Nominee Facts Most Nominations and Awards

Total Page：16

File Type：pdf, Size：1020Kb

NOMINEE FACTS MOST NOMINATIONS AND AWARDS [Updated thru 88th Awards (2/16)] MOST NOMINATIONS 62 Metro-Goldwyn-Mayer 59 Walt Disney 50 John Williams 43 Alfred Newman 42 Warner Bros. 38 Cedric Gibbons 37 France 35 Edith Head 32 Edwin B. Willis 29 Lyle Wheeler 28 Italy 26 Sammy Cahn 26 Sam Comer 25 Paramount MOST AWARDS (Competitive & Non-Competitive) MOST AWARDS (Competitive only) [includes statuettes, plaques, medals, certificates, etc.] [includes statuettes, plaques and certificates] 26 Walt Disney 22 Walt Disney 20 Eastman Kodak Company 12 Metro-Goldwyn-Mayer 17 Panavision, Inc. 11 Cedric Gibbons 14 Italy 11 Italy 13 Metro-Goldwyn-Mayer 9 France 12 France 9 Alfred Newman 12 Iain Neil (all Sci/Tech) 8 Edith Head 11 Cedric Gibbons 8 Alan Menken 10 Farciot Edouart 8 Dennis Muren 9 Dennis Muren 8 Edwin B. Willis 9 Alfred Newman 7 Rick Baker 9 Douglas Shearer 7 Richard Day 9 Technicolor 7 Gordon Hollingshead 8 Richard Edlund 7 Fred Quimby 8 Edith Head 7 Gary Rydstrom 8 Alan Menken 7 Warner Bros. 8 Edward H. Reichard 8 Loren L. Ryder 8 Warner Bros. 8 Edwin B. Willis 7 Rick Baker 7 Richard Day 7 Gordon Hollingshead 7 Metro-Goldwyn-Mayer Studio Sound Dept. 7 Paramount Studio Engineering Dept. 7 Fred Quimby 7 Gary Rydstrom 7 Billy Wilder © Academy of Motion Picture Arts and Sciences. Document may not be republished without permission. 1.7 - 1 1.7 - 2 Nominee Facts - Most Noms/Awards PERSONS WITH 4 OR MORE ACADEMY AWARDS [Includes both competitive and non-competitive awards; award form may be statuette, plaque, medal, certificate, etc. Does not include those who accepted on behalf of companies or countries, or the companies or countries themselves. Names in bold indicate persons still living.] 26 Walt Disney 5 Robert Wise 12 Iain Neil (all Sci/Tech) 4 L. B. Abbott 11 Cedric Gibbons 4 Woody Allen 10 Farciot Edouart 4 Bob Beemer 9 Dennis Muren 4 Mark Berger 9 Alfred Newman 4 John Box 9 Douglas Shearer 4 Christopher Boyes 8 Richard Edlund 4 Charles Brackett 8 Edith Head 4 Ben Burtt 8 Alan Menken 4 Sammy Cahn 8 Edward H. Reichard 4 Greg Cannom 8 Loren L. Ryder 4 Milena Canonero 8 Edwin B. Willis 4 Ethan Coen 7 Rick Baker 4 Joel Coen 7 Richard Day 4 Sam Comer 7 Gordon Hollingshead 4 Gary Demos 7 Fred Quimby 4 Linwood G. Dunn 7 Gary Rydstrom 4 John Ford 7 Billy Wilder 4 Arthur Freed 6 Francis Ford Coppola 4 A. Arnold Gillespie 6 Jonathan Erland 4 Keogh Gleason 6 Ray Feeney 4 Alejandro González Iñárritu 6 Carl Hauge 4 Charles Guggenheim 6 Thomas Little 4 Katharine Hepburn 6 Manfred G. Michelson 4 Winton Hoch 6 Colin F. Mossman 4 George James Hopkins 6 Glen Robinson 4 Jim Hourihan 6 Walter M. Scott 4 Florian Kainz 5 Ioan Allen 4 Stefan Kudelski 5 John Barry (composer) 4 John Livadary 5 Glenn M. Berggren 4 Henry Mancini 5 Daniel J. Bloomberg 4 Joseph L. Mankiewicz 5 Ed Catmull 4 Catherine Martin 5 Charles R. Daily 4 Johnny Mercer 5 David J. Degenkolb 4 Scott Millan 5 Edmund M. Di Giulio 4 Ernst Nettmann 5 Clint Eastwood 4 Nick Park 5 Johnny Green 4 André Previn 5 Bob Hope 4 Joseph Ruttenberg 5 Gordon Jennings 4 Albert Saiki 5 Joe Letteri 4 Leon Shamroy 5 Alvah J. Miller 4 Douglas Smythe 5 Takuo Miyagishima 4 Sam Spiegel 5 Wadsworth E. Pohl 4 Steven Spielberg 5 Ken Ralston 4 Gary Summers 5 Edward Selzer 4 Dimitri Tiomkin 5 Irene Sharaff 4 James Van Heusen 5 Richard Taylor 4 Stan Winston 5 Petro Vlahos 4 William Wyler 5 Lyle Wheeler 4 Saul Zaentz 5 John Williams 4 Fred Zinnemann 5 Geoffrey H. Williamson © Academy of Motion Picture Arts and Sciences. Document may not be republished without permission..

Copy Link

Recommended publications

Prestigio Profesional De Un Director De Cine En La Ciudad De Lima Según La Oferta De Colecciones De Libros Dedidadas a Cineastas
UNIVERSIDAD NACIONAL MAYOR DE SAN MARCOS FACULTAD DE LETRAS Y CIENCIAS HUMANAS UNIDAD DE POSTGRADO Prestigio profesional de un director de cine en la ciudad de Lima según la oferta de colecciones de libros dedidadas a cineastas TESIS para optar al grado de Magíster en Comunicación Social con mención en Investigación en Comunicación AUTOR Jorge Luis Villacorta Santamato ASESOR Pedro Segundo Gibaja Vargas-Prada LIMA - PERÚ 2007 PRESTIGIO PROFESIONAL DE UN DIRECTOR DE CINE EN LA CIUDAD DE LIMA SEGÚN LA OFERTA DE COLECCIONES DE LIBROS DEDICADAS A CINEASTAS INTRODUCCIÓN ............................................................................................... 05 CAPÍTULO 1 PRESTIGIO DE UN DIRECTOR DE CINE EN EL CAPITALISMO…………….. 11 CAPÍTULO 2 PRESTIGIO PROFESIONAL DE UN DIRECTOR DE CINE EN LA CIUDAD DE LIMA SEGÚN LA OFERTA DE COLECCIONES DE LIBROS DEDICADAS A CINEASTAS 2.1 Las colecciones dedicadas a cineastas .................................................. 28 2.2 Frecuencia de aparición de los directores en las colecciones dedicadas a cineastas .............................................................................................. 32 2.3 Mayor frecuencia de aparición de los directores en los títulos publicados ............................................................................................... 34 2.4 Las colecciones dedicadas a cineastas y los cineastas peruanos ......... 35 2.5 Otros textos dedicados al director más prestigioso ................................ 35 2.6 Número de películas dirigidas por Martin Scorsese
[Show full text]
Annual Picnic at Ron Bingaman's Home PAUL-WESLEY BOWEN
************************************************************************************************************** ************************************************************************************************************** Newsletter of the NORCAL THEATRE ORGAN SOCIETY www.theatreorgans.com/norcal PO Box 625, Berkeley, CA 94701-0625 510/644-2707 June 2009 PAUL-WESLEY BOWEN Annual Picnic at San Jose Grace Baptist Church Ron Bingaman’s Home Sunday, June 14, 2009 – 1 PM NorCal’s annual picnic (with Sierra Followed by Open Console Chapter members our guests) will be held Sunday, August 23rd at Ron and orCal’s own P. W. Bowen will be at the Gay Bingaman’s beautiful home in Grass Nconsole of Grace Baptist Church’s Valley. Situated on 10 acres, the house has 3/13 Robert Morton. Originally installed a water powered Allen GW-4 with speakers in San Jose’s Liberty Theater this organ that are way above in an angled ceiling so retains its original theatre organ features. the sound comes down from above. Although a native Californian, ‘PW’ spent The festivities will start around 11 AM 30 years in Minnesota with the Dutch organ and we will eat around noon or thereafter. manufacturer, Eminent Organ Co. Known A grill will be provided for those who wish for his active hand registrations ‘PW’ is at to ‘cook out’ and coffee, tea and soft drinks home with both Theatre and Church organs. will be provided on-site. Please bring your Following the concert, members will have own dishes, silverware and food, and if 10 to 15 minute turns at open console, with desired, beer or wine. repeat turns as time permits. In addition to the organ and the on-site Grace Baptist Church is in downtown hydro-electric power house, Ron and Gay ‘P.W.’ Bowen San Jose at 484 E.
[Show full text]
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
[Show full text]
Lawrence of Arabia
Berlinale 2009 David Lean Hommage LAWRENCE OF ARABIA LAWRENCE VON ARABIEN LAWRENCE D’ARABIE Maurice Jarre Großbritannien/USA 1962 … ist im Vorspann des Films nur als Komponist aufgeführt, als Dirigent Länge 222 Min. wird Adrian Boult genannt. Tatsächlich Format 70 mm (Super aber führte Maurice Jarre das Orchester Panavision 70, selbst durch die anspruchsvolle Partitur. 1:2.21) Die Arbeit an LAWRENCE OF ARABIA Farbe kostete ihn viel Kraft: „Lean stellte mir das Ultimatum, die Musik in nur sechs Stabliste Wochen zu schreiben. Eine Zeit lang Regie David Lean schlief ich alle zwei bis drei Stunden Buch Robert Bolt, nach nur jeweils zehn Minuten. So konnte den ich Tag und Nacht arbeiten. Nach Be - autobiografischen en digung der Partitur und der Aufnah - Büchern von T. E. me war ich so müde, dass mich Sam Lawrence Spiegel in die Schweiz schickte, damit Kamera Frederick A. Young ich mich richtig erholen konnte.“ Schnitt Anne V. Coates Schnittassistenz Howard Kent Maurice Jarre Ton Paddy … is mentioned in the opening cred- Anthony Quinn, Peter O’Toole, Omar Sharif Foto: Deutsche Kinemathek Cunningham its as the composer only, Adrian Boult Musik Maurice Jarre being credited as conductor. In fact, LAWRENCE VON ARABIEN Arrangements Gerard Schurmann Maurice Jarre himself guided the or - Musikalische chestra through his challenging score. „Eine künstlerische Spitzenleistung. Das Drehbuch (…) hält sich mehr oder Leitung Adrian Boult The work on LAWRENCE OF ARABIA weniger getreu an die eigene Schilderung von Lawrence, seines Triumphes Musik-KoordinationMorris Stoloff was exhausting: “Lean gave me just six als junger englischer Offizier auf seiten der arabischen Freischärler gegen Production Design John Box weeks in which to write the music.
[Show full text]
YVONNE BLAKE Costume Designer
(3/18/15) YVONNE BLAKE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “THERE BE DRAGONS” Roland Joffe Immi Pictures Wes Bentley Golshifteh Farahani Unax Ugalde “GOYA’S GHOST” Milos Forman The Saul Zaentz Co. Natalie Portman Nomination: Satellite Award Stellan Skarsgard “TIRANTE EL BLANCO” Vicente Aranda Carolina Films (Spain) Giancaro Giannini Future Films (UK) Jane Asher Victoria Abril Leonor Watling Casper Zafer “THE BRIDGE OF SAN LUIS REY Mary McGuckian Pembridge Pictures Robert De Niro Winner: Goya Award for Best Costume Design Kanzaman S.A. Kathy Bates Harvey Keitel “THE RECKONING” Paul McGuigan Renaissance Films Willem Dafoe Paramount Classics Paul Bettany Caroline Wood “CARMEN” Vicente Aranda Star Line Paz Vega Winner: Goya Award for Best Costume Design Leonardo Sbaraglia “JAMES DEAN” Mark Rydell Concourse Prods. James Franco Nomination: Emmy Award for Best Costume Design TNT Michael Moriarty “GAUDI AFTERNOON” Susan Seidelman Lola Films Judy Davis Marcia Gay Harden Juliette Lewis "PRESENCE OF MIND" Antonio Aloy Presence of Mind, LLC. Lauren Bacall Sadie Frost Harvey Keitel "WHAT DREAMS MAY COME" Vincent Ward Interscope/Polygram Robin Williams Barnet Bain Annabella Sciorra Stephen Simon Cuba Gooding, Jr. "CRIME OF THE CENTURY" Mark Rydell HBO Stephen Rea Barbara Broccoli Isabella Rossellini "LOOKING FOR RICHARD" Al Pacino Fox Searchlight Al Pacino (Battle sequences) Kevin Spacey "COMPANY BUSINESS" Nicholas Myer Pathe Screen Ent. Gene Hackman Mikhail Baryshnikov (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax:
[Show full text]
Graham Walker Film Music Producer / Music Production Supervisor
GRAHAM WALKER FILM MUSIC PRODUCER / MUSIC PRODUCTION SUPERVISOR Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. Education Graham studied music at Kneller Hall, the Royal Military School of Music and the Guildhall School of Music in London after which he began his career in the music production business. Graham is also a good musician; a trumpet player. Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. After a distinguished career as Musical Director of Yorkshire Television, Head of Music for Granada Television and Head of Film Music Production for Lord Grade’s ITC Films, Graham then became freelance. The first 6 years of Graham’s career were spent at the world famous KPM Production Music Library; that was the day job! The night job was arranging and conducting sessions for various ‘pop’ and variety stars’ singles and albums such as Dickie Henderson, Roy Castle, Nicko McBrain (the drummer from Iron Maiden) and the number 1 hit ‘Grandad’ performed by Clive Dunn(!) plus score takedowns for the BBC’s ‘Top of the Pops’ for US groups such as ‘The Four Tops,’ Diana Ross and The Supremes,’ Otis Redding,’ ‘Marvin Gaye’ and many others. Work: Musical Director - Yorkshire Television, Head of Music - Granada Television, Head of Film Production (Music) - Lord Grade’s ITC Films, Head of Music - Zenith Productions. Over the years Graham has acquired extensive expertise in recording throughout Europe and beyond. He has worked with many composers, musicians and orchestras in the recording centres of London, New York, Paris, Munich, Cologne, Rome, Brussels, Berlin, Budapest, Moscow, Belgrade, Prague, Bratislava, Brandenburg and various locations in South Africa.
[Show full text]
XXXI:4) Robert Montgomery, LADY in the LAKE (1947, 105 Min)
September 22, 2015 (XXXI:4) Robert Montgomery, LADY IN THE LAKE (1947, 105 min) (The version of this handout on the website has color images and hot urls.) Directed by Robert Montgomery Written by Steve Fisher (screenplay) based on the novel by Raymond Chandler Produced by George Haight Music by David Snell and Maurice Goldman (uncredited) Cinematography by Paul Vogel Film Editing by Gene Ruggiero Art Direction by E. Preston Ames and Cedric Gibbons Special Effects by A. Arnold Gillespie Robert Montgomery ... Phillip Marlowe Audrey Totter ... Adrienne Fromsett Lloyd Nolan ... Lt. DeGarmot Tom Tully ... Capt. Kane Leon Ames ... Derace Kingsby Jayne Meadows ... Mildred Havelend Pink Horse, 1947 Lady in the Lake, 1945 They Were Expendable, Dick Simmons ... Chris Lavery 1941 Here Comes Mr. Jordan, 1939 Fast and Loose, 1938 Three Morris Ankrum ... Eugene Grayson Loves Has Nancy, 1937 Ever Since Eve, 1937 Night Must Fall, Lila Leeds ... Receptionist 1936 Petticoat Fever, 1935 Biography of a Bachelor Girl, 1934 William Roberts ... Artist Riptide, 1933 Night Flight, 1932 Faithless, 1931 The Man in Kathleen Lockhart ... Mrs. Grayson Possession, 1931 Shipmates, 1930 War Nurse, 1930 Our Blushing Ellay Mort ... Chrystal Kingsby Brides, 1930 The Big House, 1929 Their Own Desire, 1929 Three Eddie Acuff ... Ed, the Coroner (uncredited) Live Ghosts, 1929 The Single Standard. Robert Montgomery (director, actor) (b. May 21, 1904 in Steve Fisher (writer, screenplay) (b. August 29, 1912 in Marine Fishkill Landing, New York—d. September 27, 1981, age 77, in City, Michigan—d. March 27, age 67, in Canoga Park, California) Washington Heights, New York) was nominated for two Academy wrote for 98 various stories for film and television including Awards, once in 1942 for Best Actor in a Leading Role for Here Fantasy Island (TV Series, 11 episodes from 1978 - 1981), 1978 Comes Mr.
[Show full text]
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
[Show full text]
ASC Founders
The 15 Founders of the American Society of Cinematographers Biographies By Robert S. Birchard The American Society of Cinematographers succeeded two earlier organizations — the Cinema Camera Club, started by Edison camerapersons Philip E. Rosen, Frank Kugler and Lewis W. Physioc in New York in 1913; and the Static Club of America, a Los Angeles–based society first headed by Universal cameraperson Harry H. Harris. From the beginning, the two clubs had a loose affiliation, and eventually the West Coast organization changed its name to the Cinema Camera Club of California. But, even as the center of film production shifted from New York to Los Angeles — the western cinematographers’ organization was struggling to stay afloat. Rosen came to Los Angeles in 1918. When he sought affiliation with the Cinema Camera Club of California, president Charles Rosher asked if he would help reorganize the faltering association. Rosen sought to create a national organization, with membership by invitation and with a strong educational component. The reorganization committee met in the home of William C. Foster on Saturday, December 21, 1918 and drew up a new set of bylaws. The 10-member committee and five invited Cinema Camera Club member visitors were designated as the board of governors for the new organization. The next evening, in the home of Fred LeRoy Granville, officers for the American Society of Cinematographers were elected — Philip E. Rosen, president; Charles Rosher, vice president; Homer A. Scott, second vice president; William C. Foster, treasurer; and Victor Milner, secretary. The Society was chartered by the State of California on January 8, 1919.
[Show full text]
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
[Show full text]
Making Faces Article
Making Faces By Jess Cagle/Glendale recalls Baker, a horror-movie fan Seuss's How the Grinch Stole Driving through the town of who at the age of 10 scrapped his Christmas. Next year Baker creates Covina, Calif., circa 1960, you plan to become a doctor for the an entire simian society in a remake might have spotted seemingly dream of becoming a Hollywood of Planet of the Apes, with Mark healthy children in the distance makeup artist. "There was one guy I Wahlberg. Baker calls it "a film I playing on small lawns of modest made up with this horrible burn. He was born to do." homes. As you approached, you went home, and his father was At Cinovation, Baker's makeup- would have seen their wounds--the hysterical." effects company in Glendale, Calif., gashes in their faces and the bullet Four decades and five Oscars corpses dangle from the ceiling and holes in the sides of their heads. And later, Baker, 49, is still making the a towering grim reaper stands guard they would have kept on playing, impossible believable. In this week's outside his office, holding a sword. oblivious to your horror. Nutty Professor II: The Klumps, Baker is famously stubborn You would not have entered the Baker again transforms Eddie ("extremely committed to his artistic Twilight Zone. You would simply Murphy into the Klump clan. In belief system" is how Nutty II have caught young Rick Baker November he helps Jim Carrey give producer Brian Grazer puts it), having fun. "I liked people to a Bronx cheer to the holidays in Ron wears his hair in a ponytail and believe the makeup I did was real," Howard's live-action comedy Dr.
[Show full text]
86Th Academy Awards
LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell
[Show full text]