DOCSLIB.ORG

GOOSE TATUM TKAPPEAR Bachelor of Science Business in De- the Exciting and Hilarious Heed Together

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GOOSE TATUM TKAPPEAR Bachelor of Science Business in De- the Exciting and Hilarious Heed Together ._. ., . ___ ... - ............... ..., .. I/ :, i *I! .. .. ......... ,~.. I ,'. .. : i ................. I ..... ', , , '.*.?e, Silver Cord:', a,,three:acL @ti married and.Robert. become; , play by 'Sidney Iioward ,has been engakd. Divid's ,charming; intelii-' selected .by the- Speech.'&d'Dri- "g&nt,wife is played by Linda O'Dell;' matics Department to be presented Hest~r,-h~frall.phantomof B &I, . Feb. and 25. in the Rnnsbura who is engaged to marry.Roberf 1% 23 9- The play which has been studied pr?lUft. .* by tbe,afodern ,Drama kinss'here .The .opcni?g, scene fentu?c? the' at Centrnl is well known and has reunion of mother'nnd sons, PIUS . been a favo,rite production since its the, ndded,complication of the first debut In London in lbn:, : 1' . j. , . meeting of the ;possessive mother- The dominant ,char&er,througb-, rind the charming com~tition. out the c+eQ, .is :>IF..+ips, 'p .... ~hd:titic,' .!>e Silver cord:' pretty, stoutish, rather distinguish- 'gymbbiizcs the tles of love between ed woman in her early 60's.. hlrs. a motber and, son which am Phelps is pinyid by'hfnriiyn Bun- .usually.brokcn by marriage of the ner, and ns the. mother, ,of.,two son. Although the play Was Nrit- grown sons, Robert, played...by .. ten' in:1926,'.it. portrays the vely Mickey Hartsock, and David, play- timeless.... and true-to-life theme Of ed by Jim Clark, has more, than 'the passessiv? ' mother. Director, abundance of mother love f& her ' Pr6f. I<&<eth Kohn says, '?It 1% B "boys." At times she Is' quite pos- : very 'moving and highly dramnllc ' sessive, 'especially ' when David ' ' play -with' wii-defined chnracters." Narilyn Bunner concentrates on lines while Prof. Kohn and Karen Easley direct Linda O'Dell as they prepare for the Speech and Drama Department's production of "The Silver Cord." i It's time'for the &is to begin The Sweetheart' Banquet and thinking about asking the &ys Dime at the second floor auEl- out!! torium of the ISTK building will ,The event? - Leap Week, Fcb. have as its theme "Gal PaWe", with "The Theater in Our Culture" is to the Piper" and "And Promen- an executive in a'talcnt booking' 10-17, beginning Fridny evening decorations centered . around a, the toplc of the lecture to be given ade Home," and has contributed agency, and they, have one son. with the ,Ahst Scrics program .Paris theme. The combined talents by Agnes de hfille, a top figure in articles to several leading periodi- They live in New. York's Creen- starring Agnes de Mille followed of tbe.Sophomore Quartet -d,the the dance world and a writer, at cals. Four schools have conferred wlch Village. She is the daughter by a come-8s-you-are party in the Co-Eds will pmvlde the entertain-. Indiana Central's Artist Series honorary degrees upon _her and . of .--.Wiliam - C-d~;h_n!i~~d,.Apnh program, :Friday,. Feb:lO.----:--{ two othc';s-have-~venher~specinl-George': de :hiiUe. .'Hei..maternnl . ~'a.mixei'at the South' Side Y Bnrn -will bc6in at .7 pm.' Karei nOl-, 1.- hflss.de Xliiie first gained f&e' citations. grandfather w?s Henry George, after the Manchester -e. A: iin6sworth and Vera Biin Reber with dance concerts of her own She is marrled to Waiter Prude, noted American economist. ' ' Sadie Iiawklns Square Dance will am eo-chairmen of the affair. composltions. Later she created .. the chorwgraphy for a number of highlight Xonday evenings entcr- The dance sponsored ..by the ...- talnment, featuring Joe Hudson Lamb&. .chi Phalanx fraternity ballets. movies, stage musicals anu ns . i wii1 at 9:30 to U:30 p.m. Bar- television- shows.-hfore-recently. *%Carryin' Sam". bo while continuing her llfelong in- Tuesday evening is a most Im- ton Rodsers and his twelve-pie? terest in the dance, she has.turned portant game with .€Tanover. and. .orchestra ,will furnish the music. .. to writing and lecturing also. Wednesday .night the. traditional ;Wlima. Wbeatcmft will play the ' ?he launched her dancing career Dog Patch Supper will be .served . piano .between ,numbers and Phll nfter graduating fmm the Unlver- in the cnfeteria. The menu will in-, Kiinger .will .be hlnster Of Cere- sity of Southern California with elude &rk chops, beans, and.. cab- . ,monies bage. Committee. Chairmen for the ~ honors. She appeared in Europe md studied ballet in England. After Wilma Wheatcraft and Sue .dance 'are 'Lsrry. hfilier, and; :etUrnlng to the United States, her Canine are in charge of planning David hfalsh, ' tickets; and Dan . hlotto; publicity nnd decorntions. choreography with the Bdiet %e weeks nctivitles. .. Russe de Monte Carlo and the Bai- ...,, ,. * .. ... - let Theater led to her deveiapmen: -.. ... of a new styi? of American ballet. lfiss de 3flile turned to the thea- ter phnse of dance when she con- College Adds, evi ..Personnel ceived the bdet and directed the Robert Bmick, an accountant Weavcr Avenue, and Xfrs. Clarence dancing in the hit musical show with the Aiilson Divlgion of GEn: A. Devltt, 4029 hfntthews Avenue, "Oklahoma!" She did the same for era1 &rotors Corporation ten years, are secretaries in .the'Evening Di- other musicals and served in also has joined the stnff of Indiana vision. ...... similar capacity several tele- a for College assistant busi- Leo Waynick ,Sr, RR. 4, B3X vlsion programs. Central as Agnes DehIille, once dancer and choreographer, now a ness manager. l99& hfartinsvilie. is the newest hfiss de Mille has written two prominent writer, will lecture in the Ransburg Auditorium, In thls newly created position he member of the college's mnin- autobiographicnl volumes, 'Dance Feb. 10. as the thiuct nresentation of the Artist Series. Is assistant to Leo S. Miller, busi- tenance staff. His son. Leo Jr., Is ness manager and treasurer of the a graduate of LCC. and another college. XIr. Barrick, who lives aL son, Quincy, is a sophomore. 1614 Pasadena Street, reeived a GOOSE TATUM TKAPPEAR bachelor of science business In de- The exciting and hilarious heed together. Young Tatum joined tention. of the Harlem Giobe- gree from Indiana University in Tatum Harlem Stars wiU battle the Stars last season after com- trotters, who signed him 'mninly 1949. Civic Oichestra the New York Rens in the Indiana peting against his own father for for his ciowning. Tatum went on Six .other persons have Joined Central College gymnasium. Thurs- his job: he is nON II full-fledged to become one of the greatest bas- the Indiana Centrnl faculty or day night, Feb. 16. Game time is member of the great barnstorming ketbali players of all time. staff since the opening of school To Present Concert e:15 pm. Pro team. An entertaining half-time show last fall. Tho Indianapolis Civic Orchestra The Junior class is sponsoring Last year, the two Tatums ai- Will be provided by the ageless XIrs.'Robert B. Hirschman. Apt will present a concert Feb. 27. at this appearance of the Crown ternated playing. Although he had wonder of baseball, Leroy (Satchel) SOB. 440". ?'inona st; has be- 8:30'p.fn in the Rnnsburg Audi- Prince of Bnsketbaii. Tickets are great confidence In his offGring, Pdge, and the .great singing come a clinical assistant'in the de- torium: There will bk no admis- on sale in room 114 of the college's Papa Goose hesitated to take out comedian, Sandman Howard. Paige partment of nursing. She' is a sion charge. Academle Hall. Prices : are ,$1.50 a more experienced pinyer to make has been pitching bnseball for graduate of North Centmi College, The program will consist of the for adults, $1 for students,-and 60c room for his son. But before the over 25 years and is best re- Naperviiie, Ill., and Indiana Uni- "Overture to' Oberon" by Cnri for children. senson was over, Goose Junior had membered for hls fine plnying,with verslty School of Nursing. nfnria von Weber, and the suite In addltion to the Golden Goose. won a regular job for himself the Cleveland Indians in the. 1947 Xfrs. Harold W. .Hamian. 4040 from the 'music for the documen- the Harlem Stars are composed of and this scnson is listed as a World Serlcs. Sandman Howard Bowman Avenue, is a part-time tary film, 'The Plow that Broke such greats ns Sweetwnter Clif- starter. has appeared at the Dunes Ho- nssistnnt ' In the college lib%+. Plains", by the American composer ton, 7 foot,-1 inch Lee Collins, the Oddly enough, Goose Tatum and tel in Las Vegas, the Copacabana She is a 1927 graduate of Indiana: Virgil Thomson. Also included In Dungen twins, and Goose Tatum Sweetwater Clifton did not play in New York, and the Chb Lido Central. where she taught chcml the evking's pmgram will be 'The Junior. together the first time as bssket- in Paris. istry in 1927-25.. ...... Cnrnivnl of Animals" by Salnt- This team bonsts professional ball players. Both were members This will be the second appenr- hfrs. R \V. hfiller,' who ~89%ens .featuring a piano duo of basketball's only father-and-so? of the lhdianapoiis Clowns. a barn- ance of the Harlem Stars in the manager of the college' bookstore Lillie Danek and 'Joan Walker. combinatlon playing together. This storming baseball team. It NS Indiana Central gym. They played in 19Jli-56, has returned to ICC as Verses on the ;Carnival of Anl- is the second season that the Goose while clowning around first base here last year against another residence director of Dailey IIaU mais" written by Ogdcn Nnsh will and his 21........... year-old son have play- that Tatum first attracted the at- touring team. Xflss Nancy Brandelein, 4049 be rend before each selection.
Load more

Recommended publications
  • The Key Reporter
    reporter volume xxxi number four summer 1966 NEW PROGRAMS FOR THE HUMANITIES The National Foundation on the Arts and the Humanities aspects of the program. Panels for review of proposals are celebrates its first birthday next month. One of the youngest also set up in selected fields. The Councils are obliged to make federal agencies, the Foundation was established last year by annual reports to the President for transmittal to Congress. the 89th Congress on September 16. Although legislation in Federal Council on the Arts and the Humanities support of cultural undertakings, particularly the arts, had been before Congress for some 88 years, last year was the first In order to avoid duplication of programs and with an eye to time that legislation had been introduced to benefit both the assuring maximum opportunity for cooperative activities humanities and the arts means of one independent national by the among federal government agencies, a Federal Council on foundation. That Congress voted to enact this legislative pro Arts and the Humanities was also established by Congress. gram the first time it was introduced can be attributed to strong There are nine members on the Federal Council, including the Administration backing of the proposed Foundation, biparti Secretary of the Smithsonian Institution, who serves as chair san support and sponsorship of the legislation in Congress, man. The Federal Council is authorized to assist in co and general public recognition and agreement that the national ordinating programs between the two Endowments and with government should support and encourage the humanities and related Federal bureaus and agencies; to plan and coordinate the arts.
    [Show full text]
  • Feminist Scholarship Review: Women in Theater and Dance
    Trinity College Trinity College Digital Repository Feminist Scholarship Review Women and Gender Resource Action Center Spring 1998 Feminist Scholarship Review: Women in Theater and Dance Katharine Power Trinity College Joshua Karter Trinity College Patricia Bunker Trinity College Susan Erickson Trinity College Marjorie Smith Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/femreview Part of the Feminist, Gender, and Sexuality Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Power, Katharine; Karter, Joshua; Bunker, Patricia; Erickson, Susan; and Smith, Marjorie, "Feminist Scholarship Review: Women in Theater and Dance" (1998). Feminist Scholarship Review. 10. https://digitalrepository.trincoll.edu/femreview/10 Peminist Scfiofarsliip CR§view Women in rrlieater ana(])ance Hartford, CT, Spring 1998 Peminist ScfioCarsfiip CJ?.§view Creator: Deborah Rose O'Neal Visiting Lecturer in the Writing Center Trinity College, Hartford, Connecticut Editor: Kimberly Niadna Class of2000 Contributers: Katharine Power, Senior Lecturer ofTheater and Dance Joshua Kaner, Associate Professor of Theater and Dance Patricia Bunker, Reference Librarian Susan Erickson, Assistant to the Music and Media Services Librarian Marjorie Smith, Class of2000 Peminist Scfzo{a:rsnip 9.?eview is a project of the Trinity College Women's Center. For more information, call 1-860-297-2408 rr'a6fe of Contents Le.t ter Prom. the Editor . .. .. .... .. .... ....... pg. 1 Women Performing Women: The Body as Text ••.•....••..••••• 2 by Katharine Powe.r Only Trying to Move One Step Forward • •.•••.• • • ••• .• .• • ••• 5 by Marjorie Smith Approaches to the Gender Gap in Russian Theater .••••••••• 8 by Joshua Karter A Bibliography on Women in Theater and Dance ••••••••.••• 12 by Patricia Bunker Women in Dance: A Selected Videography .••• .•...
    [Show full text]
  • Contact Us Students Who Are Responsible for Costuming 10 Plays, Two Operas and a Please Keep in Touch! Half Dozen Films Annually
    Winter 2000/2001 Vol. 4, No. 3 A PUBLICATION OF THE NORTH CAROLINA SCHOOL OF THE ARTS FOR ALUMNI, STUDENTS AND FRIENDS N NOVEMBER 7, North Carolina voters overwhelmingly passed a $3.1 Obillion bond package for the state’s public universities and commu- nity colleges. The package includes funds to update and repair facilities most critically in need at the schools, as well as funds to build new facilities to handle enrollment growth. NCSA will receive $42.5 million in bonds including: > $2.25 million for an archives facility for the School of Filmmaking in order to properly store the collection of more than 25,000 original 35mm feature films; 1,500 live action and animated short films, documentaries and newsreels; 8,000 previews; and 4,000 video cassettes, laser discs and DVDs. It is the largest educational collection in the world. > $8.9 million for a new chamber music hall which will allow students of the School of Music to perform in the professional setting for which they are being trained. Currently, more than 100 concerts are performed annu- ally in Crawford Hall, a 70-year-old renovated high school auditorium. > $4.4 million for the renovation of the upper five floors of the Stevens Center in order to provide expanded facilities for NCSA’s Community Students assembled and marched to the Board of Elections to vote and to Music School. CMS provides musical instruction for more than 450 raise awareness for the higher education bonds. Photo by Nancy Dawson-Sauser community members by a faculty composed largely of NCSA graduate ated from a 1950s high school locker room, has poor ventilation, inade- quate HVAC and a leaky roof.
    [Show full text]
  • Harlem Intersection – Dancing Around the Double-Bind
    HARLEM INTERSECTION – DANCING AROUND THE DOUBLE-BIND A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Judith A. Miller December, 2011 HARLEM INTERSECTION – DANCING AROUND THE DOUBLE-BIND Judith A. Miller Thesis Approved: Accepted: _______________________________ _______________________________ Advisor School Director Robin Prichard Neil Sapienza _______________________________ _______________________________ Faculty Reader Dean of the College Durand L. Pope Chand Midha, PhD _______________________________ _______________________________ Faculty Reader Dean of the Graduate School James Slowiak George R. Newkome, PhD _______________________________ Date ii TABLE OF CONTENTS CHAPTER I. INTRODUCTION ……………………………………………………………………. 1 II. JOSEPHINE BAKER – C’EST LA VIE …………………..…….…………………..13 III. KATHERINE DUNHAM – CURATING CULTURE ON THE CONCERT STAGE …………………………………………………………..…………30 IV. PEARL PRIMUS – A PERSONAL CRUSADE …………………………...………53 V. CONCLUSION ……………………………………………………………...……….74 BIBLIOGRAPHY ……………………………………………………………………… 85 iii CHAPTER I INTRODUCTION “Black is Beautiful” became a popular slogan of the 1960s to represent rejection of white values of style and appearance. However, in the earlier decades of the twentieth century black women were daily deflecting slings and arrows thrown at them from all sides. Arising out of this milieu of adversity were Josephine Baker, Katherine Dunham, and Pearl Primus, performing artists whose success depended upon a willingness to innovate, to adapt to changing times, and to recognize and seize opportunities when and where they arose. Baker introduced her performing skills to New York audiences in the 1920s, followed by Dunham in the 1930s, and Primus in the 1940s. Although these decades resulted in an outpouring of cultural and artistic experimentation, for performing artists daring to cross traditional boundaries of gender and race, the obstacles were significant.
    [Show full text]
  • Issue 2 2015|2016 SEASON
    2015|2016 SEASON Issue 2 TABLE OF Dear Friend, It has finally happened. It always CONTENTS seemed that Kiss Me, Kate was the perfect show for the Shakespeare 1 Title page Theatre Company to produce. It is Recipient of the 2012 Regional Theatre Tony Award® one of the wittiest musical comedies 3 Cast in the canon, featuring the finest Artistic Director Michael Kahn score Cole Porter ever wrote, Executive Director Chris Jennings 4 Director’s Word stuffed to the brim with songs romantic, hilarious, and sometimes both. It is also, not coincidentally, a landmark 8 Story, Musical Numbers adaptation of Shakespeare, a work that no less a critic than and Orchestra W.H. Auden considered greater than Shakespeare’s own The Taming of the Shrew. 9 Music Director’s Word All I can say to the multitudes who have suggested this show to me over the past 29 years is that we waited 13 About the Authors until the moment was right: until we knew we could do a production that could satisfy us, with a cast that could 14 The Taming of work wonders with this material. music and lyrics by Cole Porter the Screwball book by Samuel and Bella Spewack Also, of course, with the right director. He doesn’t need 18 It Takes Two any introduction, having directed two classic (and Performances begin November 17, 2015 classically influenced) musicals for us—2013–2014’s Opening Night November 23, 2015 (Times Two) award-winning staging of A Funny Thing Happened on the Sidney Harman Hall Way to the Forum and 2014–2015’s equally magnificent 24 Mapping the Play Man of La Mancha—but nonetheless I am very happy that STC Associate Artistic Director Alan Paul has agreed to Director Fight Director 26 Kiss Me, Kate and complete his trifecta with Kiss Me, Kate.
    [Show full text]
  • Running Away to Dance in the 40'S
    NO DAUGHTER OF MINE IS GOING TO BE A DANCER! Dancing for Agnes de Mille and the Giants of Dance in the 40s By Sharry Traver Underwood Foreword by Deborah Jowitt Table of Contents Foreword by Dance Critic Deborah Jowitt i i Acknowledgements v iii iii Introduction 1 1 Chapter One 3 3 1942 Summer Harrisburg, PA It is my dancing! WWII raging. Dance while others die? Dance at Syracuse University Jungle Rhythms The plan: to go to Jacob’s Pillow University of the Dance My dance training; is there any? Chapter Two 13 1942 Summer Jacob’s Pillow Opening Season of Jacob’s Pillow University of the Dance First day in class with Joseph Pilates, Steffi Nossen Ted Shawn, Bronislava Nijinska, Elizabeth Burchenal. Classes with Anna Duncan, Arthur Mahoney, Thalia Mara, Dr. Margaret d’Houbler, Dr. Anne Duggan A spectacular class with Ruth St. Denis Performance dance artists: Ted Shawn, Barton Mumaw, Helen Tamiris, Asadata Defora, Elizabeth Waters, Miriam Winslow, Marina Svetlova. Comprehension of Dance as A Living Art Ted Shawn proclaims Body, Mind and Spirit inseparable! Ted Shawn’s appraisal of my dancing. Chapter Three 39 1943 Summer Jacob’s Pillow Jacob’s Pillow Dance Festival Scholarship students Classes with Natasha Krassovska, Grant Mouradoff, Joe Pilates, Arthur Mahoney, La Meri, Anne Schley Duggan & Jeanette Schlottman, Thalia Mara Ted Shawn, teaching Denishawn repertory Delsarte Lectures Being Shawn’s partner on Jacob’s Pillow Dance Theatre program. Barton Mumaw’s performance Papa Shawn finds job for me, teaching dance at Brenau College in Georgia Chapter Four 65 1943-44 Brenau College, Gainesville, GA Teaching Modern Dance and Folk Dance at Brenau College Produce student musical for War Bond & Red Cross Benefits Present Solo Dance Recital The Indian Pageant Contretemps with my Physical Education Director My trial BA Degree in Theatre.
    [Show full text]
  • Jerome Robbins Began His Journey As a Dancer in the Ballet Theatre Company, Which Would Later Be Renamed the American Ballet Theatre
    Jerome Robbins began his journey as a dancer in the Ballet Theatre Company, which would later be renamed the American Ballet Theatre. The company produced classical ballets, but also encouraged innovative work. When the company faced financial problems and had to bring in new managment, Jerome grew weary of only performing in pieces that told stories of the past. Thus, Fancy Free was born. Premiered in April of 1944, Fancy Free was a revolutionary ballet that focused on telling the story of the modern men and women in New York. The three main characters were created specifically for himself and two of his close friends. A big focus of his was to properly convey the characters so that the audience had a clear understanding of them. It was a new idea, telling the stories of the present day, but he was not alone in this movement. Other choreographers, such as Agnes De Mille and Antony Tudor, were also producing these kinds of works. Though his dancers were performing difficult choreography, it was important to him that they still seemed like real people. His rehearsals tended to run longer than most simply because he wanted to perfect the “attitudes” conveyed in the piece. Eventually, Fancy Free became the basis of the musical On the Town, thus launching his career in musical theatre. Some of his most notable works on Broadway were West Side Story, Fiddler On the Roof, and The Pajama Game. When working on West Side Story, in order to facilitate the hostility between the on-stage gangs, they were not permitted to associate with each other off-stage.
    [Show full text]
  • News from the Jerome Robbins Foundation Vol
    NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries.
    [Show full text]
  • Danny Daniels Papers LSC.1925
    http://oac.cdlib.org/findaid/ark:/13030/c8tm7h6q No online items Finding Aid for the Danny Daniels Papers LSC.1925 Finding aid prepared by Douglas Johnson, 2017; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2020 October 16. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Danny Daniels LSC.1925 1 Papers LSC.1925 Contributing Institution: UCLA Library Special Collections Title: Danny Daniels papers Creator: Daniels, Danny Identifier/Call Number: LSC.1925 Physical Description: 36.2 Linear Feet(61 boxes, 3 cartons, 2 shoe boxes, 16 flat boxes, 2 oversize flat boxes) Date (inclusive): 1925-2004 Date (bulk): 1947-2004 Abstract: Danny Daniels was a tap dancer, choreographer, and entrepreneur. The collection consists primarily of material from his long career on stage and in film and television. There are also records from his eponymous dance school, as well as other business ventures. There is a small amount of personal material, including his collection of theater programs spanning five decades. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are primarily in English, with a very small portion in French and Italian. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements COLLECTION CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisua materials.
    [Show full text]
  • Bulldog High School Academic Tournament 2018 (XXVII): After Such Knowledge, What Forgiveness? Edited by Jacob Reed, with Stephen
    Bulldog High School Academic Tournament 2018 (XXVII): After such knowledge, what forgiveness? Written by Yale Student Academic Competitions (Stephen Eltinge, Adam Fine, Isaac Kirk-Davidoff, Hasna Karim, Michael Kearney, Moses Kitakule, Jacob Reed, James Wedgwood, Sid Carlson White, and Bo You), Clare Keenan, and Eddie Kim Edited by Jacob Reed, with Stephen Eltinge and Eddie Kim Packet 11 Tossups 1. Description acceptable. Bryan Fogel’s documentary Icarus describes his meeting with a major figure in this ​ ​ ​ ​ ​ scandal. Samuel Schmid was the chair of a group that looked into this controversy, which was also investigated by the Oswald Commission. A person involved in this scandal described how materials were passed from Room 125 to Room 124 through a hole in the wall; that person was the doctor (*) Grigory ​ Rodchenkov, and the materials were urine samples. This controversy led to an important December 2017 decision by the IOC. For 10 points, identify this scandal that led to a certain country’s exclusion from the 2018 Winter Olympics. ANSWER: Russian doping scandal [accept any equivalent description; prompt if Russia isn’t mentioned] <JW> ​ ​ ​ ​ 2. The consul Gaius Popillius Laenas supposedly ended an invasion of this region by drawing a circle around ​ the enemy commander, ordering him not to move out of it. Juvenal was banished to this region, and an earlier author, Cornelius Gallus, served as its first prefect. Many citizens in this region were tax exempt, likely because it served as the Roman empire’s largest (*) grain provider. Following his defeat at Pharsalus, ​ Pompey fled to this region, where his pickled head was presented to Caesar.
    [Show full text]
  • Dance History Session 9 Katherine Dunham
    Katherine Dunham Timeline 1909 A studio photograph of Katherine Dunham in the 1920s . Katherine Mary Dunham is born on 22 June 1909 in a Chicago hospital. Her father, Albert Millard Dunham, is black; her mother, Fanny June Dunham, is a woman of French-Canadian and American Indian heritage. Shortly after her birth, her parents take the infant Katherine to their home in Glen Ellyn, Illinois, a village about fifteen miles west of Chicago. She spends her early years there in the company of her brother, Albert Jr., who is six years older than she. They become devoted to each other. 1913 Fanny June Dunham, twenty years older than her husband, dies. Katherine and Albert Jr. are sent to live with their father's sister, Lulu, on the South Side of Chicago. 1915 Albert Sr. marries Annette Poindexter, and the children go to live with their father and stepmother in Joliet, Illinois. Their stepmother becomes a benevolent influence, but their father is a strict disciplinarian who lays down hard rules of behavior and dispenses physical punishment for infractions. 1921 Dunham's short story, "Come Back to Arizona," written when she was twelve years old, appears in volume 2 (August 1921) of The Brownies' Book, a periodical edited by W.E.B. Du Bois. 1922 In high school, Katherine Dunham joins the Terpsichorean Club and begins to learn a kind of free-style modern dance based on ideas of Jaques-Dalcroze and Rudolf von Laban. At fourteen, to help raise money for her church, she organizes a "cabaret party." She is the producer, director, and star of the entertainment.
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with Glory Van Scott
    Biographical Description for The HistoryMakers® Video Oral History with Glory Van Scott PERSON Van Scott, Glory Alternative Names: Glory Van Scott; Life Dates: June 1, 1947- Place of Birth: Chicago, Illinois, USA Residence: New York, NY Occupations: Dancer; Theater Professor; Stage Actress Biographical Note Producer, performer, educator, and civic activist, Glory Van Scott, was born in Chicago, Illinois, June 1, 1947. Van Scott's parents, Dr. and Ms. Thomas Van Scott, were raised near Greenwood, Mississippi and shared some Choctaw and Seminole ancestry. The trauma of Van Scott's cousin Emmett Till’s murder in 1955 did not diminish the benefit of the art, dance, and drama classes at The Abraham Lincoln Center, where she met Paul Robeson and Charity Bailey. Van Scott spent summers in Ethical Culture Camp in New York. A student at Oakland Elementary School and Dunbar summers in Ethical Culture Camp in New York. A student at Oakland Elementary School and Dunbar High School, Van Scott finished high school at Ethical Culture High School in New York City. That summer at the Society for Ethical Culture’s Encampment for Citizenship, Cicely Tyson referred Van Scott to actress Vinette Carroll, who mentored Van Scott in theatrical arts. Soon Van Scott was moving easily between modeling for the Wilhelmina Agency and performing; a principal dancer with the Katherine Dunham, Agnes DeMille, and Talley Beatty dance companies, she also joined the American Ballet Company. Van Scott appeared on Broadway in House of Flowers, with Pearl Bailey in 1954; Kwamina in 1961; The Great White Hope in 1968; Billy No-Name in 1970; and Rhythms of the Saints in 2003.
    [Show full text]