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Issue 3 November 2013 N E W S the Cause of Kairos Fever; Seniors Sign up in Record Numbers Lights Outs, School’S Out, a New Song By: Jennielittleton Mr
The Miegian Entertainment 2013 p. 8 & 9 Volume 57 Issue 3 November 2013 N E W S The Cause of Kairos Fever; Seniors Sign Up in Record Numbers Lights Outs, School’s Out, A New Song By: JennieLittleton Mr. Creach does, to advertise Kairos. comes from “grow(ing) in relation- institutions in twelve states, and inter- Thanks to this year’s unprecedented ships with other people and see(ing) estingly enough, has also been a part Fills the Halls Editor-in-Chief show of spirit and zeal for the pro- the good in everyone.” Summed up, of the prison ministry movement ever What’s the Reason for These Blackouts? gram, each retreat has more seniors her experience was “nice and refresh- since. than expected, and for the first time at ing.” Mr. Creach explained that By: MariaBaska Traditionally each year, three By: LouieLaFeve lunches for everyone and record pur- parents of our status. Most kids who three-day retreats are publicized, Miege, a fourth Kairos retreat was on- Miege’s history with Kai- sidered but was not able to be sched- ros started when, after the chases by hand, but that wasn’t an could drive left immediately, and we staff writer planned, and prepared for, waiting staff writer option. Some of the emergency flood corralled the rest up in the Commons for seniors to sign up. Kairos, a Greek uled. “Kairos is an amazing retreat had spread from lights had been drained of power, so to try and find rides. This day went Bishop Miege unveiled its term meaning “The Lord’s Not much is revealed about Catholic/Jesuit school to Many Miegians were treat- experience that I wish certain hallways were entirely dark,” on the record as a whole day since we new song “Spirit of Bishop Miege,” Time,” is the title used to Kairos until the retreat has school, five juniors were ed to a pleasant Halloween surprise he said. -
The State of Robin Thicke 6 Upvotes | 2 July, 2014 | by Soanxious
The State of Robin Thicke 6 upvotes | 2 July, 2014 | by SoAnxious What does Red Pill Think of the current state of Robin Thicke and Paula Patton's relationship and his debut of an Album named after her Paula while estranged from her. Did he go full blue pill? Example Archived from theredarchive.com www.TheRedArchive.com Page 1 of 2 Comments chill_geddy • 3 points • 2 July, 2014 11:33 PM Dude is doing the Hollywood shuffle I don't think it would be a good look for him to be 100 percent honest shit it is douche chill inducing though [deleted] • 3 points • 2 July, 2014 11:48 PM From "Lost Without You" to now, nothing has changed with this guy. It doesn't surprise me in the least. DENNIS_SYSTEM_PUA • 3 points • 3 July, 2014 01:01 AM It's really sick and sad to watch, particularly know what we know and how much we could help him. If I woke up with that cat's life, I'd put a gun in my mouth. TangoAlphaBravo • 2 points • 2 July, 2014 11:31 PM We think they should eat a lentil stew together. intrcept • 3 points • 3 July, 2014 01:44 AM Note to self: if I ever become I rock star, I will never dedicate music to a specific woman. If we broke up, I might be stuck performing it on tour for the rest of my life. note-to-self-bot • 3 points • 4 July, 2014 01:58 AM You should always rememeber: if I ever become I rock star, I will never dedicate music to a specific woman. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
Cabin and Plantation Songs As Sung by the Hampton Students
.CABIN AND PLANTATION SONGS' AS SUNG BY THE HAMPTON STUDENTS, ARRANGED BY THOMAS P. FENNER, FREDERIC G. RATHBUN, ' AND Miss BESSIE CLEAVELAND, MUSICAL INSTRUCTORS IN THE HAMPTON NORMAL AND AGRICULTURAL INSTITUTE OF VIRGINIA. THIRD EDITION, ENLARGED BY THE ADDITION OF FORTY-FOUR SONGS. TO WHICH ARE ADDED A FEW INDIAN SONGS, GATHERED AT HAMPTON INSTITUTE, THE NEGROES* BATTLE HYMN, AND THE GRACE AS SUNG AT HAMPTON. G. P. PUTNAM'S SONS NEW YORK AND LONDON ^bc IRntcJ^erbockec press 1901 COPYRIGHT, 1890 BY F. C. BRIGGS Enlarged Edition copyright, 1900 BY F. C. BRIGGS Ube 'ftnicJierboclscr press, "Kew IBocft ; PREFACE TO MUSIC. ^T^HE slave music of the South presents a field for research and study very extensive and rich, and one which has been scarcely more than entered upon. There are evidently, I think, two legitimate methods of treating this music : either to render it in its absolute, rude simplicity, or to develop it without destroying its original characteristics ; the only proper field for such development being in the harmony. Practical experience shows the necessity, in some cases, of mak- ing compensation for its loss in being transplanted. Half its eflfect- iveness, in its home, depends upon accompaniments which can be carried away only in memory. The inspiration of numbers ; the overpowering chorus, covering defects ; the swaying of the body the rhythmical stamping of the feet ; and all the wild enthusiasm of the negro camp-meeting—these evidently can not be transported to the boards of a public performance. To secure variety and do justice to the music, I have, therefore, treated it by both methods. -
Legal Writing, the Remix: Plagiarism and Hip Hop Ethics
Mercer Law Review Volume 63 Number 2 Articles Edition Article 4 3-2012 Legal Writing, the Remix: Plagiarism and Hip Hop Ethics Kim D. Chanbonpin Follow this and additional works at: https://digitalcommons.law.mercer.edu/jour_mlr Part of the Cultural Heritage Law Commons, and the Legal Writing and Research Commons Recommended Citation Chanbonpin, Kim D. (2012) "Legal Writing, the Remix: Plagiarism and Hip Hop Ethics," Mercer Law Review: Vol. 63 : No. 2 , Article 4. Available at: https://digitalcommons.law.mercer.edu/jour_mlr/vol63/iss2/4 This Article is brought to you for free and open access by the Journals at Mercer Law School Digital Commons. It has been accepted for inclusion in Mercer Law Review by an authorized editor of Mercer Law School Digital Commons. For more information, please contact [email protected]. Legal Writing, the Remix: Plagiarism and Hip Hop Ethics by Kim D. Chanbonpin I. PRELUDE I begin this Article with a necessary caveat. Although I place hip hop music and culture at the center of my discussion about plagiarism and legal writing pedagogy, and my aim here is to uncover ways in which hip hop can be used as a teaching tool, I cannot claim to be a hip hop head.' A hip hop "head" is a devotee of the music, an acolyte of its discourse, and, oftentimes, an evangelist spreading the messages contained therein.2 One head, the MC' (or emcee) KRS-One,4 uses religious * Assistant Professor of Law, The John Marshall Law School (Chicago). University of California, Berkeley (B.A., 1999); University of Hawaii (J.D., 2003); Georgetown University Law Center (LL.M., 2006). -
Patriot Press March-April 2017
Patriot Press Page Guide News..........................................1 @LibertyPublicat Features......................................2 Entertainment..........................3-5 Center Spread............................6-7 Sports.....................................8-10 Viewpoint...................................11 Back Page..................................12 www.pinterest.com/tyearbook March/April 2017 Volume 23: Issue 5 6300 Independence Avenue, Bealeton, Virginia 22712 Safe Dating Experts Stress “Love Should Be Respectful.” by Savannah Johnson This year Liberty High School ~Staff Reporter ly learn from others and share positive decided to try something new by offer- pieces of those experiences with others,” ing a safe dating workshop. From Jan- Abuse said social worker Rochelle Ferguson. uary 25 until April 5 in the Eagle Room, Acts of violence, threats of violence, Students in this workshop do var- there are sessions held to teach students victim-blaming, intimidation ious activities to help us spot abusive be- about positive and non-positive relation- havior. They read scenarios and with ev- ships. Professional social workers Ro- erything that happens, and they decide if chelle Ferguson and Lauren Dracoules they would leave or stay in that situation. are the ones who are teaching this class. Tension Building Reconciliation The class gets handouts with examples Safe Dates’ primary purpose is to Tensions increase, breakdown of Excuses, apologies, denial of abuse, they can look back on. Also papers that equip individuals at the school who are en- communication survivor is fearful victim-blaming they fill out remind them what they want tering the dating arena and/or advise those and need out of a relationship. Students do who are currently in a relationship. The not just learn how they should be treated, tools students gain from this class will help they also learn how to treat their partners. -
Of Hoops, Labor Dupes and Antitrust Ally-Oops: Fouling out the Salary Cap D
Indiana Law Journal Volume 62 | Issue 1 Article 6 Winter 1998 Of Hoops, Labor Dupes and Antitrust Ally-Oops: Fouling Out the Salary Cap D. Albert Daspin Indiana University School of Law Follow this and additional works at: http://www.repository.law.indiana.edu/ilj Part of the Entertainment, Arts, and Sports Law Commons, and the Labor and Employment Law Commons Recommended Citation Daspin, D. Albert (1998) "Of Hoops, Labor Dupes and Antitrust Ally-Oops: Fouling Out the Salary Cap," Indiana Law Journal: Vol. 62 : Iss. 1 , Article 6. Available at: http://www.repository.law.indiana.edu/ilj/vol62/iss1/6 This Note is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Indiana Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. NOTES Of Hoops, Labor Dupes and Antitrust Ally-Oops: Fouling Out the Salary Cap* INTRODUCTION The primary objective of the antitrust statutes is to promote competition.' The overriding goal of national labor legislation is to encourage the collective bargaining process 2 an inherently anticompetitive practice.3 Labor and an- titrust concerns therefore are in frequent collision. Accommodating these conflicting national policies has provided a fertile source of judicial and scholarly confusion.4 In giving effect to one congressional policy, encouraging * The author gratefully acknowledges the cooperation of Mr. Jeffrey A. Mishkin, of Proskauer, Rose, Goetz & Mendelsohn, and Mr. Jeffrey S. Klein, of Weil, Gotshal & Manges, in the preparation of this Note. -
History All-Time Coaching Records All-Time Coaching Records
HISTORY ALL-TIME COACHING RECORDS ALL-TIME COACHING RECORDS REGULAR SEASON PLAYOFFS REGULAR SEASON PLAYOFFS CHARLES ECKMAN HERB BROWN SEASON W-L PCT W-L PCT SEASON W-L PCT W-L PCT LEADERSHIP 1957-58 9-16 .360 1975-76 19-21 .475 4-5 .444 TOTALS 9-16 .360 1976-77 44-38 .537 1-2 .333 1977-78 9-15 .375 RED ROCHA TOTALS 72-74 .493 5-7 .417 SEASON W-L PCT W-L PCT 1957-58 24-23 .511 3-4 .429 BOB KAUFFMAN 1958-59 28-44 .389 1-2 .333 SEASON W-L PCT W-L PCT 1959-60 13-21 .382 1977-78 29-29 .500 TOTALS 65-88 .425 4-6 .400 TOTALS 29-29 .500 DICK MCGUIRE DICK VITALE SEASON W-L PCT W-L PCT SEASON W-L PCT W-L PCT PLAYERS 1959-60 17-24 .414 0-2 .000 1978-79 30-52 .366 1960-61 34-45 .430 2-3 .400 1979-80 4-8 .333 1961-62 37-43 .463 5-5 .500 TOTALS 34-60 .362 1962-63 34-46 .425 1-3 .250 RICHIE ADUBATO TOTALS 122-158 .436 8-13 .381 SEASON W-L PCT W-L PCT CHARLES WOLF 1979-80 12-58 .171 SEASON W-L PCT W-L PCT TOTALS 12-58 .171 1963-64 23-57 .288 1964-65 2-9 .182 SCOTTY ROBERTSON REVIEW 18-19 TOTALS 25-66 .274 SEASON W-L PCT W-L PCT 1980-81 21-61 .256 DAVE DEBUSSCHERE 1981-82 39-43 .476 SEASON W-L PCT W-L PCT 1982-83 37-45 .451 1964-65 29-40 .420 TOTALS 97-149 .394 1965-66 22-58 .275 1966-67 28-45 .384 CHUCK DALY TOTALS 79-143 .356 SEASON W-L PCT W-L PCT 1983-84 49-33 .598 2-3 .400 DONNIE BUTCHER 1984-85 46-36 .561 5-4 .556 SEASON W-L PCT W-L PCT 1985-86 46-36 .561 1-3 .250 RE 1966-67 2-6 .250 1986-87 52-30 .634 10-5 .667 1967-68 40-42 .488 2-4 .333 1987-88 54-28 .659 14-9 .609 CORDS 1968-69 10-12 .455 1988-89 63-19 .768 15-2 .882 TOTALS 52-60 .464 2-4 .333 -
185(~ If You Have Issues Viewing Or Accessing This File Contact Us at NCJRS.Gov
If you have issues viewing or accessing this file contact us at NCJRS.gov. .. 185(~ ........ ] ............................... 7 cOmpihtion of writings was produced by the National Campaign to Stop Violence. For T~ore information on the Campaigns programs and activities, please contact the Campaign at: National Campaign to Stop Violence 1120 G Street, NW,, Suite 990 Washington, D.C 20005 (202) 393-7583 (800) Z56-O23S ;. ,. ," ;, '~i 7 ,.-,' , t, ~t}+,,;~, .... j.,~.,.~.,. J~ ']0]; ,.'b.t..'"'~' Please do not reprint any part of this book without first obtaining permission from the National Campaign to Stop Violence. Table of Contents I. Do the Wn~e Th/ngChallenge 1 ",3 II. Participating Organizations 3 III. National Campaign to Stop Violence Board of Directors 5 IV. Do the WrRe ~ Challenge Program National Finalists 7 Atlanta 9 Taronda Gibbons 11 Leo L. Tolin 17 Chicago 21 Roberto Coney 23 Rominna Villasegor 27 Denver 31 Emily B royies 33 PhiUip Dorsey 37 Hartford 41 James Shurko 43 Jackie Strong 47 Houston 51 Devell Blanton 53 Bianca Flores 59 Las Vegas 67 Takara Green 69 Paul Scott 73 Los Angeles 77 Jasmina Aragon 79 Raul Perez 85 iii Miami 89 Vanessa Butler 91 John Kelley 101 Mississippi 105 Sioban Scott 107 Shad White 111 Newark 115 Darren Alvarez 117 Iesha W'~liams 123 New Orleans 129 Nakeisha Brown 131 Avery Thomas 137 New York 143 Daniel Houck 145 Juanita Ramos 149 Philadelphia 155 Nancy Loi 157 Sean Medcalf 161 Washington, D.C 167 Angela Brown 169 Elijah Huggins 175 V. National Guard ChalleNGe Program Finalists 185 Alaska ChalleNGe -
Music for Guitar
So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour -
THOMAS MARVEL Director of Photography 2821 3Rd Street Santa Monica, CA 90405
THOMAS MARVEL Director of Photography 2821 3rd Street Santa Monica, CA 90405 1986- Hamilton College, Clinton NY, Bachelor of Arts 1987- Grotowski Studio Theatre, Wroclaw, Poland 1987-1989 Production Assistant 1989-1994 Studio Lighting Technician 1994-1998 Chief Lighting Technician 1998- Present, Director of Photography 2015 NARRATIVE “The Nice Guys” Camera Operator, Directed by Shane Black, DP Philippe Rousselot COMMERCIALS Harbin Beer, “Shaq and Friends” directed by Gil Green MUSIC VIDEOS Mary J. Blige “Doubt” directed by Ethan Lader 2014 COMMERCIALS Sandals Foundation, “Soles of Youth” directed by Gil Green Mexico CPTM Tourismo, “Vivirlo para Creerlo” directed by Michael Abt Diners Club, “Club Miles” directed by Alejandro Dube Novo Nordisk, “Rev Run Diabetes Awareness” directed by Ron Jacobs Novo Nordisk , “Debbie Allen Diabetes Awareness” directed by Ron Jacobs Domino’s Pizza, “Must Try” directed by Francisco Pugliese MUSIC VIDEOS Wisin ft. Pitbull, “Control” directed by Carlos Perez Ricardo Arjona, “Apnea” directed by Carlos Perez 2013 NARRATIVE “The Veil” feature film directed by Brent Ryan Green COMMERCIALS Park Hyatt, “Anthem” directed by Josh Hayward Nissan, “Skylar Gray” directed by Declan Whitbeloom 1 Pepsi, “Wally Lopez” directed by Gil Green Sanofi Pasteur, “Dana Torres PSA” directed by Ron Jacobs YouTube, “Comedy Week Promo with Arnold Schwarzenneger” directed by Nick Ryan Tigo, “Verdades” directed by Roberto Mancia Valspar Paint, “Tori and Dean” directed by Natalie Barandes WalMart, “Gain” directed by Francisco Pugliese -
Dreams-041015 1.Pdf
DREAMS My Journey with Multiple Sclerosis By Kristie Salerno Kent DREAMS: MY JOURNEY WITH MULTIPLE SCLEROSIS. Copyright © 2013 by Acorda Therapeutics®, Inc. All rights reserved. Printed in the United States of America. Author’s Note I always dreamed of a career in the entertainment industry until a multiple sclerosis (MS) diagnosis changed my life. Rather than give up on my dream, following my diagnosis I decided to fight back and follow my passion. Songwriting and performance helped me find the strength to face my challenges and help others understand the impact of MS. “Dreams: My Journey with Multiple Sclerosis,” is an intimate and honest story of how, as people living with MS, we can continue to pursue our passion and use it to overcome denial and find the courage to take action to fight MS. It is also a story of how a serious health challenge does not mean you should let go of your plans for the future. The word 'dreams' may end in ‘MS,’ but MS doesn’t have to end your dreams. It has taken an extraordinary team effort to share my story with you. This book is dedicated to my greatest blessings - my children, Kingston and Giabella. You have filled mommy's heart with so much love, pride and joy and have made my ultimate dream come true! To my husband Michael - thank you for being my umbrella during the rainy days until the sun came out again and we could bask in its glow together. Each end of our rainbow has two pots of gold… our precious son and our beautiful daughter! To my heavenly Father, thank you for the gifts you have blessed me with.