The Diversity O Mardi Gras
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Neil Foster Carries on Hating Keith Listens To
April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig. -
Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost. -
"Throw Me Something, Mister": the History of Carnival Throws in New Orleans
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-20-2011 "Throw Me Something, Mister": The History of Carnival Throws in New Orleans Lissa Capo University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Capo, Lissa, ""Throw Me Something, Mister": The History of Carnival Throws in New Orleans" (2011). University of New Orleans Theses and Dissertations. 1294. https://scholarworks.uno.edu/td/1294 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. “Throw Me Something, Mister”: The History of Carnival Throws in New Orleans A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History Public History by Lissa Capo B.A. Louisiana State University, 2006 May 2011 i Dedication This work is dedicated to my parents, William and Leslie Capo, who have supported me through the years. -
Table of Contents: All Who Are Associated with Christopher Homes, Inc
“Happiness for my niece “To be healthier.” & nephew.” “Explore new volunteer opportunities. Volun- -Lenora Crump, Wynhoven Resident teering is a great way -Robert Taylor Annunciation Inn resident to give back to the community.” -DeChaun Hicks “In the year 2018, with the Lord’s grace I want to contin- Annunciation Inn ue to be healthy, walk in faith with my fellow brethren.” - Community Manager Ms. S. Stelly, Villa St. Maurice resident “Saying the rosary every morning, praying for my “Become a better listener.” family and friends and the marginalized. I say it most days but when I am running late that’s the -Tamara Clarke first thing that I eliminate thinking I’ll do in the Property Accountant, Christopher Homes evening and it never happens. If I can’t do in the morning, I’ll do it by lunch.” -Debra Stepter Contract Administrator, Christopher Homes Responding to the call of the Gospel, Christopher Homes, Inc. strives to provide decent, affordable housing to vulnera- ble members of our community. Table Of Contents: All who are associated with Christopher Homes, Inc. have Page 2: Health Habits the right to respect, dignity and a sense of well being. There- fore, through the service and commitment of our staff and Page 3: Carnival Schedule volunteers, we will enable our residents to grow spiritually, Page 4: 2018 Recipes & Money Tips socially, and intellectually, empowering them to develop their optimal potential. Page 5: 2018 Tricentennial Events Christopher Homes is a senior living ministry of the Page 6: Saint of the Month, New Year’s Resolutions Archdiocese of New Orleans. -
February 2019
February 2019 a monthly insight into PPLLC Employee Highlight—SERGIO TAPIA This month PPLLC con)nues our quest to get to know and highlight our emplo.ees. The month of Fe0ruar. we are highligh)ng one of our superintendents, Sergio Tapia . Sergio has 0een emplo.ed 0. PPLLC since 017 and is currentl. working on Pro1ect 21170, Te3as Cit. Flood Protec)on Pro1ect located in 4alveston, T6. Sergio is one of most lo.al emplo.ees with an ama7ing work ethic. 8ust as in last months edi)on of Lakeside, Sergio was given a list of random ques)ons and asked to answer at least 10 of them. In true Sergio fashion, he was willing to go 0e.ond the call of dut. and answered 7 ques)ons, most of which are 0elow. A:er reading his responses .ou will trul. get a feel of Sergio’s character. So here is what we have found out a0out Mr. Tapia; What book did you last read? Ship of Fools 0. Tucker Carlson. Sergio Tapia What books are by your bedside? The Bi0le & Dail. Devo)ons for Men. Posi+on, What have you always wanted to try but never have? Sk.diving. Superintendent What is your least favorite food? Lam0. Employed Since, If you were stuck on an island what three things would you bring? A riAe, a Bshing 017 pole and a pirogue. Family What do you like to do on your days off? Spend )me with famil.. DifeI 17 .rs. To 8ennifer Tapia What is the best book you have ever read? To Cenew America. -
Better Than Chicken Soup: Healing and Charity in the Big Easy
e Best of the Crescent City Jewish News TM SOURCE2017-2018 / 5778 Bett er than Chicken Soup: Arts & Culture • Business & Professional Medicine and Charit� Community Resources • Education Entertainment • Goods & Services in New Orleans Health & Fitness • Jewish Holidays Lifecycles • Religious Life Annual Guide to Jewish Living in New Orleans and North Shore Award Winning Annuals THE BEST OF THE ™ CHANUKAH 2014 / 5775 Crescent City Jewish NewsTM SOURCE2014-2015 / 5775 Arts & Culture Our Best of the Business & Professional Community Resources Education Entertainment THE BEST OF THE Goods & Services New Orleans Holocaust Memorial by Yaacov Agam Photo by Hunter Thomas Photography Health & Fitness ™ Jewish Holidays Lifecycles Religious Life CCJN Publications Spring | Summer 2016/5776 THE BEST OF THE Annual Guide to Jewish Living in New Orleans and North Shore SOURCE Award ™ CHANUKAH 2015/5776 Crescent City Winning SOURCEJewish News Happy ChanukahTM Annuals 2016-2017 / 5777 SOURCE, a guide to Jewish living in Arts & Culture • Business & Professional THE BEST OF THE Community Resources • Education Entertainment • Goods & Services New Orleans and the North Shore Health & Fitness • Jewish Holidays Lifecycles • Religious Life THE BEST OF THE ™ Annual Guide to Jewish Living Yearbook, a year in review in New Orleans and North Shore YEARBOOK Crescent City Jewish NewsTM ™ SOURCE2015-2016 / 5776 Spring | Summer 2015/5775 Arts & Culture Business & Professional Community Resources Education Entertainment Goods & Services Health & Fitness TM Jewish Holidays -
Spectacle, Pageantry, and Parading Whitney Whetstone Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Spectacle, pageantry, and parading Whitney Whetstone Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Whetstone, Whitney, "Spectacle, pageantry, and parading" (2011). LSU Master's Theses. 478. https://digitalcommons.lsu.edu/gradschool_theses/478 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. SPECTACLE, PAGEANTRY, AND PARADING A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts In The Department of Theatre By Whitney Whetstone B.F.A., New York University, 2003 May 2011 Acknowledgements I owe a large debt of gratitude to my assembly krewe, Cammie, Anthony, Amanda, Emilie, Katie, and Hunter. You came along at just the right moment, forced me to stop dithering with the details and actually put everything together. Thanks to the Parade Krewe: Mabrey, Charlotte, Briana, Hunter, Emily, Jeff, Anthony, Amanda, Donald, Tori, Jenny, Kenny, Lisa, Cammie, Frances, Almeda, and Chase. Thank you for dressing up, for pulling the float, and for dancing in the streets. Thank you to my committee, Jim Bussolati, EJ Cho, and Jim Murphy. I appreciate all of your dedication, assistance, and the sounding board. -
University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Space, Place, and Music in New Orleans Permalink https://escholarship.org/uc/item/4q71f2ws Author Raimondi, Julie Michelle Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Space, Place, and Music in New Orleans A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology By Julie Michelle Raimondi 2012 © Copyright by Julie Michelle Raimondi 2012 ABSTRACT OF THE DISSERTATION Space, Place, and Music in New Orleans By Julie Michelle Raimondi Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2012 Professor Anthony Seeger, Chair This dissertation explores ways in which many people in New Orleans use, experience, form emotional attachments to, and make sense of space through music. It analyzes how music intersects with geography and how the musical experiences of New Orleanians bring meaning to the built form. It examines the role of the agent in the social construction of space, and how people use music as a spatial enabler in New Orleans. It proposes that music enables people to socially construct space because it accesses the nexus of memory and emotion, operates in a greater cultural context, and is a useful tool for variable expression. In order to present varied experiences with the musical construction of space, this dissertation approaches its subject through four case studies: place attachment through the “second line” parading tradition and North Claiborne Avenue, the fixing of memories in space at the Ernie K-Doe Mother-in-Law Lounge, the negotiation of public space through musical performances in various contexts, and the creation and growth of a music community in the New Orleans Habitat Musicians’ Village. -
This Link to Download SOURCE 5779
e Best of the Crescent City Jewish News TM SOURCE2018-2019 / 5779 Jewish Donating Philanthropy Supporting Giving Assisting Volunteering Annual Guide to Jewish Living in New Orleans and North Shore Arts & Culture • Business & Professional Community Resources • Education • Entertainment Goods & Services • Health & Fitness Jewish Holidays • Lifecycles • Religious Life Award Winning Annuals THE BEST OF THE ™ CHANUKAH 2014 / 5775 Crescent City Jewish NewsTM SOURCE2014-2015 / 5775 Arts & Culture Our Best of the Business & Professional Community Resources Education Entertainment THE BEST OF THE Goods & Services New Orleans Holocaust Memorial by Yaacov Agam Photo by Hunter Thomas Photography Health & Fitness ™ Jewish Holidays Lifecycles Religious Life CCJN Publications THE BEST OF THE Spring | Summer 2016/5776 THE BEST OF THE Annual Guide to Jewish Living in New Orleans and North Shore Yearbook SOURCE ™ CHANUKAH 2015/5776 Crescent City 2017 SOURCEJewish News Happy ChanukahTM 2016-2017 / 5777 SOURCE, a guide to Jewish living in Arts & Culture • Business & Professional THE BEST OF THE Community Resources • Education Entertainment • Goods & Services New Orleans and the North Shore Health & Fitness • Jewish Holidays Lifecycles • Religious Life THE BEST OF THE ™ Annual Guide to Jewish Living Yearbook, a year in review in New Orleans and North Shore YEARBOOK Crescent City Jewish NewsTM ™ SOURCE2015-2016 / 5776 Spring | Summer 2015/5775 Arts & Culture Business & Professional Community Resources Education Entertainment Goods & Services Health & Fitness -
Music Lessons As Life Lessons in New Orleans Marching Bands
Souls A Critical Journal of Black Politics, Culture, and Society ISSN: 1099-9949 (Print) 1548-3843 (Online) Journal homepage: http://www.tandfonline.com/loi/usou20 Music Lessons as Life Lessons in New Orleans Marching Bands Matt Sakakeeny To cite this article: Matt Sakakeeny (2015) Music Lessons as Life Lessons in New Orleans Marching Bands, Souls, 17:3-4, 279-302 To link to this article: http://dx.doi.org/10.1080/10999949.2015.1127106 Published online: 13 Apr 2016. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=usou20 Download by: [Tulane University] Date: 13 April 2016, At: 08:24 Souls Vol. 17, Nos. 3--4, July–December 2015, pp. 279–302 EDUCATION IN NEW ORLEANS: A DECADE AFTER HURRICANE KATRINA Music Lessons as Life Lessons in New Orleans Marching Bands Matt Sakakeeny In New Orleans, musicians in school marching bands are more popular than athletes, and spectators marvel at the choreography and musicianship on display in Mardi Gras parades and sporting events. Lessons imparted in the bandroom not only prepare a select few with the tools to pursue a career in music, they offer all students “culturally sustaining pedagogies” unavailable in core curriculum classes. But in prioritizing high-stakes testing, racialized “career readiness” schools have relegated arts education further to the periphery, denying young people an opportunity to socialize themselves as black subjects in ways that they find meaningful and valuable. Keywords: blackness, charter schools, culturally sustaining pedagogies, marching band, music, New Orleans Downloaded by [Tulane University] at 08:24 13 April 2016 Dinerral Jevone Shavers had wanted to be a marching band director ever since he first played in band at Martin Luther King Elementary, in the Lower Ninth Ward neigh- borhood where his mother Yolande Adams owned a home and raised Dinerral and his three sisters. -
LLMVC EPHEMERA COLLECTION Inventory
LLMVC EPHEMERA COLLECTION Inventory Compiled by Hans Rasmussen Louisiana and Lower Mississippi Valley Collections Special Collections, Hill Memorial Library Louisiana State University Libraries Louisiana State University, Baton Rouge, La. 2011 Latest revision, October 2020 LLMVC EPHEMERA COLLECTION SPECIAL COLLECTIONS, LSU LIBRARIES CONTENTS OF INVENTORY SUMMARY ........................................................................................................................ 3 SCOPE AND CONTENT NOTE ....................................................................................... 4 LIST OF SUBGROUPS ..................................................................................................... 4 SUBGROUP DESCRIPTIONS .......................................................................................... 5 INDEX TERMS .................................................................................................................. 7 CONTAINER LIST .......................................................................................................... 10 Use of materials. If you wish to examine items in the ephemera collection, please place a request via the Special Collections Request System. Consult the Container List for location information. Publication. Readers assume full responsibility for compliance with laws regarding copyright, literary property rights, and libel. Proper acknowledgement of LLMVC materials must be made in any resulting writing or publications. The correct form of citation for this manuscript -
Jazz Religion, the Second Line, and Black New Orleans
African American Turner “Turner straddles religions, music, the “A well-written, Jazz Religion, performance arts, languages, nationalities, well-researched, Jazz Religion and identities skillfully . with aplomb, with thoughtful, and the Second Line, brio, in a language all his own that sings.” generative book.” Patrick Bellegarde-Smith, George Lipsitz, and Black New Orleans University of Wisconsin, Milwaukee University of California, Richard Brent Turner Santa Barbara This book explores the history and contemporary Richard Brent Turner significance of the popular religious traditions, identi- is Professor of Religious ties, and performance forms celebrated in the second Studies and African lines of the jazz street parades of black New Orleans. American Studies at the The second line is the group of dancers who follow University of Iowa and the first procession of church and club members, brass author of Islam in the bands, and grand marshals. Here musical and reli- African-American Experi- gious traditions interplay. Jazz Religion, the Second ence (Indiana University Line, and Black New Orleans examines the relation- Press, 2nd ed., 2003). In the ship of jazz to indigenous religion and spirituality. It late 1990s, Turner lived in explores how the African diasporist religious identi- New Orleans while teach- ties and musical traditions—from Haiti and West and ing at Xavier University. Central Africa—are reinterpreted in New Orleans jazz and popular religious performances, while describ- ing how the participants in the second line create their own social space and become proficient in the arts of political disguise, resistance, and performance. $21.95 Cover illustration: Funeral INDIANA procession, New Orleans. Courtesy University Press the Ralston Crawford Collection I Bloomington & Indianapolis of Jazz Photography, Hogan Jazz ndiana www.iupress.indiana.edu Archive, Tulane University.