2015 Oscars Ballot

Total Page：16

File Type：pdf, Size：1020Kb

The 87th Academy Awards BEST PICTURE o American Sniper MUSIC–ORIGINAL SCORE o Birdman o Alexandre Desplat for The Grand Budapest o Boyhood Hotel o The Grand Budapest Hotel o Alexandre Desplat for The Imitation Game o Hans Zimmer for Interstellar o The Imitation Game o Gary Yershon for Mr. Turner o Selma o Jóhann Jóhannsson for The Theory of o The Theory of Everything Everything o Whiplash MUSIC—ORIGINAL SONG ACTOR IN A LEADING ROLE o "Everything Is Awesome" from The Lego Movie o Steve Carell for Foxcatcher o "Glory" from Selma o Bradley Cooper for American Sniper o "Grateful" from Beyond The Lights o Benedict Cumberbatch for The Imitation o "I'm Not Gonna Miss You" from Glen Game Campbell...I'll Be Me o "Lost Stars" from Begin Again o Michael Keaton for Birdman o Eddie Redmayne for The Theory of WRITING—ADAPTED SCREENPLAY Everything o Jason Hall for American Sniper o Graham Moore for The Imitation Game o Paul Thomas Anderson for Inherent Vice ACTRESS IN A LEADING ROLE o Anthony McCarten for The Theory of Everything o Marion Cotillard for Two Days, One Night o Damien Chazelle for Whiplash o Felicity Jones for The Theory of Everything o Julianne Moore for Still Alice WRITING—ORIGINAL SCREENPLAY o Rosamund Pike for Gone Girl o AleJandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. and Armando Bo for o Reese Witherspoon for Wild Birdman o Richard Linklater for Boyhood ACTOR IN A SUPPORTING ROLE o E. Max Frye and Dan Futterman for Foxcatcher o Robert Duvall for The Judge o Wes Anderson & Hugo Guinness for The Grand o Ethan Hawke for Boyhood Budapest Hotel o Edward Norton for Birdman o Dan Gilroy for Nightcrawler o Mark Ruffalo for Foxcatcher o J.K. Simmons for Whiplash DOCUMENTARY FEATURE o CitizenFour ACTRESS IN A SUPPORTING ROLE o Finding Vivian Maier o Patricia Arquette for Boyhood o Last Days in Vietnam o Laura Dern for Wild o The Salt of the Earth o Keira Knightley for The Imitation Game o Virunga o Emma Stone for Birdman o Meryl Streep for Into the Woods CINEMATOGRAPHY o Emmanuel Lubezki for Birdman ANIMATED FEATURE FILM o Robert Yeoman for The Grand Budapest Hotel o Big Hero 6 o Lukasz Zal and Ryszard Lenczewski for Ida o The Boxtrolls o Dick Pope for Mr. Turner o How to Train Your Dragon 2 o Roger Deakins for Unbroken o Song of the Sea o The Tale of Princess Kaguya COSTUME DESIGN o Milena Canonero for The Grand Budapest Hotel DIRECTING o Mark Bridges for Inherent Vice o AleJandro G. Iñárritu for Birdman o Colleen Atwood for Into the Woods o Richard Linklater for Boyhood o Anna B. Sheppard for Maleficent o Bennett Miller for Foxcatcher o Jacqueline Durran for Mr. Turner o Wes Anderson for The Grand Budapest Hotel o Morten Tyldum for The Imitation Game .

Copy Link

Recommended publications

December 2014 ONECELEBRATEWITHUS Join the Celebration As We Usher in a New Year of Cinema in Iowa City
A COLLABORATION WITH DEC FilmScene Staff THE EYE OPENER 12-21 Joe Tiefenthaler, Executive Director Andy Brodie, Program Director Complete info at www.icfilmscene.org/flam Andrew Sherburne, Sunday, December 14th Associate Director A curated week of new releases and restored classics on literature, art and music. Tickets: $35 for non-members / $25 for members / Emily Salmonson, Series Pass: $30 non-members / $20 members. Regular price for individual shows. $15 for supporting role and leading role members Director of Operations / FREE for Founders Circle and Screen Legend Ross Meyer, Head Projectionist and Facilities Manager Join FilmScene in celebrating the one year Dan DeMarco, Theater Staff anniversary of the opening of our downtown Jon Graf, Theater Staff Aaron Holmgren, Theater Staff cinema with a delicious brunch of chicken & DIALOGUE: Director Q&A NEWLY RESTORED! NEWLY RESTORED! waffles, scrambled eggs with local cheeses, Phil Ochs, Theater Staff MUSIC OF THE BURROUGHS: ROME, OPEN CITY Tony Pomales, Theater Staff beignets, mini donuts, mimosas and a cash MOMENT THE MOVIE (1983) (2014) Dir. Roberto Emily Brown, Projectionist bar. While you eat, be entertained by music (2014) Dir. Kevin Wisor. Dir. Howard Brookner. Rossellini. Legendary Kelly Gallagher, Projectionist from the films of our first year and the Iowa A locally-made feature The first and only doc Italian drama about the Kasia Plazinska, Projectionist premiere of an acclaimed short film. doc exploring the art of made with the Nazi occupation of Board of Directors improvised music, shot full participation of writer Rome and the brave few Michael Finlayson, Chair FILMFOODDRINKSMUSIC in Iowa City. William S.
[Show full text]
THTR 433A/ '16 CD II/ Syllabus-9.Pages
USCSchool of Costume Design II: THTR 433A Thurs. 2:00-4:50 Dramatic Arts Fall 2016 Location: Light Lab/PDE Instructor: Terry Ann Gordon Office: [email protected]/ floating office Office Hours: Thurs. 1:00-2:00: by appt/24 hr notice Contact Info: [email protected], 818-636-2729 Course Description and Overview This course is designed to acquaint students with the requirements, process and expectations for Film/TV Costume Designers, supervisors and crew. Emphasis will be placed on all aspects of the Costume process; Design, Prep: script analysis,“scene breakdown”, continuity, research, and budgeting; Shooting schedules, and wrap. The supporting/ancillary Costume Arts and Crafts will also be discussed. Students will gain an historical overview, researching a variety of designers processes, aesthetics and philosophies. Viewing films and film clips will support critique and class discussion. Projects focused on specific design styles and varied media will further support an overview of techniques and concepts. Current production procedures, vocabulary and technology will be covered. We will highlight those Production departments interacting closely with the Costume Department. Time permitting, extra-curricular programs will include rendering/drawing instruction, select field trips, and visiting TV/Film professionals. Students will be required to design a variety of projects structured to enhance their understanding of Film/TV production, concept, style and technique . Learning Objectives The course goal is for students to become familiar with the fundamentals of costume design for TV/Film. They will gain insight into the protocol and expectations required to succeed in this fast paced industry. We will touch on the multiple variations of production formats: Music Video, Tv: 4 camera vs episodic, Film, Commercials, Styling vs Costume Design.
[Show full text]
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell
[Show full text]
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall
[Show full text]
FOXCATCHER Written by E. Max Frye & Dan Futterman INT. UNIVERSITY of WISCONSIN
FOXCATCHER Written by E. Max Frye & Dan Futterman INT. UNIVERSITY OF WISCONSIN GYM - VERY EARLY MORNING MARK SCHULTZ (27, 180 lbs., cauliflower ears) lifts a human- sized, leather WRESTLING DUMMY from the mat to stand in front of him. He performs a series of repetitive moves - hooking one arm under the dummy's arm, then the other; one side, then other. Again and again. It looks almost as if he's dancing gently with it. Then, very fast, Mark spins quickly around behind the dummy, grabs it in a bear hug, arches his back, lifts and SLAMS it to the mat, landing on top. QUICK CUTS: Mark spinning, lifting and slamming the dummy - first one way, then the other - first one hold, then another - SLAM. SLAM. SLAM. SLAM. SLAM - over and over and over again. CUT TO: I/E. BARABOO SCHOOL/PARKING LOT - LATE MORNING Mark pulls his beat-up car into a space in the parking lot of this nondescript, 1960s-era suburban brick-facade school. He's freshly showered, wears a short-sleeve dress shirt, clip- on tie, slacks. He reaches behind the front seat and pulls out a battered BROWN VINYL BRIEFCASE. CUT TO: INT. BARABOO SCHOOL/PRINCIPAL'S OFFICE WAITING ROOM - DAY Mark waits alone in a chair he's much too big for, his brown vinyl briefcase on his lap. A portrait of President Reagan hangs on the painted cinder block wall. A clock ticks. CUT TO: INT. BARABOO SCHOOL/AUDITORIUM - DAY Mark's on stage. An audience of 4th, 5th and 6th graders. MARK Why do I do it? Why do I push myself to my limits - of pain, of exhaustion - every day of my life? Why do I wake up every morning and make the commitment? Why do I do it? 2.
[Show full text]
JOY ZAPATA Hair Dept
JOY ZAPATA Hair Dept. Head/ Hair Stylist www.joyzapatahair.com IATSE local #706, AMPAS Joy’s first break came from working at the AFI for actress Lee Grant who was directing her first student film “The Stronger”. Joy donated her time and talent to bring this period film to life for the characters who were cast. It also led Lee Grant to win her second Oscar, this time in directing, for Best Student Film. Joy went on to work for Lee on Airport 77 and over the next two decades Joy worked with some of the biggest stars in film and television as Department Head or as Personal request including Personal for Jack Nicholson for over twenty years. Joy has earned five Emmy nominations, two wins and multiple other awards. Joy’s support and dedication to her craft is only surpassed by her contagious energy on set. Highly respected, her expertise in every facet of hairstyling has given her the ability to run large departments smoothly and make her a dependable leader. Feature Films (Partial List, DEPT. HEAD unless otherwise specified); Production Director/ Producer /Production Company RICHARD JEWELL Clint Eastwood / Leonardo DiCaprio / Warner Bros. A STAR IS BORN (Key hair) Bradley Cooper / Bill Gerber / Warner Bros 8 Academy Award Nominations including Best Picture SNATCHED (AKA Amy Schumer/Goldie Hawn 2016) Jonathan Levine / Peter Chernin / Fox MOHAVE (Oscar Isaac, Garrett Hedlund) William Monahan / Aaron Ginsberg / Atlas RIDE (Department Head) Helen Hunt / Matthew Carnahan / Sandbar NEIGHBORS Nicholas Stoller / Evan Goldberg / Universal NIGHTCRAWLER (Key hair) Dan Gilroy / Jake Gyllenhaal / Bold Films THE ARTIST (Key hair) Michael Hazanavicius /T.
[Show full text]
Foxcatcher Directed by Bennett Miller
Sony Pictures Classics Presents An Annapurna Pictures Production Foxcatcher Directed by Bennett Miller Cannes Film Festival 2014 Telluride Film Festival 2014 Toronto International Film Festival 2014 New York Film Festival 2014 Winner - Best Director, Cannes Film Festival 2014 134 mins | Rated R | Opens 11/14/14 (NY/LA) East Coast Publicity West Coast Publicity Distributor 42West Block Korenbrot Sony Pictures Classics Scott Feinstein Max Buschman Carmelo Pirrone 220 West 42nd Street Blair Bender Maya Anand 12th floor 6100 Wilshire Blvd., 550 Madison Ave New York, NY 10036 Ste. 170 New York, NY 10022 212-277-7555 Los Angeles, CA 90048 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax FOXCATCHER The Cast John du Pont STEVE CARELL Mark Schultz CHANNING TATUM Dave Schultz MARK RUFFALO Jean du Pont VANESSA REDGRAVE Nancy Schultz SIENNA MILLER Jack ANTHONY MICHAEL HALL Henry Beck GUY BOYD Documentary Filmmaker DAVE “DOC” BENNETT The Filmmakers Director BENNETT MILLER Written by E. MAX FRYE DAN FUTTERMAN Producers MEGAN ELLISON BENNETT MILLER JON KILIK ANTHONY BREGMAN Executive Producers CHELSEA BARNARD RON SCHMIDT MARK BAKSHI MICHAEL COLEMAN TOM HELLER JOHN P. GUIRA Co-Producer SCOTT ROBERTSON Director of Photography GREIG FRASER Production Designer JESS GONCHOR Editor STUART LEVY CONOR O’NEILL JAY CASSIDY Costume Designer KASIA MAIMONE WALICKA Music ROB SIMONSEN Additional Music WEST DYLAN THORDSON Valley Forge Theme MYCHAEL DANNA Casting Director JEANNE McCARTHY Makeup Designer BILL CORSO Hair Department Head KATHRINE GORDON Wrestling Coordinator JOHN GUIRA Wrestling Choreographer JESSE JANTZEN 2 FOXCATCHER Synopsis Based on true events, FOXCATCHER tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi-millionaire and two champion wrestlers.
[Show full text]
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
[Show full text]
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
[Show full text]
RMIT University Louise Sawtell Re-Crafting the Screenplay: A
Sawtell Re-crafting the screenplay RMIT University Louise Sawtell Re-crafting the screenplay: A fictocritical approach Abstract: Screenwriters are often bound by the rules of the craft, adhering to specific formatting and functions of an industrial model. As a Writer-Director who has followed a story into production, I have felt restricted by the conventional presentation of a screenplay. I propose that a new model of screenwriting can include many different narratives, reflections, images, video and audio recordings alongside the actions and dialogue of the scenes. This alternative approach to writing the screen story would involve more than words perfectly formatted on the page. I have defined this multimodal form as a ‘fictocritical screenplay’. This paper focuses on the development and re-imagining of a feature film screenplay. I will explore my own screenwriting practice as a PhD candidate during the early stages of developing One in a Million Girl. I will highlight the multi-layered development and presentation of the fictocritical screenplay, which invites the reader to share the same development journey as the author. By demonstrating how my alternative approach differs from a more conventional development, I argue that a fictocritical screenplay offers the Writer-Director of a film further scope to experiment and discover a more visual presentation of the screen story. Biographical note: Louise Sawtell is a current PhD Candidate in the School of Media and Communication at RMIT University. Her practice-led research project explores actress representation through a fictocritical screenplay, One in a Million Girl. She has taught screenwriting, filmmaking and media studies at universities across Australia.
[Show full text]
Introduction
THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS THE OLIVE WONG PROJECT PERFORMANCE COSTUME DESIGN RESEARCH GUIDE INTRODUCTION COSTUME DESIGN AND PERFORMANCE WRITTEN AND EDITED BY AILEEN ABERCROMBIE The New York Public Library for the Perform- newspapers, sketches, lithographs, poster art ing Arts, located in Lincoln Center Plaza, is and photo- graphs. In this introduction, I will nestled between four of the most infuential share with you some of Olive’s selections from performing arts buildings in New York City: the NYPL collection. Avery Fisher Hall, Te Metropolitan Opera, the Vivian Beaumont Teater (home to the Lincoln There are typically two ways to discuss cos- Center Teater), and David H. Koch Teater. tume design: “manner of dress” and “the history Te library matches its illustrious location with of costume design”. “Manner of dress” contextu- one of the largest collections of material per- alizes the way people dress in their time period taining to the performing arts in the world. due to environment, gender, position, economic constraints and attitude. Tis is essentially the The library catalogs the history of the perform- anthropological approach to costume design. ing arts through collections acquired by notable Others study “the history of costume design”, photographers, directors, designers, perform- examining the way costume designers interpret ers, composers, and patrons. Here in NYC the the manner of dress in their time period: where so many artists live and work we have the history of the profession and the profession- an opportunity, through the library, to hear als. Tis discussion also talks about costume sound recording of early flms, to see shows designers’ backstory, their process, their that closed on Broadway years ago, and get to relationships and their work.
[Show full text]
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
[Show full text]