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Am Free Here Comes the Sun
Our Paradiso is Issue No. 12 So many muses pancakes with purpose, in mother December 2019–February 2020 Bobby Alu, Dayle Larter, Seabin nature's arms, creating impact, walking and we say Project, Dumbo Feather, Bronwyn in space, a better kind of fashion it's alright Bancroft, Merryn Jean, The Calile Hotel Here comes the sun ... am free Look Touch and Feel HELLO + WELCOME WE ARE HERE THIS IS PARADISO Paradiso is so very proudly brought to you by: Enjoy reading– –8 Lila Theodoros, Publisher and Creative Director @ohbabushka Nat Woods, Editor @nat.woods_ Leana Rack, Partnership Manager @leanarack Pancakes Martin Pain, Studio Manager & Distribution Here comes @lightayurveda Alana Potts, Designer @alanapotts Chris Theodoros, Accountant With Purpose –8 and Crossword Magician the sun ... businessmatters.com.au Tania Theodoros, Proof Reader @enjoyreadingourbooks –18 I love this George Harrison song for so many reasons – In Mother Thank you to our wonderful contributors– its nostalgia, its joy, its hope. Issue 12 is an ode to hope Anna Hutchcroft Brooklyn Reardon and our vision for the future. Byron Writers Festival This year has been heavy – there is so much Chris Theodoros Nature’s arms –18 Dayle Larter despair and worry running thick in our collective Dumbo Feather Magazine consciousness; so many decisions being made out Ming Nomchong Here comes the sun ... / Dec 2019–Feb 2020 Here comes the sun ... / Dec 2019–Feb Abigael Whittaker of fear instead of love. Even as I sit here writing this, Phoebe Barrett Seabin Project –26 Lara Fells the mountain range in view of our studio is covered Paris Bluett Renee Rae in terrifying thick plumes of smoke – climate change, Holly McCauley –36 budget cuts, drought. -
James Turrell's Skyspace Robert Dowling Life, Death
HANS HEYSEN ROBERT DOWLING ROBERT LIFE, DEATH AND MAGIC AND MAGIC LIFE, DEATH JAMES TURRELL’S SKYSPACE SKYSPACE TURRELL’S JAMES ISSUE 62 • winter 2010 artonview ISSUE 62 • WINTER 2010 NATIONAL GALLERY OF AUSTRALIA The National Gallery of Australia is an Australian Government Agency Issue 62, winter 2010 published quarterly by 3 Director’s foreword National Gallery of Australia GPO Box 1150 exhibitions and displays Canberra ACT 2601 nga.gov.au 6 Robert Dowling: Tasmanian son of Empire ISSN 1323-4552 Anne Gray Print Post Approved 10 Life, death and magic: 2000 years of Southeast Asian pp255003/00078 ancestral art © National Gallery of Australia 2010 Copyright for reproductions of artworks is Robyn Maxwell held by the artists or their estates. Apart from 16 Hans Heysen uses permitted under the Copyright Act 1968, no part of artonview may be reproduced, Anne Gray transmitted or copied without the prior permission of the National Gallery of Australia. 20 Portraits from India 1850s–1950s Enquiries about permissions should be made in Anne O’Hehir writing to the Rights and Permissions Officer. 22 In the Japanese manner: Australian prints 1900–1940 The opinions expressed in artonview are not necessarily those of the editor or publisher. Emma Colton Produced the National Gallery of Australia Publishing Department: acquisitions editor Eric Meredith 26 James Turrell Skyspace designer Kristin Thomas Lucina Ward photography Eleni Kypridis, Barry Le Lievre, Brenton McGeachie, Steve Nebauer, 28 Theo van Doesburg Space-time construction #3 David Pang, -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
De Classic Album Collection
DE CLASSIC ALBUM COLLECTION EDITIE 2013 Album 1 U2 ‐ The Joshua Tree 2 Michael Jackson ‐ Thriller 3 Dire Straits ‐ Brothers in arms 4 Bruce Springsteen ‐ Born in the USA 5 Fleetwood Mac ‐ Rumours 6 Bryan Adams ‐ Reckless 7 Pink Floyd ‐ Dark side of the moon 8 Eagles ‐ Hotel California 9 Adele ‐ 21 10 Beatles ‐ Sgt. Pepper's Lonely Hearts Club Band 11 Prince ‐ Purple Rain 12 Paul Simon ‐ Graceland 13 Meat Loaf ‐ Bat out of hell 14 Coldplay ‐ A rush of blood to the head 15 U2 ‐ The unforgetable Fire 16 Queen ‐ A night at the opera 17 Madonna ‐ Like a prayer 18 Simple Minds ‐ New gold dream (81‐82‐83‐84) 19 Pink Floyd ‐ The wall 20 R.E.M. ‐ Automatic for the people 21 Rolling Stones ‐ Beggar's Banquet 22 Michael Jackson ‐ Bad 23 Police ‐ Outlandos d'Amour 24 Tina Turner ‐ Private dancer 25 Beatles ‐ Beatles (White album) 26 David Bowie ‐ Let's dance 27 Simply Red ‐ Picture Book 28 Nirvana ‐ Nevermind 29 Simon & Garfunkel ‐ Bridge over troubled water 30 Beach Boys ‐ Pet Sounds 31 George Michael ‐ Faith 32 Phil Collins ‐ Face Value 33 Bruce Springsteen ‐ Born to run 34 Fleetwood Mac ‐ Tango in the night 35 Prince ‐ Sign O'the times 36 Lou Reed ‐ Transformer 37 Simple Minds ‐ Once upon a time 38 U2 ‐ Achtung baby 39 Doors ‐ Doors 40 Clouseau ‐ Oker 41 Bruce Springsteen ‐ The River 42 Queen ‐ News of the world 43 Sting ‐ Nothing like the sun 44 Guns N Roses ‐ Appetite for destruction 45 David Bowie ‐ Heroes 46 Eurythmics ‐ Sweet dreams 47 Oasis ‐ What's the story morning glory 48 Dire Straits ‐ Love over gold 49 Stevie Wonder ‐ Songs in the key of life 50 Roxy Music ‐ Avalon 51 Lionel Richie ‐ Can't Slow Down 52 Supertramp ‐ Breakfast in America 53 Talking Heads ‐ Stop making sense (live) 54 Amy Winehouse ‐ Back to black 55 John Lennon ‐ Imagine 56 Whitney Houston ‐ Whitney 57 Elton John ‐ Goodbye Yellow Brick Road 58 Bon Jovi ‐ Slippery when wet 59 Neil Young ‐ Harvest 60 R.E.M. -
Adelaide Festoval Centre
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2011-12 September 2012 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.adelaidefestivalcentre.com.au ABN: 90940 220 425 ISBN: 978-0-9807040-6-8 Contents Introduction ......................................................................................................... 4 Chairman’s Report .............................................................................................. 5 CEO & Artistic Director’s Report ......................................................................... 7 ROLE, PERFORMANCE AND GOVERNANCE ................................. 9 Adelaide Festival Centre Trust Act 1971............................................................. 9 Trustees .............................................................................................................. 9 Risk and Audit Committee ................................................................................ 10 Risk Management ............................................................................................. 10 Remuneration Committee ................................................................................. 10 Precinct Reference Group ................................................................................ 10 The Adelaide Festival Centre Foundation Board .............................................. 10 Organisational Chart ........................................................................................ -
Pressemitteilung Zu Texas
Pressemitteilung zu Texas Die Pop-Institution Texas feiert das 30-jährige Jubiläum ihres Debütalbums „Southside“ am 15.11.2020 in der Großen Freiheit 36 Hamburg, Dezember 2019 – Am Anfang stand „Southside“. Das bahnbrechende Album bildete den Auftakt zu einer grandiosen Karriere, in deren Verlauf Texas global 40 Millionen Alben verkauften und weltweit Fans in ihre Konzerte zogen. Diese ikonische Scheibe wird die Band um die charismatische Sängerin und Songwriterin Sharleen Spiteri komplett vortragen, inklusive Hits wie „I Don’t Want a Lover“ und „Thrill Has Gone“. Natürlich dürfen bei dieser Show auch die übrigen Texas-Hits wie etwa „Summer Son“, „Inner Smile“ und „Say What You Want“ nicht fehlen. Die Schotten gastieren am 15.11.2020 in der Großen Freiheit 36 in Hamburg. Texas wurden 1986 in Glasgow von Bassist Johnny McElhone gegründet. Der Name der Band stammt von dem Wim-Wenders-Film „Paris, Texas“, für den Ry Cooder seinerzeit den Soundtrack komponierte. Mit Frontfrau Sharleen Spiteri fand die Kapelle eine kreative Persönlichkeit, die den Sound des Septetts bis heute entscheidend prägt. Musikalisch sind Texas von Northern Soul, Disco sowie den Bee Gees und Orange Juice beeinflusst. „Southside“ wurde im März 1989 veröffentlicht und verkaufte sich weltweit rund zwei Millionen Mal. Als erste Single wurde „I Don´t Want a Lover“ ausgekoppelt, die prompt auf Platz 8 der UK Charts landete. Es folgten Tourneen durch Europa und den USA. Im Verlauf ihrer Karriere präsentierten die Schotten weitere Bestseller-Alben auf, darunter: „White On Blonde“ (1997), „The Hush“ (1999) und natürlich „The Greatest Hits“ (2000). Letztere stellt mit rund fünf Millionen verkaufter Einheiten die bislang erfolgreichste Veröffentlichung der Band dar. -
MUSIC, ENTERTAINMENT and INFORMATION INDUSTRIES Music Press Radio, TV, film and Advertising Theatre and Dance Sector
RELATED MUSIC, ENTERTAINMENT AND INFORMATION INDUSTRIES Music press Radio, TV, film and advertising Theatre and dance sector CORE ACTIVITIES Live performance Production and sale of sound recordings RELATED ACTIVITIES Administration of copyright in composition and recordings Art and creative studios TELECOMMUNICATION AND IT Manufacturing of audio hardware Music on demand Manufacture and distribution of Music games musical instruments Internet music sales PR companies Multimedia music Jingle producers Virtual music networks Photographers music 067 SECTION.09 MUSIC Thsi anayss l i covers the core musci busness i activiti es of live performances, the productoni and sa le of sound recordngsi and prntedi musc, i and the admini straton i of copyrghti in compos iti ons iand recordngs.iand 068 SECTION.09 MUSIC INDUSTRY REVENUES Value of Sales (£m) 1800 Retail Sales 1600 1400 1200 1 1000 Trade Deliveries 800 600 400 200 0 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 Note 1 Trade deliveries are sales by record companies to retailers which exclude Estimated Value Added 1995 VAT and retailers’ margins Live Performance: Rock and Pop £300.0m Live Performance: Classical, etc. £146.0m Other Artists’ Earnings (including record royalties – UK and overseas, etc) £525.0m Opera and Musical Theatre £120.0m Recording: Record Companies £317.0m Studios £17.4m Producers £14.0m Manufacturers £67.0m Music Publishing £85.5m Collection Societies £23.3m Retailing and Distribution £334.1m Managers, Agents and Promoters £132.0m Total £2,081.3m Note Total Value Added excludes spending on Musical Instruments (Production, Distribution Estimated Consumer Expenditure 1995 and Retailing) and Education and Training Consumer Expenditure2 £2.4bn Private Corporate Expenditure (including sponsorship) £168.0m Public Sector Expenditure (including the BBC)3 £198.0m Total £2.6bn Note 2 Includes admissions to live Total revenues of the music industry in 1995 were £3.6bn.1 performances and purchases of sound recordings (new and secondhand) and printed music. -
Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin -
Ode to Margaret
CHILDS PLAY an Original Piece Performed by Preshil Senior Chamber Orchestra Adrian Perger Luke Stevenson Billy O’Connell Phil Bywater Callum Harrod Riley Turner Emily Wilson Rosemary Simons Fran Johnson Ruby Dargaville Gina Mendoza Shirley Harrod JUPITER by Gustav Holst Han Day Silvana Verrocchi Performed by Carneval Strings & Preshil Strings Ivan Rosa Zoe Verocchi Ode to Margaret Acorn Holmes à Court Liv Carlisle Lawrence Folvig Adrian Perger Lucinda Greene Alex Lander Lucy Williams A Celebratory Fundraising Concert Lisa Reynolds Jennen Ngian-Keng PUR TI MIRO FROM L’INCORONAZIONE DI POPPEA Allegra Holmes à Court Mila Goren-Chirico by Claudio Monteverdi Amelie Justin Nichaud Kuti Performed by Preshil Senior Vocal Angelo von Moller Nicholas Jowett Georgia Andrew Anja Margach Nick Bentley McKinnon Helen Kerr-Lawley Asher Brady Plum Talbot Riley Turner Callum Harrod Riley Turner Charlotte Jowett Ruby Marriot Dante Kuti Sasha Arnold-Levy MELBOURNE MUSICIANS Dari Justin Sia Xipolitou Conductor Frank Pam Ebony Campese Simon Holmes à Court Elena Boyce Stella Holmes à Court Lesley Qualtrough Biana Goldenberg Ezra Justin Tilde George-Murphy Meredith Thomas Alyssa Kennedy Fran Johnson Tim Dargarville Edwina Kayser Liz Bonetti Hugo Thatcher Veronica Greene Felicité Heine Oleksandr Belenko Ilona von Moller Will Govenlock Rosia Pasteur Therese McCoppin Imogen Purves Will Holmes à Court Naomi Wileman Karoline Kuti Katrina Holmes à Court Zoe Verrochi Rebecca Scully Meredith Woinarski Laura Prior Lawrence Folvig Jenny Lowe Zoey Pepper Jess Belll Chloe -
What's on Issue 82
REGULARS Got any news about the happenings in your studio or venue? Email Brad at [email protected] or go to the AT website and register online: WHAT’S ON www.audiotechnology.com.au Text: Brad Watts Kicking o! with the Victorian sound-smiths recording two singles with engineer, Callum At Sample and Hold Studio, the crew completed this issue, we see Toyland Studio in Northcote Barter. Meanwhile, Mat Robins is in the early audio mixes for TV campaigns for Disney busy recording basic tracks for the upcoming stages of tracking an album with Melbourne movies, Pirates of the Carribean: On Stranger Bloodduster album, and completing an album band, Cardboard Machines. Coloursound is also Tides and Cars 2, sound design for short %lms for Melbourne death metal band, Eskhaton. inviting artists, and freelance engineers to pop in "e Wardrobe and White Square, along with At the other extreme, jazz fusion band, Logic, to say hello and see if the studio can cater to their recording and mixing songs with singer/ mixed their Live at Bennetts Lane DVD, Indy next project. songwriter, Ben Usher. David Ashton is also band, Wild Mind, mixed their full length album, pleased to report that a podcast he recorded T-Bone Tunes Recording Studio in St Kilda has hardcore band, "e Day Everything Became and edited, Boxcutters Episode 246, has won a been busy with tracks recorded and produced Nothing, tracked to two-inch tape (Ampex 456 Chronos Award. Props to David! for March In Moscow, Barry Jones, Dee Ellus, running at 15IPS) for their upcoming album, Karl Fredericks and "e Broken Splendour. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
Birch-Bark Hats and Elite Status in Iron Age Europe Cara Melissa Reeves University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2015 Head and Shoulders Above the Rest: Birch-Bark Hats and Elite Status in Iron Age Europe Cara Melissa Reeves University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Archaeological Anthropology Commons Recommended Citation Reeves, Cara Melissa, "Head and Shoulders Above the Rest: Birch-Bark Hats and Elite Status in Iron Age Europe" (2015). Theses and Dissertations. 1036. https://dc.uwm.edu/etd/1036 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. HEAD AND SHOULDERS ABOVE THE REST: BIRCH-BARK HATS AND ELITE STATUS IN IRON AGE EUROPE by Cara Reeves A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2015 ABSTRACT HEAD AND SHOULDERS ABOVE THE REST: BIRCH-BARK HATS AND ELITE STATUS IN IRON AGE EUROPE by Cara Reeves The University of Wisconsin-Milwaukee, 2015 Under the Supervision of Professor Bettina Arnold As competition between Celtic elites increased in Iron Age continental Europe (c. 800- 25/15 BC), ornamentation of the head figured prominently in status displays across the Celtic world. Mortuary and iconographic contexts reveal that headgear made of both metal and organic materials marked elite status, but materials varied regionally by gender and age throughout the Iron Age.