The History and Philosophy of Wing Chun Kung Fu Thesis for Level Ten Grading Andrew Nerlich Student of Sifu Rick Spain, WWCKFA
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Martial Arts in Psycho-Physical Culture
© Idōkan Poland Association “IDO MOVEMENT FOR CULTURE. Journal of Martial Arts Anthropology”, Vol. 15, no. 4 (2015), pp. 33–38 DOI: 10.14589/ido.15.4.5 SOCIOLOGY AND ANTHROPOLOGY Wojciech J. Cynarski1(ADG), Jong-Hoon Yu2(BE), Krzysztof Warchol1(BF), Pavol Bartik3(DF) 1 University of Rzeszów, Rzeszów (Poland) 2 Glenville State College, Glenville, WV (USA) 3 Matej Bel University, Banska Bystrica (Slovakia) Contact e-mail: [email protected] Martial arts in psycho-physical culture Submission: 12.04.2015; acceptance: 24.05.2015 Key words: martial arts, culture, physicality, spirituality, asceticism Abstract Background and Aim. The authors will discuss the nature of the relationship between the various martial arts and the “psycho-phys- ical culture”. We will approach this topic from the perspectives of the Humanistic Theory of Martial Arts, martial arts systemic anthropology, and the sociology of psycho-physical systems. Methods. The main method of research has been a qualitative content analysis of the literature (scientific and popular) acquired through a query library. We studied material gathered under the theme “Martial Arts” in the Library of the University of Rzeszow, as well as a list of recommended literature suggested by the International Martial Arts and Combat Sports Scientific Society (IMACSSS) Results. Four dimensions have been traditionally investigated to justify the assignment of martial arts to the area of psycho-physical culture. These are: (1) The presence in most martial arts of an original philosophy, especially one demanding a code of ethics: (2) A close, almost “genetic” relationships between martial arts and various applicable religious systems and traditions of applied social ethics; (3) The continuing emphasis on the area of physical culture as it relates to personality development and human spirituality; and (4) the presence in schools of martial arts of ceremonial events attached to “passages” in personal growth. -
Taikiken Advanced Cz
Summer Martial Art workshop in the Czech republic Martial Art with Feeling - Taikiken advanced. This internal martial art workshop offers you inspiring physical and mental journeys into your original Self. Discover your inherited natural talents, release, and strengthen them. We will work at locations are in atmosphere and natural beauty so similar to the Taoist holy mountains in China. The MartriX concept offers: •Intensive Taikiken training in free nature •Complementary Taijiquan and Baduanjin exercises •Strengthening, hiking and relaxing boat trips Workshop Taikiken - advanced: 13 - 19 August 2006 This workshop starts from the foundation of the internal martial art, Naikaken (neijiaquan.) You learn how to control your subtle body movements by using an image (inen or yi nian.) This is even for the most experienced ‘modern’ martial artist often the missing link with the more traditional Wushu and Budo forms. The workshop concentrates on Taikiken (yiquan), as Master Kenichi Sawai’s Meiji Jingu group trained it back in the early nineteen- seventies. Taikiken training as it is meant to be, optimizing your natural skills to apply them intuitively in real combat. In the MartriX concept is Taikiken the axis, and is of value for everyone who is really interested in the practicability of internal martial art. The concept is not only effective a real physical fighting, but can be used in everything you undertake in your daily life. This workshop introduces you in the dynamic way of moving and the passion of Kenichi Sawai’s Taikiken. Instructors:Ron Nansink andNadja Kotrchova The program offers a broad set of Taikiken exercises: •Ritsu zen, Han zen, Iron shirt, (zhan zhuang) standing meditation postures • Hai (mo ca bu), walking in friction step •Yuri (shi li), testing the strength developed through ritsu zen •Neri (zou bu shi li) kneading, hai footwork with yuri movements • Mukaete, meeting hand • Shashite, defense and attack simultaneously • Harai-te, parry by twisting • Hakkei ( fa li) exercises to use force in an ‘explosive’ way. -
Portfolio Investment Opportunities in China Democratic Revolution in China, Was Launched There
Morgan Stanley Smith Barney Investment Strategy The Great Wall of China In c. 220 BC, under Qin Shihuangdi (first emperor of the Qin dynasty), sections of earlier fortifications were joined together to form a united system to repel invasions from the north. Construction of the Great Wall continued for more than 16 centuries, up to the Ming dynasty (1368–1644), National Emblem of China creating the world's largest defense structure. Source: About.com, travelchinaguide.com. The design of the national emblem of the People's Republic of China shows Tiananmen under the light of five stars, and is framed with ears of grain and a cogwheel. Tiananmen is the symbol of modern China because the May 4th Movement of 1919, which marked the beginning of the new- Portfolio Investment Opportunities in China democratic revolution in China, was launched there. The meaning of the word David M. Darst, CFA Tiananmen is “Gate of Heavenly Succession.” On the emblem, the cogwheel and the ears of grain represent the working June 2011 class and the peasantry, respectively, and the five stars symbolize the solidarity of the various nationalities of China. The Han nationality makes up 92 percent of China’s total population, while the remaining eight percent are represented by over 50 nationalities, including: Mongol, Hui, Tibetan, Uygur, Miao, Yi, Zhuang, Bouyei, Korean, Manchu, Kazak, and Dai. Source: About.com, travelchinaguide.com. Please refer to important information, disclosures, and qualifications at the end of this material. Morgan Stanley Smith Barney Investment Strategy Table of Contents The Chinese Dynasties Section 1 Background Page 3 Length of Period Dynasty (or period) Extent of Period (Years) Section 2 Issues for Consideration Page 65 Xia c. -
Meihuaquan E Shaolinquan, Intrecci Leggendari
Questo articolo è un estratto del libro “ Il Meihuaquan: una ricerca da Chang Dsu Yao alle origini ” di Storti Enrico e altri Presentazione: Oggi questo testo rimane la testimonianza di un indagine che nuovi studi rendono un po’ datata. In particolare sempre più evidente è anche l’intreccio del Meihuaquan con la religione Buddista oltre che con quella Taoista e con il Confucianesimo. Resta invece mitologico il legame con il Tempio Shaolin ed il relativo pugilato. Rimangono comunque tanti altri interessanti spunti di riflessione. Meihuaquan e Shaolinquan, intrecci leggendari Classica foto sotto l’ingresso del tempio Shaolin Nei libri che parlano di Meihuaquan 梅花拳 emerge chiaramente il legame tra la Boxe del Fiore di Prugno ed il Taoismo ortodosso, sia perché se ne riconduce l’origine al Kunlun Pai 1, una scuola Taoista, sia perché membri importanti del Meihuaquan sono stati anche membri di sette quali Longmen 2 o Quanzhen , ma, cosa 1昆仑派 Scuola Kunlun 2 Han Jianzhong 韩建中, Meihuazhuang Quan ji Meihuazhuang Quan Daibiao Renwu 梅花桩拳及梅花桩拳代表人物 (La Scuola di Pugilato dei Pali del fiore di prugno e le figure rappresentative di questa scuola), articolo apparso nel numero 05 del 2007 della rivista Zhonghua Wushu 中华武术: 梅花桩拳传承的一百个字与道教传承的一百个字基本相同,梅花桩拳理中的天人合一、顺其自然等等,均说明 梅花桩拳与道教文化有着密切的联系,所以梅花桩拳中又流传有僧门道派和龙门道派等众多说法。 più importante, la teoria di questo stile si rifà alla filosofia Taoista. Quali sono allora i collegamenti con lo Shaolin Pai 少林派 (scuola Shaolin) visto che qualcuno fa risalire il Meihuaquan a questa scuola? E’ il Meihuaquan uno stile Shaolin? -
Dragon Fist Is a Trademark Owned by Wizards of the Coast, Inc
THE ROLEPLAYING GAME OF MARTIAL ARTS ACTION C D R E MARK A. JINDRA E S D I I CHRIS PRAMAS G T W S E JENNIFER CLARKE WILKES N B E DRAGON C R P A R R O T D G O W U R G E C A SAM WOOD R B E P A R H P P SUE COOK I H A C Y G E D E E D S I ACTION ARTS GAME OF MARTIAL THE ROLEPLAYING I SEAN GLENN T G O N R E R JD WIKER, AND SAM WOOD TWEET, JONATHAN JEFFERSON SHELLEY, NICOLE LINDROOS, RICH REDMAN, GROSS, MARK JESSUP, DAVE JENNIFER CLARKE WILKES, SEAN GLENN, PETER ARCHER, WOLFGANG BAUR, JIM BISHOP, YU, WANG YUQUN YU, WANG LI YOUSONG, KANG GAO YAN, SONGJIAN, CHEN WEIDONG, KEEFE, LIU SHANGYING, DING ZHANG JIAZHEN, CHRIS AU YEUNG, LIU JIANJIAN, TOREN ADKINSON, SOLOMON I S N P T ©1999 Wizards of the Coast, Inc.©1999 All rights reserved. Made in the U.S.A. writtenWizards of the Coast, Inc. permissiontained herein is prohibited without the express of of the United States America. laws copyright reproduction or unauthorized use of the material Any or artwork con- Wizards of the Coast, Inc. by thereof are trademarks owned likeness distinctive This material is protected under the Wizards of the Coast, Inc. by is a trademark owned and the names, character Wizards of the Coast characters, All AD&D E E C AND TOREN ADKINSON SEAN GLENN, CHRIS KEEFE, JENNIFER CLARKE WILKES, TWEET, COOK, JONATHAN NICOLE LINDROOS, SUE R and the Wizards of the Coast logo are registered trademarks owned by Wizards of the Coast, Inc. -
Ip Man from Wikipedia, the Free Encyclopedia
Ip Man From Wikipedia, the free encyclopedia [2] Ip Man, also known as Yip Man, (Chinese: 葉問; 1 October 1893 – 2 December 1972), was a Chinese martial artist, and a master Ip Man teacher of Wing Chun. He had several students who later became martial arts masters in their own right. His most famous student was Bruce Lee. Contents 1 Early life 2 Life in Hong Kong 3 Death and legacy 4 In popular culture 5 Martial arts lineage Born 1 October 1893 Foshan, 6 References Guangdong, Qing China Died 2 December 1972 Early life (aged 79) Mong Kok, Ip Man was born to Yip Oi-dor and Wu Shui. He grew up in a wealthy family in Foshan, Guangdong, and received a traditional Chinese Kowloon, Hong education. His elder brother was Yip Kai-gak, his elder sister was Yip Wan-mei and his younger sister was Yip Wan-hum.[3] Kong[1] Throat cancer [4][5] Ip started learning Wing Chun from Chan Wah-shun when he was 7. Chan was 64 at the time, and Ip became Chan's last student. Other Yip Man, Due to his teacher's age, Ip learned most of his skills and techniques from Chan's second eldest disciple, Wu Chung-sok (吳仲素). Chan names Yip Kai-man, lived three years after Ip's training started and one of his dying wishes was to have Wu continue teaching Ip. Ye Wen At the age of 16, Ip moved to Hong Kong with help from his relative Leung Fut-ting. One year later, he attended school at St. -
Martial Arts, Acting and Kung Fu Hero in Change
EnterText 6.1 SABRINA YU Can a Wuxia Star Act? Martial Arts, Acting, and Critical Responses to Jet Li’s Once Upon A Time In China Introduction It has been commonplace in western critical discourse to state that action stars can’t act. This seems particularly true when it comes to trans-bordering Chinese action stars like Jet Li. Criticism of his acting skills in his English-language films can be easily picked up from the press: Without the fight scenes, though, this film (Romeo Must Die) would be a bust… ‘Jet is our special effect,’ says Silver, summing up his star’s appeal neatly.1 Li’s martial arts skills are as brilliant as his acting skills aren’t.2 The action is fun and ultra-violent, the story is satisfactorily ridiculous and the acting is non-existent.3 “Good martial artist with limited acting ability” seems to represent a popular view of Chinese martial arts stars and indeed this is how they are often used in Hollywood films. Nevertheless, such a view also reveals a deep-rooted bias, i.e. the martial arts star is someone who knows less about acting than s/he does about fighting. On the other hand, it reflects a dominant idea about film performance, by privileging facial Sabrina Yu: Can a Wuxia Star Act? 134 EnterText 6.1 expression/psychology over body movement/physicality. Can’t a martial arts star act? Are fighting and acting always two split, conflicting elements within a Chinese wuxia star’s performance? In this paper, I would like to re-examine this stereotypical western critical consensus in the light of the contrasting Hong Kong critical response to Jet Li’s Chinese work Once Upon A Time In China (Tsui Hark, Hong Kong, 1991) (OUATIC hereinafter). -
THE WAY of a WARRIOR By: Grand Master
THE WAY OF A WARRIOR By: Grand Master. Michael Neal Did you know that the term “Kung Fu” does not refer specifically to the martial arts? It is more a slang usage found in the U.S. and in some parts of southern China. The martial arts have an intellectual content. They represent sets of values and are based on specific views of the world and of man’s place within it. It was a master of Kung fu in Hong Kong, who spoke of the Martial arts as “Using the mathematics of the human body”. He meant that the body might be thought of as a complex machine. It has its bearings, the girders, ropes and pulleys and like all machines, it can break if it is forced to work unnaturally. An elbow is flexible in all directions but one, so pressure on the joint in one direction in which it cannot bend may immobilize or break it. Over 2000 years ago, classical martial arts emerged to serve the needs of the war in China, and war was plentiful. What was military life like in China and India between 500 BC and the third century AD? These were the conditions right for the development of the very specialized form of fighting which could later be identified as the pioneers of today’s martial arts. The martial arts became a way of life for many. Records of exercises known as “Hit and Thrust” were practiced as far back as the Shang dynasty, around the 17th- 16th century B.C. 1 Copyrighted 2012, By the Madison Martial Arts Academy| Later China was again overrun by foreign power, this time by the Manchurians from the Northeastern borders. -
Wing Chun Poetry in Action for Beginners
WING CHUN POETRY IN ACTION FOR BEGINNERS Sifu Greg Yau Table Of Contents 01 Introduction 02 Academy Of Health & Self Defense 03 The Journey Begins 04 Traditional Rules Of Conduct 05 Wing Chun - Yi Zhi Keem Yueng Ma 06 Yi Zhi Keem Yueng Ma - Ip Man Lineage 07 Wing Chun - Siu Nim Tao 08 Siu Nim Tao - Ip Man Lineage 09 Wing Chun - Chum Kiu 10 Chum Kiu - Ip Man Lineage 11 The Seventeen Must Of Wing Chun 12 Wooden Man Table Of Contents 13 Bui Zhi Form 1 14 Bui Zhi Form 2 15 Bui Zhi Form 3 16 Bui Zhi - Ip Man Lineage 17 The Journey Continues Wing Chun Poetry In Action Academy Of Health & Self Defense Copyright © aohsd.com under the Copyright Act of 1976 and all other applicable international, federal, state and local laws, ALL rights reserved. No section of this content may, in any case, be copied or modied in whatever form, sold or used in any other manner that is described in the Program, without the express permission of the author. Page 1 Wing Chun Poetry In Action Introduction Do you want to become great in Wing Chun Kung Fu? There are no shortcuts to success. When you start learning Wing Chun, you must begin the right way. The correct path must be taken. Then you can become very good fast, within a year or less. Your journey begins by learning what, when, why, where, and most importantly, how to train. Learning philosophy is the rst lesson. Philosophy explains the general principals of the Wing Chun system. -
7 Ways to Activate Your Bodies Inherent Healing Ability
Reiki Gong Dynamic Health Presents: 7 Ways to Activate Your Bodies Inherent Healing Ability By: Philip Love QMT RMT Qigong Meditation Teacher / Reiki Master Teacher & Healer 1. Mantra & Sound In the Bhaiṣajyaguruvaiḍūryaprabhārāja Sūtra, the Medicine Buddha is described as having entered into a state of samadhi called "Eliminating All the Suffering and Afflictions of Sentient Beings." From this samadhi state he [5] spoke the Medicine Buddha Dharani. namo bhagavate bhaiṣajyaguru vaiḍūryaprabharājāya tathāgatāya arhate samyaksambuddhāya tadyathā: oṃ bhaiṣajye bhaiṣajye mahābhaiṣajya-samudgate svāhā. The last line of the dharani is used as Bhaisajyaguru's short form mantra. There are several other mantras for the Medicine Buddha as well that are used in different schools of Vajrayana Buddhism. There are many ancient Shakti devotional songs and vibrational chants in the Hindu and Sikh traditions (found inSarbloh Granth). The recitation of the Sanskrit bij mantra MA is commonly used to call upon the Divine Mother, the Shakti, as well as the Moon. Kundalini-Shakti-Bhakti Mantra Adi Shakti, Adi Shakti, Adi Shakti, Namo Namo! Sarab Shakti, Sarab Shakti, Sarab Shakti, Namo Namo! Prithum Bhagvati, Prithum Bhagvati, Prithum Bhagvati, Namo Namo! Kundalini Mata Shakti, Mata Shakti, Namo Namo! Translation: Primal Shakti, I bow to Thee! All-Encompassing Shakti, I bow to Thee! That through which Divine Creates, I bow to Thee! [6] Creative Power of the Kundalini, Mother of all Mother Power, To Thee I Bow! "Merge in the Maha Shakti. This is enough to take away your misfortune. This will carve out of you a woman. Woman needs her own Shakti, not anybody else will do it.. -
1432381098736.Pdf
more exhilarating, and more exhausting, than six hours of Introduction miniatures combat. Be prepared. Follow the Wire-Fu training regimen and you’ll be just "Here's the plan: We go in, I start hittin' people hard fine. The section titled "I Know Kung-Fu" gives copious advice on in the face. See where it takes us." --Angel recreating the signature style of these films in a role-playing game. After that, you'll find character templates from Enlightened Wire-Fu is a Hong Kong style of film making that spans Masters to Cyborgs, and classic villains from Evil Eunuchs to genres from wuxia to sci-fi. It's characterized by elaborate fight Kung-Fu Vampires. Three “Worlds of Wire-Fu” demonstrate the choreography, gratuitous use of special effects, and a complete breadth of setting options available. Finally, you get over 15 disregard for the laws of physics. Its heros can take on entire pages of Kick-Ass Examples of Play, each more kick-ass than armies without breaking a sweat! They do what needs to be the last! done, even if that means doing the impossible. If you're already a Wushu fan, you should know that Wire- The most famous example of Hollywood Wire-Fu is the Fu does replace the original Wushu Core Rules, just like Pulp- Matrix Trilogy. (Say what you want about the sequels, but Fu did. However, it also includes a number of new rules and Reloaded has some of the most fantastic action sequences options that appear in neither its predecessors nor Wushu ever caught on film!) Those movies made excellent use of Yuen Open. -
Yuan Chu Cai. MEI HUA ZHUANG: Poles of Plum Blossom. External and Internal Training. Free Trial
Yuan Chu Cai MEI HUA ZHUANG Poles of Plum Blossom FREE TRIAL VERSION © Copyright Shaolin Kung Fu OnLine Library Published by Shaolin Kung Fu OnLine Library www.kungfulibrary.com/e-book-store.htm Translation: Wang Ke Ze Yuan Chu Cai Leonid Serbin Ekaterina Rycheva MEI HUA ZHUANG Oleg Korshunov Poles of Plum Blossom Editor: Andrew Timofeevich 2005 2 Contents Preface I WAI GONG and NEI GONG. Differentiation between “Internal” and “External” Mastery. Section 1. NEI GONG. Internal mastery. (1) Persistence and carefulness (2) Concentration (3) Training QI (4) Rearing QI (a) Method of transformation of “emptiness” into “fullness” (b) Method regulating fullness (5) Streamlining QI breath Section 2. WAI GONG. External Mastery. (А) DA SHA DAI. Striking at a Sand Bag. (B) JI MU REN. Attacking a Wooden Dummy. (C) GUN SHA TONG. Rolling a Tube with Sand. II YING GONG. Mastery of Hardness. (A) ROU DAO FA. Technique of Massage and Rubbing. (B) QIAO DA FA. Technique of Tapping. III QING GONG. Mastery of Lightness. (A) ZHUANG DING ZOU BI. Grasping Nails and Climbing up a Wall. (B) ZOU SUO. Walking on a Rope. (C) YUE ZHUANG. Jumping from one Pole to Another. 3 IV MEI HUA ZHUANG. Poles of Plum Blossom. Section 1. TIAN PAN ZHUANG. Celestial Poles. (A) DU LI ZHUANG. Single Pole. (B) ER LONG ZHUANG. Poles of Two Dragons. (C) SAN XING ZHUANG. Poles of Three Stars. (D) SI MEN ZHUANG. Poles of Four Gates. (E) MEI HUA ZHUANG. Poles of Plum Blossom. Section 2. DI PAN ZHUANG. Terrestrial Poles. (1) SHUN SAO TANG. Sweeping with Front Undercut.