DOCSLIB.ORG

Doctor Who Torchwood the Diary of River Song

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Doctor Who Torchwood the Diary of River Song ISSUE: 113 • JULY 2018 WWW.BIGFINISH.COM DOCTOR WHO THE DIARY OF THE MAIN RANGE RIVER SONG SERIES FOUR TORCHWOOD BILIS MANGER RETURNS We make great full-cast audio dramas and audiobooks that are available to buy on CD and/or download WE LOVE STORIES! SUBSCRIBERS GET Our audio productions are based on much- MORE! loved TV series like Doctor Who, Torchwood, If you subscribe, depending on the Dark Shadows, Blake’s 7, The Avengers, The range you subscribe to, you get free , , , Prisoner The Omega Factor Terrahawks audiobooks, PDFs of scripts, extra Captain Scarlet and Survivors, as well as behind-the-scenes material, a classics such as HG Wells, Shakespeare, bonus release, downloadable audio Sherlock Holmes, The Phantom of the Opera readings of new short stories and and Dorian Gray. We also produce original discounts. creations such as Graceless, Charlotte Pollard and The Adventures of Bernice Summerfield, plus the Big Finish Originals Secure online ordering and details of range featuring seven great new series all our products can be found at: including ATA Girl and Cicero. www.bigfinish.com WWW.BIGFINISH.COM @ BIGFINISH THEBIGFINISH VORTEX MAGAZINE • PAGE 2 for executive producer Jason Haigh-Ellery, and he was delighted to finally achieve this ambition – Eric plays the Master for the first time since appearing in the 1996 Doctor Who television movie. Jason says: “Working with Eric was a complete joy. Firstly, he is such a nice man and so easy to communicate RIVER SONG with. Secondly, he likes to AND THE MANY work and he likes to work MASTERS! fast. The scenes whizzed by and we were all enjoying T’S A funny old world, this ourselves so much that I Big Finish malarkey. AVING HAD several forgot I was directing an I Through Vortex, I have the adventures with many Oscar nominee with over honour of being able to speak to the H of Big Finish’s classic 450 movies under his belt people who write, act, produce, Doctors, it was only a matter of (which should have been create the sound design and music, time before River Song ran into intimidating – but wasn’t!). direct and do the covers for the a certain other Time Lord… “Eric is very down to stories we all love each month. The Master – in four different earth – no ego or vanity This month, I discovered that new incarnations – encounters the involved. I hope we work Big Finish writer Donald McLeary not Doctor’s wife in Series Five of together again soon.” only lives in Scotland but is actually The Diary of River Song in Eric features in The Lifeboat just seven miles from my house, January next year, as Geoffrey and the Deathboat by Eddie so we met up and had lunch. And Beevers and Sir Derek Jacobi are Robson. Other stories in the within two minutes, we’d worked joined by Michelle Gomez and set are Animal Instinct by Roy out we had a friend in common. Eric Roberts. Gill, Concealed Weapon by Small world! And, fact fans, Donny Getting Eric Roberts to appear Scott Handcock and The Bekdel attended Stonelaw High School, the in a Big Finish production Test by Jonathan Morris. same school that produced another has been a long-term goal Big Finish writer, Andrew Smith. (Yes, I love trivia like that!). Another highlight for me this month has been the preview for Too ISSUE 113 • JULY 2018 Many Targets, the latest release for The Avengers. I’ve been a big The Managing Editor: Jason Haigh-Ellery Avengers fan since 1992 and bought Executive Producer: Nicholas Briggs the original book that year. I’ve Senior Producer: David Richardson been re-reading it in anticipation, to Editor: Kenny Smith get myself ready for John Dorney’s Design: Mark Plastow audio adaptation. This is The Five Doctors of The Avengers – you could Copy Editor: Stephanie Hornett alternatively call it Avengers Assemble, The Big Finish Team: Ian Atkins, Sue Cowley, Emily de Fraine, if you wish. Oh, hang on, has that Hannah Peel, Paul Spragg name been taken?! Marketing: Kris Griffin All I can say is, if you’re a fan of and Paddy Freeland The Avengers, you’re going to love BFP Administration: Cheryl Bly, what John has done – just make sure Brenda Smith, Alison Taylor you keep listening all the way to the Publisher: Big Finish Productions Ltd. end… VORTEX | PAGE 3 IT’S ANOTHER ADVENTURE FOR THE DOCTOR’S WIFE – AND SHE’S MEETING A DIFFERENT INCARNATION OF HER HUSBAND… FOURTH VER SINCE River Song Producer David Richardson says: in this box set: “For this series, we Riverbecame part of the Big “The idea of bringing the Fourth wanted to give River an adversary E Finish family she’s been Doctor into our River Song series to match her, a real threat, so travelling back along the Doctor’s was irresistible – I just had to David and I set about thinking. For timeline, running into different make sure that Alex was happy to a time, we talked about possibly incarnations of our favourite Time travel down to deepest Kent where using the Daleks, but in the end Lord along the way. we record with Tom (of course decided on something original, With Alex Kingston having worked she was – she was thrilled to be so we created the Discordia – with David Tennant, Matt Smith recording with Tom!). This is quite one of whom is the handsome and Peter Capaldi on television, a wild ride for a Fourth Doctor devil you can see on the cover. she’s now ticked off Paul McGann, story, and there’s a real frisson “With no Time Lords to police Sylvester McCoy, Colin Baker and between the two characters.” things, the Discordia are essentially Peter Davison over the last couple But we’re getting ahead of time pirates who can go back and of years with Big Finish. And now ourselves a little. Script editor Matt re-engineer themselves and their she can add Tom Baker to that list! Fitton explains the ongoing theme evolution, to make themselves VORTEX | PAGE 4 THE DIARY OF RIVER SONG companions for River, which was, as Spod might say, amazeballs! “River is just the best fun, despite – or more accurately perhaps, because of – her infinitely complex and tragic past. There is absolutely nothing that can shock, faze or defeat her. Like the Doctor, she confronts danger and heartbreak with confidence, swagger and wit. And yet there’s a heartbreaking vulnerability to her, despite her strength.” However, Emma found introducing the Discordia a bit tricky. She concedes: “Plotting for the Discordia was… challenging. The brief described them as devilish beings that can control time and can retcon any situation so that they come out as the victors – how can anyone Above (l–r): Tom Baker and Alex Kingston fight that? Only the Doctor could ever hope to, but he’s RIVER IS JUST THE BEST FUN, DESPITE – OR MORE ACCURATELY PERHAPS, BECAUSE OF – HER INFINITELY COMPLEX AND TRAGIC PAST. Above (l–r): Fenella Woolgar and Alex Kingston Above (l–r): Alex Kingston and Josh Bolt EMMA REEVES as intimidating as possible – and and co-creator, and I was very not around, so it’s time for his make sure they always win. impressed by it. I knew she’d better half to step up. The lovely “They look like devils in the written a couple of Torchwoods detail (from Matt’s brief) that Hieronymus Bosch tradition, for Big Finish at that stage, so I the Discordia had engineered and they have rotating gun arms approached her and asked if she their appearance to resemble which spin around to whatever would be interested in writing that of devils with red skins, weapon the occasion demands.” for River.” horns and tails, was an added Emma takes up the story: bonus. Nothing and nobody IME IN a Bottle opens “Matt’s brief was to take River into can intimidate River – not even this series, written by a system where time has been the denizens of Hell itself!” T Emma Reeves and Matt removed, investigate the cause Matt adds: “It was great fun Fitton. Matt says: “I co-wrote the and discover that the (literally) working with Emma as she’s first one with Emma Reeves. My fiendish Discordia are to blame. As very easy to get on with, and we son loved watching Eve on CBBC, the writer of the first episode in the ended up completing the script for which Emma was lead writer box set, I got to create the travelling together from her storyline. VORTEX | PAGE 5 THE DIARY OF RIVER SONG Above (l–r): Joe Meiners, Ken Bentley, Nicholas Asbury, Nigel Anthony, Tom Baker, John Dorney, Nathalie Buscombe, Alex Kingston, Elliot the Dog and David Richardson “I’m really pleased with the someone she dislikes and can be result, especially as we’ve got I THOUGHT openly rude to. Perhaps because a great cast including Fenella of the strain of having to keep all Woolgar as River’s academic IT WOULD those spoilers to herself, River rival, Professor Still.” BE FUN IF tends to have no time for social Emma continues: “Professor filters. I love it when River tells it Still is an old frenemy (without HER THIRD straight, and Professor Still, played the fr!) from River’s time at Lunar by the wonderful Fenella Woolgar, University. She’s a woman with FELLOW makes a great sparring partner.” a grudge. Back in the day, not TRAVELLER only did River steal her man OR THE second story in but – the ultimate insult – she IS SOMEONE the set, a first did it by accident and didn’t even F (chronological) writing want him.
Load more

Recommended publications
  • VORTEX Playing Mrs Constance Clarke
    THE BIG FINISH MAGAZINE MARCH 2021 MARCH ISSUE 145 DOCTOR WHO: DALEK UNIVERSE THE TENTH DOCTOR IS BACK IN A BRAND NEW SERIES OF ADVENTURES… ALSO INSIDE TARA-RA BOOM-DE-AY! WWW.BIGFINISH.COM @BIGFINISH THEBIGFINISH @BIGFINISHPROD BIGFINISHPROD BIG-FINISH WE MAKE GREAT FULL-CAST AUDIO DRAMAS AND AUDIOBOOKS THAT ARE AVAILABLE TO BUY ON CD AND/OR DOWNLOAD WE LOVE STORIES Our audio productions are based on much-loved TV series like Doctor Who, Torchwood, Dark Shadows, Blake’s 7, The Avengers, The Prisoner, The Omega Factor, Terrahawks, Captain Scarlet, Space: 1999 and Survivors, as well as classics such as HG Wells, Shakespeare, Sherlock Holmes, The Phantom of the Opera and Dorian Gray. We also produce original creations such as Graceless, Charlotte Pollard and The Adventures of Bernice Summerfield, plus the THE BIG FINISH APP Big Finish Originals range featuring seven great new series: The majority of Big Finish releases ATA Girl, Cicero, Jeremiah Bourne in Time, Shilling & Sixpence can be accessed on-the-go via Investigate, Blind Terror, Transference and The Human Frontier. the Big Finish App, available for both Apple and Android devices. Secure online ordering and details of all our products can be found at: bgfn.sh/aboutBF EDITORIAL SINCE DOCTOR Who returned to our screens we’ve met many new companions, joining the rollercoaster ride that is life in the TARDIS. We all have our favourites but THE SIXTH DOCTOR ADVENTURES I’ve always been a huge fan of Rory Williams. He’s the most down-to-earth person we’ve met – a nurse in his day job – who gets dragged into the Doctor’s world THE ELEVEN through his relationship with Amelia Pond.
    [Show full text]
  • The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
    UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community.
    [Show full text]
  • Doctor Who 4 Ep.18.GOLD.SCW
    DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated.
    [Show full text]
  • “My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
    “My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
    [Show full text]
  • Emmy Nominated Transformers Rescue Bots Returns to Discovery Family Channel with Back-To-Back Premiere Episodes Beginning Saturday, April 23
    FOR IMMEDIATE RELEASE April 7, 2016 CONTACT: Jared Albert, (347) 449-1085 [email protected] EMMY NOMINATED TRANSFORMERS RESCUE BOTS RETURNS TO DISCOVERY FAMILY CHANNEL WITH BACK-TO-BACK PREMIERE EPISODES BEGINNING SATURDAY, APRIL 23 – This Season, Celebrity Guest Stars Kristen Schaal and Alex Kingston Visit Griffin Rock and TRANSFORMERS RESCUE BOTS Celebrates its 100th Episode Milestone – (New York) – Power up, energize and roll to the rescue as the fourth season of TRANSFORMERS RESCUE BOTS premieres on Discovery Family Channel with back-to-back episodes on Saturday, April 23 at 8 AM ET/7 AM CT and 8:30 AM ET/7:30 AM CT. Additionally, the animated series will introduce new characters – the first-ever female Rescue Bot “Quickshadow” voiced by Alex Kingston (“ER”) and “Chickadee” voiced by Kristen Schaal (“Bob’s Burgers”). TRANSFORMERS RESCUE BOTS will also celebrate its 100th episode milestone this season. In the season four back-to-back premiere episodes “New Normal” and “Bridge Building,” the invasion of an evil alien race forces the Rescue Bots to reveal their true extraterrestrial identities to the citizens of Griffin Rock. But before the townspeople vote on whether to let the robots in disguise stay in their town, the Autobots are transported to the Sahara Desert and must band together with their human counterparts to get home safely. Throughout the action-packed season, the Bots work tirelessly on a new project, construction of the Mainland Training Center and continue to test the powerful “Groundbridge” portal that allows them to transport between their firehouse headquarters and training center. TRANSFORMERS RESCUE BOTS follows the adventures of four young Transformers and their human counterparts – a family of emergency responders with 12-year-old Cody Burns at the center.
    [Show full text]
  • A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
    University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr.
    [Show full text]
  • Plague of the Daleks Iris Wildthyme
    ISSUE #10 DECEMBER 2009 FREE! NOT FOR RESALE PLAGUE OF THE DALEKS Susan Brown & Keith Barron take a trip to Stockbridge IRIS WILDTHYME Katy Manning and David Benson get into the Christmas spirit CYBERMAN 2 THERE IS NOTHING TO FEAR FROM MARK MCDONNELL & barnaby EDWARDS PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL THE BIG FINISH SALE Hello! This month’s editorial comes to you direct Now, this month, we have Sherlock Holmes: The from Chicago. I know it’s impossible to tell if that’s Death and Life, which has a really surreal quality true, but it is, honest! I’ve just got into my hotel to it. Conan Doyle actually comes to blows with Prices slashed from 1st December 2009 until 9th January 2010 room and before I’m dragged off to meet and his characters. Brilliant stuff by Holmes expert greet lovely fans at the Doctor Who convention and author David Stuart Davies. going on here (Chicago TARDIS, of course), I And as for Rob’s book... well, you may notice on thought I’d better write this. One of the main the back cover that we’ll be launching it to the public reasons we’re here is to promote our Sherlock at an open event on December 19th, at the Corner Holmes range and Rob Shearman’s book Love Store in London, near Covent Garden. The book will Songs for the Shy and Cynical. Have you bought be on sale and Rob will be signing and giving a either of those yet? Come on, there’s no excuse! couple of readings too.
    [Show full text]
  • Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
    Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled.
    [Show full text]
  • Five Goes Mad in Stockbridge Fifth Doctor Peter Davison Chats About the New Season
    ISSUE #8 OCTOBER 2009 FREE! NOT FOR RESALE JUDGE DREDD Writer David Bishop on taking another shot at ‘Old Stony Face’ DOCTOR WHO Scribe George Mann on Romana’s latest jaunt FIVE GOES MAD IN STOCKBRIDGE FIFTH DOCTOR PETER DAVISON CHATS ABOUT THE NEW SEASON PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Hello. More Vortex! Can you believe it? Of course studio session to make sure everyone is happy and that you can, you’re reading this. Now, if I sound a bit everything is running on time. And he has to do all those hyper here, it’s because there’s an incredibly busy time CD Extras interviews. coming up for Big Finish in October. We’ve already started recording the next season of Eighth Doctor What will I be doing? Well, I shall be writing a grand adventures, but on top of that there are more Lost finale for the Eighth Doctor season, doing the sound Stories to come, along with the Sixth Doctor and Jamie design for our three Sherlock Holmes releases, and adventures, the return of Tegan, Holmes and the Ripper writing a brand new audio series for Big Finish, which and more Companion Chronicles than you can shake may or may not get made one day! More news on that a perigosto stick at! So we’ll be in the studio for pretty story later, as they say… much the whole month. I say ‘we’… I actually mean ‘David Richardson’. He’s our man on the spot, at every Nick Briggs – executive producer SNEAK PREVIEWS AND WHISPERS Love Songs for the Shy and Cynical Bernice Summerfield A short story collection by Robert Shearman Secret Histories Rob Shearman is probably best known as a writer for Doctor This year’s Bernice Summerfield book is a short Who, reintroducing the Daleks for its BAFTA winning first stories collection, Secret Histories, a series of series, in an episode nominated for a Hugo Award.
    [Show full text]
  • STAR ALEX KINGSTON COMING to MOTOR CITY COMIC CON Special Appearance Friday, May 15Th Through Sunday, May 17Th, 2020
    FOR IMMEDIATE RELEASE “ER” AND “DOCTOR WHO” STAR ALEX KINGSTON COMING TO MOTOR CITY COMIC CON Special appearance Friday, May 15th through Sunday, May 17th, 2020 NOVI, MI. (January 21, 2020) – Motor City Comic Con, Michigan’s largest and longest running comic book and pop culture convention since 1989 is thrilled to announce Alex Kingston will be attending this year’s con. Kingston will attend on May 15th, 16th and 17th, and will host a panel Q&A, be available for autographs ($50.00) and photo ops ($60.00). To purchase tickets and for more information about autographs and photo ops, please go to – https://www.motorcitycomiccon.com/tickets/ Known for roles in some of the most popular television series in both the US and the UK, Alex Kingston began her career with a recurring role on the BBC teen drama Grange Hill. After appearing in such films as The Cook, the Thief, His Wife & Her Lover and A Pin for the Butterfly, Kingston began appearing on the long-running medical drama ER in September of 1997. She first appeared in the premiere episode of the fourth season, the award-winning live episode "Ambush" where she portrayed British surgeon, Elizabeth Corday. Her character proved to be incredibly popular, appearing on the series for just over seven seasons until leaving in October 2004. Kingston did return to the role in spring 2009 during ER’s 15th and final season for two episodes. Kingston continued to entertain US audiences in November 2005, when she guest-starred in the long-running mystery drama Without a Trace.
    [Show full text]
  • Torchwood Doctor Who: Wicked Sisters Big Finish
    ISSUE: 140 • OCTOBER 2020 WWW.BIGFINISH.COM THE TENTH DOCTOR AND RIVER SONG TOGETHER AGAIN, BUT IN WHAT ORDER? PLUS: BLAKE’S 7 | TORCHWOOD DOCTOR WHO: WICKED SISTERS BIG FINISH WE MAKE GREAT FULLCAST AUDIO WE LOVE STORIES! DRAMAS AND AUDIOBOOKS THAT ARE AVAILABLE TO BUY ON CD AND OR ABOUT BIG FINISH DOWNLOAD Our audio productions are based on much-loved TV series like Doctor Who, Torchwood, WWW.BIGFINISH.COM Dark Shadows, Blake’s 7, The @BIGFINISH Avengers, The Prisoner, The THEBIGFINISH Omega Factor, Terrahawks, Captain Scarlet, Space: BIGFINISHPROD 1999 and Survivors, as well BIG-FINISH as classics such as HG Wells, BIGFINISHPROD Shakespeare, Sherlock Holmes, The Phantom of the SUBSCRIPTIONS Opera and Dorian Gray. If you subscribe to our Doctor We also produce original BIG FINISH APP Who The Monthly Adventures creations such as Graceless, The majority of Big Finish range, you get free audiobooks, Charlotte Pollard and The releases can be accessed on- PDFs of scripts, extra behind- Adventures of Bernice the-go via the Big Finish App, the-scenes material, a bonus Summereld, plus the Big available for both Apple and release, downloadable audio Finish Originals range featuring Android devices. readings of new short stories seven great new series: ATA and discounts. Girl, Cicero, Jeremiah Bourne in Time, Shilling & Sixpence Secure online ordering and Investigate, Blind Terror, details of all our products can Transference and The Human be found at: bgfn.sh/aboutBF Frontier. BIG FINISH WELL, THIS is rather exciting, isn’t it, more fantastic THE DIARY OF adventures with the Tenth Doctor and River Song! For many years script editor Matt Fitton and I have both dreamed of RIVER SONG hearing stories like this.
    [Show full text]
  • Doctor Who and the Creation of a Non-Gendered Hero Archetype
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo.
    [Show full text]