Winter 2000/2001 Vol. 4, No. 3 A PUBLICATION OF THE NORTH CAROLINA SCHOOL OF THE ARTS FOR ALUMNI, STUDENTS AND FRIENDS

N NOVEMBER 7, North Carolina voters overwhelmingly passed a $3.1 Obillion bond package for the state’s public universities and commu- nity colleges. The package includes funds to update and repair facilities most critically in need at the schools, as well as funds to build new facilities to handle enrollment growth.

NCSA will receive $42.5 million in bonds including: > $2.25 million for an archives facility for the School of Filmmaking in order to properly store the collection of more than 25,000 original 35mm feature films; 1,500 live action and animated short films, documentaries and newsreels; 8,000 previews; and 4,000 video cassettes, laser discs and DVDs. It is the largest educational collection in the world.

> $8.9 million for a new chamber music hall which will allow students of the School of Music to perform in the professional setting for which they are being trained. Currently, more than 100 concerts are performed annu- ally in Crawford Hall, a 70-year-old renovated high school auditorium.

> $4.4 million for the renovation of the upper five floors of the Stevens Center in order to provide expanded facilities for NCSA’s Community Students assembled and marched to the Board of Elections to vote and to Music School. CMS provides musical instruction for more than 450 raise awareness for the higher education bonds. Photo by Nancy Dawson-Sauser community members by a faculty composed largely of NCSA graduate

ated from a 1950s high school locker room, has poor ventilation, inade- quate HVAC and a leaky roof. Available space limits enrollment to 18 coNtact uS students who are responsible for costuming 10 plays, two operas and a Please keep in touch! half dozen films annually. Similar conditions in the wig & makeup shop crowd the current 12 students into two rooms — a classroom designed to Alumni – Student Career Services – Outreach accommodate six students and a classroom created from a closet. The North Carolina School of the Arts facilities are further strained by the required courses in makeup for more 1533 S. Main St., Winston-Salem, NC 27127-2188 than 100 acting, and music students. (336) 631-1203 office, (336) 770-1439 fax, [email protected] The remaining bonds will allow NCSA to proceed with needed renova- tions to residence halls, Agnes de Mille Theatre, Workplace, and Gray students and alumni. Thirty-seven teachers currently share 11 studios. Building. They will also allow the School to pursue the expansion of its The funding will allow expansion of teaching facilities and will include technology infrastructure necessary to carry NCSA into the 21st century a 200-seat flexible recital hall. and acquire land adjacent to campus as it becomes available. We are thrilled with the progress we can make with this financial sup- > $1.5 million for expansion and renovation of the costume and wig & port. We hope you will visit soon and often to see the many improve- makeup facilities. The costume shop, currently housed in facilities cre- ments to our campus! aLumnI in ActIon UpComIng AluMni EveNts Mark your calendars!

Alumni Reception at USITT Convention

Alumni, students, faculty and staff participating in the USITT convention in Long Beach, Calif. are invited to an informal reception to be held on March 23.

New York Alumni Event

Join us in for an alumni gathering on Sunday, March 4, 2001!

Alumni Weekend Alumni on NCSA’s Foundation Board met in September to discuss in Manteo fund raising plans including the new “Alumni Fund.” Board members pictured are Dan Jones ’69 Music, Martha Chapman ’73 Music, Jamie Alumni, parents, faculty Call Blankinship ’81 D&P and Cinny Strickland Graham ’87 Drama. and staff are invited to Photo by Eva James Toia join us at the seaside for performances, food and fun during the weekend of June 30, 2001. This summer will mark the fifth year of a summer festival that the School of the Arts presents at Roanoke Island Festival Park in Manteo on Sam Sanger Music ’70 and Tommie Melson- North Carolina’s Outer Banks … more than 75 Sanger in Manteo during NCSA Alumni Weekend performances in seven weeks! Join us to enjoy 2000. Photo by Joe Mount great productions and concerts performed by students and alumni, to renew acquaintances with old friends and make some new ones; and to learn Mark Land ’78 Dance and Corey Madden ’79 Drama (above) were about what’s been going on at NCSA. You may also wish to extend your stay to take in “The Lost among the alumni of the NCSA Board of Visitors, Alumni Advisory Colony” and other area attractions, or just enjoy more beach time! Council, and Board of Trustees who joined together in November to discuss long-range planning for the alumni office. Others in atten- For more information, visit us at www.ncarts.edu/alumni or call Eva James Toia at (336) 770-1372. dance were Michael Colina ’70 Music, Ashley Gates ’94 Drama, Rob Jansen ’95 D&P, Joe Mount ’93 Music, Mattie Rhodes ’69 Music, Skip Sherman ’73 / ’76 D&P, and Maria Watkins ’91 Music. Photo by Sarah Turner Tryon Center for Visual Arts’ Artist-in-Residence Program

Residencies are available to all artists in: sculpture, painting, technology/media, photography, AlumNi FuNd ceramics, installation, and community art through the Tryon Center for Visual Arts in uptown Your participation is important! Charlotte, N.C.

Write or call Holly Marion Emerging, mid-career, senior/mature artists and working artists are eligible. Repeat residencies Development Office – Alumni Fund are permitted. The facility is housed in an historic 1926 neo-gothic church built of brick and North Carolina School of the Arts stone, and features 15 studios including: a darkroom, film/video editing facility, metalshop, 1533 S. Main St., Winston-Salem, NC 27127-2188 pottery/ceramics facility, printshop, woodshop, exhibition/installation space, media lab. Mac (336) 770-1370 G-3 Platform computers with media graphic programs: Photoshop, Quark, scanners, large format printers, T-1 lines, and Internet access. Fully furnished one- and two-bedroom apartments located a few blocks from studios and in the cultural district of Charlotte are provided. Housing, North Carolina School of the Arts studios, food, travel, materials, facilities, and program administration are provided. Stipends Alumni Fund also available. The average residency is three months. For further information contact: Tryon Center for Visual Arts, 721 North Tryon Street, Charlotte, NC 28202, TEL: 704-332-5535, FAX: 704-377-9808, EMAIL: [email protected] , CONTACT: Casey Evelo, www.tryoncenter.org Letter from the Dean A Fresh Perspective S ALWAYS, the School of Dance is a flurry of AM WRITING to you from the ever-eventful DANCE activity. The Fall Dance Concert in November and energetic NCSA campus, where I have just A I Student Notes featured new works by guest artist Andrea Woods begun my new job as ballet instructor in the (formerly with Bill T. Jones) and faculty members School of Dance. Having graduated from the high Cheri Paige Fogleman danced in “Near the Warren Conover and Sean Sullivan. Brenda Daniels school program in 1971, it gives me great pleas- Terrace” for Shen-Wei in the International re-staged a trio for the concert as well. ure to be returning to this invigorating place Choreographers Commissioning Program at the aMeanwhile, Melissa Hayden is getting a head now, on the verge of the “middle” age of my life! American Dance Festival this summer. Also per- start on Balanchine’s “ Brillante,” which While I’ve always regarded the three formative forming in the festival were Jon Guymon, Janice will be part of our exciting Winter Dance Concert years I spent here back in the late ’60s to be Lancaster and Djamila Moore who performed in in February. Ms. Hayden is also busy preparing among the best years of my life, I have also con- Boi Sakti’s “Space Urbanization.” high school senior Jerome Johnson to compete in sidered the rigorous training and well-rounded the Prix de Lausanne in January. Jerome is from arts/academics educational experience that this Gyula Pandi escorted current students Megan Winston-Salem and was in our Preparatory School offers to be main factors in my ability to LeCrone and Jerome Johnson to Budapest to par- Program. survive such a long, productive professional ticipate in the 50th anniversary performance of In October, Rosemarie Wright and Rebecca dance career. As a teacher of ballet, I have often the Hungarian Ballet Academy. Wright visited our campus for three days to cast recommended NCSA to my students who are our students in parts they will share with the ABT searching for the very environment which this Studio Company in our joint presentation of School provides: excellent training, fine facili- ’s “Deuce Coupe.” The ABT Studio ties, and performing experience, along with a Company will repeat its three-week residency shared appreciation of the other artistic disci- from last fall, this time joining our Winter Dance plines that co-exist here on campus. I have Concert Feb. 22-25. Two scholarships in dance will come to know students who themselves were be founded in Ms. Tharp’s name as a result of this students at NCSA. All are typically equipped with collaboration. Besides the pieces mentioned the strength, skills, knowledge, and confidence above, the program will also include a revival of which readily identifies an NCSA graduate. All faculty member Dianne Markham’s “The Little are highly recommendable as professional Prince.” dancers. John Michael Schert ’00, who recently graduat- I have just recently retired from “the stage,” ed from our high school ballet program, is cur- having performed almost constantly since leav- rently a member of ABT Studio Company. Former ing here 30 years ago — most notably with NCSA students Julio Bragado-Young ’98 and Isaac National Ballet of Washington (1971-1974), Stappas ’98 have joined . American Ballet Theatre (1975-1988), Ballet Isaac had the good fortune of dancing several Arizona (1988-1990), and “Phantom of the leading roles after only a month in ABT, including Opera” on Broadway (1990-2000). It was with both the “white” and “red” male leads in Martha “Phantom” that I enjoyed my proverbial Graham’s “Diversion of Angels.” Alumna Gillian “farewell” performance at the end of July 2000. Christine Spizzo teaches ballet students. Murphy ’96 continues to dazzle audiences with her So, here I am, ready and willing to assume my Photo by R. Harriman performances in ABT and is scheduled to perform new responsibilities as dance instructor at “ye’ the principal leads in “Etudes,” “Black Swan Pas olde” School of the Arts. It is with deep respect de Deux” and “Theme and Variations” in this and a great sense of pride that I take my place Faculty Notes year’s City Center season. Ayo Janeen Jackson ’99 among the wise and wonderful teachers who has joined Bill T. Jones. make up this renowned faculty. All have influ- Brenda Daniels and dance musician Jefferson We are looking forward to several guest faculty enced generations of young dancers with their Dalby were married on Aug. 20. this year including Alberto Del Saz of Murray Louis own personal style and enthusiasm. I hope that, and Nikolais Dance during the winter term and together, we will continue to create many happy Melissa Hayden was featured in Dance Roxanne D’Orleans Juste of Limón Dance Company memories, lasting relationships, and an enduring Magazine’s July Presstime News. Miss Hayden during the spring term. sense of pride in “our” School, among future recently coached and taught dancers of the We encourage all of you to drop by or send us generations of dancing dancers! Pacific Northwest Ballet in her roles in information on your activities and hope you can — Christine Spizzo ’71 “Episodes,” “Agon” and “Divertimento No. 15” join us at some point to see a performance or to Ballet Faculty, School of Dance for George Balanchine Foundation’s Interpreters just wander the halls and studios. You are always Archive. welcome. – Susan McCullough Dean, School of Dance DeSIgn & PROducTIon Letter from the Dean

NOTHER SUCCESSFUL YEAR has passed in the efforts of John Toia, it looks like this will be an Awild and wonderful world of D&P. We saw ongoing annual event. Martha Dunigan retire (alas!), but have welcomed “New” D&P is now almost 10 years old. We’re Greg Shelnutt ’79 to carry on the work in the getting new flooring in our hallways. Something Faculty Notes Sculpture Studio. Greg is an alumnus of our high which will not show the cola and coffee stains, Franco Colavecchia was included in “Setting the school Visual Arts Program. we hope. Stage – American Style,” a major design exhibit aOur third “Professional Job Fair” was very excit- We’ve moved the CAD lab to a larger space so from the Robert Tobin collection at the McNay ing, with more than 18 companies in attendance we can have more stations. Demand for these Museum in San Antonio, Texas. Franco’s work can (many headed by our own alums). Thanks to the classes continues to grow each year, and Richard also be seen in Harvard Theatre Museum’s winter Harrison is doing a great job coordinating all this. exhibition. Jack Miller is developing a new program in Stage Automation, which Howard C. Jones was scene designer for “School we hope to be able to offer starting for Wives” at Weston Playhouse in Weston, Vt. September 2001. The production staff also included Design & We had a great reunion this summer Production alumni Nelson Downend ’98 (lighting – Margaret Pope returned to help man designer), Troy Brizius ’00 (technical director), the office while folks were taking some Meggan Camp ’00 (stitcher) as well as current D&P vacation time. That is the good news! students Kate Sutton Johnson (prop master), However, Doomsday has arrived! Jason Bolen (assistant to the scene designer) Shelva Cockerham retired on Dec. 1. and Pete Goetz (carpenter). I think I’ll take an extended vacation. Throughout the past year, we’ve Mark Pirolo directed “The Haunting of Hill House” had visits from many of you, stopping at Winston-Salem Little Theatre. Fellow faculty by the office to say hello, particularly during the member David Smith designed sound for the The successful bond initiative will improve conditions summer. Keep on coming! And keep in touch. production. in the D&P Costume Shop. Photo by Allen Aycock — John Sneden Dean, School of Design & Production visual arts REETINGS FROM THE VA Sculpture area! As most of you no doubt know, after my marriage to my wife, Ellen Gardiner, and the birth of our daughter, GMartha Dunigan retired last year, but what you may not know is that I was Emily, now three. one of her students – way back in 1978! It has been a wonderful and, at times, In many ways, I see my experiences since NCSA, professional and personal, even a strange experience to come full-circle, but I can honestly say that every- as connected to the time I spent here. As any alum can attest, NCSA is a place one has done their utmost to make me feel welcome. And, while no one could where one is taken seriously, not only as an artist, but as a unique individual ever fill Martha’s shoes, I think I found some of her old aprons in the storage with a voice that deserves expression and respect. For my part, I hope I con- shed … tribute to others at least some of what Clyde Fowler, Martha Dunigan and Steve Anyway, for those of you who are curious as to what I’ve been up to since I Zelanski gave to me by presenting real challenges, asking the hard questions, left NCSA … hmmm… let’s see … I attended East Carolina University, majored and offering support for the development of my intellect. in sculpture and obtained a Bachelor of Fine Arts degree in 1985. After ECU, During my time at NCSA I plan to build upon the foundation that Martha has I spent a year casting iron at the University of Iowa and then went into the left to the Sculpture program. While clay will remain a vital part of the curricu- University of Georgia’s graduate program where I received my Master of Fine lum, I intend to fully utilize the potential of our new facility by developing Arts degree in 1988. In August of that same year, I started teaching at the welding and foundry areas as the donation and acquisition of equipment makes University of Mississippi. it possible. In all, I stayed at “Ole Miss” twelve years. During leaves, exchanges and sab- I would love to hear from other VA alums about their experiences, and I invite baticals, I also taught for the University of Georgia’s Studies Abroad Program in you to share your experiences since graduation from NCSA in these pages. Cortona, Italy, in 1991, and in 1992 I had one the most amazing experience of Sincerely, my life as a Visiting Artist at the Victorian College of the Arts in Melbourne, Greg Shelnutt ’78 Australia. Well, okay, it’s actually the third most amazing experience of my life Visual Arts Faculty dramA Letter from the Dean

RECENTLY RETURNED from a directing assign- look, and spread the word and reputation of accomplishments and want you to continue to Iment. As the first American invited to direct a NCSA. These outside contacts allow us to continu- think of NCSA as your artistic home. play at Shakespeare’s Globe Theatre in London, I ously compare and evaluate our own standards – Gerald Freedman was somewhat overwhelmed by the sense of occa- and methods of training. The faculty continues to Dean, School of Drama sion and history of the moment. Yet in the famed augment their expertise with additional study and “wooden O,” a few yards from the Thames, a few workshops. We are anything but a hermetically hundred yards from the original site of the Globe, self-satisfied ivory tower. We keep attracting a Faculty Notes I felt at one with my fellow theatre craftsmen high percentage of the most talented students Gerald Freedman directed William Shakespeare’s istretching over the centuries. Whether in 1590 or who wish to study at a conservatory. We accept “Richard II,” which opened Nov. 7 at the the year 2000, on a platform stage or in front of less than 10 percent of our vast application pool Shakespeare Theatre in Washington, D.C. a camera, the essentials of acting are the same. in order to maintain the quality of our training Assisting him were current NCSA directing stu- dents Eric Trader, Molly Feingold, Charlie Sargent and Andrew Wassenich. “We have a great faculty. Each one a master of his or her craft, with Twana Gilliam appeared in “Ain’t Misbehavin” last talents to motivate and inspire our May with the North Carolina Black Repertory directed by Mabel Robinson and produced by Larry students.” Leon Hamlin. The play then moved to the Barn Dinner Theatre, where it ran through July. with manageable class size. In my opening remarks at our Cigdem Onat will star in Arthur Laurents’ “Claudio first all drama school meeting at Lazlo” at the George Street Playhouse in New the beginning of the school year, I Brunswick, N.J. The production opens in April. presented the students with an Onat was featured in the July/August issue of enigma: “We cannot teach you American Theatre. The article, entitled “Dancing how to act – but we can change With Circumstance” by Janice Paran, outlines her and affect how you receive and acting career in Turkey and the United States as process information; we can well as her teaching career at NCSA. change and affect your habits of discipline, focus and concentra- Martin Rader was the recipient of an Award for tion; we can change and affect Excellence in Teaching given by the Board of how you speak and use your voice Governors of the 16-campus University of North to give you more versatility. We can help to open Carolina. Marty received a bronze medallion and Katherine Buffaloe Harris ’75, Rod Franklin ’75 you up to your greatness and potential as a a $7,500 cash prize. and Sandra La Vallee ’75 were among those who human being by exposing you to great authors, returned to NCSA in August for a reunion of the and ideas, and language contained in the classic “London 20” drama classmates who studied together in London in 1974. Reunion festivities drama of the Western world. Go for the gold: not included an informal performance for an audience the Tony, not the Oscar, not the Emmy or the of friends, faculty and staff. Photo by Sarah money, but the sense of excellence in yourself. Turner Learn to search and question and play and love and relate in this most difficult and yet rewarding I returned to the School of Drama with a refreshed of the performing arts.” vitality and renewed commitment to our training The faculty and I want to thank the ever-grow- program. ing number of you who stay in touch with us, both We have a great faculty. Each one a master of personally and professionally; those of you who his or her craft, with talents to motivate and visit; who contribute to our needs, both artisti- inspire our students. The drama faculty are in cally and financially; and who act as our ambas- demand professionally and venture out to other sadors, spreading the good word of this unique Lorca Simons ’93 with college freshman Jordan Miller venues to renew their vitality, freshen their out- institution across the land. We celebrate your and Assistant Dean Robert Beseda following her keynote speech during Family Weekend 2000. Photo by Nancy Dawson-Sauser i Letter fromtheDean I Gordon Green to theSchool.Wecouldn’tbeprouderof good astheycurrentlylook. Y to newEditingandSoundfacultymembersDavid to include16stationsfromitscurrent12.Thanks our neweditings They’ll beeditingtheseprojectsonFinalCutPro, use fortheir10-minutespringproductions. dents usedtoshoottheirfallprojectsandwill DVC-PRO cameras,whichoursecond-y digital videography anticipated conversionfromVHSandBetato of Filmmaking,aswefinallymakethelong- and classesbusilyinsession. fourth andsecondy our schoolfeelsasifit’ the day’ and longertime,dependingonthebarometerof two y of Cowbo release inOctoberfromCodeRed,asubsidiary Film Festivalthisfall,andgota22-citynational two AmericanfilmsdebutingattheNewY critics. GEORGEWA heaps ofpraisefromRogerEbertandmanyother the T Discovery Awardforbestfirst-timedirectorat recently sharedtheprestigiousV ering theyconstitutedtheentirecrew!).David team (toomanyalumstomentionhere,consid this summer changes attheschool. 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Letter from the Dean

HROUGHOUT THE HISTORY of the School of and we acknowledge, with great pride, the confi- TMusic, our students and alumni have testi- dence placed in our school by the A. J. Fletcher fied to the importance of having a faculty com- Foundation. The future of the School of Music posed of the very finest artists and teachers. This couldn’t be brighter! past spring the retirements of founding faculty – Robert Yekovich NCSA’s new, professional quality chamber composer Sherwood Shaffer and resident musi- Dean, School of Music music recital hall will be built with the cologist Walter Gray left significant gaps for us to t approved university improvement bonds. fill. Much to our good fortune, we have found very Faculty Notes Computer rendering provided by Calloway, capable musicians to build on the school’s tradi- Johnson, Moore and West, P.A. tion of educational excellence. John R. Beck hosted the first NCSA Percussion Alumnus Kenneth Frazelle ’74 who has been Seminar in June. Participants attended three days Lynn Peters served on the Fulbright Scholarship commissioned by such internationally renowned of clinics and performances by some of North Screening Committee for Strings, which conducted performers as Yo-Yo Ma and Dawn Upshaw, will Carolina’s most distinguished teachers and per- screenings in November. join Lawrence Dillon and Michael Rothkopf on the formers including NCSA alumnus Christopher composition faculty. Deane ’76/’80, now an assistant professor at the Glenn Siebert will be performing J.S. Bach’s St. Musicologist Andrea Kalyn, a graduate of the University of North Texas. Other performers John Passion for “Lenten Passion” at Brendle Eastman School of Music and specialist in the included NCSA alumni Fred Pivetta ’86 (piano) Recital Hall at Wake Forest University in April. music of Howard Hanson, has also joined the and Matt Kendrick ’96 (double bass). faculty. Student Notes Ms. Kalyn is responsible for the Styles and Faculty member Kenneth Frazelle ’74 (piano) is Literature courses as well as new offerings in the currently composing commissions for the Phoenix Leslie Ellis won a spot playing oboe and English graduate program. In addition to her teaching Symphony and flutist Paula Robison. horn in the National High School Honors duties, Ms. Kalyn will serve as an assistant dean Orchestra that performed in Washington, D.C., in the School of Music. In October, Kevin Lawrence gave a recital of in May at the National Association for Music The Mendelssohn String Quartet, our faculty chamber music at the National Palace of Culture Education conference. quartet-in-residence, recently announced the in Sofia, Bulgaria, with NCSA alumnus Geoffrey appointment of Miriam Fried as the new first vio- Dean ’86/’89, as well as two days of master class- Violin students Meghan Hall and Evan Van Ostran linist in the group. Having established a promi- es at the National Music School there. While over- have both recently been recognized in their com- nent career as a soloist and appeared with virtu- seas, Lawrence also appeared with the Plevin munities. Meghan was a runner-up in the ally every major symphony orchestra, Ms. Fried’s Symphony in a performance of a Mendelssohn Greensboro Youth Orchestra’s annual concerto artistry brings a special dimension to the Quartet. Concerto with alumnus Joby Brunjes ’95/’97/’98 competition. Evan was given a scholarship to The Quartet’s former first violinist, Nick Eanet, conducting, gave a lecture at the American attend NCSA’s Summer Session by the Springfield is now concertmaster of the Metropolitan Opera University in Blagoevgrad, and gave a series of Missouri Symphony Guild. Orchestra. recitals and master classes at the St. Petersburg On September 8, we announced the creation of Conservatory, Russia. Megan Hodges (clarinet) and Paul Gillies (piano) the A. J. Fletcher Opera Institute at the North played a recital together at the First Presbyterian Carolina School of the Arts. Jospeh Pecoraro ’99 (guitar) released his record- Church in Lenoir, N.C. Their program included Establishing the Fletcher Institute was made ing “Sonatas Romanticas” this past winter. music by Schubert, Debussy, Chopin and Robert possible by a 10 year, $10 million commitment Pecoraro has had appearances this year in 10 U.S. Muczynski. from the A. J. Fletcher Foundation. While gener- states including solo recitals at the Kennedy ously supporting the graduate and postgraduate Center, Chicago Cultural Center and as a soloist Erin Simmons was principal clarinet at this sum- opera programs, the Fletcher gift will markedly with the Wintergreen Festival and Roanoke sym- mer’s Eastern Music Festival, where she was con- increase scholarship assistance for the orchestra phony orchestras. Pecoraro joined the NCSA fac- certo competition winner. She also performed a program, new faculty, guest artists, marketing ulty in 1999. virtusoso work by Rossini, “Introduction, Theme and promotion, touring and outreach activities and Variations,” at Guilford College in and other areas as well. This initiative marks the Greensboro, N.C., in August. beginning of a new era for the School of Music geneRal sTudies Letter from the Dean

S I ENTER my second year as dean of the country, have come to use your art in traditional A Division of General Studies, I am so honored and innovative ways. as I get to know the students who come to the As an alumnus of the School of the Arts, no North Carolina School of the Arts. Independent of matter what your current endeavor is, you have an the talent you display in your principal art form, extremely rare perspective on contemporary soci- you have the dedication and the self-discipline to ety. We need to hear and celebrate your stories aexcel in any task you choose. During this year, I and your successes. have been thrilled to hear from current students Please keep in touch. The faculty and staff of about the value and importance of their academic the Division of General Studies sends you enthusi- work during the intensive arts training process astic greetings. offered by NCSA. – Margaret S. Mertz What matters most to me is that you take all of Dean, Division of General Studies these skills and all of the knowledge you have Eleonore von Nicolai gained with you, and transform it in a variety of Faculty Notes ways as your career develops. In October, I repre- Eleonore passed away on Monday morning Sept. sented NCSA at the biannual conference on the Martha Elizabeth Golden attended the 73rd annual 11, 2000. She was a beloved former NCSA facul- Liberal Education of Artists, sponsored by the convention of the American Association of ty member of German language, literature, and Thomas S. Kenan Institute for the Arts. The theme Teachers of French in Paris in July. Eight hundred lyric diction, and a professional stage actress in of this conference was “Expanding Opportunities American French teachers met with 2,000 French her native Germany. A Memorial Celebration to for Artists.” Along with Eva James Toia ’95 and teachers from all over the world to share teaching honor her life and spirit was held on Tuesday, Aaron Bachelder ’97, I was there to learn more of strategies and to update their knowledge of Sept. 19 in Agnes de Mille Theater. the ways you, and students like you at some of the French culture and language. other major arts training programs across the

alumni notes DANCE Symphony, she moved to her current posi- Suzanne has set a wide variety of notated Greer ’94 and Ray Schwartz ’87 were per- tion in fund raising and development for for professional and university formers. James Ady ’96, a member of the corps de the National Foundation for Advancement dance companies. She is currently prepar- ballet, had a principal role in Pennsylvania in the Arts. ing to set a ballet by Richard Englund. Mary Cochran ’81 directed, choreographed Ballet’s “Symposium” October 1999 and Suzanne was a dance faculty member of and performed in the first exclusively danced the role of Benvolio in John Jonah Bokaer ’00 has joined fellow alum Montclair State University in New Jersey week of performances for Cranko’s “Romeo and Juliet” in March. Jeannie Steele ’89 as a company member from 1986 to 1997, but is taking a break to the NCSA Summer Scenes at Roanoke Most recently, he portrayed Frederick in at Dance Company. have more time with her children, ages 7 Island Festival Park. She also created a Ben Stevenson’s “Dracula.” Jeannie was featured in two photos of and 10. Suzanne, her husband, Bill premiere for the Oakland Ballet’s 2000- Cunningham’s new work, “Interscape Cardwell, and their kids live in New Jersey. 2001 season. Anna Albritton ’99 is dancing with 2000,” in the October issue of Dance Pennsylvania Dance Theatre and is also Magazine. Stuart Capps ’94 is a member of the corps Mindy Cooper ’81, ongoing member of lending her talents to their fund raising de ballet of Ballet. ThingsezIsee’m Dance Theater, recently efforts. Molly Ann Bower ’00 is currently attending returned to Broadway’s “Chicago” to play the University of North Carolina-Wilmington. Diego Carrasco ’89 was featured in a photo Hunyak, after leaving the original cast Jack Arnold ’77 is a member of Pilobolus with fellow Milwaukee Ballet company three years ago for “Titanic.” She has also Dance Theatre where he collaborates with James E. Boyd II ’70, died October 20,2000 member Melissa Watson for an article been choreographing: “Wrong Mountain” the choreographers and other dancers at the age of 50 in San Francisco, Calif. entitled “How To Make It On A Dancer’s (Broadway), “Titanic” (national tour) and in the creation of the Pilobolus dance A memorial service was held at Restlawn Salary” in the summer issue of Pointe an upcoming Frank Loesser revue, “Heart & program. Memorial Park Chapel on October 30. Magazine. Soul.” Clare Keane Banchs ’76 retired from dance Shannon Bresnahan ’81 has been on the Amy Chavasse ’81 and Chavasse Dance and Rebekah Crockett ’95 received her B.S. in 1991 after performing as principal faculty of School for Performance presented “Death, Beauty & in Entomology from the University of dancer with Zurich Ballet and Phoenix two years. Flying,” “Animal Stories” and “A Safe Piece Delaware this spring and recently entered DANCE Ballet and has been since working in arts of Sky” in an evening of dance and true the master’s program at the University of administration. After serving as assistant Suzanne Briod ’72 is a restager for the stories at the University of North Carolina- Arkansas where she is studying disease to Michael Tilson Thomas of New World Dance Notation Bureau in New York City. Greensboro in September. Alumni Courtney transmission by mosquitoes. She still AC V Michelle Everson in May dance fromCaliforniaInstituteoftheArts Jamie Elmer Horizon. Music ’95(flute)isacolleagueatArts the playsintomusicalform. was thelyricistandvocalcoachbringing theatre district. original playswhichwereperformedinthe writing andgivingthemdirectiontotheir lead artistintroducing40childrentoplay collaborator indesigningtheprogramand Drama alumnus Intermediate School61inNewY Broadway summerintensivefor the executiveproducerofathree-y state areapublicschools viding programsintheNewY profit arts-in-educationor program directorforArtsHorizons,anon- Stephanie Eley-Y issue ofP essay called“T Amanda Edge June 25. Dendy” intheRaleighNews&Observeron tured inanarticleentitled“He’ Alpert Awardindance.Hewasalsofea Mark Dendy to English. and translatesmanuscriptsfromFrench She teachesEnglishtobusinesspeople France forniney Marney OgleDebras disease. cocaine addictionandP including labworkontreatmentsfor research inpharmacolog degree inchemistryandhasbeendoing North CarolinaStateUniversitywitha Angela D’Antonio Company “The Nutcracker”withtheDelawareDance dances forfun,recentlyperformingin Kara Klein last y and hismother Keyser was createdthroughtheestatesof Scholarship FundinDanceandDrama The AndyKeyserMemorialEndowed October of hischoreographywhichpremieredin Ballet ofP designer aswelldancing.TheNational Media. Heisworkingasafree-lanceweb ter’ California InstituteoftheArtswithamas Austin Hartel corps deballetofHoustonBallet. Anne Harshbar community college. and continueshereducationatthelocal Bab in 1997.Thecompanyperformed“Swim Salem; shecreateditinBerlin,Germany dance company Karola Luttringhaus Nashville Ballet. ’69/’87, the choreographyof 18 NCS July issueofDanceMagazine. come before, the program“toppedeverythingthathad House inAspen,Colo.Theclosingworkon Company inMarchattheWheelerOpera McIntyre “Like aSamba, Financial inGreensboro,N.C. Ruthanne Matson Wagner dance alumni May the VintageTheatreinWinston-Salem even haveasister Roanoke Islandthissummer Summer Scenesatthe FestivalP Cochran a., withherhusbandandy s degreeinDanceandIntegrated y . Companymembersincludefellow , ” amulti-mediapiece,and“Idon’t ear . 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Sheis ganization pro oung daughter . ork City/tri- Beth Roberts y AspenBallet ’96 and Drama ’71 s CalArts/ ears ago, ’74 washer Mary s Fineand ork City ark on y s T rey A in ear Andy P am - . g, , y , - - for thepastseven-and-a-halfy based Mar and performingwiththeSanFrancisco- Susan Roginski of EntertainmentWeekly working inthepublicrelationsdepartment Program in1999andnowisNewY studied attheY tions withanemphasisindrama.Karithen a BAinJournalism,majoringpublicrela laude fromtheUniversityofGeor Kari Reeves Christian Rome. the classicswithanemphasisonpre- Harvard Universitypursuingadegreein Chris Ramsey 2000. Removed” attheAmericanDanceFestival New Y partnering” reported Jack AndersonofThe unfazed b for threecouples.The couples“remained Ballet Theatrein“BitterMoon, Isaac Stappas University and isnowteachingy studied y P months inIndiaonadancetourwith Salem. 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Arps Slate,Meagher&Flombeforegoing University andthenworkedforSkadden ness graduateschoolsatColumbia earned aJD/MBAfromthelawandbusi or Productions, anonprofitor While dancing,hebeganThunderclap Lubovitch DanceCompanyinNewY Louis FalcoinMilan,Italy;andLar danced withNorthCarolinaDanceTheatre; Since graduation, ears, including“JamesNaughton:Street erspectives InMotion.Whilethereshe ortland StateUniversityinJune.Martha agina Monologues. ganized festivalsonbothcoasts.He .C. Theater gann Rose ork Timeslastspring. ork. ox ofP oga withaworld-renownedguru y thepassagesofcomplicated . ’99 performedintheworld garet JenkinsDanceCompany ” Sondheim’ y . 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Jamie T troupe forchildren. tic directorof99cents,aperformanceart California CenterforArt,whereheisartis teaching atSanMarcosUniversitythe Ballet, amongothers.Heiscurrently Company Ailey Repertory Mitchum T Dance Festival. dances thissummeratJacob’ The companyperformedasuiteofseven founded b Rhythmek, amoderndancecompany Michael Thomas June. Away P Catherine’ Research WorkshopinNewY Emily iscurrentlyaninternwithMovement T Wolfangle atJacob’ Bets Conservatory TheaterinSanFrancisco. project managerwiththeAmerican Richard Ber V hotels inOrlando,LaJolla,LakeT and beveragecomptrolleratvariousresort Orlando, Fla.Shelaterworkedasafood and SeaWorldDisneyin tions atRollinsCollegeinWinterP Nevada. Sheheldtechnicaltheatreposi Linda AnnBarrowOhlson THEA of “LesMiserables, interest —mostrecentlyanationaltour to pursuedesignprojectsofpersonal stage andcorporateevents.Hecontinues managed thedesignofsetsfortelevision, Hotopp, he’ for thepastthreey Hotopp AssociatesLimitedinNewY T DESIGN Randy JamesDanceWorks. Dwayne Worthington Program, onafullscholarship. Northwest Ballet’ Sarah Warner September issueofDanceMagazine. Balanchine’ Francisco Ballet’ Katita Waldo Pink. and Juliet, the upcomingworldpremiereof“Romeo last winter P Ballet, withwhichsheperformed“P Ballet. SheisalsoadancerfortheAtlanta and ThePilatesStudioattheAtlanta instructor andteachesattheBodyCentral Swords Robertson Daryl Owens Emily T Ballet. four seasonsdancingwithLouisville with theCincinnatiBalletafterspending Cheryl Sullivan current season. ed productionof“CreoleGiselle”inits ance inDanceTheatreofHarlem’ the move Gebhardt in theiroff-season.Fellowalum founded twoy the move Kip Sturm Guffey at NorthCarolinaDanceTheatre. tant stagemanager Opera CompanyofPhiladelphia asassis Utah FestivalOperaand recentlyjoined T trator withDesign,Etc.inNewY Thomas Brady om Baker amara Broitman aylor’ an” inLondonattheRo egas andReno. esky LittleMonsterThatWouldn’tGo y Blackmore TREWORKS, US …” wasperformedatTheY s 70thbirthdaycelebrationinJuly epper rout ’99 isherassistant. performed apieceb , P . Kipalsorepriseshisperform , acontemporaryballetproject ’97 isanewcastmemberwith odd y formerAlvinAileydancers. ” choreographedb ’82 choreographedaballetfor s choreographicwork“The . 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Carloshasremained inMiamitowork y RogerNy s “Law&Order”and“Deadline” s entryintheT TRIX andadocumentaryabout , andT Bob Jones ON, wasselectedaspartofthe y acommitteethatincluded ’99 soldoutbothshowsoftheir . ’00 asherpersonalproduction OWERS ANDFRECKLECREAM. ’98 wasoneofonlytwoU.S. ’00 receivedthetopprizeof ’00 isworkingforFilmwerks ’95 isnowlivinginSeattle A T om Sizemoreanddirectedb atrick P gard, astheeditintern.She ’98 recentlyreceivedtwo ’97 iscoordinatorofspecial ork City ’00 accompaniedSchoolof elevision onsuchshowsas o NewY ’99 isdevelopmentassis ’97 weremarriedin ’98 andD&Palumna ’97 worksinproduction anagopulos oronto FilmFestival '00 wasproducerand y MikeBinderandedit . ork Times,theLos ys AndDinettes. eyton Awardfor ” Starbuckin“The , hired ork Independent ork. ollock andfaculty A awardsforher , sheisafree- . Green’ s Bazaar ” Additionally wentieth ribeca Film . Carlos ’98 and ” , Jim,in s . The ork A stu ” Craig - - - , y - - with Corine Brouwer Department ofMusic. under Greensboro. Heisteachinggraduate-and faculty attheUniversityofNorthCarolina- Mark Big Lincolnton, N.C. on July15.T Michelle Cooper Alan AnthonyBethea Music Program. starting firstgradethisy and theirson,Christopher-Joseph,is person responsibleforhiswhereabouts, Anna-Maria Ravnopolska-Dean,isthe His wife,Bulgarian-Americanharpist forum forcontemporaryAmericanmusic. Week inBulgaria,anannualEuropean and artisticdirectorofAmericanMusic T filmed forbroadcastonBulgarianNational and V the completeBeethovenquartetsinSofia Quartet. Theensemblerecentlypresented Bulgaria andcellistoftheDimovString coordinator attheAmericanUniversityin Bulgaria since1992,isfineartsprogram Geoffrey Dean Eric Reed. he hasbeenplayingwithEllisMarsalisand recently movedontoNewY y Geoffrey Clapp Artview publication. Keeps” intheWinston-SalemJournal’ featured inanarticlecalled“Playingfor Anita Cirba residence inschools. training teachershowtobemusicians-in- for theT Ariz., thissummertoconductworkshops Quintet. ThequintettraveledtoT are membersoftheBoltonHillWoodwind (flute) and ’85 (bassoon), Robert Campbell the PhiladelphiaMuseumofArt. taken apositionascuratorialassistantat Robb Bunnell Hay selections fromHandel,Dzubay entitled “ University inNovember Brendle RecitalHallatWakeForest soloists ontheNCS and Jennifer Best MUSIC Beaufort, S.C. and-breakfast inthehistoricsectionof positions asresidentinnkeepersatabed- David Solomon first feature-lengthscreenplay own productioncompanyandiswritinghis He alsostaysbus Department asaschedulingcoordinator Air PromotionsandSpecial (the latindivisionofDiscovery)intheOn- ’98 (cello), regional andoff-Broadway theatre. bands, incabarets,on cruiseshipsandin career thathasincluded workwithbig her successfulmusicalandtheatrical tion centerinNewY Actors Connection,anetworkingandaudi Lisa Gold Drakan OnlineteamassoundFXartist. John Glynn ’80 (violin). along withfellowalum are membersoftheCharlotteSymphony wife Jeffrey Ferdon with theDallasOpera. Geor elevision. Geoffreyisalsothefounder FILMMAKINGears inNewOrleansplayingjazzand dn. Lucia Mollaioli ge Dimitri Sara EllenBurkheadFerdon Brandon Christensen arna; thesixSofiaconcertswere graduate-level musictheoryinthe uscon UnifiedSchoolDistrict, gam A T ’80 (voice)recentlypurchased ’92 (Frenchhorn)hasjoinedthe ’76/’80 (trumpet)wasrecently Eileen Y Diana Mollaioli ony isnowteachingin rip toEngland”andincluded ’77 (oboe)hasjoinedthe ’96/’00 (violin), ’92 (piano)hasrecently ’84 (doublebass)andhis ’89 (cello),basedinSofia, ’83 isprincipaldoublebass ’89 (percussion)spent10 ’00 andhiswifehavetaken Elizabeth Ransom ’85/’92 (viola)performed ’00 (opera)weremarried ’82 (horn), y developingplansforhis A ’93/’00 (violin)were oung ork City ’ s annualInternational ’00 (opera)and . Theeveningwas Alasandro Linney ’95 (saxophone) ear ’90 (violin)at . Shecontinues ork Citywhere ’97/’00 (violin) . Kendall Wilson Ru-P . , and ’83 (viola) uscon, ’92 ei Y s eh . - Shayna BellaHollander and computerskills. still inGeneva,specializing inlanguage donitis promptedher retirement.Sheis Romande, playingwith themuntilten before joiningtheOrchestredelaSuisse- play moved toGeneva,Switzerlandwhereshe In theearly80s two classmatesfromRiceUniversity formed theAttaccaP Zildjian CymbalCompanyandrecently He hasanendorsementdealwiththe with theBuffaloPhilharmonicOrchestra. principal timpanist/sectionpercussionist Scott P at BlakeSchooloftheArtsinT John P work. and Choosers”ontheShowtimecablenet ten musicforsevenepisodesof“Beg LANDSDOWN lastNovemberandhaswrit also scoredanindependentfeaturecalled poser GraemeRevellcalledTIT Century Foxanimatedfeaturewithcom tion) wassecondorchestraterona20 Atli Orvarrson and currentlyisprincipalbass. National SymphonyOrchestrafor18y Orchestra whileRoberthasbeenwiththe plays flutewiththeNationalChamber Vir Driehuys Oppelt member atP James Ly peer mentorforincomingfreshmen. rently aChowanCollegecheerleaderand College inMurfreesboro,N.C.Sheiscur B.S. inelementaryeducationatChowan Elizabeth Lyles have twolittlebo Wing, N.Y cations specialistatthe106thAirRescue Gerald Kurz Charles, andtheirtwochildren. V piano atLongwoodCollegeinFarmville, Lisa Kinzer Francisco operacompany director ofGoatHallProductions,aSan David Hurlbert with hertwochildren. piano inAnderson,S.C.,whereshelives ues toplayharpsichordandteachSuzuki Robert Oppelt of Mexico. and gasproductionplatformsintheGulf ExxonMobil asasupervisoronoffshoreoil State Universityin1980andnowworksfor Music P Susan O’Neil in T Hall inMoscow,andNationalConcert Albert HallinLondon,T Carnegie Hall,AveryFisherRo recent concertappearenceshaveincluded International PianoCompetition.His y T Competition. winner oftheSylviaGreenV November title roleinMassenet’ Progress” asAnnaT appeared inStravinsky’ in Baltimore,Md.Lastseason,she attending P Andrea EdithMoore New Y Department atNewY aide tothechairmanofFrench Dana Mooney alumnus Daniel McKelway ’69 (flute), John Williams were alumni summer the FoothillsChamberMusicFestivalthis Rachel Matthews atsuy oungest everjuroroftheIblaGrandPrize a., wheresheliveswithherhusband, ginia withtheirtwochildren.Nicolette aipei. ed withseveraly ork City arris a Nagashima ollard erformance degreefromFlorida . Alsoappearingatthefestival on Jennifer Lanier ., U.S.AirForce.Jerryandhiswife . Shewasalsothesecond-place ’86 (guitar)isamusicinstructor ’87 isassistantprofessorof ’80 (violin)isamusicfaculty eabody ConservatoryofMusic David Shimoni ’88 (trombone)isacommuni enns Ingrid Matthews ’75 (doublebass)earnedher . ’92 iscurrentlytheassociate ’81 (voice)isadministrative ’71 (voice), ’98 (filmmusiccomposi ’82 andhiswife, ’77 (composition)ismusic ’98 (viola)ispursuinga Josie Rhine ’83, liveinnorthern ’83 (clarinet)anddrama ylvania StateUniversity ys. ’85 (piano)performedat ruelove andplay ’97 wasselectedasthe ’97 (voice)isnow outh orchestras ork Universityin ercussion Groupwith s “Manon”in chaikovsky Bolshoi s “TheRake’ ’69 (piano)contin ’95. . Rebecca T ’88 (piano), ’80 (viola) ocal ’85 (piano), ampa, Fla. AN AE.He Nicolette y s roxler al . ed the gars ears - th - - - - . - - - formance ofLehar’ will appearintheNewY “Fidelio, P sion) and Bellar John Wilson In July sang Lulu’ Y Last spring,asasopranointheMet’ Opera’ performed thisfallintheMetropolitan Jennifer Welch-Babidge services. recorders andvideo/musicon-demand technologies includingpersonalvideo ment anddeplo in Englewood,Colo.Clifoverseesdevelop product developmentforA Clif Watkins the ColumbusSymphonyOrchestra. Garry Wasserman Philharmonic Orchestra. University a doctorateinviolinatFloridaState ing inNaples,Fla.,wheresheispursuing Leslie T a jazzquartet. (double bass)compriseQuantumJazz, (percussion) and P in Chicagoheplay “ for thecompany’ Theatre’ that, hewasJamesinVir and AmericanHawaiicruiselines.Priorto musical directorforP Philadelphia. JohnMarkhasalsoservedas production of“RoseMarie”outside play John MarkSwink Ill. and or Michael Surratt They willbetouringAsiaagainnextspring. Zealand, Australia,HongKongandKorea. returned fromperformingtogetherinNew Saling, whoisalsoapianist,havejust P of Music. viola forFloridaStateUniversity’ Weill RecitalHallinSeptember Mozart andJanácekatCarnegieHall- formed asold-outconcertofworksb with theMiróStringQuartetwhichper Satoko “Sandy”Y violinist. since 1991.Healsoworksasanelectric member oftheFortWaynePhilharmonic Thomas Wood at TheBlueNoteinNewY and Saturdaylatenightshowsthissummer the As-IsensembleperformedFriday Keny Widow” forP John Markalsoplay Fella” andHectorin“TheGoldenApple. Seth T member tured formerSchoolofFilmmakingfaculty Independent Film. article “T recently featuredinFilmmakerMagazine’ and filmmakingalumnus A ChristmasCarol. oung ArtistDevelopmentProgram,she amela Ry owell eter Simon ed JimKeny a Tillery rachy , JennifermarriedDarrellBabidge. ganist atUnionChurchinHinsdale, ’92 (piano), s productionofBeethoven’ ’99 (trumpet), aylor Warlick s “Shenandoah”andBobCratchitt ” conductedb Gary Hawkins wenty-five NewFacesof . ShealsoplaysintheNaples s SonginBer Eric Landsper an ’93 (percussion), ’00 (saxophone), ’87/’91 (guitar)isnowin ’66 andhis11-y amira OperainGreenBay ’98 (musicfilmcomposition) ’75 isassociateprofessorof ’82 hasbeenacoreviolin yment ofnewproductsand on inRockwellTheatre’ ’67 isdirectorofmusic ’93 (opera)recently s originalproductionof ’76 (doublebass)iswith Rion Wentworth amamoto ” Thearticlealsofea ed Joein“MostHapp s “TheMerryWidow. ” ForLightOperaWorks T ed Daniloin“Merry ro ’90 ismarriedandliv alm BeachPrincess . y Pierce Brad Wentworth y JamesLevineand g’ ger ear’ ’90/’93/’97, s opera“Lulu. ginia Musical ork City Tim Orr T&T Broadband ’92 (bass)of s Evegalaper ’92 isviolinist ear-old son Michael Jonathan ’88 (percus . . ’98 were s School s ’99 s y , Wis. - ” ” ’99 - s y ” - - s - - MUSIC Non-Profit Organization U.S. POSTAGE PAID Training America's new generation of artists Winston-Salem, NC Permit No. 1 CALLBOARD IS A PUBLICATION OF THE NORTH CAROLINA SCHOOL OF THE ARTS FOR ALUMNI, STUDENTS AND FRIENDS

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From the archives the From of North Carolina. North of

The School is one of the 16 campuses of the University the of campuses 16 the of one is School The

ger number of black students. black of number ger lar a

y recruiting and enrolling and recruiting y b integration racial promote to

School is open to people of all races and actively seeks actively and races all of people to open is School

, the , Moreover orientation. sexual or , disability age,

, gender religion, origin, national , color race, on based

criminate against applicants, students or emplo or students applicants, against criminate ees y

equality of educational opportunity and does not dis not does and opportunity educational of equality -

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ol. 4, No. 3, Winter 2000/2001 Winter 3, No. 4, ol. V

TH CAROLINA SCHOOL OF THE AR THE OF SCHOOL CAROLINA TH NOR TS