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Perspectives on Ergodic Literature. Johns Hopkins University Press, 1997 181 Works Cited & Bibliography AARSETH, E. Cybertext: Perspectives on Ergodic Literature. Johns Hopkins University Press, 1997. ANGEL, M. & GIBBS, A. “Memory and Motion: The Body in Electronic Writing” IN GENDOLLA, P. & SCHÄFER, J. (Orgs.) Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres, Bielefeld: Transcript Verlag, 2010. ATTRIDGE, D. The Singularity of Literature. London: Routledge, 2004. BAETENS, J. & LOOY, J. “Close Reading Electronic Literature” IN Close Reading New Media: Analyzing Electronic Literature. Leuven: Leuven University Press, 2003. BARK, K. “Materiality, Materialism, Performance” IN PFEIFFER, K. & GUMBRECHT, H. U. (orgs.) Materialities of Communication. Tr. William Whobey. Stanford: Stanford University Press, 1994. BAUMGÄRTEL T. “ L'art pour net.art” IN Net.Art 2.0: New Material Towards Net Art, Nürnberg 2001. 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Vanguarda Européia e Modernismo Brasileiro: Apresentação Critica dos Principais Manifestos Vanguardistas. Petrópolis: Vozes, 1992. CHATMAN, S. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell University Press, 1980. CHARTIER, R. Os Desafios da Escrita. (Translated: Fulvia Moretto). São Paulo: Editora UNESP, 2002. COOVER, R. “The End of Books” IN WARDRIP-FRUIN, N. & MONTFORT, N. (Orgs.) The New Media Reader. Cambridge, MIT Press, 2003. COOVER R. ET AL SCREEN: BODILY INTERACTION WITH TEXT IN IMMERSIVE VR, 2005 Screen sketch for ACM SIGGRAPH 2004. DARLEY, A. Visual Digital Culture. Surface Play and Spectacle in New Media Genres. New York: Routledge, 2000. DELEUZE, G. & GUATTARI, F. A Thousand Plateaus: Capitalism and Schizophrenia. (Translated: B. Massumi). Minneapolis: University of Minnesota Press, 1987. DERRIDA, J. De la Grammatologie. Paris: Les Etions de Minuit, 1967. ___________. Archive Fever: A Freudian Impression. Diacritics Vol. 25 No. 2. Summer, 1995. DELEUZE, G. Les Cours de Gilles Deleuze. Deleuze / Spinoza. Cours Vincennes: 24/01/1978. DOUGLAS, Y. J. The End of Books -- Or Books Without End?: Reading Interactive Narratives. Michigan: The University of Michigan, 2004. 183 DOURISH, P. Where the Action Is: The Foundations of Embodied Interaction. 2001. ECO, U. Open Work (Opera Averta). Cambridge: Harvard University Press, 1989. ELKINS, J. “Foreword” Telepresence and Bio Art: Networking Humans, Rabbits and Robots. Michigan: The University of Michigan Press, 2005. ESKELINEN, M. “Six Problems in Search of a Solution: The Challenge of Cybertext Theory and Ludology to Literary Theory”. IN GENDOLLA, P. & SCHÄFER, J. (Orgs.) The Aesthetics of Net Literature: Writing, Reading and Playing in Programmable Media. Bielefeld: Transcript Verlag (Media Upheavals) 16, 2007. FINIZOLLA, F. “Poesia Concreta Contemporânea: Novas Interferências do Meio Digital”, 2009. FIEDLER, L. “Cross the Border – Close the Gap.” IN. The New Fiedler Reader. New York: Prometheus Books, 1999. FINKE. P. Visão geral do funcionalismo construtivo. IN OLINTO, Heidrun Krieger. Ciência da literatura empírica. Uma alternativa. Rio de Janeiro: Tempo Brasileiro, 1989, p. 71-92 FISH, S. Is There a Text in This Class?: The Authority of Interpretative Communities. Cambridge: Harvard UP, 1980. FOUCAULT, M. As Palavras e as Coisas (Les Mots et Les Choses). (Translated to Portuguese: Salma Tannus Muchail.) São Paulo: Martins Fontes, 2002. ___________. (1994), « Qu’est-ce qu’un auteur ? ». IN Dits et écrits, Paris, Gallimard, vol. I, p. 792. (“O que é um autor?” Translated: Antonio F. Cascais & Edmundo Cordeiro, Vega, 1992, p. 34). FUNKHOUSER, C. “Kissing the Steak: The Poetry of Text Generators” IN RICARDO (ed.) Literary Art in Digital Performance: Case Studies in New Media Art and Criticism. New York, Continuum, 2009. 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