silent planet everything was sound album download zippy Silent planet everything was sound album download zippy. Artist: Silent Planet Album: Everything Was Sound Instrumental Released: 2020 Style: . Format: MP3 320Kbps. Tracklist: 01 – Inherit the Earth (Instrumental) 02 – Psychescape (Instrumental) 03 – Dying In Circles (Instrumental) 04 – Understanding Love As Loss (Instrumental) 05 – Tout Comprendre (Instrumental) 06 – Panic Room (Instrumental) 07 – REDIVIDE? (Instrumental) 08 – Nervosa (Instrumental) 09 – C’est Tout Pardonner (Instrumental) 10 – Orphan (Instrumental) 11 – No Place to Breathe (Instrumental) 12 – First Father (Instrumental) 13 – Inhabit The Wound (Instrumental) DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD TURBOBIT: DOWNLOAD. Everything Was Sound. Los Angelino metalcore outfit Silent Planet further distinguish themselves far outside the confines of CCM. Everything Was Sound builds on the forceful, sonically nuanced template of 2014's The Night God Slept. The pre-release singles "Psychescape" (with guest vocals from 's ) and "Panic Room" are fine examples of its nine searing, poignant, multi-textured songs about individuals suffering and struggling with mental illness. Framed in unusual, accessible hooks and inventive production and musical interludes, Garrett Russell's singing has matured; the guitar and bass riffs alternate between dark ambience and punishing ferocity; Alex Camarena's frenetic drumming is their engine. A heavy music response to psychological and emotional pain, this set offers aggression yes, but also a sympathy and compassion for the afflicted. Everything Was Sound. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $8.99. Everything Was Sound. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. Silent Planet, MainArtist - Garrett Russell, Composer - Mitchell Stark, Composer - Spencer Keene, Composer - Thomas Freckleton, Composer - Alexrene Camarena, Composer. (C) 2016 Solid State Records (P) 2016 Solid State Records. About the album. 1 disc(s) - 13 track(s) Total length: 00:41:38. (C) 2016 Solid State Records (P) 2016 Solid State Records. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Chopin : Piano Concertos. When the End Began (Instrumental) When the End Began. The Night God Slept Redux. The Night God Slept Redux. Everything Was Sound (Instrumental) Playlists. Highway To Hell. Pink Floyd's ground-breaking album The Dark Side of the Moon was the result of a long creative process that began around 1968. A Saucerful of Secrets (the main track from the eponymous album) was, for Nick Mason at least, where it all began. Their next album Ummagumma (1969) gave each band member the opportunity to create a solo piece, though they would have to combine their talents if they wanted to hit the jackpot. Pink Floyd continued to search for the perfect record with Meddle, an album which highlighted their skills in the studio, and Atom Heart Mother, before they reached nirvana with The Dark Side of the Moon. And the album’s perfection hasn’t faded one bit. With 50 million copies sold, Back in Black is the second best-selling album of all time just behind Michael Jackson’s thriller. Who could have imagined that AC/DC’s seventh studio album would pick up so many awards considering their charismatic lead-singer Bon Scott’s premature death after the release of Highway to Hell. The album marked the end of their first chapter but the beginning of their second which fans of the Australian band today continue to relish… The Alice Cooper story is, first and foremost, an extraordinary tale of “split personality”. Like something straight out of “The Strange Case of Dr Jekyll and Mr Hyde”, singer Vincent Furnier surrendered to the domination of showman Alice Cooper. But by his own admission, the man who always speaks of “Alice” in the third person in interviews remains a simple, completely normal guy in private, far from the stage where he enacts his excesses and provocations. Throughout a career stretching over 50 years, there is an evident streak of schizophrenia in his many stylistic changes. While we credit him with the invention of shock rock, he has ventured into almost every genre with varying degrees of success, from pop to nascent hard rock, with forays into heavy metal, new wave and industrial… Silent Planet Everything Was Sound. The past couple of years haven’t exactly been that kind to a lot of the Christian rock and metal bands that we’ve known for the past fifteen years. Granted there have a been a couple that have stay strong throughout this time period but it seems that with each release they’re beginning to drop like flies, and it’s been especially become clear with the recent, albeit unsurprising, demise of Thousand Foot Krutch and the inevitable death of Skillet. That being said, the release of Wolves At The Gate’s VxV in 2014 seemed to showcase that a new generation of Christian music was on the rise. Not just one that is going to repeat the same formulas of successful bands (which, let’s admit, was one of the main problems with the genre before 2010), but a generation that seems to finally seemed to feel relevant with this current age of music. And nowhere is this any more clearer than Silent Planet’s sophomore album Everything Was Sound . Silent Planet’s debut, The Night God Slept , was somewhat of a surprise hit. Managing to grab a spot on a well-known and respected record label early on (Solid State Records) and touring with some of these rising stars in the Christian music industry saw the band reaching success early on. It was a decent album overall, but if anything it felt a little too much like and Underoath-lite record. Its excellent production and great vocal performances and lyricism were certainly enough the save it but it definitely gave them the issue of failing to find their own sound. However, that problem seems to be fixed with Everything Was Sound . Every single aspect of the band has been improved, from the vocals to the instrumentation. The melodies are much stronger than they were before, with songs like ‘Orphan’ and ‘Nervosa’ delivering some of the strongest vocal hooks the band has created while the atmospheric characteristics of ‘Inhabit The Wound’ and lead single ‘Panic Room’ help deliver some of the more moodier aspects that were found in the previous record. The instrumentation is incredibly well executed, especially on songs like ‘First Father’ and ‘REDIVIDEЯ’, with Spencer Keene and Mitchell Stark delivering some of the best guitar work within the band’s career. However, it’s not just the riffs that are impressive, but the atmospheric tones that Keener brings to the table are what help the band deliver their own unique sound. Meanwhile Thomas’ bass lines and Alex’s drumming help provides much of the album’s structure, particularly on the heavier tracks such as 'Psychescape' and 'Dying in Circles', the former easily being the best off the record thanks to Spencer Chamberlin’s guest vocals. Garrett Russell’s vocal performance carry most of the emotion in the record which in turns gives each song a sense of purpose, with Russell utilizing his lower growls much more often than the debut. The atmospheric layering of Keene’s production also helps highlight some of the more emotional moments, as well as delivering some uneasy parts as well such as ‘C'est Tout Pardonner’, the somewhat creepy instrumental that leads up to orphan. However, it’s the lyrics that are the record’s ultimate selling point. The strong symbolism found in the album is somewhat unsettlingly relatable, dealing with topics of PTSD and suicide in ‘Panic Room’ and ‘Understanding Love as Loss’ and schizophrenia in ‘Psychescape’. Hearing the lyrics ‘ I’ve waited on the tracks of reason; but the train of thought; it never came ’, from ‘Psychescape’ and finding out just how accurate these portrayals of mental instability are is pretty scary, and surprisingly dark for a Christian band in general. However, not all of these lyrics are incredibly depressing, as the last two songs ‘First Father’ and ‘Inhabit the Wound’ ends the album on a much lighter note of just knowing how powerful love can really be. Sure it may be a bit preachy, but at least it proves that Silent Planet are able to create meaningfully upbeat songs with a powerful message. Everything Was Sound is not only the best record this year, but also one of the best and possibly one of the more important albums of the year overall. With this record as well as other bands that are showing more and more potential, we’re witnessing a new, rejuvenated, and exciting generation of Christian music that will hopefully garner a much bigger audience as time goes on. Everything Was Sound showcases Silent Planet at the top of their game and will certainly label them as one of the front runners of this new movement in the music industry. For those looking for a metal album that will give you an experience, do yourselves a favor and give this a listen. SILENT PLANET. Humanity has always had a therapeutic relationship with music. Its ability to shatter man-made walls, create a platform for expression, and illuminate perspectives, has helped ground some and liberate others. We build national anthems out of songs, we immortalize first dances with songs, we cry because of songs. Music—when breathed into with intention, intellect, and purpose—can restore and unify. If you need an example, listen to Silent Planet’s newest album, Everything Was Sound. Silent Planet—comprised of Alex Camarena, Thomas Freckleton, Garrett Russell and Mitchell Stark—writes with purpose. The LA-based band’s first album, The Night God Slept, gave voice to characters victimized by systemic oppression. The album used historical settings and the characters within it to magnify their marginalized perspectives, resulting in a musical accomplishment outfitted with quality instrumentals, rich storytelling, and a mouthpiece for the silenced. Their second full-length project bears consistent fruit with their first. Everything Was Sound, the sophomore release on Solid State Records, is unrelenting in its endeavor to marry its sophisticated metalcore sound with the quiet voice of the alienated. The band’s vocalist, Garret Russell, walks us out of their first album’s story and straight into this one: a metaphorical prison housing society’s misunderstood. The panopticon (both a psychological concept and a physical space) is a many roomed, doorless prison equipped with one, concealed guard. Without the ability to see where the guard is looking, the construct effectively controls each inmates behavior. Russell uses this theory (designed by philosopher and social theorist Jeremy Bentham) to represent the societal imprisonment culture places on the mentally wounded. He walks us through nine rooms, with nine varying prisoners, and tells their stories. “So many people feel completely alone. This album was inspired by the people I’ve interacted with who feel like nobody can or wants to understand them. It’s very evil to leave people isolated like that,” explains Russell. “Our goal is to make people’s stories visible, to give words and to give music to things that aren't often talked about.” Take the track “Panic Room” for example. “God gave me a vision, in a very mystical way, of my friend who suffers with PTSD. I wanted to tell his story in a way that honored him.” Lyrics like, “this is war: A child stumbles from the wreckage holding his salvation - the trigger to cessation - to end us all. I took a life that takes mine, every quiet moment we collapse,” paint a panicked and painful perspective, but one that gave healing to the friend who inspired it. From the song “Understanding Love Is Lost,” about the wreckage of suicide, to “Nervosa,” about the destruction of eating disorders, Silent Planet intentionally introduces us to the struggling souls surrounding us. And that isn’t all they’re intentional about. The instrumentals, the lyrics, and the artwork are unanimously designed to, in Russell’s words, “challenge intentions, stir the subconscious, and offend assumptions.” Whether it be the enneagram of personality that marks the cover art, the inkblots within the liner notes tethered to each archetype, or the cited sources laced within each song, you’ll feel what Russell says is a “dance between wholeness and oblivion.” The theme weaves itself—through color, word, sound, and design—into all aspects of the project. Silent Planet’s pursuit is perhaps best stated by the two instrumental tracks within the album—“Tout comprendre” and “C’est tout pardoner”— whose combined titles mean “to understand all is the forgive all.” In the final song, the prisoners escape bondage and unite, planting a new tree of life in the center of the panopticon. “People have been inhabiting inside of their wounds,” explains Russell, “and I believe they can come together to be healed. Step out, see each other, and find freedom in being seen.”