DOCSLIB.ORG

An Interdisciplinary Conference June 2 – 3, 2020 Minneapolis, MN Conference Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
An Interdisciplinary Conference June 2 – 3, 2020 Minneapolis, MN Conference Program An Interdisciplinary Conference June 2 – 3, 2020 Minneapolis, MN Conference Program Hosted by The School of Arts and Media, University of Salford, UK Organized by Dr. Kirsty Fairclough, School of Arts and Media, University of Salford Kristen Zschomler, Minneapolis-based historian and writer, Sound History, LLC Conference Program 78-88 Prince, The First Decade: An Interdisciplinary Conference June 2-3, 2020 Robert J. Jones Urban Research & Outreach-Engagement Center (UROC) 2001 Plymouth Avenue North, Minneapolis MN 55411 JUNE 2, 2020 REGISTRATION AND BREAKFAST (8:30-9:00am) WELCOME Dr. Kirsty Fairclough, University of Salford and Chair of the Conference Organizing Committee (9:00-9:10am) OPENING REMARKS Dr. Elliott Powell, Professor of American Studies, University of Minnesota (9:10-9:30am) The People’s Museum for Prince at UROC: Capturing the Fan’s Stories of Prince, by Dr. Emma Balázs, Professor of Museum Studies, George Mason University, and Curator of The People’s Museum of Prince (9:30-9:50am) Giving Back to Prince: Sound 80 Fundraiser, by Kristen Zschomler, Sound History, LLC and Purple Genealogy (9:50-10:00am) BREAK (10:00-10:15am) IMAGE/STYLE/MYSTIQUE (10:15am -12:00pm; Room 105) • Conjuring the Prince Mystique, by De Angela L. Duff (10:15-10:35) • “News from Nowhere”: Paisley Park as Place and Meaning, by Arlene Oak (10:35-10:55) • “Do I Believe in God?”: The Media’s Depiction of Prince’s Spirituality (1978-1988), by Erica Thompson (10:55-11:15) • Prince’s Life in the Music of Parade/Sign O’ The Times, by Duane Tudahl (11:15-11:35) • Discussion (11:35-12:00) SEXUALITY/GENDER/FEMINISM (10:15am -12:00pm; Room 107) • Dirty Mind and Controversy: Creating A Queer Icon, by Chris Aguilar-Garcia (10:15-10:35) • Private Joy and Purple Sexology, by Annie Potts (10:35-10:55) • An Erotic Supreme: The Lyrical Sexual Politics of Prince Rogers Nelson, by W. Russell Robinson and Kimberly R. Moffitt (10:55-11:15) • Discussion (11:15-12:00) LUNCH 12:00-1:00pm, Main Gallery IMAGE/STYLE/MYSTIQUE (con’t; 1:00-3:00pm, Room 105) • Prince and Me: How I Became Prince, by Scott Bogen (1:00-1:20) • “Old Friends 4 Sale”: The Cinematic Afterlife of Prince’s 1980s Hits, by Arthur Lizie (1:20-1:40) 78 -88 Prince, The First Decade: An Interdisciplinary Conference June 2-3, 2020 • Undressing Prince Rogers Nelson: Bodywear, Adornment, and Masculinities, 1978-1988, by Casci Ritchie (1:40 - 2:00) • Punk, Paisleys, and Polkadots: Prince and the Evolution of Iconic Style, by Robin Shumays (2:00- 2:20) • Discussion (2:20-3:00) SEXUALITY/GENDER/FEMINISM (con’t; 1:00-3:00pm, Room 107) • "Take me Baby… I'm Yours": Prince as Your Ultimate Lover, by Racheal Harris (1:00 - 1:20) • Gender-Bending and Altered Voices: Prince, Camille, and the Opera Canon, by Twila Perry (1:20 - 1:40) • Prince, Michael, and Camille - Androgyny in the Age of MTV, by Casey Rain (1:40 - 2:00) • Friend, Lover, Sister, Mother/Wife: A Feminist Critique of Purple Rain, by Marcus Thomas (2:00 - 2:20) • Sitting in the Bath with My Pants On: Non-Binary Identity in Prince’s Recording Studio 1978-1988, by Mike Wyeld and Chopin Gard (2:20 - 2:40) • Discussion (2:40-3:00) BREAK (3:00 - 3:15pm) UNDER THE CHERRY MOON (3:15-5:00pm, Room 105) • Parade: La Recherché De Nouveaux Sons, by Sam Coley (3:15 - 3:35) • Once Upon a Time in France: The Black Expatriate Tradition in Under the Cherry Moon and Sign 'O' The Times, by Keith Corson (3:35-3:55) • Vous êtes très belle: Recontextualizing the Myth of French Utopia in Prince’s Under the Cherry Moon, by Karen Turman (3:55-4:15) • Eavesdropping with Tricky: Listening In On Friendship Under the Cherry Moon, by Sherry Wien (4:15-4:35) • Discussion (4:35-5:00) INVERTING THE LENS: FANDOM (3:15-5:00pm, Room 107) • A Phenomenological Study of Prince Fandom: Identity, Intimacy, and Idolatry, by Julie Beauregard (3:15 - 3:35) • Prince and the Fan Fiction World: The Early Years (Was I What You Wanted Me to Be?), by Julie Billong (3:35 - 3:55) • “Take Me with U”: Prince as Revelation and Inspiration, by Chris Foss (3:55 - 4:15) • When Did You Fall in Love with Prince: An Examination of the Inception of Prince Fandom and Influence, by Leah S. McDaniel and Shannan Wilson (4:15-4:35) • Discussion (4:35-5:00) JUNE 3, 2020 BREAKFAST 8:00-8:30am PRESENTATION: Prince: The First Decade...Was Just the Beginning (8:30-8:50am), by Eloy Lasanta, host of Prince's Friend YouTube channel PANEL: Prince on the Printed Page, The First Decade (8:50-10:00am) Moderator: Eloy Lasanta 78 -88 Prince, The First Decade: An Interdisciplinary Conference June 2-3, 2020 Panel Members: Neal Karlen (former contributing editor for Rolling Stone and author of the forthcoming book Formerly Known As: The 4-Real Life of Prince, On and Off the Record), Andrea Swensson (author of Got to Be Something Here), Laura Tiebert (co-author of The Rise of Prince: 1958-1988), and Duane Tudahl (author of Prince and the Purple Rain Era Studio Sessions: 1983 and 1984 and forthcoming Prince and the Parade and Sign "O" the Times Era Studio Sessions: 1985 to 1986 ) BREAK 10:00-10:15am RACE/POLITICS/ACTIVISM/ARTISTIC FREEDOM (10:15am-12:00pm, Room 105) ● Others Here With Us: Examining Prince’s Relationship with His Black Audience, by Kamilah Cummings (10:15-10:35) ● “If U Set Your Mind Free, Baby, Maybe U’d Understand” What We Can All Learn from Prince about Diversity, Equity, and Inclusion, by Ian Jackson (10:35 - 10:55) ● Rockhard in a Funky Place: Prince and the Black American Working Class 1986-1988, by Robert Loss (10:55-11:15) ● A Prince Black Aesthetic and the Rhythm and Blues Imagination, by Robert J. Patterson (11:15- 11:35) ● Discussion (11:35-12:00) MUSICAL EVOLUTION (10:15-12:00; Room 107) ● From Dirty Mind to Dirty Computer: Prince’s Profound Influence on Janelle Monáe, by Natalie Clifford (10:15-10:35) ● The Evolution of Purple: How the Minneapolis Sound Changed in Its First Decade, by Maciej Smółka (10:35-10:55) ● Madhouse, Prince, and Miles: Jazz and Pop Interplay in the 1980s, by Zach Stiegler (10:55-11:15) ● From the Black Album to Lovesexy: Using James Baldwin to Explore “Hundalasiliah!,” Prince’s Joyful Exaltation, by Crystal N. Wise (11:15-11:35) ● Discussion (11:35-12:00) LUNCH - 12:00-1:00pm, Main Gallery RACE/POLITICS/ACTIVISM/ARTISTIC FREEDOM (con’t., 1:00-3:00pm, Room 105) ● "Teacher, Why Won’t Jimmy Pledge Allegiance?”: Prince as Citizen, by Zaheer Ali (1:00-1:20) ● Prince and the Political: Why Does Everybody Have a Bomb?, by Rhiannon Jackson Dalglish (1:20- 1:40) ● Prince and the Post-Civil Rights Era Black Popular Music Aesthetic, by Matthew Valnes (1:40-2:00) ● Purple Music and Pleasure Activism, by Felicia Holman (2:00-2:20) ● Discussion (2:20-3:00) MUSICAL EVOLUTION (con’t., 1:00-3:00pm; Room 107) ● A Purple Paisley Haze: The Beatles, Hendrix, and P-Funk in Prince’s Psychedelia, by Katie Kapurch and Jon Marc Smith (1:00-1:20) ● Prince by Numbers: A Computational Study of Prince’s Creativity (with Emphasis on the First Decade), by Darryle Merlette (1:20-1:40) ● “Ladies and gentlemen…the Evolution”: How Prince Utilized Technology to Create His Magnum Opus, Purple Rain, by Michael Ugrich (1:40-2:00) ● Discussion (2:00-2:30) 78 -88 Prince, The First Decade: An Interdisciplinary Conference June 2-3, 2020 BREAK 3:00-3:15pm CONFERENCE DISCUSSION (3:15-3:45pm, Room 105) Dr. Arun Saldanha, Professor of Geography and organizer of Prince From Minneapolis symposium (2018), University of Minnesota; and Dr. Kirsty Fairclough ● Q & A, and discussion of conference and the future of Prince studies CLOSING EVENT Sponsored by the 78-88: Prince the First Decade Organizing Committee, Purple Genealogy, and Orfield Labs Conference registration includes a tour of the Historic Sound 80 Studio and entrance to A Purple Night dance party with DJ Lenka Paris. ● Tours at Historic Sound 80, where Prince recorded his demo tapes and part of his debut album. Led by local Minneapolis music historian Kristen Zschomler, Sound History, LLC. 4:30-8:00pm o PLEASE NOTE: There is a business in downtown Minneapolis called Sound 80. DO NOT Google that address! The correct address to Google is “Orfield Laboratories at 2709 East 25th Street, Minneapolis, MN 55406”. ● A Purple Night dance party with DJ Lenka Paris hosted by Purple Genealogy. Specialty drinks (cash bar) and hors d'oeuvres.(Location to be announced.) 7:00-11:00pm All proceeds from the closing event go to the restoration of Sound 80, which is being listed on the National Register of Historic Places and will reopen as a recording studio in 2020. Catering for the conference and closing event provided by Breaking Bread, a non-profit, social enterprise restaurant and catering service in North Minneapolis offering fresh and flavorful global, comfort foods while supporting a social mission and vision. 78 -88 Prince, The First Decade: An Interdisciplinary Conference June 2-3, 2020 .
Load more

Recommended publications
  • Tettey 2002.Pdf
    United Nations Development Programme Human Development Report Office OCCASIONAL PAPER Background paper for HDR 2002 Poverty Eradication and Democracy in the Developing World TheHUMAN Media, DEVELOPMENT Accountability andREPORT Civic 2002Engagement in Africa Wisdom J. Tettey I. The Changing Global Context Significant changes in the global setting over the course of the last few decades resulted in an increasing prominence for the pursuit of transnational justice and individual accountability. The aftermath of the terrifying attacks on America on September 2002/19 1 HUMAN DEVELOPMENT REPORT 2002 THE MEDIA, ACCOUNTABILITY, AND CIVIC ENGAGEMENT IN AFRICA By Wisdom J. Tettey Faculty of Communication and Culture University of Calgary Calgary, Alberta, Canada T2N 1N4 E-mail: [email protected] Phone: (403) 220-4847 Fax: (403) 282-6716 Introduction At the beginning of the 1990s, a confluence of internal and external factors produced significant conjunctures in the political landscape of Africa. The most significant result of these developments was a revival of democratic optimism, not only across the African continent but also around the world. One of the areas where the democratic changes have spawned visible changes has been in the media landscape. There has been an unprecedented increase in the number, type and diversity of mass media on the continent.1 The last decade has seen the emergence of various private newspapers and radio stations which offer alternative views on issues, even though some countries, such as Zimbabwe, refuse to ease state control of the electronic media. In Ghana, for example, there has been an increase in private radio and television stations from zero each in 1993 to 13 and two respectively, in 1999.
    [Show full text]
  • Under the Cherry Moon [VHS]
    Under the Cherry Moon [VHS] My spouse and i shouldn't similar to this film, having said that i type of do.It is a full pride task for President, however it is alluring and also amusing well, i get pleasure from seeing it.Prince performs Captain christopher, any gigolo which plays keyboard within the The french language Riviera.Your dog sets his or her points of interest using a wealthy heiress, after which discovers themself plummeting for each other.Scenario the dad won't accept, and desires the pup harmed or maybe lifeless.The video is definitely captured extremely well by a famous lensman known as Jordan Ballhaus.It looks extraordinary!As well as Kristin Scott Thomas may seem to breathe a number of real life and class to be able to the woman's part seeing that Jane.Jerome Benton is just fun to look at as they goofs upon everyone.Along with King is usually President : mysterious as well as thoroughly clothed throughout collection heels and whole make-up. This Video is nice.It contains many of the video clips, as well as a trailer home.Though the real deal with is definitely finding the item within lcd screen in the end most of these several years.Shot in place around Awesome, Portugal ... mmmmm!Southern region involving People from france. Visitors incorporate "Kiss" plus "Girls & Boys".A number of Prince's the majority of incredible in addition to rythmic tunes. This is not pretty much as good for the reason that Crimson Bad weather plus Hint o' purchasing videos..
    [Show full text]
  • June 2015 Jwindow.Indd
    J ULIAN ’ S W INDO W A QUARTERLY ON MONASTIC AND CONTEMPLATIVE SPIRITUALITY ICH W OR N OF ULIAN J OF RDER O HE T Volume VII • June 2015 • No. 2 J ULIAN ’ S W INDO W Volume VII • June 2015 • No. 2 I N T HIS I SSUE In the Light of Easter 1 Mthr Hilary OJN Seeing More Truly 5 Sr Cornelia OJN What Doth the Lord Require of Thee? 9 Patricia Nakamura AOJN On Being Loved 10 Sr Therese OJN Julian’s Notebook 11 Reflections on the Revelations Book Note: Silence: A User’s Guide 12 Community Notes 13 On the cover: Prayer in the garden (with weeds) THE ORDER OF JULIAN OF NORWICH is a contemplative Order of monks and nuns in the Episcopal Church. Our aim is to renew the spiritual life of the Church in three ways: first by a renewal of the contemplative monastic tradition, second by sup- porting a vibrant community of affiliates who are a bridge between the monastery and parishes, and third by occasional works of mission in publishing, spiritual direction, and hospitality. For more informa- tion on the Order, please see our website at www.orderofjulian.org, through which we publish articles on the spiritual life and liturgical resources. Julian’s Window, also found on our website, is published quarterly. For permission to re-publish, please write to the Order: The Order of Julian of Norwich 2812 Summit Avenue Waukesha WI 53188 I N T HE L IGH T O F E AS T ER Mthr Hilary OJN Appearing suddenly among his disciples as they were huddled in an upstairs room on the evening of his resurrection, Jesus could have said any number of things: He could have taken issue with the disciples’ unbelief, their past unfaithfulness, their collective cowardice and their various betrayals.
    [Show full text]
  • Julien's Auctions Announces Property from the Life And
    For Immediate Release JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE LIFE AND CAREER OF PRINCE Music Legend’s Iconic Wardrobe, Guitars, Memorabilia and More to Rock the Auction Stage at Hard Rock Cafe New York FRIDAY, MAY 18, 2018 Los Angeles, California – (February 5, 2018) –Coming off another record breaking season that witnessed achieving the world record for a guitar played by Prince sold at auction ($700,000), Julien’s Auctions has announced — PROPERTY FROM THE LIFE AND CAREER OF PRINCE. Julien’s will pay tribute to one of the greatest music legends of all time in this exclusive presentation of the titanic seven-time, Grammy-winning singer/songwriter’s personal collection of signature wardrobe, guitars, memorabilia and more items related to his iconography as part of their two day MUSIC ICONS auction taking place on May 18 with Prince and historical items by other music legends (to be announced later) on May 19 live in New York at the Hard Rock Cafe and online. (photo top left: Prince’s Schecter "White Cloud" electric guitar, bottom left: Under the Cherry Moon ensemble and bottom right: red jumpsuit) Born Prince Rogers Nelson in 1958 in Minneapolis, Minnesota and known around the world by his first name and later only a symbol, the one and only Prince’s music career and extraordinary, unique gifts as a recording artist have immortalized him into the ranks of Elvis Presley, Michael Jackson, Madonna and The Beatles as one of pop music’s greatest icons. A musical prodigy and multi-instrumentalist by his early teens, an 18-year-old Prince signed his first record deal with Warner Bros.
    [Show full text]
  • Prince Playlist Questions As You Watch and Listen to the Prince Playlist, Try to Answer Each of the Below Questions
    Prince Playlist Questions As you watch and listen to the Prince playlist, try to answer each of the below questions. Pause between videos to read the question so that you can keep it in mind as you enjoy the video. Some questions may require outside research. “Baby, I’m a Star” Live (Official Music Video) Prince stops and resumes this song repeatedly. How many times does this happen? Prince and the New Power Generation, “Willing and Able,” (Official Music Video) This song begins with an electric guitar that sounds like classic rock and roll. What other musical genres do you hear in “Willing and Able”? “Sometimes It Snows in April” (Live at Webster Hall, April 20, 2004) “Sometimes It Snows in April” is a song from the soundtrack of Under the Cherry Moon, Prince’s film of the same name. Based on the lyrics and sound of this song, what sort of movie do you imag- ine Under the Cherry Moon might be? (Ex. action, mystery, etc.) At the beginning of the video Prince plays excerpts of two R&B songs by iconic women vocalists. The songs are “Sweet Thing” and “Proud Mary”. Who are the two artists who recorded them? “Strollin’/ U Want Me” (Live At The Aladdin, December 15, 2002) There are elements of this performance that can be described as Jazz. What are they? List at least two. “Call My Name” (Official Music Video) This video suggests that “Call My Name” is appropriate for a social celebration. What is the occasion dramatized in this video? “When Will We B Paid?” (Staple Singers Cover) November 11, 2001 What is the lyrical theme of this cover of the song by The Staple Singers, originally released in 1970? “Diamonds and Pearls” (Official Music Video) Both Prince and Rosie Gaines, the vocalist featured on this duet, are shown playing the same instru- ment.
    [Show full text]
  • 1 Isaiah 35:1-10 Rev. Dr. Benjamin J. Broadbent the Community Church
    Joy: A Stubborn Promise Isaiah 35:1-10 Rev. Dr. Benjamin J. Broadbent The Community Church of Sebastopol United Church of Christ 3rd Sunday in Advent – December 11, 2016 I. Why is it that joy, our theme for this third Sunday in the season of Advent, is so hard to come by? When I say “joy is hard to come by,” I mean the kind of joy that can’t be faked or fabricated. That kind of joy is organic and overwhelming and – can I say this in a sermon? – sometimes even orgasmic. (I guess I just did.) Joy in the Christian tradition is not just another word for happiness or contentment. Joy is a full body, full mind, full heart, full soul state of being. And joy in the Bible is never simply an individual’s experience. It is always related to the well-being of the larger community of people. Even Mary’s song found in the first chapter of Luke isn’t just the song of young woman who finds herself to be unexpectedly pregnant. Mary’s Magnificat was first sung generations before Mary by women like Hannah. It was a song passed down through a community of women spanning centuries. When Mary sings it, she does so in community with her relative Elizabeth. This is not the song of an individual’s private joy, but the song of expectant women overwhelmed by the promise of new life. And the content of Mary’s song addresses the well-being of the wider community. More specifically, her song introduces a series of reversals: • instead of rewarding those who are shrewd and conniving, God scatters them; • those who sit in board rooms at the top of their towers are forced onto the street so that those with no power can move on up; • those who starve in a besieged city are treated to a banquet of fresh and sustainably produced food, while those who’ve never known hunger are forced to fast awhile.
    [Show full text]
  • The Purple Xperience - Biography
    THE PURPLE XPERIENCE - BIOGRAPHY Hailing from Minneapolis, Minnesota, The Purple Xperience has been bringing the memories of Prince and The Revolution to audiences of all generations. Led by Matt Fink (a/k/a Doctor Fink, 3x Grammy Award Winner and original member of Prince and The Revolution from 1978 to 1991), The Purple Xperience imaginatively styles the magic of Prince’s talent in an uncannily unmatched fashion through its appearance, vocal imitation and multi-instrumental capacity on guitar and piano. Backed by the best session players in the Twin Cities, Matt Fink and Marshall Charloff have undoubtedly produced the most authentic re-creation of Prince and The Revolution in the world, leaving no attendee disappointed. MATT “DOCTOR” FINK Keyboardist, record producer, and songwriter Doctor Fink won two Grammy Awards in 1985 for the motion picture soundtrack album for “Purple Rain”, in which he appeared. He received another Grammy in 1986 for the album “Parade: Music from the Motion Picture ‘Under the Cherry Moon'”, the eighth studio album by Prince and The Revolution. Matt also has two American Music Awards for “Purple Rain”, which has sold over 25 million copies worldwide since its release. Doctor Fink continued working with Prince until 1991 as an early member of the New Power Generation. He was also a member of the jazz-fusion band, Madhouse, which was produced by Prince and Eric Leeds, Prince’s saxophonist. Notable work with Prince includes co-writing credits on the songs “Dirty Mind”, “Computer Blue”, “17 Days”, “America”, and “It’s Gonna Be a Beautiful Night,” as well as performing credits on the albums “Dirty Mind”, “Controversy”, “1999”, “Purple Rain”, “Around the World in a Day”, “Parade”, “Sign ‘O’ the Times”, “The Black Album”, and “Lovesexy”.
    [Show full text]
  • John Cassavetes
    Cassavetes on Cassavetes Ray Carney is Professor of Film and American Studies and Director of the undergraduate and graduate Film Studies programs at Boston Uni- versity. He is the author or editor of more than ten books, including the critically acclaimed John Cassavetes: The Adventure of Insecurity; The Films of Mike Leigh: Embracing the World; The Films of John Cas- savetes: Pragmatism, Modernism, and the Movies; American Vision: The Films of Frank Capra; Speaking the Language of Desire: The Films of Carl Dreyer; American Dreaming; and the BFI monograph on Cas- savetes’ Shadows. He is an acknowledged expert on William James and pragmatic philosophy, having contributed major essays on pragmatist aesthetics to Morris Dickstein’s The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture and Townsend Ludington’s A Modern Mosaic: Art and Modernism in the United States. He co- curated the Beat Culture and the New America show for the Whitney Museum of American Art in New York, is General Editor of the Cam- bridge Film Classics series, and is a frequent speaker at film festivals around the world. He is regarded as one of the world’s leading authori- ties on independent film and American art and culture, and has a web site with more information at www.Cassavetes.com. in the same series woody allen on woody allen edited by Stig Björkman almodóvar on almodóvar edited by Frédéric Strauss burton on burton edited by Mark Salisbury cronenberg on cronenberg edited by Chris Rodley de toth on de toth edited by Anthony Slide fellini on
    [Show full text]
  • PCSA Student Leader Says Campus in for Big Surprise by New
    The * U Student EcHt/ Volumejte/ Issue No. 4 University Of Tennessee at Chattanooga September 13,1990 PCSA Student Leader Says Campus Professor In For Big Surprise By New Law Files Civil consider the way [the facilities] are now By David W. Hamilton wheelchair accessible areas. accessible. But for the majority, no way." Rights Suit Echo Production Manager These two elevators plus the renovation "We are losing a lot of students to other of restrooms in Race-Hooper Hall totaled colleges because of accessibility." An unsuspecting storm of thundering $220,000 in improvements resulting from By Chad Hendrix and Carol Malone Says BuUer, "The only restraint is money. change will soon be shaking UTC at its very 1988 Capital Project funding received from The Student Echo We've got so many things that need to be roots, catching the college's administration the state. done and not enough resources to do it." off guard, says Jeff Howard, student leader In 1980, $146,000 in state money for UTC is currenUy requesting $431,000 in of the Physically Challenged Student capital projects literally paved the way for Dr. P.K. Geevarghese, associate state funding for 1991, specifically for capital Association. many students with disabilities. professor of sociology and anthropology, improvements of handdicapped facilities. And at the eye of the storm is the Modification of rest rooms, doorways, water filed a civil rights suit against UTC and two How do students find out about the Americans with Disability Act, a measure fountains, and parking lots, along with new faculty members on Sept. 5.
    [Show full text]
  • Universidade Estadual De Ponta Grossa Setor De Ciências Sociais Aplicadas Departamento De Turismo
    UNIVERSIDADE ESTADUAL DE PONTA GROSSA SETOR DE CIÊNCIAS SOCIAIS APLICADAS DEPARTAMENTO DE TURISMO MILENA FERREIRA UNDERNEATH THE PURPLE RAIN: O LEGADO DE PRINCE E O MUSEU DE PAISLEY PARK – USA PONTA GROSSA 2018 MILENA FERREIRA UNDERNEATH THE PURPLE RAIN: O LEGADO DE PRINCE E O MUSEU DE PAISLEY PARK – USA Trabalho de Conclusão de Curso apresentado para obtenção do título de Bacharel em Turismo na Universidade Estadual de Ponta Grossa. Orientador: Prof. Me. Ricardo Gomes Ramos PONTA GROSSA 2018 MILENA FERREIRA UNDERNEATH THE PURPLE RAIN: O LEGADO DE PRINCE E O MUSEU DE PAISLEY PARK – USA Trabalho de Conclusão de Curso apresentado para obtenção do título de Bacharel em Turismo na Universidade Estadual de Ponta Grossa. Ponta Grossa, 14 de novembro de 2018. Prof. Me. Ricardo Gomes Ramos – Orientador Mestre em Desenvolvimento e Meio Ambiente Universidade Estadual de Ponta Grossa Profa. Dra. Graziela Scalise Horodyski Doutora em Geografia Universidade Estadual de Ponta Grossa Prof. Me. Carlos Alberto Maio Mestre em História Universidade Estadual de Ponta Grossa Dedico à minha família, às melhores amigas que eu poderia ter na vida e às demais pessoas especiais que, mesmo com a distância, são demasiadamente importantes em minha vida. Obrigada aos meus ídolos, que me ensinaram a não desistir jamais, em especial Sebastian Vettel e Prince, inspiração para este trabalho. AGRADECIMENTOS A Deus, pela capacidade, criatividade e pelas diversas oportunidades que me concedeu até aqui. Ao Prof. Me. Ricardo Gomes Ramos pela maravilhosa contribuição de seus conhecimentos, sugestões e por todo o tempo disponibilizado para a orientação desta pesquisa. À Profa. Dra. Graziela Scalise Horodyski, pela força, amizade e colaboração de informações que auxiliaram no início da concretização deste estudo.
    [Show full text]
  • The Ultimate Listening-Retrospect
    PRINCE June 7, 1958 — Third Thursday in April The Ultimate Listening-Retrospect 70s 2000s 1. For You (1978) 24. The Rainbow Children (2001) 2. Prince (1979) 25. One Nite Alone... (2002) 26. Xpectation (2003) 80s 27. N.E.W.S. (2003) 3. Dirty Mind (1980) 28. Musicology (2004) 4. Controversy (1981) 29. The Chocolate Invasion (2004) 5. 1999 (1982) 30. The Slaughterhouse (2004) 6. Purple Rain (1984) 31. 3121 (2006) 7. Around the World in a Day (1985) 32. Planet Earth (2007) 8. Parade (1986) 33. Lotusflow3r (2009) 9. Sign o’ the Times (1987) 34. MPLSound (2009) 10. Lovesexy (1988) 11. Batman (1989) 10s 35. 20Ten (2010) I’VE BEEN 90s 36. Plectrumelectrum (2014) REFERRING TO 12. Graffiti Bridge (1990) 37. Art Official Age (2014) P’S SONGS AS: 13. Diamonds and Pearls (1991) 38. HITnRUN, Phase One (2015) ALBUM : SONG 14. (Love Symbol Album) (1992) 39. HITnRUN, Phase Two (2015) P 28:11 15. Come (1994) IS MY SONG OF 16. The Black Album (1994) THE MOMENT: 17. The Gold Experience (1995) “DEAR MR. MAN” 18. Chaos and Disorder (1996) 19. Emancipation (1996) 20. Crystal Ball (1998) 21. The Truth (1998) 22. The Vault: Old Friends 4 Sale (1999) 23. Rave Un2 the Joy Fantastic (1999) DONATE TO MUSIC EDUCATION #HonorPRN PRINCE JUNE 7, 1958 — THIRD THURSDAY IN APRIL THE ULTIMATE LISTENING-RETROSPECT 051916-031617 1 1 FOR YOU You’re breakin’ my heart and takin’ me away 1 For You 2. In Love (In love) April 7, 1978 Ever since I met you, baby I’m fallin’ baby, girl, what can I do? I’ve been wantin’ to lay you down I just can’t be without you But it’s so hard to get ytou Baby, when you never come I’m fallin’ in love around I’m fallin’ baby, deeper everyday Every day that you keep it away (In love) It only makes me want it more You’re breakin’ my heart and takin’ Ooh baby, just say the word me away And I’ll be at your door (In love) And I’m fallin’ baby.
    [Show full text]
  • Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 Systematische Musikwissenschaft
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/331236297 Heart of glass: Gender and domination in the early days of punk in Portugal: Proceedings of the International Association for the Study of Popular Music 2017 Chapter · January 2019 DOI: 10.1007/978-3-658-25253-3_12 CITATIONS READS 2 410 2 authors, including: Paula Guerra University of Porto 229 PUBLICATIONS 743 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: KISMIF Conference 2016 View project Transglobal Underground View project All content following this page was uploaded by Paula Guerra on 10 February 2020. The user has requested enhancement of the downloaded file. Systematische Musikwissenschaft Marija Dumnić Vilotijević Ivana Medić Editors Contemporary Popular Music Studies Proceedings of the International Association for the Study of Popular Music 2017 Systematische Musikwissenschaft Reihe herausgegeben von Jan Hemming, Kassel, Deutschland [email protected] Systematische Musikwissenschaft richtet ihr Erkenntnisinteresse häufg auf Zeitpunkte statt auf Zeiträume. Dies ermöglicht es, Prozesse musikalischer Pro- duktion und Rezeption detailliert in den Blick zu nehmen – von akustischen Messungen am Instrument bis zur Hirnforschung am Musikhörer, von einer Prob- lematisierung des Begriffs der „Musikalität“ bis zur Einbeziehung musikbezoge- ner Geschlechter- oder Globalisierungsforschung. Entsprechend vielfältig sind die Anforderungen an methodische, häufg empirische Innovationen sowie an die dazugehörige Theorieentwicklung. Zugleich werden bevorzugt aktuelle oder gesellschaftsrelevante musikkulturelle Phänomene thematisiert. Die Reihe Sys- tematische Musikwissenschaft hat es sich zur Aufgabe gemacht, durch Veröffen- tlichung von Überblickswerken, Monographien und Diskussionsbänden das Spannungsfeld zwischen Theorie und Empirie in der Systematischen Musikwis- senschaft mit neuen Inhalten zu bereichern.
    [Show full text]