Archi.Tecture Books ARCHITECT ABUSE: ~
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Retail Sector on Long Island Overlooked… Undervalued… Essential!
The Retail Sector on Long Island Overlooked… Undervalued… Essential! A Preliminary Report from the Long Island Business Council May 2021 Long Island “ L I ” The Sign of Success 2 | The Retail Sector on Long Island: Overlooked, Undervalued, Essential! Long Island Business Council Mission Statement The Long Island Business Council (LIBC) is a collaborative organization working to advocate for and assist the business community and related stakeholders. LIBC will create an open dialogue with key stakeholder groups and individuals to foster solutions to regional and local economic challenges. LIBC will serve as a community-focused enterprise that will work with strategic partners in government, business, education, nonprofit and civic sectors to foster a vibrant business climate, sustainable economic growth and an inclusive and shared prosperity that advances business attraction, creation, retention and expansion; and enhances: • Access to relevant markets (local, regional, national, global); • Access to a qualified workforce (credentialed workforce; responsive education & training); • Access to business/economic resources; • Access to and expansion of the regional supply chain; • A culture of innovation; • Commitment to best practices and ethical operations; • Adaptability, resiliency and diversity of regional markets to respond to emerging trends; • Navigability of the regulatory environment; • Availability of supportive infrastructure; • An attractive regional quality of life © 2021 LONG ISLAND BUSINESS COUNCIL (516) 794-2510 [email protected] -
An Introduction to Architectural Theory Is the First Critical History of a Ma Architectural Thought Over the Last Forty Years
a ND M a LLGR G OOD An Introduction to Architectural Theory is the first critical history of a ma architectural thought over the last forty years. Beginning with the VE cataclysmic social and political events of 1968, the authors survey N the criticisms of high modernism and its abiding evolution, the AN INTRODUCT rise of postmodern and poststructural theory, traditionalism, New Urbanism, critical regionalism, deconstruction, parametric design, minimalism, phenomenology, sustainability, and the implications of AN INTRODUCTiON TO new technologies for design. With a sharp and lively text, Mallgrave and Goodman explore issues in depth but not to the extent that they become inaccessible to beginning students. ARCHITECTURaL THEORY i HaRRY FRaNCiS MaLLGRaVE is a professor of architecture at Illinois Institute of ON TO 1968 TO THE PRESENT Technology, and has enjoyed a distinguished career as an award-winning scholar, translator, and editor. His most recent publications include Modern Architectural HaRRY FRaNCiS MaLLGRaVE aND DaViD GOODmaN Theory: A Historical Survey, 1673–1968 (2005), the two volumes of Architectural ARCHITECTUR Theory: An Anthology from Vitruvius to 2005 (Wiley-Blackwell, 2005–8, volume 2 with co-editor Christina Contandriopoulos), and The Architect’s Brain: Neuroscience, Creativity, and Architecture (Wiley-Blackwell, 2010). DaViD GOODmaN is Studio Associate Professor of Architecture at Illinois Institute of Technology and is co-principal of R+D Studio. He has also taught architecture at Harvard University’s Graduate School of Design and at Boston Architectural College. His work has appeared in the journal Log, in the anthology Chicago Architecture: Histories, Revisions, Alternatives, and in the Northwestern University Press publication Walter Netsch: A Critical Appreciation and Sourcebook. -
Faulkner's Wake: the Emergence of Literary Oxford
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2004 Faulkner's Wake: The Emergence of Literary Oxford John Louis Fuller Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Recommended Citation Fuller, John Louis, "Faulkner's Wake: The Emergence of Literary Oxford" (2004). Honors Theses. 2005. https://egrove.olemiss.edu/hon_thesis/2005 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. Faulkner’s Wake: The Emergence of Literary Oxford Bv John L. Fuller A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford April 2005 Advisor; Dr. Judson D. Wafson -7 ■ / ^—- Reader: Dr. Benjamin F. Fisher y. Reader: Dr. Andrew P. D^rffms Copyright © by John L. Fuller All Rights Reserved 1 For my parents Contents Abstract 5 I The Beginnings 9 (4Tell About the South 18 A Literary Awakening 25 II If You Build It, They Will Come 35 An Interview with Pochard Howorth 44Football, Faulkner, and Friends 57 An Interview with Barry Hannah Advancing Oxford’s Message 75 An Interview with Ann J. Abadie Oxford Tom 99 An Interview with Tom Franklin III Literary Grounds 117 Works cited 120 Abstract The genesis of this project was a commercial I saw on television advertising the University of Mississippi. “Is it the words that capture a place, or the place that captures the words?” noted actor and Mississippi native Morgan Freeman asked. -
Scrip Order Form
St. Thomas Aquinas SCRIP ORDER FORM Thank you! Your support is greatly appreciated! Please remember that we can sell only the amounts listed on the order form. Name:_______________________________________________Phone:___________________Date:_______________ Check# :_________________Amount:__________________ * Please make checks payable to: St. Thomas Aquinas * Filled by__________NEEDS:________________________________________________________________________ Retailer Profit Card Qty. Total Retailer Profit Card Qty. Total (c.o.a.) = certificate on account for Amount (c.o.a.) = certificate on for Amount school account school $5.00 $100 Claire’s $0.90 $10 All Seasons Gutter/New All Seasons Gutter/Topper $10.00 $100 Cold Stone $0.80 $10 Creamery American Eagle Outfitters $2.00 $25 Courtyard/Marriott $6.00 $50 Applebees $2.00 $25 Critter $0.50 $10 Nation(Dyvig’s) Arby’s $0.80 $10 Barnes & Noble/B. Dalton $1.00 $10 Derry Auto (c.o.a.) $1.00 $25 Barnes & Noble/B. Dalton $2.50 $25 Derry Auto (c.o.a.) $2.50 $50 Bath and Body Works $1.30 $10 Derry Auto (c.o.a.) $5.00 $100 Bath and Body Works $3.25 $25 Dillard’s $2.25 $25 Bed, Bath and Beyond $1.75 $25 Dress Barn $2.00 $25 Best Buy $0.50 $25 Express $2.50 $25 Best Buy $2.00 $100 Fareway $0.50 $25 Big Time Cinema (Fridley’s) $1.00 $10 Fareway $1.00 $50 Borders/Waldenbooks $0.90 $10 Fareway $2.00 $100 Borders/Waldenbooks $2.25 $25 Fairfield Inn/Marriott $6.00 $50 Build-A-Bear $2.00 $25 Fazoli’s $1.75 $25 Burger King $0.50 $10 Finish Line $2.50 $25 Cabela’s $3.25 $25 Flower Cart (c.o.a.) $1.25 $25 Carlos O’Kelly $0.90 $10 Foot Locker $2.25 $25 Casey’s $0.30 $10 Fuhs Pastry $1.00 $10 Casey’s $0.75 $25 Gap/Old $2.25 $25 Navy/Banana Republic Casey’s $1.50 $50 GameStop $0.75 $25 Cheesecake Factory $1.25 $25 Gerber’s (c.o.a.) $2.50 $50 Chili’s/Macaroni Grill/On the $2.75 $25 Gerber’s (c.o.a.) $5.00 $100 Boarder Chuck E. -
We Help Our Friends Grow We Want to Help You Make More Meaningful Connections Through: PRINT Online • Social Media Partnerships • Email Marketing
2021 Media Kit Inspirational Art, Crafts & Lifestyle Magazines We Help Our Friends Grow We want to help you make more meaningful connections through: PRINT Online • Social Media Partnerships • Email Marketing A Somerset Holiday Art Journaling Art Quilting Studio Belle Armoire Jewelry GreenCraft In Her Studio Mingle Somerset Studio Willow and Sage & Special Editions 2 About the Publisher When it comes to the art of crafting, no one does it better than Stampington & Company. — Mr. Magazine™ Samir Husni Since 1994, Stampington & Company has been a Leading Source of Information and Inspiration for Artists and Crafts Lovers, Storytellers, and Photographers Around the World Known for its stunning full-color photography and step-by-step instructions, the company’s magazines provide a forum for both professional artists and hobbyists looking to share their beautiful handmade creations, tips, and techniques with one another. Our community loves to immerse themselves in our magazines. These magazines are meant to be curled up with, kept in libraries as a resource to reference, and to share years later with friends and family. The enthusiasm of our readers doesn’t end here. Our community loves to blog and post pictures across social media from a wide range of channels, showing off our exclusive stories and soul-stirring photography. Our Social Profile 100K+ Facebook fans 94K+ Instagram followers 2.7m Pinterest monthly viewers 25K+ Twitter followers Media Kit 3 What’s Inside This media kit contains a wealth of information. Take a moment to read each of our publication descriptions and audience information to find the perfect advertising venue for your products. -
John Hejduk's Pursuit of an Architectural Ethos
113 John Hejduk’s Pursuit of an Architectural Ethos Martin Søberg Within the past decade the visual arts have in particular indicates a certain depth within such witnessed an increase in the production of artis- projects, a desire for transgressing questions of tic research. This is a type of practice-driven formalism and mere aesthetics while coming to research that, based on creative investigation and terms with fundamental principles and purposes of the production of artistic work combined with proc- architecture. These objectives may be described esses of reflection and documentation, arguably as a pursuit of an architectural ethos that investi- results in the creation of new insights, recognitions, gates what is architecturally proper and meaningful if not to say genuine knowledge.1 Generally speak- in a contemporary context, including architecture’s ing, artistic research differs methodologically from symbolic potentials – and as such addresses traditional scientific research as it relies primarily normative questions.2 My hypothesis is that on the imagination and aesthetic impetus of the such questions concerning the media, language, artist rather than on concepts, logical thinking and programmes, semantics, and ethos of architecture transparent argumentation. In architecture this would also be relevant to a field of artistic architec- tendency has been less prominent. While much has tural research today and that knowing more about been done to conceptualize, map and theorize the previous projects that explored these questions, targets, history and assessment of artistic research obvious differences apart, could help us to conduct in visual arts, similar work is still somehow absent artistic architectural research in a more focused when it comes to architecture. -
The New Borders and Waldenbooks Visa Card
Double Rewards, One Card - The New Borders And Waldenbooks Visa Card Borders Group Inc., Bank One Combine Borders, Waldenbooks Rewards Programs WILMINGTON, Del. - July 31, 2003 - Earning rewards just became twice as nice for cardmembers of Borders* Platinum Visa* Card and Waldenbooks* Preferred Reader* Platinum Visa Card. Borders Group, Inc. [NYSE: BGP] and Bank One [NYSE: ONE] today announced that they've enhanced the Borders Platinum Visa Card to include Waldenbooks rewards. The new card is appropriately named the Borders and Waldenbooks Visa Card. The new card enables cardmembers to earn two points for every dollar in purchases at Borders and Waldenbooks stores, as well as their Web sites, and one point for every dollar in all other purchases. Every time cardmembers accumulate just 500 points, they will automatically receive a $5 Store Reward Certificate valid at any Borders or Waldenbooks store. Previously, cardmembers of Borders Platinum Visa Card could only earn double points for their purchases at Borders, and Waldenbooks Preferred Reader Platinum Visa cardmembers could only earn one point for every $5 in card purchases. In addition, consumers had to be enrolled in the Waldenbooks Preferred Reader Program to be eligible for the Waldenbooks credit card product. "We listened to our customers, which is why we worked with Bank One to combine both brands into one product offering that cardmembers can use at our more than 1,100 stores across the country," said Mike Spinozzi, executive vice president and chief marketing officer of Borders Group. "This is a great way for us to thank our customers for their loyalty and help them reap additional benefits from their everyday purchases." New cardmembers who apply for the card online or via an application available at any Borders or Waldenbooks store will receive a $20 gift card after their first purchase, which can be redeemed at any Borders or Waldenbooks store. -
Barnes and Noble History
Wingler 1 Brandon Wingler April 15th, 2015 Barnes & Noble: A Brief History from Reconstruction to the 21st Century Part I: The Origins of Barnes & Noble The story of Barnes & Noble starts as far back as 1873 in the modest town of Wheaton, Illinois, located about twenty-five miles west of Chicago. The area had first been settled in 1831 by Erastus Gary and, starting in 1839, his former neighbors Jesse and Warren Wheaton laid claim to about a thousand acres in what is now the town of Wheaton, Illinois. The Galena & Chicago Union Railroad first appeared in the town in 1849 and contributed to a small but noticeable rise in traffic and trade. In the first few years of the 1870s, Wheaton eclipsed the one- thousand mark for total population.1 In 1873, Charles Montgomery Barnes decided to open up a small bookstore in Wheaton. With the nearby Wheaton College and a new public school that had opened in 1874, Barnes’s business had a steady rate of demand for school books. It was only a short three years before Barnes elected to move his business eastward to Chicago and set up shop as C.M. Barnes & Company. After a couple of decades, Barnes decided to focus exclusively on school textbooks and reorganized the business in 1894. His son, William Barnes, and William’s father-in-law, John Wilcox, joined the company in the mid-1880s. Charles retired from the business in 1902 1 “Wheaton, IL.,” Encyclopedia of Chicago, accessed February 6th, 2015, http://www.encyclopedia.chicagohistory.org/pages/1350.html. -
The Future of the Book. Part III. New Technologies in Book Distribution: the United States Experience
DOCUMENT RESUME ED 262 767 IR 011 845 AUTHOR Paul, Sandra K.; Kranberg, Susan TITLE The Future of the Book. Part III. New Technologies in Book Distribution: The United States Experience. Studies on Books and Reading No. 18. INSTITUTION Library of Congress, Washington, DC. Center for the Book.; SKP Associates, Washington, DC.; United Nations Educational, Scientific, and Cultural Organization, Paris (France). PUB DATE 84 NOTE 37p.; For a related document, see ED 234 348. PUB TYPE Information Analyses (070) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Automation; *Books; Computers; Data Processing; *Futures (of Society); Information Systems; Man Machine Systems; *Marketing; Online Systems; Organizational Change; *Publishing Industry; *Technological Advancement; *Technological Literacy ABSTRACT The third report from a comprehensive Unesco study, this document traces the history of the application of computer-based technology to the book distribution process in the United States and indicates functional areas currently showing the effects of using this technology. Ways in which computer use is altering book distribution management activities are examined, including ordering, order processing, delivery, payment processing, and warehouse functions. Following a brief introduction, the first section discusses the general use of computer technology, changes in book distribution procedures, and the context and methodology of the report. Section II describes the activities of individuals, companies, and organizations whose efforts have brought about technological change in book distribution in the United States. Section III analyzes the various component steps in the distribution chain and the organizations involved in them; areas are highlighted which have already experienced change due to technological advances and areas where such changes can confidently be predicted to occur in the near future. -
Tom Szkutak, CFO Goldman Sachs Internet Conference May 27, 2004
Tom Szkutak, CFO Goldman Sachs Internet Conference May 27, 2004 Amazon.com This presentation may contain forward-looking statements, including statements regarding expectations of sales, gross margin, productivity, leverage, operating results, consolidated segment operating results, capital investment, return on capital, free cash flow and other financial statement or balance sheet items or ratios, all of which are inherently difficult to predict. Actual results could differ materially for a variety of reasons, including, among others, the potential changes in general economic conditions, Amazon.com’s risks related to potential future losses, significant amount of indebtedness, competition, commercial agreements and strategic alliances, foreign exchange rates, seasonality, potential fluctuations in operating results and rate of growth, management of potential growth, system interruption, international expansion, consumer trends, inventory, fulfillment center optimization, limited operating history, government regulation and taxation, fraud, and new business areas. More information about factors that potentially could affect Amazon.com’s financial results is included in Amazon.com’s filings with the Securities and Exchange Commission, including its Annual Report on Form 10-K for the year ended December 31, 2003, and all subsequent filings. Additional information relating to certain of our financial measures contained herein is available in our most recent press release and at our website at www.amazon.com/ir under ‘Financial Documents -
291550 Berlyfcneowtsyq9tmq
SEARS Corporate Branding Guide, 2009 Executive Edition © Sears Holding Corp. Designed by EyeCon Graphics .......................................................................Our Mission .......................................................................................Our Story .........................................................................Current Brand .............................................................................Why Rebrand? ......................................................Mood and Inspiration ..............................................................................Color Choice The Guide .........................................................................................Type .........................................................................Imagery ................................................................................Logo Design .....................................................................Internal Launch ...........................................................................Employee Gifts ...........................................................................Stationery ..............................................................................The Campaign ....................................................................The New Look Mission To grow our business by providing quality products and services at great value when and where our customers want them, and by building positive, lasting relationships with our customers. Sears’ Vision To be the preferred -
John Hejduk, Wall House 2, Any Art Or Architecture School
5_Janney_essay_06-07-089E.qxp 12/10/06 1:17 pm Page 162 5_Janney_essay_06-07-089E.qxp 10/6/06 8:40 PM Page 163 “The Architect is responsible to create the spirit of a Problem #2: Create a musical instrument that is part thought. And to translate it through whatever medium of an existing or invented ritual. is available, whether it be in a text, in a drawing, in a Ritchie Israel, The Breath. model, in a building, in a photograph, or in a film. The Yevgeniy Verbitskiy, Indirect Communication. Architect concerns himself/herself with the mysteries of space and form, and is also obligated to invent new programs. It is essential that the Architect creates works John Hejduk, Wall House 2, any art or architecture school. Soon after, in walked Jay Iselin, the president of that are thought-provoking and ultimately life-provoking. Groningen, the Netherlands. The Cooper Union. John introduced us, and Jay turned to me saying, “It’s a great Or more precisely, life-giving to what appears to be at Designed 1973, built 2001. pleasure to have you teaching at our school. Welcome aboard.” Short of a few first inanimate materials. The Architect enters into a social contract in the deepest sense. To search for qualities and experiences of being dumped by girlfriends whom I was sure loved me, I was never human values which give spirit.” so caught off guard. I tried to play it cool, thinking this was not what it appeared to be; this was some strange academic protocol that I had yet to learn.