The Belhaven Piano Trio
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Tchaikovsky.Pdf
Tchaikovsky CD 1 1 Orchestrion It wasn’t unusual, in the middle of the 19th century, to hear sounds like that coming from the drawing rooms of comfortable, middle-class families. The Orchestrion, one of the first and grandest of mass-produced mechanical music-makers, was one of the precursors of the 20th century gramophone. It brought music into homes where otherwise it might never have been heard, except through the stumbling fingers of children, enduring, or in some cases actually enjoying, their obligatory half-hour of practice time. In most families the Orchestrion was a source of pleasure. But in one Russian household, it seems to have been rather more. It afforded a small boy named Piotr Ilyich Tchaikovsky some of his earliest glimpses into a world, and a language, which was to become (in more senses then one), his lifeline. One evening his French governess, Fanny Dürbach, went into the nursery and found the tiny child sitting up in bed, crying. ‘What’s the matter?’ she asked – and his answer surprised her. ‘This music’ he wailed, ‘this music!’ She listened. The house was quiet. ‘No. It’s here,’ cried the boy – he pointed to his head. ‘It’s here, and I can’t make it go away. It won’t leave me.’ And of course it never did. ‘His sensitivity knew no bounds and so one had to deal with him very carefully. Every little trifle could upset or wound him. He was a child of glass. As for reproofs and admonitions (with him there could be no question of punishments), what would have been water off a duck’s back to other children affected him deeply, and if the degree of severity was increased only the slightest, it would upset him alarmingly.’ Despite his outwardly happy appearance, peace of mind is something Tchaikovsky rarely knew, from childhood to his dying day. -
RECORDED RICHTER Compiled by Ateş TANIN
RECORDED RICHTER Compiled by Ateş TANIN Previous Update: February 7, 2017 This Update: February 12, 2017 New entries (or acquisitions) for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals and concerts by the late maestro that are in my collection and all others I am aware of. It is mostly indebted to Alex Malow who has been very helpful in sharing with me his extensive knowledge of recorded material and his website for video items at http://www.therichteracolyte.org/ contain more detailed information than this list.. I also hope for this list to get more accurate and complete as I hear from other collectors of one of the greatest pianists of our era. Since a discography by Paul Geffen http://www.trovar.com/str/ is already available on the net for multiple commercial issues of the same performances, I have only listed for all such cases one format of issue of the best versions of what I happened to have or would be happy to have. Thus the main aim of the list is towards items that have not been generally available along with their dates and locations. Details of Richter CDs and DVDs issued by DOREMI are at http://www.doremi.com/richter.html . Please contact me by e-mail:[email protected] LOGO: (CD) = Compact Disc; (SACD) = Super Audio Compact Disc; (BD) = Blu-Ray Disc; (LD) = NTSC Laserdisc; (LP) = LP record; (78) = 78 rpm record; (VHS) = Video Cassette; ** = I have the original issue ; * = I have a CD-R or DVD-R of the original issue. -
Recorded Gilels
RECORDED GILELS Including Non-commercial & Unpublished Items Compiled by Ateş TANIN Previous Update: September 1, 2015 This Update: January 8, 2017 New entries (or acquisitions) for this update are marked with [N] and corrections with [C] . The following is a list of recorded recitals and concerts by Emil Gilels, with one reference listing to each commercial release that are in my collection and all others that I am aware of. Your comments, additions and corrections would be much appreciated. Please contact me by e-mail: [email protected] . Details of Gilels CDs issued by DOREMI are at http://www.doremi.com/gilels.html . LOGO: (CD) = Compact Disc; (SACD) = Super Audio Compact Disc; (LD) = NTSC Laserdisc; (BD) = Blu-Ray Disc; (LP) = LP record; (78) = 78 rpm record; (VHS) = Video Cassette; ** = I have the original issue ; * = I have a CD-R or DVD-R of the original issue. (PTA) = I have a privately taped audio copy; (PTV) = I have a privately taped video copy ABSIL Concerto for Piano and Orchestra No.1, Op.30 29/5/1938 - Brussels - Live - excerpt CYPRESS CYP1102 (DVD) ALBENIZ Navarra 6/1/1954 - Moscow - Live - DOREMI DHR-7795 (CD)** Navarra [Arranged for Two Pianos] 1941 - Moscow - Flier - (PTV) Rumores de la Caleta (Malaguena) from Recuerdos de Viaje, Op.71/6 23/2/1957 - Moscow - Live - DOREMI DHR-7795 (CD)** [C] ALYABIEV Piano Quintet in E-flat 1949 - Moscow - Beethoven Q. - DG 00289 479 4651 (24CD)** Piano Trio in a 1&5/11/1948 - Moscow - Tsyganov/Shirinsky - DOREMI DHR-7755 (CD)** Sonata in e for Violin and Piano 12/1950 - Moscow - Tsyganov - DOREMI DHR-7755 (CD)** BABAJANIAN Heroic Ballade for Piano and Orchestra 14/5/1953 - Moscow - Live - USSR State S.O./Kondrashin - MELODIYA CD 10 02243 (50CD)** [N] BABAYEV, A. -
The Piano Trio, the Duo Sonata, and the Sonatine As Seen by Brahms, Tchaikovsky, and Ravel
ABSTRACT Title of Dissertation: REVISITING OLD FORMS: THE PIANO TRIO, THE DUO SONATA, AND THE SONATINE AS SEEN BY BRAHMS, TCHAIKOVSKY, AND RAVEL Hsiang-Ling Hsiao, Doctor of Musical Arts, 2017 Dissertation directed by: Professor Rita Sloan School of Music This performance dissertation explored three significant piano trios, two major instrumental sonatas and a solo piano sonatine over the course of three recitals. Each recital featured the work of either Brahms, Tchaikovsky or Ravel. Each of these three composers had a special reverence for older musical forms and genres. The piano trio originated from various forms of trio ensemble in the Baroque period, which consisted of a dominating keyboard part, an accompanying violin, and an optional cello. By the time Brahms and Tchaikovsky wrote their landmark trios, the form had taken on symphonic effects and proportions. The Ravel Trio, another high point of the genre, written in the early twentieth century, went even further exploring new ways of using all possibilities of each instrument and combining them. The duo repertoire has come equally far: duos featuring a string instrument with piano grew from a humble Baroque form into a multifaceted, flexible classical form. Starting with Bach and continuing with Mozart and Beethoven, the form traveled into the Romantic era and beyond, taking on many new guises and personalities. In Brahms’ two cello sonatas, even though the cello was treated as a soloist, the piano still maintained its traditional prominence. In Ravel’s jazz-influenced violin sonata, he treated the two instruments with equal importance, but worked with their different natures and created an innovative sound combination. -
Sunday Playlist
February 17, 2019: (Full-page version) Close Window “I was obliged to be industrious. Whoever is equally industrious will succeed equally well.” — Johann Sebastian Bach Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Schumann Violin Sonata No. 2 in D minor, Op. 121 Kremer/Argerich DG 419 235 028941923523 Awake! 00:34 Buy Now! Couturier Voyage Lechner/Couturier ECM B0021592 n/a 00:41 Buy Now! Mozart Violin Concerto No. 1 in B flat, K. 207 Grumiaux/London Symphony/Davis Philips 416 632 028941663221 01:01 Buy Now! Bach Cello Suite No. 1 in G, BWV 1007 Pierre Fournier Archiv Produktion 449 711 028944971125 01:20 Buy Now! Stamitz, K. Oboe Quartet in D, Op. 8 Goodwin/Terzetto Harmonia Mundi 907220 093046722029 01:36 Buy Now! Grieg Violin Sonata No. 3 in C minor, Op. 45 Amoyal/Chiu Harmonia Mundi 907256 093046725624 Laskine/le Dentu/Paillard Chamber 02:01 Buy Now! Gossec Symphony Concertante for Two Harps Erato 55039 08908850392 Orch/Paillard 02:13 Buy Now! Janson Cello Concerto in D Starker/Santa Fe Festival Orchestra Delos 3197 013491319728 02:31 Buy Now! Gade Octet in F for Strings, Op. 17 L'Archibudelli/Smithsonian Chamber Players Sony 48307 07464483072 Academy of St. Martin-in-the- 03:01 Buy Now! Warlock Serenade for Strings London 452 707 028945270722 Fields/Marriner 03:09 Buy Now! Borowski Suite Rococo Gowanus Arts Ensemble/Blundell New Focus Recordings 166B 655646188911 String Quartet No. 14 in D minor, D. 810 "Death 03:19 Buy Now! Schubert Tokyo String Quartet RCA 7990 078635799026 and the Maiden" Moreno 04:00 Buy Now! Sonatina Trianera Los Romeros PHILIPS 412 609 028941260925 Torroba 04:09 Buy Now! Massenet Meditation ~ Thais Mutter/Berlin Philharmonic/Karajan EMI 07634 5099920763428 04:17 Buy Now! Czerny Grand Sonata in A for Piano and Violin Raum/Kuerti CBC 1150 059582115022 05:00 Buy Now! Turina The Bullfighter's Prayer, Op. -
Emil Gilels - a Discography
EMIL GILELS - A DISCOGRAPHY Compiled by Ateş TANIN Previous Update: April 26, 2017 This Update: November 22, 2017 The following is a discography of published recordings of Emil Gilels based on my findings over the years. Your comments, additions and corrections will be appreciated. Please contact me by email: [email protected]. Details of Gilels CDs issued by DOREMI are at http://www.doremi.com/gilels.html . Abbreviations: (CD) = Compact Disc; (SACD) = Super Audio CD; (SHM-CD) = (HQCD) = Super High Material Compact Disc; (K2HD-CD) = High Definition Transfer; (LP) = 33 rpm record; (78) = 78 rpm record; (45) = 45 rpm record; (VHS) = NTSC Video; (DVD) = DVD; (BD) = Blu-Ray Disc. Many of the (LP) entries as MELODIYA were also issued as MEZHDUNARODNAYA KNIGA, AKKORD, VSG, SOV DISC, etc. USSR refers to Pre-Melodiya labels. ABSIL Concerto for Piano and Orchestra No.1, Op.30 29/5/1938 - Brussels - Live - excerpt CYPRESS CYP1102 (DVD) ALBENIZ Navarra 6/1/1954 - Moscow - Live RUSSIAN DISC R10 00783-86 (2LP) MELODIYA MELCD 722 (5CD) MELODIYA CD 10 00721 (CD) SMC CD 0085 (CD) DOREMI DHR-7795 (CD) Rumores de la Caleta (Malaguena) from Recuerdos de Viaje, Op.71/6 23/2/1957 - Moscow - Live MELODIYA M10-41057-58 (LP) MELODIA/EURODISC 302750-420 (2LP) MELODIYA CD 10 02243 (50CD) DOREMI DHR-7795 (CD) ALYABIEV Piano Quintet in E-flat 1949 - Moscow - Beethoven Q. MELODIYA D 1386-87 (LP) WESTMINSTER XWN 18679 (LP) DG 00289 479 4651 (24CD) DOREMI DHR-7755 (CD) Piano Trio in a 1&5/11/1948 - Moscow - Tsyganov/Shirinsky USSR D 16324-29 (78) MELODIYA D 347-48 (LP) MELODIYA D 035449-50 (LP) MELODIYA S10 12631-42 (6LP) MELODIYA CD 10 02243 (50CD) DOREMI DHR-7755 (CD) Sonata in e for Violin and Piano 12/1950 - Moscow - Tsyganov MELODIYA D 1125-26 (LP) MELODIYA D 035449-50 (LP) MELODIYA CD 10 02243 (50CD) DOREMI DHR-7755 (CD) BABAJANIAN Heroic Ballade for Piano and Orchestra 14/5/1953 - Moscow - Live - USSR State S.O./Kondrashin MELODIYA CD 10 02243 (50CD) BABAYEV Piano Trio in c# 1950 - Moscow - Tsyganov/Shirinsky MELODIYA MEL CD 10 02210 (4CD) BACH, C.P.E. -
Tchaikovsky / Петр Ильич Чайковский (1840–1893) Дэниэль Джаффе Открывающая Симфонию Тема
T T H C H V A M A E IK A L O R ER V II Y N GE IEV RA SK SK RG T R N Y Y ORCHES 4 SY NO E U MPHONY K TCRAC 2 THE NUTCRACKER / SYMPHONY NO 4 MARIINSKY ПЕТР ИЛЬИЧ ЧАЙКОВСКИЙ (1840–1893) оркестр. В финале после живого и бодрого начала вступает DISC 1 более приглушенная аранжировка русской народной песни «Во СИМФОНИЯ № 4 ФА МИНОР, поле березонька стояла…», которая повторяется несколько OP. 36 (1877–78) раз в разных вариантах до тех пор, пока опять не возникает PYOTR ILYICH TCHAIKOVSKY / ПЕТР ИЛЬИЧ ЧАЙКОВСКИЙ (1840–1893) Дэниэль Джаффе открывающая симфонию тема. Снова звучит русская народная The Nutcracker, Op. 71 / Щелкунчик, Op. 71 (1891–92) песня, но ее прерывают роковые фанфары первой части. И Чайковского всегда восхищала французская музыка, особенно, все же из явного уныния возрождается – как птица-феникс – музыка Жоржа Бизе. 20 января 1876 года, находясь в Париже, задорная тема финала, которая сперва возникает у валторн, ACT ONE он побывал на представлении оперы Бизе «Кармен», премьера а потом неумолимо движется к эффектному концу. которой состоялась меньше чем за год до того. Чайковский 1 Overture [Увертюра] 3’28’’ был потрясен и растроган и сюжетом, и тем, как живо и просто Бизе его преподнес. Особенно поразил русского Tableau I композитора финал оперы, который он описывал так: «смерть 2 No 1 Scene (The Christmas Tree) [Сцена (Сцена украшения и зажигания ёлки)] 3’44’’ двух главных действующих лиц, которых злой рок, fatum, ЩЕЛКУНЧИК, OP. 71 (1891–92) 3 No 2 March [Марш] 2’26’’ столкнул и через ряд страданий привел к неизбежному концу». -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
Tchaikovsky Considered
Tchaikovsky Considered Tracks and clips 1. Introduction 6:10 a. Tchaikovsky, Pyotr Il’yich (PT), Piano Concerto No. 2 in G, Op. 44, Gary Graffman, Eugene Ormandy, Philadelphia Orchestra, Columbia MS-6755 recorded 2/17/1965. b. PT, Symphony No. 4 in f, Op. 36, Christoph Eschenbach, Philadelphia Orchestra, Phil. Orch. Priv. Label recorded 3/16/2006.* c. PT, Eugene Onegin, James Levine, Staatskapelle Dresden, Deutsche Grammophon, 0289 423 9592 3 GF 2 released 12/29/1988. ‡ d. PT, Piano Trio in a, Op. 50, Lyubov Timofeyeva, Maxim Fedotov, Kirill Rodin, Mezhdunarodnaya Kniga MK 417001 recorded April, 1990. e. PT, Symphony No. 5 in e, Op. 64, Christoph Eschenbach, Philadelphia Orchestra, Ondine ODE 1076-5 recorded September, 2006. f. Ibid. 2. The Five 20:43 a. Cimarosa, Domenico, Il matrimonio segreto, Daniel Barenboim, English Chamber Orchestra, Deutsche Grammophon 0289 437 6962 4 GX 3 recorded 1975. ‡ b. Glinka, Mikhail Ivanovich, Nochnoi smotr (The Night Review), Lina Mkrtchyan, Evgeni Talisman, Opus 111 OP30277 released 10/1/2012.◊ c. Dargomïzhsky, Alexander Sergeyevich, The Stone Guest, Andrey Chistiakov, Bolshoi Theatre Orchestra, Brilliant Classics 94028 recorded 1993. d. Balakirev, Alexander Porfir’yevich, Islamey, Julius Katchen Deutsche Grammophon 0289 460 8312 3 DF 2 released 1/12/2004. ‡ e. Cui, César, Préludes, Op. 64, Jeffrey Biegel, Marco-Polo 8.223496 released 11/3/1993.◊ f. Rimsky-Korsakov, Nikolay Andreyevich, The Legend of the invisible City of Kitezh and the Maiden Fevroniya, Vladimir Fedoseyev, Vienna Symphony Orchestra, Koch 3-1144-2-Y5 recorded 7/20/1995. g. Borodin, Alexander Porfir’yevich, String Quartet No. 2 in D, Wister Quartet, Direct-to-Tape released 2008. -
“Music Hath Charms”
CHAMBER MUSIC ON THE HILL in residence at McDaniel College in its 26th Season Proudly Presents “Music Hath Charms” featuring Charm City Chamber Players Violists: Karin Brown and Renate Falkner Cellists: Daniel Levitov and Steven Thomas Guest Violinists: Brent Price and Christian Simmelink Sunday, September 20, 2015 3:00 p.m. The Forum, Decker College Center McDaniel College, Westminster, MD Funded in part by a Community Arts Development Grant from the Carroll County Arts Council and the Grants for Organizations Program from the Maryland State Arts Council. Program Notes Luigi Boccherini (1743 -1805) was roughly contemporary with Joseph Haydn and had a rather colorful life. Son of a professional double bass player, Luigi adopted the cello and was playing professionally by the age of thirteen. After four years in Rome, to complete his musical studies, he set off on a series of continental tours with a violinist colleague. In Paris, in 1768, he is said to have “created a sensation ” both for his playing and for his compositions – trios and quartets. He was persuaded to settle in Spain as a court musician, eventually for the Crown Prince, Don Luis. He married a Spanish girl and composed prolifically until his patron ’s death in 1785. His next employer was King Frederick William of Prussia but, when the latter died in 1797, he was left without income and returned to Spain. For a while he was supported by the French Ambassador, Lucien Bonaparte (the Emperor ’s brother), but when the latter was recalled in 1802, Boccherini was left to eke out a meager living rearranging his compositions to in- clude the guitar, then a fashionable instrument. -
MARTHA ARGERICH Recorded Concerts & Recitals Previous Update: January 23, 2017 This Update: February 23, 2017
MARTHA ARGERICH Recorded Concerts & Recitals Compiled by Ateş TANIN Previous Update: January 23, 2017 This Update: February 23, 2017 New entries for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals I have and others I am aware of. Excerpts are not included. For commercially issued items I have only listed what I have or would be delighted to have. Comments, additions and corrections are welcome.Details of Argerich CDs issued by DOREMI are at http://www.doremi.com/Argerich.html Please contact me by e-mail: [email protected] LOGO: ** = I have the original issue; * = I have a CD-R/DVD±R copy of the original issue; SACD = Super Audio CD; BD = Blu-Ray; (LD) = Laserdisc; (PTA) = I have a Privately Taped Audio Recording; (PTV) = I have a Privately Taped Video Recording BACALOV, L. Astoriando 17/3/2010 - Rome - Bacalov - (PTA) 14/5/2011 - Oita - Hubert - Argerich’s Meeting Point AMP-1101 (2CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** Portena for Two Pianos and Orchestra 10/6/2015 - Lugano - Hubert, O. della Svizzera italiana/Vedernikov - Warner 2564628549 (3CD) 17/7/2015 - Buenos Aires - Hubert, O. S. Nacional/Bacalov - (PTV) BACH, J.S. Concerto for Four Pianos and Strings in a, BWV 1065 22/7/2003 - Verbier - Kissin, Levine, Pletnev - Birthday Festival O. - RCA 82876 60942 9 (DVD)** 15/10/2004 - Buenos Aires - Sebastiani, Vallina, Balat - Sinfonietta Argerich/Ntaca - 3rd mvt encored - (PTA) 12/3/2012 - Athens - Kapelis, Maisky, Mogilevsky - Megaron Camerata/Korsten - (PTV) 21/10/2013 - Paris - Lim, Zilberstein, Vallina - Chamber O. -
056-Tchaikovsky-String-Quartets-Nos-1
DDD Absolutely Digital™ CDR 90000 056 TCHAIKOVSKY String Quartet No. 1 in D major, Op. 11 (28:20) 1 I. Moderato e semplice (10:55) 2 II. Andante cantabile (6:15) 3 III. Scherzo: Allegro non tanto (4:02) 4 IV. Finale: Allegro giusto (6:54) String Quartet No. 3 in E-flat minor, Op. 30 (38:45) 5 I. Andante sostenuto – Allegro moderato – Andante sostenuto (16:41) 6 II. Allegretto vivo e scherzando (4:14) 7 III. Andante funebre e doloroso ma con moto (11:29) 8 IV. Finale: Allegro non troppo e risoluto (6:07) Vermeer Quartet Shmuel Ashkenasi & Mathias Tacke, violins Total Time: (67:15) ba Richard Young, viola Marc Johnson, cello Cedille Records is a trademark of The Chicago Classical Recording Foundation, a not- for-profit foundation devoted to promoting the finest musicians and ensembles in the Chicago area. The Chicago Classical Recording Foundation’s activities are supported in part by contributions and grants from individuals, foundations, corporations, and govern- ment agencies including the WPWR-TV Channel 50 Foundation, the Chicago Depart- ment of Cultural Affairs (CityArts III Grant), and the Illinois Arts Council, a state agency. TCHAIKOVSKY STRING QUARTETS NOS. 1 & 3 by Andrea Lamoreaux The frequency with which we hear the music enrich and vary concert programs and recitals of Peter Ilyich Tchaikovsky — in concert and to a much greater extent than they currently on recordings — is the subject of much com- do. The Tchaikovsky chamber works heard most mentary. Such comments often rise to the sta- often are his Piano Trio in A Minor and the tus of complaints: a concert-goer exclaiming, sextet subtitled Souvenir de Florence (the latter “The Tchaikovsky Violin Concerto AGAIN?”, reflecting Tchaikovsky’s love for Italy along with or a CD reviewer questioning the need for his skill for creating lush string sonority).