DOCSLIB.ORG

Mzansi Magic

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mzansi Magic ZANS I I< BoxOffice OV IES ._... kykNET NKATEKO MABASO – C E O , M - NET Local Content + MultiChoice is the biggest investor in local content on the continent, producing 3 850 hours of local content in the past financial year. + This investment has reinvigorated film and television industries across the continent, resulting in a proliferation of exceptional original local productions and the discovery of talent both in front of the camera and behind the scenes. + We believe in the power of entertainment to enrich lives by showcasing compelling local and international stories, which bring people together around a shared love for storytelling. + During 2019, MultiChoice produced 28 local dramas, 13 telenovelas and 17 comedy series. NKATEKO MABASO – C E O , M - NET Local Films + We are incredibly proud of the local films that we have been involved with over the last number of years. + Our local films always scoop local and international awards, notably Knuckle City last year was the Oscar entry from South Africa, and we will continue to strive for greatness. + However, the last year has been quite challenging. From funding to cash flow to the COVID pandemic – you as producers have been stretched. Release platforms are also quite limited which means our revenue streams are limited. + We’d like to propose a straight to BoxOffice release model that I know you will be excited about. BOXOFFICE CINEMA PREMIERE Local Films on BoxOffice + Alternative Release Platform – partnering with local producers seeking an alternative for cinematic release + R45 per download – price point raised for straight to platform local releases + The release will be coupled with a strong Marketing Campaign + Online platform – progress in development PROPOSED LIFEC YC LE O N B O X O F F I C E - Cinematic release: Month 1 = 70% 30% split between Waterfall & BO -TVOD Window: Month 2-3 = 60% 40% split between Waterfall & BO - Month 4-6 = Black Out - Month 7 = Platform (kykNET; LI; M-Net & Showmax) MARKETING PLAN THE SUBMISSIONS PORTAL + To offer producers the opportunity to send unsolicited proposals direct to channel. + All submissions to be submitted to portal, to ensure that all producers and concepts are treated equally and fairly. + All proposals are documented and protected. The reference number is a guarantee that your idea will be protected. https://submissions.mnetcorporate.co.za/ TIMELINES A S O F 1 N O V E M B E R 2 0 2 0 Drama/Comedy/Reality/Game Shows/Film + Submit at any time. + Proposals will be assessed every January, April, July and October. + All proposals received by 31 December will be assessed in January. - All proposals received by 31 March will be assessed in April - All proposals received by 30 June will be assess in July - All proposals received by 30 Sept will be assessed in October -Should we be interested in your submission, the relevant channel will contact you to engage further. However, if you do not receive a response within 90 days, please consider it as unsuccessful. TIMELINES A S O F 1 N O V E M B E R 2 0 2 0 Lifestyle/Documentary/Current Affairs + Submit at any time. + Proposals will be assessed every January, April, July and October. + Proposals will be assessed monthly Should we be interested in your submission, the relevant channel will contact you to engage further. However, if you do not receive a response within 90 days, please consider it unsuccessful. FORMAT AND LAY-OUT O F A P R O P O S A L + Title of show + Number of eps and duration + Genre + Series logline (explain concept in 3 sentences) + Series synopsis + Episodic breakdown + Synopsis of characters/ Presenter details + Estimated cost per minute + Key Crew and creative team + Production company details HELPFUL HINTS + Don’t submit a script without the proposal document. + Make sure your proposal is complete + Don’t copy an international show or format. + Make sure you have the required permission to submit the proposal. + Does the content fill a gap on the current schedule? Is the content commercially viable? + Does it suit the tone of the channel? ADV ERTISER FUNDED PROGRAMMING A N D S P O N S O R P R O C E S S + Submit your AFP with potential sponsor details to the unsolicited portal. These proposals are checked on a monthly basis. + Channel will assess the content against the current content slate and strategy. + Once approved – a timeslot will be provisionally assigned to the programme and DSTV Media Sales will build sales packs for sponsors based on the value of that slot. + Show is only commissioned once sponsors have signed their contracts. + Be careful to make promises to sponsors without the airtime values provided by DMS. M-NET CHANNELS JAN DU PLESSIS – M - NET CHANNELS + Our audience are mainly English and are exposed to mainly international content. + However, in recent years we’ve increased our local content slate which is part of our mandate as a company. + In terms of demographics, our audience is are quite mixed but mainly WCI between the ages of 34-50 M-NET CHANNELS JAN DU PLESSIS – M - NET CHANNELS + Previously, Sunday nights used to be a big ‘local’ night for us but we’ve since changed our strategy and our focus is on a local Thursday night but we’re very excited about Legacy which started last week Mondays to Thursdays. + Therefore, our key slots are at 7pm with our long running drama series; at 7:30pm which is our reality slot and then at 8:30pm which is our scripted slot. M-NET CHANNELS + Last year we also went with a ‘first on M-Net’ when we replaced the Sunday night movie for five weeks with our first international co-production with HBO which was Trackers. + Trackers did incredibly well for us, and we’d like to emulate that in the future so our international co-production series will continually be aired in that slot. M-NET CHANNELS + Our Thursday reality slot is usually highly entertaining reality content on par with the international reality shows on our schedule that resonate with our audience but are strong formats with returnable potential. + The Thursday night scripted shows are a variety of genres focusing on suspense, thriller, sweeping romantic or family dramas and hopefully action series as well. M-NET CHANNELS C H A N N E L P R O F I L E - M - N E T ( L I N EA R ) Location M-NET CHANNELS C H A N N E L P R O F I L E - M - N E T ( L I N E AR ) Race Age M-NET CHANNELS C H A N N E L P R O F I L E - M - N E T ( L I N E AR ) M-NET CHANNELS C H A N N E L P R O F I L E - M - N E T ( C A T C H U P ) Location M-NET CHANNELS C H A N N E L P R O F I L E - M - N E T ( C A T C H U P ) Race Age M-NET CHANNELS C H A N N E L P R O F I L E - M - N E T ( C A T C H U P ) M-NET CHANNELS + Our local film slate has expanded over the years and we are incredibly proud of what we have achieved to date, despite all the challenges faced in our industry. + It is important to MultiChoice that our local film slate is reflective our society but also universal and resonates globally. + We look for highly commercial films that appeal to the movie watching audience based on the story or actors. + Romantic dramas or comedies; thriller, action and suspense; horror films, films based on popular South African books; these are the kinds of genres that we are looking for. M-NET CHANNELS + We are also keen to produce films that are in our local languages as we are catering to our different clusters in their languages. + Our films are usually a combination of funding from ourselves, the DTI, the NFVF, the ECDC or the KZN film commission but recently we have delved into (what we call) TV movies or straight to platform releases. + These films are usually a slate of films addressing a theme or hol- iday or campaign such as Christmas films, Valentine’s Day films or even Horror films. 1 tl uv1"'1u, t l1011tlA!lt>-'IW M-Net vision: To be the No. 1 storyteller of the African continent Challenging the status quo of South African television by elevating the local entertainment LOCAL INTEREST CHANNELS 1MAGIC C H A N N E L A U D I E N C E ( L I N E AR ) Location 1MAGIC C H A N N E L A U D I E N C E ( L I N E AR ) Race Age 1MAGIC C H A N N E L A U D I E N C E ( L I N E AR ) 1MAGIC C H A N N E L A U D I E N C E ( C A T C H U P ) Location 1MAGIC C H A N N E L A U D I E N C E ( C A T C H U P ) Race Age 1MAGIC C H A N N E L A U D I E N C E ( C A T C H U P ) MZANSI MAGIC C H A N N E L P O S I T I O N I N G MZANSI MAGIC C H A N N E L A U D I E N C E ( L I N E A R ) Location MZANSI MAGIC C H A N N E L A U D I E N C E ( L I N E A R ) Race Age MZANSI MAGIC C H A N N E L A U D I E N C E ( L I N E A R ) MZANSI MAGIC C H A N N E L A U D I E N C E ( C A T C H U P ) Location MZANSI MAGIC C H A N N E L A U D I E N C E ( C A T C H U P ) Race Age MZANSI MAGIC C H A N N E L A U D I E N C E ( C A T C H U P ) MZANSI WETHU C H A N N E L P O S I T I O N I N G MZANSI BIOSKOP C H A N N E L P O S I T I O N I N G LOCAL INTEREST CHANNELS R E A L I T Y ( N O N - S C R I P T E D) We are looking for strong and solid concepts that offer the following: + New universes - uncharted spaces and worlds not yet explored.
Load more

Recommended publications
  • South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
    A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry.
    [Show full text]
  • Dstv Access Channels List 2021
    DStv Access Channels List 2021 dishportal.com/2021/05/en-za-dstv-access-channels-list.html By Ekemini Robert Package DStv Access Price R115 per month Number of Channels 161 channels Country South Africa Year 2021 DStv Access Channels List 1/7 S/N Channels 1. DStv (100) 2. M-Net Movies 4 (108) 3. Telemundo (118) 4. CBS Reality (132) 5. Discovery TLC Entertainment (135) 6. TNT Africa (137) 7. eMovies (138) 8. eMovies Extra (140) 9. Africa Magic Epic (152) 10. Real Time (155) 11. Mzansi Wethu (163) 12. Mzansi Bioskop (164) 13. e.TV Extra (195) 14. The Home Channel (176) 15. People’s Weather (180) 16. Nat Geo Wild (182) 17. Spice TV (190) 18. SABC 1 (191) 19. SABC 2 (192) 20. SABC 3 (193) 21. e.TV (194) 22. Soweto TV (251) 23. Bay TV (260) 24. 1 KZN (261) 25. Tshwane TV (262) 26. Cape Town TV (263) 27. GauTV (265) 2/7 28. Lesotho TV (292) 29. NTA i (299) 30. BLITZ (200) 31. SS PSL (202) 32. SS VARIETY 4 (209) 33. TellyTrack (249) 34. Cartoon Network (301) 35. Disney Junior (309) 36. JimJam (310) 37. eToonz (311) 38. PBS Kids (313) 39. Da Vinci (318) 40. Mindset (319) 41. Channel O (320) 42. Mzansi Music (321) 43. MTV Base (322) 44. Sound City (327) 45. One Gospel (331) 46. Dumisa (340) 47. FAITH (341) 48. Day Star (342) 49. TBN Africa (343) 50. iTV Networks (347) 51. Emmanuel TV (390) 52. BBC World News (400) 53. SABC News (404) 54.
    [Show full text]
  • A Channel Guide
    Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto
    [Show full text]
  • Dstv-I Overview Dstv-I Objectives
    DStv-i Overview DStv-i Objectives Establish a common currency across the DStv platform, channels and advertisers Robust sample sizes at an individual channel level Credible, reliable audience Facilitate the development of a new sales model Complement the TAMS panel Measurement of time shifted viewing, Video on Demand (VOD) and mobile How DStv-i will be used as a common currency The Multichoice platform: Assist in channel acquisition decisions Used to performance manage the channels Determine subscriber needs and preferences Identify hardware and software requirements Channel suppliers, schedulers and content producers: To determine scheduling and repeat patterns Assist with content and production decisions Provide audience share and competitive analysis Advertisers and Agencies: To provide greater accountability Allow for guaranteed audience trading Credible ratings and precise targeting would lead to increased efficiency and reduced risk Flow of Return Path Data in South Africa Local Infosys installation in South Africa Recruitment of representative Data also available to end users through panel via Call Centre 3rd Party software suppliers: Telmar, Personal demos captured Arianna & TechEdge Collection of household diary data Data to Kantar Media UK for processing Diary data is matched with STB data Decoders and modems installed Capping algorithm is applied Household activated on server PIV algorithm is applied to get to personal viewing Data is weighted to population and personal STB polled daily via viewing TVR’s are released mobile
    [Show full text]
  • Multichoice Field Services IS-20 Transponder Channel Listing – South Africa (13 November 2012)
    1 th Multichoice Field Services IS-20 Transponder Channel Listing – South Africa (13 November 2012) FREQ: 11594.00 MHz FREQ: 11594.00 MHz FREQ: 10970 MHz FREQ: 11130 MHz FREQ: 11130 MHz FREQ: 11090 MHz IF: 1844.0 IF: 1844.0 IF: 1220 IF: 1380 IF: 1380 IF: 1340 S/R: 27500 S/R: 30000 S/R: 30000 S/R: 30000 S/R: 30000 S/R: 30000 FEC: 5/6 FEC: 5/6 FEC: 5/6 FEC: 5/6 FEC: 5/6 FEC: 5/6 VL HL VL VL HL VL CH: 114 – M-Net Series CH: 146 – KykNet Musiek CH: 144 – Kyknet CH: 110 – M-Net Action CH: 101 – M-Net CH: 127 – Sony CH: 121 – Discovery Channel CH: 150 – Africa Magic E CH: 154 – Africa Magic CH: 111 – M-Net Stars CH: 162 – Magic World CH: 130 – MTV CH: 161 – Mzansi Magic CH: 153 – Africa Movies CH: 176 – Home CH: 194 – e.tv CH: 182 – National Geographic Wild CH: 139 – TCM CH: 199 – Event Channel CH: 260 – BAY TV CH: 200 – Supersport Blitz CH: 203 – Supersport 3 CH: 204 – Supersport 4 CH: 179 – Travel Channel CH: 201 – Supersport 1 CH: 261 – 1KZN CH: 206 – Supersport 6 CH: 239 – Tellytrack CH: 251 – Soweto TV CH: 230 – ESPN CH: 202 – Supersport 2 CH: 321 – Mzansi Music CH: 207 – Supersport 7 CH: 325 – Trace Urban CH: 331 – One Gospel CH: 301 – Cartoon Network CH: 205 – Supersport 5 CH: 340 – Dumisa CH: 343 – Rhema CH: 326 – Afro Music Pop CH: 403 – eNCA (e.tv News) CH: 303 – Disney CH: 221 – Supersport Maximo CH: 996 – F696 CH: 401 – CNN CH: 405 – Russia Today CH: 406 – Aljazeera CH: 304 – Disney XD CH: 320 – Channel O CH: 997 – F675 CH: 402 – Sky News CH: 408 – Parliamentary Service CH: 415 – Weather & News CH: 309 – Disney Junior ----------------------------------------
    [Show full text]
  • Annual Report 2010 N T Ann Rrepo P
    AnnualAnn RReReportpop rtt 2010 The Naspers Review of Governance and Financial Notice of Annual Group Operations Sustainability Statements General Meeting 2 Financial highlights 22 Review of operations 42 Governance 74 Consolidated 198 Notice of AGM 4 Group at a glance 24 Internet 51 Sustainability and company 205 Proxy form 6 Global footprInt 30 Pay television 66 Directorate annual financial 8 Chairman’s and 36 Print media 71 Administration and statements managing corporate information director’s report 72 Analysis of 16 Financial review shareholders and shareholders’ diary Entertainment at your fingertips Vision for subscribers To – wherever I am – have access to entertainment, trade opportunities, information and to my friends Naspers Annual Report 2010 1 The Naspers Review of Governance and Financial Notice of Annual Group Operations Sustainability Statements General Meeting Mission To develop in the leading group media and e-commerce platforms in emerging markets www.naspers.com 2 Naspers Annual Report 2010 The Naspers Review of Governance and Financial Notice of Annual Group Operations Sustainability Statements General Meeting kgFINANCIAL HIGHLIGHTS Revenue (R’bn) Ebitda (R’m) Ebitda margin (%) 28,0 6 496 23,2 26,7 6 026 22,6 09 10 09 10 09 10 Headline earnings Core HEPS Dividend per per share (rand) (rand) share (proposed) (rand) 8,84 14,26 2,35 8,27 11,79 2,07 09 10 09 10 09 10 2010 2009 R’m R’m Income statement and cash flow Revenue 27 998 26 690 Operational profit 5 447 4 940 Operating profit 4 041 3 783 Net profit attributable
    [Show full text]
  • Material Requirements & Deadlines
    Material Requirements & Deadlines Logs open 6-weeks prior to Broadcast – Deadline for material/schedule changes: * 7 business-days prior to broadcast….TO ENSURE AN ERROR FREE BROADCAST * A great deals happens prior to 72-hour LOCKDOWN & Transmission! LOGS & BREAKS CHECKED 7 3 BUSINESS DAYS BUSINESS DAYS 72-HOURS LOCKDOWN MATERIAL ACCEPTANCE 72 48 24 TX HOURS HOURS HOURS DStv Commercial Channel Play-Outs Aspect Ratio GENERAL ENTERTAINMENT DOCUMENTARY & NEWS MUSIC YOUTH 4:3 GENERAL ENTERTAINMENT LIFESTYLE DOCUMENTARY & NEWS SPORT MUSIC YOUTH 16 x 9 SD GENERAL ENTERTAINMENT SPORT HD Dualcast on HD & 16:9SD kykNET & kie, Mzansi Magic, Mzansi Wethu, Mzansi Bioskop, M-Net Movies Zone 4:3 WSS and can accept 16:9 SD - & naturally HD, material Channel’s are subject to change / move – the above is correct as provided by our Channel’s at the time of release Production House / Creative Agency: Work-Flow Material Digital Delivery Adstream HD Brendon Richie [email protected] +27 82 990 3126 Media Move 16:9 SD Neels Bester [email protected] +27 082 384 7098 On-Air Play-Out: HD Copy Only 4:3 (HD, 16:9 SD and 4:3 Channel’s) On-Air Play-Out: 16:9 SD Copy HD (16:9 SD & 4:3 Channel’s ) Full Screen (title-safe preferable) 16:9 SD Full Screen OR (title-safe preferable) On-Air Play-Out: 4:3 Copy (4:3 Channel’s Only) QC Audio levels, 16:9 SD 4:3 4:3 Audio & video Letterboxed Letterboxed 4:3 Down Rendered quality, Full Screen Encoding Play-Out Material Specs, Delivery & Timelines No more tapes or different ad formats for different channels….SEND JUST ONE HD COPY Clients can elect to continue to send 4:3 material if they do not want the copy ‘letterboxed’ on-air.
    [Show full text]
  • 2017 Multichoice Annual Results
    Annual results announcement Summary of the annual results of the MultiChoice group for the year ended 31 March 2017 MultiChoice South Africa Holdings Proprietary Limited (Registration number 2006/015293/07) (MultiChoice or the group) REPORT OF THE INDEPENDENT AUDITOR Revenue R’bn RevenueCore headlineR’bn earnings R’bnCore headline earnings R’bn The annual financial statements have been audited by the company’s auditor, PricewaterhouseCoopers Inc., whose unqualified audit 40,5 40,5 reports on the annual financial statements and annual results announcement are available for inspection at the registered office of 35,7 35,7 6,9 7,0 6,9 7,0 the company and on the company’s website. The auditor’s report does not necessarily cover all the information in this annual results announcement. Shareholders are advised that to obtain a complete understanding of the nature of the auditor’s work they should obtain a copy of that report, together with the annual financial statements, from the registered office of the company or the company’s website. 13% 13% On behalf of the board Nolo Letele Executive chair and acting chief executive Randburg 23 June 2017 Consolidated statements of profit or loss Year ended Year ended 31 March 31 March 2016 2017 2016 2016 2017 2017 2016 2017 2017 2016 R’m R’m The group produced satisfactory financial results despite tough conditions in the South African economy, driven by lower commodity prices, drought, political uncertainty, continued currency weakness and shifts in the competitive landscape. Consolidated revenues Revenue 40 544 35 704 increased by 14% for the review period.
    [Show full text]
  • SD PVR Remote Control Manual
    PVR Remote Control Manual Version 1.4 (Dec 2005) e&oe Table Of Contents 1 .Welcome ..................................................................................................................................... 3 2. Taking Care of your Remote Control ........................................................................................... 3 2.1 CLEANING .............................................................................................................................. 3 2.2 BATTERIES .............................................................................................................................3 3. Basic Navigation ..........................................................................................................................4 4. What’s New? ............................................................................................................................... 5 4.1 SHIFT .................................................................................................................................... 5 4.2 THE DIAL ............................................................................................................................... 6 4.3 BLINKING LIGHTS .................................................................................................................... 7 4.4 TIMEOUTS .............................................................................................................................. 8 5. Advanced Functionality ..............................................................................................................
    [Show full text]
  • William Edward Heuva Résumé Mots-Clés Abstract Keywords
    French Journal For Media Research – n° 5/2016 – ISSN 2264-4733 ------------------------------------------------------------------------------------ COMMODIFICATION OF CELEBRITIES’ CRIMES: THE ‘LIVE’ BROADCASTING OF OSCAR PISTORIUS’ MURDER TRIAL William Edward Heuva Senior Lecturer Head of Department of Communication at the North West University (Mafikeng Campus), South Africa [email protected] or [email protected] Résumé La diffusion du procès d'Oscar Pistorius '(OP) a été salué comme un «moment crucial» dans l'histoire de la radiodiffusion en Afrique du Sud. Les entreprises de médias commerciaux ont, derrière cette initiative, enrôlé les médias sacro-saints libéraux, les normes juridiques ainsi que les valeurs pour obtenir le droit de diffuser “l'événement”. Ces entreprises ont mis en avant les principes "d''intérêt public" et ceux du «droit de savoir». Elles disent avoir été motivées par la promotion de la «justice ouverte», «la confiance du public dans le système judiciaire», et dans la réalisation d'un procès «juste et équilibré». Cependant, peu d'entre elles ont interrogé de manière critique ce récit. Cet article examine la marchandisation de la criminalité (meurtres de femmes) et l'exploitation de la célébrité comme principales méthodes utilisées par les médias, en particulier la couverture d'un procès criminel, commercialement rentable. Mots-clés Salle d'audience de radiodiffusion, marchandisation, célébrité, Oscar Pistorius, processus de production, public marchandise Abstract The broadcasting of the Oscar Pistorius’ (OP) murder trial was hailed as a ‘seminal moment’ in the South African broadcasting history. The commercial media firms behind this initiative enlisted sacrosanct liberal media and legal norms and values to secure the right to broadcast the ‘event’.
    [Show full text]
  • Self-Reported Fandom in Offline and Online Spaces: the Television Viewing Behaviours and Fandom Characteristics of Selected Young Women in Johannesburg
    COPYRIGHT AND CITATION CONSIDERATIONS FOR THIS THESIS/ DISSERTATION o Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. o NonCommercial — You may not use the material for commercial purposes. o ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. How to cite this thesis Surname, Initial(s). (2012). Title of the thesis or dissertation (Doctoral Thesis / Master’s Dissertation). Johannesburg: University of Johannesburg. Available from: http://hdl.handle.net/102000/0002 (Accessed: 22 August 2017). Self-reported Fandom in Offline and Online Spaces: The Television Viewing Behaviours and Fandom Characteristics of selected Young Women in Johannesburg by Aimee Rebecca Viljoen 201404354 Submitted in Fulfilment of the Requirements for the Degree of Masters in Audiovisual Communication in the Department of Journalism, Film and Television in the Faculty of Humanities at the University of Johannesburg Supervisor: Dr Nadia Van Der Merwe Co-Supervisor: Dr Phyllis Dannhauser Date: 31 October 2019 ABSTRACT This dissertation aims to fill a gap in research on the television viewing practices and subsequent fandom behaviour of selected, female, South African television viewers. In a society where online interaction in a variety of participatory groups, like fandoms, have become an international norm, South Africa is still struggling to get its citizens connected to the online sphere. This is in part due to a lack of internet infrastructure as well as grossly high data costs compared to other developing countries.
    [Show full text]
  • Dstv Business - Stay Ultra R519 Per TV Point
    DStv Business - Stay Ultra R519 Per TV Point General Entertainment Sport Religion 101 - M-Net (HD) 200 - SuperSport Blitz (HD) 331 - One Gospel 103 - 1Magic (HD) 201 - SuperSport 1 (HD) 340 - Dumisa 108 - Sundance TV (HD) 202 - SuperSport 2 (HD) 341 - Faith (prev TBN) 115 - M-Net City (HD) 203 - SuperSport 3 (HD) 342 - DayStar 119 - BBC First (HD) 204 - SuperSport 4 (HD) 343 - TBN Africa (prev Rhema) 120 - BBC Brit (HD) 205 - SuperSport 5 (HD) 347 - iTV 121 - Discovery Channel (HD) 206 - SuperSport 6 (HD) 390 - Emmanuel TV 122 - Comedy Central 207 - SuperSport 7 (HD) 123 - iTV Choice (HD) 208 - SuperSport 8 (HD) News & Commerce 124 - E! Entertainment (HD) 209 - SuperSport 9 (HD) 400 - BBC World News 125 - FOX (HD) 210 - SuperSport 10 (HD) 401 - CNN International (HD) 131 - Lifetime 211 - SuperSport 11 (HD) 402 - Sky News 132 - CBS Reality 212 - SuperSport 12 (HD) 403 - eNews Channel Africa 135 - TLC Entertainment (HD) 235 - SuperSport Maximo (HD) 404 - SABC News 136 - Discovery Family (HD) 240 - Ginx (HD) 406 - Al Jazeera 144 - kykNET (HD) 407 - Russia Today 161 - Mzansi Magic (HD) Free-To-Air Channels 409 - CGTN News 166 - Zee World 191 - SABC 1 (HD) 410 - CNBC Africa 901 - M-Net Plus 1 (HD) 192 - SABC 2 (HD) 411 - Bloomberg 193 - SABC 3 (HD) Movies 194 - eTV (HD) Specialist Channels 104 - M-Net Movies Premiere (HD) 431 - BVN (Dutch) 105 - M-Net Movies Smile (HD) Community Channels 435 - RTPi (Portuguese) 106 - M-Net Movies Action+ (HD) 251 - Soweto TV 437 - TV5 Monde Afrique 109 - M-Net Movies Pop Up (HD) 260 - Bay TV (French) 111 -
    [Show full text]