Annual Report 年報 2009 Annual Report 2009 年報
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Vol. 22, No. 2 February 2018 You Can’T Buy It
ABSOLUTELY FREE Vol. 22, No. 2 February 2018 You Can’t Buy It Artwork is by Betsy Jones McDonald which is part of the exhibit, Everchanging Tides, on view at the Charleston Artist Guild Gallery in Charleston, SC, from February 1 - 28, 2018. See the article on page 6. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Charleston Artist Guild Gallery - Betsy Jones McDonald Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - Nance Lee Sneddon Page 4 - Editorial Commentary Page 5 - The Wells Gallery at the Sanctuary, Fabulon Art & Halsey-McCallum Studios Page 5 - City Gallery at Waterfront Park Page 6 - Charleston Artist Guild, City of North Charleston & Robert Lange Studios Page 6 - Karen Burnette Garner & Whimsy Joy by Roz Page 8 - Ella Walton Richardson Fine Art & Helena Fox Fine Art Page 7 - Call for Lowcountry Ceramic Artists, Rhett Thurman, Anglin Smith Fine Art, DONALD WEBER Page 9 - Helena Fox Fine Art cont., Society of Bluffton Artists & Coastal Discovery Museum Helena Fox Fine Art, Spencer Art Galleries, The Wells Gallery at the Sanctuary, Page 10 - Art League of Hilton Head, Lander University and Main & Maxwell Corrigan Gallery & Saul Alexander Foundation Gallery Page 13 - Metropolitan Arts Council Page 14 - West Main Artists Co-op x 2 Page 8 - Emerge SC & James Smith for Governor “CHARLESTON” Page 16 - West Main Artists Co-op cont. -
Interim Report 2010 02
Contents Page Corporate Information 02 Operational Highlights 03 Condensed Consolidated Income Statement 04 Condensed Consolidated Statement of Comprehensive Income 05 Condensed Consolidated Statement of Financial Position 06 Condensed Consolidated Statement of Changes in Equity 08 Condensed Consolidated Statement of Cash Flows 09 Notes to the Condensed Consolidated Financial Statements 10 Independent Review Report 39 Management Discussion and Analysis 41 Disclosure of Interests 49 Disclosure under Rules 13.20 and 13.22 of the Listing Rules 52 Purchase, Sale or Redemption of the Company’s Listed Securities 53 Compliance with Code on Corporate Governance Practices 53 Compliance with Model Code for Securities Transactions by Directors 53 Information in Respect of Directors 53 Audit Committee 54 Review of Interim Results 54 Success Universe Group Limited Interim Report 2010 02 CORPORATE INFORMATION Directors Legal Advisers on Executive Directors Bermuda Laws Mr. Yeung Hoi Sing, Sonny (Chairman) Conyers Dill & Pearman Dr. Ma Ho Man, Hoffman (Deputy Chairman) Principal Bankers Chong Hing Bank Limited Non-executive Director Fubon Bank (Hong Kong) Limited Mr. Choi Kin Pui, Russelle The Bank of East Asia, Limited The Hongkong and Shanghai Banking Independent Non-executive Corporation Limited Directors Mr. Luk Ka Yee, Patrick Principal Share Registrar and Mr. Yim Kai Pung Transfer Agent in Bermuda Ms. Yeung Mo Sheung, Ann Butterfield Fulcrum Group (Bermuda) Limited Company Secretary Rosebank Centre 11 Bermudiana Road Ms. Chiu Nam Ying, Agnes Pembroke, HM 08 Bermuda Financial Controller Mr. Wong Chi Keung, Alvin Branch Share Registrar and Transfer Office in Hong Kong Authorised Representatives Tricor Tengis Limited Dr. Ma Ho Man, Hoffman 26th Floor Ms. -
Being a Michael Jackson Pilgrim: Dedicated to a Never-Ending Journey
UNIVERSITY OF GRONINGEN Being a Michael Jackson Pilgrim: dedicated to a never-ending journey S2054620 9/15/2015 Fardo Ine Eringa Master thesis Religion and the Public Domain, Faculty of Religious Studies First supervisor: dr. Mathilde van Dijk Second supervisor: dr. Kristin McGee “Heal the world Make it a better place For you and for me And the entire human race There are people dying If you care enough for the living Make a better place For you and for me.” ‘Heal The World’, Michael Jackson (1991) ACKNOWLEDGEMENTS This research has been made possible through invaluable input and support by several individuals. I would like to express my gratitude to all those who have guided me through the writing process of this thesis. First of all, I would like to thank Mathilde van Dijk, who has supported and motivated me both with her broad knowledge in the field of pilgrimage research and with her enthusiasm. During the writing process dr. Van Dijk helped me to structure my study and supported me with extensive feedback. I very much enjoyed our collaboration and it is our personal meetings and dr. Van Dijk’s thorough feedback that have made this study to the best possible outcome. I would also like to thank Kristin McGee, who has been a wonderful second supervisor and has provided me with helpful information in the field of popular culture. Moreover, dr. McGee has provided me with valid feedback both regarding the content of my study and my English. Furthermore, I would like to thank my family for the many brainstorm sessions and their assistance through personal feedback and support during the finalizing of this research. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
Date Company Category Aircraft Location Description 9/25/2014
FAA 333 Exemptions Database This is a CSD research document. For more information, please email [email protected]. Date Company Category Aircraft Location Description 16255 Ventura Blvd., Astraeus Aerial Cinema System Suite 625, Encino, CA 9/25/2014 Astraeus Aerial Photo/Film V.3CS UAS 91436 Closed-set filming. HexaCrafter HC-1100, Aeronavics SkyJib 8 Heavy Lifter, Aerial MOB Discovery Pro Light Lifter, Aerial MOB 4166 Sturgeon Court, 9/25/2014 Aerial MOB Photo/Film Halo 8 Heavy Lifter1, DJI Phantom 2 San Diego, CA 92130 Closed-set filming. (Amended 2/3/15 and 4/30/15) PV- 14817, PVHL1, PV- 14817 PV- 16238 Raymer St Van HL2, DJI Phantom 2, DJI Phantom 3, Nuys, CA91406 United 9/25/2014 Pictorvision Photo/Film PV-HL 3 States Closed-set filming. (Amended 2/2/15 and 6/24/15) HeliVideo HVP- 14301 MultiRotor, Rotorcraft 13513 Briar Hollow, 9/25/2014 Productions Photo/Film Model ERX12 Austin, TX 78729 Closed-set filming. (Amended 4/29/15) Snaproll Media SUAS, Freefly Cinestar 6, Freefly Cinestar 8, DJI Phantom 1, DJI Phantom 2, DJI Phantom 3, DJI Inspire 1, Intuitive 9/25/2014 Snaproll Media Photo/Film Aerial Aerigon IA3 Nashville, Tennessee Closed-set filming. (Amended 7/23/15) RC Pro Coaxial Quad Multirotor VAO1, Productions Coaxial Quad Multirotor VAO21, Consulting, dba VA03, VA04 Quadcopter, VA07 9/25/2014 Vortex Aerial Photo/Film Hexacopter Los Angeles, California Closed-set filming. (Amended 4/29/15) 3100 Donald Douglas Manufacturer, Loop North, CA 90405 10/10/2014 Flying Cam Photo/Film Flying-Cam 3.0 SARAH Santa Monica, USA Closed-set filming. -
Dancing Gender: Exploring Embodied Masculinities
University of Bath PHD Dancing Gender Exploring Embodied Masculinities Owen, Craig Award date: 2014 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 Dancing Gender: Exploring Embodied Masculinities Craig Robert Owen A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of Psychology June 2014 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that they must not copy it or use material from it except as permitted by law or with the consent of the author. -
RESEARCH RECORD No
LANDSCAPE RESEARCH RECORD No. 9 I March 18-21, 2020 (Canceled due to COVID-19 ) Deep Time: 100 Years of CELA A Peer-Reviewed Publication Council of Educators in Landscape Architecture www.thecela.org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ambi L. Yost, Iowa State University Jon D. Hunt, Kansas State University 3((5 5(9,(: 2) 3$3(56 $OO SDSHUV SXEOLVKHG in Benjamin George, Utah State University /DQGVFDSH5HVHDUFK5HFRUGKDYHEHHQUHYLHZHGDQGDFFHSWHG Yi Luo, University of Florida Paul Coseo, Arizona State University IRUSXEOLFDWLRQWKURXJKWKH&RXQFLORI(GXFDWRUVLQ/DQGVFDSH Judith Wasserman, West Virginia University $UFKLWHFWXUH V SHHU UHYLHZ SURFHVV HVWDEOLVKHG DFFRUGLQJ WR Lisa Orr, West Virginia University SURFHGXUHVDSSURYHGE\WKH%RDUGRIWKH&RXQFLORI(GXFDWRUV Stefania Staniscia, West Virginia University LQ/DQGVFDSH $UFKLWHFWXUH 5HYLHZHUV DUHUHFUXLWHG E\ WUDFN Christopher D. Ellis, University of Maryland Taner R. Ozdil, University of Texas at Arlington FKDLUV IURP DPRQJ FRQIHUHQFHDWWHQGHHV -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones -
South African Festivals in the United States: an Expression of Policies
South African Festivals in the United States: An Expression of Policies, Power and Networks DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Akhona Ndzuta, MA Graduate Program in Arts Administration, Education and Policy The Ohio State University 2019 Dissertation Committee: Karen E. Hutzel, Ph.D. Wayne P. Lawson, Ph.D. Margaret J. Wyszomirski, Ph.D., Advisor Copyright by Akhona Ndzuta 2019 Abstract This research is a qualitative case study of two festivals that showcased South African music in the USA: the South African Arts Festival which took place in downtown Los Angeles in 2013, and the Ubuntu Festival which was staged at Carnegie Hall in New York in 2014. At both festivals, South African government entities such as the Department of Arts and Culture (DAC), as well as the Department of International Relations and Cooperation (DIRCO) were involved. Due to the cultural, economic and other mandates of these departments, broader South African government policy interests were inadvertently represented on foreign soil. The other implication is that since South African culture was central to these events, it was also key to promoting these acultural policy interests. What this research sets out to do is to explore how these festivals promote the interests of South African musicians while furthering South African government interests, and how policy was an enabler of such an execution. ii Acknowledgements I would like to thank the Oppenheimer Memorial Trust and the National Arts Council of South Africa for their generous funding in the first two years of my studies. -
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ST. SIMMONS Written by Greg Wayne MGMT: MUTINY Ryan Casey
ST. SIMMONS Written by Greg Wayne MGMT: MUTINY Ryan Casey 213.259.3772 [email protected] FADE IN: An impish, middle-aged man with a delightfully frizzy afro, wearing a sparkly red tank top and dolphin shorts grins at us... The twinkle in his eye is the most mischievous thing imaginable. He’s outrageously, fabulously effeminate. He’s a glorious bundle of light and love... He’s RICHARD FUCKING SIMMONS. RICHARD It’s sweatin’ time! Multicolored lights blast on behind him, revealing rows of HAPPY PEOPLE of all shapes and sizes in workout gear. Richard leads them in a fun, energized, cheekily-sexy aerobics routine. The TODAY SHOW bug appears in the lower corner of the screen. SAVANNAH GUTHRIE (V.O.) For forty years, this has been the Richard Simmons the public has been accustomed to seeing -- energetic and irresistible. INSERT VIDEO: Richard beams and waves to SPECTATORS from atop a turtle float at the Macy’s Thanksgiving Day Parade. SAVANNAH GUTHRIE (V.O.) But the fitness guru disappeared from the public eye in 2014, leaving many -- including his closest friends -- deeply concerned. INSERT PHOTO: A too-skinny Richard forces a smile on a red carpet. His afro has seen better days. SAVANNAH GUTHRIE (V.O.) But Simmons is now breaking his silence, after opening up to us by phone. Richard, via phone, tries to conjure the liveliness seen in the video clips. But there’s a despondency he can’t hide... RICHARD (V.O.) Savannah, it’s Richard Simmons. How are you? 2. SAVANNAH GUTHRIE (V.O.) I’m good, Richard. -
Interdisciplinary Journal of Teaching and Learning College of Education Southern University and a & M College
Interdisciplinary Journal of Teaching and Learning College of Education Southern University and A & M College ISSN 2158-592X Volume 4 Number 3 Fall 2014 Preservice Teachers’ Perceptions About Teaching Mathematics Through Music . 150 Song A. An, Daniel Tillman, Andrea Shaheen, and Rachel Boren Exploring Team-Based Learning at a State University . .. 172 Monica Leisey, Dan Mulcare, Lorrie Comeford, and Sanjay Kudrimoti Culture Clash: Interactions Between Afrocultural and Mainstream Cultural Styles in Classrooms Serving African American Students . 186 Karmen Rouland, Jamaal S. Matthews, Christy M. Byrd, Rika M. L. Meyer, and Stephanie J. Rowley Perspectives on Culturally and Linguistically Responsive RtI Pedagogics Through a Cultural and Linguistic Lens . 203 Ricardo Montalvo, Bertina H. Combes, and Cathy D. Kea Copyright © 2014 Southern University and A & M College – Baton Rouge, Louisiana Editorial Board Executive Editor Vera I. Daniels Southern University and A & M College - Baton Rouge Associate Editors Gwendolyn Benson Georgia State University Norma A. Lopez-Reyna Theodore Pikes University of Illinois at Chicago North Carolina Central University Consulting Editors Alfredo J. Artiles Sharon Vaughn Arizona State University University of Texas at Austin Mary Bay Patricia Alvarez McHatton University of Illinois at Chicago Kennesaw State University Grace Hao Lynn B. Loftin North Carolina Central University Southern University and A & M College - Baton Rouge Section Editors Feature Articles Educational Tweets Barbara L. Guillory Michelle J. McCollin William E. Moore University of Illinois at Chicago Slippery Rock University Southern University and A & M College - Baton Rouge Event Zone Martha Jallim Hall Michael J. Maiorano Hampton University University of Illinois at Chicago Online Resources Peggy Snowden Concordia University Academic Editors Joe Ann Houston Florida A & M University Regina Patterson Southern University and A & M College –Baton Rouge Interdisciplinary Journal of Teaching and Learning Volume 4, Number 3 Fall 2014 143 Board of Reviewers Blanche A.