.vb. – adjective-verb definite article adv. – adverb n. – noun adv. phrase – adverbial phrase n.n. – not numbered auxil. vb. – auxiliary verb neg. – negation conj. – conjunction non-enclitic part. – non-enclitic particle demonstr. pron. – demonstrative pronoun part. – particle div. – divinity perf. active part. – perfect active participle encl. part. – enclitic participle perf. passive part. – perfect passive f. – feminine participle imper. – imperfective 1st pers. sing. indep. pron. – 1st person imperf. active part. – imperfective active singular independent pronoun participle 1st pers. dep. pron. – 1st person dependent imperf. passive part. – imperfective pronoun passive participle 1st pers. suffix pron. – 1st person suffix inf. – infinitive pronoun interrog. part. – interrogative particle prep. – preposition loc. – locality pl. – plural m. – masculine var. – variant vb. – verb References are usually to the plate followed by a colon, then the line- or column number: e.g., 77:1 corresponds to plate 77, text column 1. Offering lists are numbered first vertically (by a number) then by the horizontal register (A, B, etc., from top to bottom): e.g., (pl.), 226:1A. If the entry states “see under di.n=(i) n=k,” the word refered to is the first element of the formula, all words after it will have separate entries, this refers to titles as well. -
WORD BANK EGYPTIAN GODS and GODDESSES Word Bank - Egyptian Gods and Goddesses Egyptian Mummies: Exploring Ancient Lives
wq WORD BANK EGYPTIAN GODS AND GODDESSES Word Bank - Egyptian Gods and Goddesses Egyptian Mummies: Exploring Ancient Lives This word bank could be used in multiple ways: 1. Challenge learners to create a family tree. E.g. http://www.veritablehokum.com/comic/ the-egyptian-god-family-tree/ 2. Have a list of Egyptian Gods hanging around the room. For special or important Gods, learners create posters that depict the god. 3. Share the story of Egyptian Creation: https://en.wikipedia.org/wiki/Ancient_Egyptian_ creation_myths Temporary link. Name God of … Appearance Notes Ammit A demon Head of a crocodile, the torso of a leopard, and the hindquarters of a hippopotamus Amun King of the gods, God of the A man with the head of a Combined with sun god Ra Wind ram to become more powerful Amunet One of the creation A woman wearing the red Wife of Amun goddesses crown of Egypt Anhur Sky god and God of war. His A bearded man wearing a Husband of Mehit name meant "sky-bearer" robe and a headdress Anput Goddess of funerals and A woman with some jackal Mother of Kebechet mummification related clothing or head Wife of Anubis Anubis God of dead, embalming, A Jackal-headed god Son of Osiris and Nephthys, funerals, and mourning helps Osiris ceremonies Anuket Goddess of the river Nile A woman with a headdress Daughter of Ra of either reed or ostrich feathers Apis This is a rare case of an A live bull worshipped as a Son of Hathor. animal being worshiped as a god at Memphis god while alive, then mummified when he died. -
The Forgotten Female Figurines of Elephantine
Journal of Journal of Ancient near Ancient Near Eastern Eastern Religions 18 (2018) 111–132 Religions brill.com/jane The Forgotten Female Figurines of Elephantine Collin Cornell* Sewanee: The University of the South [email protected] Abstract In spite of renewed scholarly interest in the religion of Judeans living on the island of Elephantine during the Persian period, only one recent study has addressed the religious significance of the fired clay female figurines discovered there. The present article seeks to place these objects back on the research agenda. After summarizing the history of research, it also makes a new appraisal of the role of these objects in the religious life of Elephantine Judeans. Two factors prompt this reevaluation: first, newly found examples of the same figurine types; and second, Bob Becking’s recent research on Elephantine Aramaic texts attesting the phenomenon of “lending deities.” Keywords early Judaism – goddesses – Elephantine – Persian Period – Old Testament – Bob Becking The interest of Elephantine to the study of early Judaism is patent. In the fifth century BCE, during the same era that Ezra the Scribe reportedly read “the book of the law of Moses” to the Judean community in Jerusalem (Neh 8), another Judean community was living on an island at the southernmost border * My thanks to the Tam Institute of Jewish Studies at Emory University for awarding me the Schatten Student Grant, which enabled me to examine the Elephantine shrine plaque in person at the Egyptian Museum of Berlin (Ägyptisches Museum und Papyrussammlung Staatliche Museen zu Berlin-Preußischer Kulturbesitz) in summer 2017. Thanks also to Josefine Kuckertz for her correspondence and for notifying me that the Berlin Museum might possess the shrine plaque; to Olivia Zorn and Frank Marohn for their generous museological help; and to Elizabeth Waraksa, Tamara Cohn Eskenazi, Ryan Thomas, Gard Granerød, and Bob Becking for providing insightful feedback on various drafts of the present article. -
Egyptian Religion Syll10
Anthro 176TS Ancient Egyptian Religion Fall 2010 What’s up with this dog headed guy? And what is he doing with that Mummy? How and why did the Egyptians make Mummies anyhow? And what about those Pyramids? How could they possibly have built them and why would they want to? Discover the answers to these questions and explore the mysterious realm of ancient Egyptian Religion, with its massive temples, multitude of gods and goddesses and fascinating funeral rites. Perform actual Egyptian temple and funeral rituals, and a 2500 year old play “The Triumph of Horus”! This course will investigate ancient Egyptian religious beliefs and practices, their origin, and development. The great mythic Solar Cycle of creation and Osirian Cycle of betrayal and revenge, death and rebirth are discussed, as well as the place of the myriad local and minor Gods and Goddesses within Egyptian mythology. The dynamics behind the monotheistic “Revolution” of Pharaoh Akhenaton are investigated, and the connections of Atenism with Moses, Israelite Monotheism and the Bible explored. The interaction of sacred and secular in Egyptian society is considered through the nature of divine kingship, large temple institutions, and funerary foundations. The relationship between the state cults and private worship by noble and commoner is explored, and the nature and potency of ancient Egyptian magic and curses investigated. The nature and development of Egyptian funerary beliefs are also detailed, including the history and significance of pyramids and tombs, mummification, and the process of ‘democratization’ of the afterlife, as individuals gradually took hold of their own destinies after death at the expense of the Pharaohs. -
On the Orientation of Ancient Egyptian Temples: (5) Testing the Theory in Middle Egypt and Sudan
JHA, xli (2010) ON THE ORIENTATION OF ANCIENT EGYPTIAN TEMPLES: (5) TESTING THE THEORY IN MIDDLE EGYPT AND SUDAN JUAN ANTONIO BELMONTE, Instituto de Astrofísica de Canarias, MAGDI FEKRI, Minufiya University, YASSER A. ABDEL-HADI and MOSALAM SHALTOUT, National Research Institute of Astronomy and Geophysics, Egypt, and A. CESAR GONZÁLEZ GARCÍA, Universidad Autónoma de Madrid In a series of papers published in this journal in recent years, some of the authors, members of the Egyptian-Spanish Mission for the Archaeoastronomy of Ancient Egypt, have made a number of interesting discoveries relating to the way in which the ancient Egyptians might have orientated their sacred buildings.1 In Paper 4, the last of the papers and an overview, a simple theory was postulated,2 according to which a series of facts were established that clearly connect temple orientation to the local landscape, landscape being understood to include both the earth and the sky. Hence simple astronomical patterns or families were basically defined in relation to the stations of the sun (solstitial, equinoctial or seasonal, notably New Year’s Eve or Wepet Renpet),3 the brightest stars of the Egyptian skies (notably Sirius, ancient Egyptian Sopdet) and the cardinal directions. On several occasions, these patterns were in agreement with local topographic landmarks such as the course of the Nile. We considered our sample of 330 alignments to be statistically representative beyond doubt, and we were convinced that new data would serve only to reinforce (or slightly modify) our results. The moment has now arrived to attempt to falsify this statement. Two experiments have been selected with this purpose.