Dave Valentin
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LISA FISCHER BIO Lisa Fischer Is a Singer Who Really Gets Around. Her Life
LISA FISCHER BIO Lisa Fischer is a singer who really gets around. Her life is an endless round of planes, trains, and automoBiles, rehearsals and fittings. On tour with the Rolling Stones, Sting, Chris Botti or Nine Inch Nails, her name may not Be on the marquee, But she doesn't care. She's Busy loving every minute of it. It's easy to see why she works all the time: her astonishing range, her spot-on intonation, her mastery of the stage, the way her tone wraps itself around your heart and won't let go, the infectious quality of her time feel: these things keep her on top of the list. But it's the sweetness of her smile, her visiBle pleasure in watching her Bandmates do their stuff, her glamorous- girl-next-door quality that make fans all over the world think she's their own secret discovery (despite the fact that the YouTube version of her duet with Mick Jagger on 'Gimme Shelter' has millions of hits). The rest of her resume is pretty impressive too: touring, recording, and music making with Tina Turner, Chaka Khan, Beyonce, Dionne Warwick, Dolly Parton, Bobby McFerrin, Alicia Keyes, Lou Reed, Louie Vega, Aretha Franklin, John Scofield, George Benson, Laurie Anderson, Lee Ritenour, Jackie Evancho (and many others). Along with many other top session and backup singers like Darlene Love, Merry Clayton, Patti Austin, and Judith Hill, "the greatest artists you've never heard of" (but whose voices are instantly recognizable), she's featured in Morgan Neville's acclaimed documentary film Twenty Feet from Stardom, distributed By Miramax in the US and scheduled for European premieres throughout 2013-2014 season. -
A Tribute to Dave Valentin & the Debut of Bill O'connell's (A.C.E.) Afro
Press contact: John MacElwee - 718-518-6539, [email protected] Tom Pryor - 718-753-3321 [email protected] Hostos Center for the Arts & Culture presents A Tribute to Dave Valentin & the Debut of Bill O’Connell’s (A.C.E.) Afro-Caribbean Ensemble Saturday, April 6, 2019, 7:30 PM LINK TO HIGH RESOLUTION PHOTOS (Bronx, NY) – On Saturday, April 6, Hostos Center for the Arts & Culture presents a double bill of Latin jazz with a Tribute to Dave Valentin, featuring a quintet led by the late flutist’s musical director, pianist Bill O’Connell with virtuoso flutist Andrea Brachfeld, then following with the debut of Bill O’Connell’s most recent project A.C.E. (Afro-Caribbean Ensemble) featuring a nonet comprised of some of New York’s top jazz and Latin jazz artists. The concert will be in the Repertory Theater at Hostos Community College, beginning at 7:30 PM. Tickets are $20, with student tickets at $5, and can be purchased online at www.hostoscenter.org or by calling (718) 518-4455. The box office is open Monday to Friday, 1 PM to 4 PM and will be open two hours prior to performance. In addition to O’Connell, the quintet includes original Dave Valentin Quartet members -- bassist Lincoln Goines and drummer Robby Ameen. Percussionist Román Díaz has been added to the group, and in the title role will be flutist Andrea Brachfeld, well-known for her musical abilities in jazz and Latin Jazz. Valentin said of Brachfeld, “with all due respect, she plays her buns off; one of the first ladies to disprove the concept that only men can deal with the real deal…” The original quartet with Brachfeld have performed tributes to Valentin in different venues in New York and repeat engagements at the Blue Note in Tokyo. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
78Th and 3Rd Lee Ritenour Rit of Habeas Music 100%
May 2004 RIT OF HABEAS MUSIC CATALOGUE TITLE COMPOSER(S) PUBLISHER(S) SHARE “78th and 3rd Lee Ritenour Rit of Habeas Music 100% “10th AVENUE” Lee Ritenour Rit of Habeas Music 100% “4 PLAY AND PLEASURE” Lee Ritenour Rit of Habeas Music 100% “AFTER THE RAIN” Lee Ritenour Rit of Habeas Music 100% “A COUNTRY BLUES” Lee Ritenour Rit of Habeas Music 100% "A LITTLE BUMPIN'" Lee Ritenour Rit of Habeas Music 100% “A LITTLE DOLPHIN Lee Ritenour Rit of Habeas Music 100% DREAMIN’” "A SUMMER CHILD" Lee Ritenour Rit of Habeas Music 100% "ALONE WITH YOU" Lee Ritenour Rit of Habeas Music 50% Phil Perry Pepsongs Music Corp. 50% “AND YOU KNOW WHAT.... Lee Ritenour Rit of Habeas Music 100% I LOVE YOU” "AMARETTO" Lee Ritenour Rit of Habeas Music 100% "A NEW DAY" Lee Ritenour Rit of Habeas Music 100% "BACK IN THE CITY" Lee Ritenour Rit of Habeas Music 25% Greg Mathieson Mighty Mathieson Music 37.50% Trevor Veitch Slapshot Music 37.50% "BAHIA FUNK" Lee Ritenour Rit of Habeas Music 100% "BALI RUN" Lee Ritenour Rit of Habeas Music 100% Bob James “BEIJOS (KISSES)” Lee Ritenour Rit of Habeas Music 100% "BITTERSWEET" Lee Ritenour Rit of Habeas Music 100% "BITTERSWEET (A LOVE Lee Ritenour Rit of Habeas Music 100% MORE WONDERFUL)" Roxanne Seeman (LYRIC VERSION) “BLUE LINE (THE)” Lee Ritenour Rit of Habeas Music 100% "BULLET TRAIN" Lee Ritenour Rit of Habeas Music 80% Ernie Watts Sttawe Music 20% “CAN YOU FEEL IT” Lee Ritenour Rit of Habeas Music 100% "CAPTAIN FINGERS" Lee Ritenour Rit of Habeas Music 100% "CAPTAIN'S JOURNEY, Lee Ritenour Rit of Habeas Music 100% THE" (Part 1 - The Calm Part 2 - The Storm) “(THE) CHILD WITHIN” Lee Ritenour Rit of Habeas Music 100% "COLOR RIT" Lee Ritenour Rit of Habeas Music 100% "COUNTDOWN" Lee Ritenour Rit of Habeas Music 100% “COUNTRY BLUES” Lee Ritenour Rit of Habeas Music 100% *Japan Only 2 "CROSS MY HEART" Lee Ritenour Rit of Habeas Music 50% Eric Tagg Captain Fingers Prod. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Cash Box Jazz Albums
- 1 i ON JAZZ I CASH BOX JAZZ ALBUMS — at Barrow Street’s Greenwich ON BLUES— The reissue craze as always, Bowie and the Title, Artist, Label, Number, Distributor some sort of fever House — are Lester which is reaching = Available on Compact Disc other Brass Fantasy (9/13), “The Soul Stir- pitch in jazz — has extended to = Platinum (RIAA Certified) rings of Linda Tillery”, with a trio fea- fields. MCA-which has had the good = Gold (RIAA Certified) 20 IT TAKES TWO RODNEY FRANKLIN (Columbia FC reissue pro- turing Michele Rosewoman (10/4), sense to begin an active jazz 40307) with L O up “Bop Connection: Then ai)d Now’ , gram with Impulse! — has just come 21 LIGHT STRUCK Big W C its Kenny Barron, Cecil McBee, DAVE VALENTIN (GRP-A-1028) with ten dandy blues reissues from 1 14 I DOUBLE VISION Eddie Henderson, Sonny 1 SANBORN Chess vaults. The albums are hand- Black, BOB JAMES/DAVID m SAND dance (TBA TB-206) and Freddie Waits (11/8); (Warner Bros. 25393) Frank Potenza somely packaged — they have their Fortune, 2 11 23 INTRODUCING the Hatian band Ayiza, featuring I BREAKOUT notes, as well and 1 original covers and liner SPYRO GYRAIMCA 5753) JONATHAN BUTLER — and the sound Andrew Cyrille (12/13). (Jive/ Arista JL8-8404) as updated liner notes SHADES 3 12 jazz label has been 1 generally, clear and crisp. SWIFT—A new YELLOW JACKETS(MCA 5752) 24 SCHUUR THING on them is, DIANE SCHUURIGRP-1022) born. Gazell Records has revved up by The classic “Muddy Waters At New- 4 LOVE WILL FOLLOW 26 25 LYLE MAYS releasing four LPs from the excellent GEORGE HOWARD (TBATB 210) port”— which includes two definitive (Geffen /Warner Bros. -
Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs. -
Compact Disc C6604 2016 5-27.Pdf
CDI -4frl-; 53-=; PROGRAM f God Only Knows ...................!.?J..................................................... Brian Wilson and Tony Asher (.:;'-5: 2 Country Song ............................ :.~.............................................................................. Dave Holland 3 AScream in the ShirtS ................:.:'.:..!........................................................................... Dan Dean 4- People Make the World Go 'Round ............J..C.€l?. ........................... Thorn Bell and Linda Creed ~ SanJuan ................................~:..1.f?:........................................................................... Tom Collier CDl-1f /"r-l f;3 3 I Slipped Disc. .......................... I..':.~~....................................Teddy Wilson and Benny Goodman ~ ~'~~ L- Anyone Who Had aHeart .................'.....0......................................... Burt Bacharach and Hal David. 3 Genesee ......................................Cf?~.~0.........................................................................Tom Collier 1" Scrapple from the Apple .................JP::.f..1........................................................... Charlie Parker r; 1M (o-f£ ~ .&-r La., sT (t;'; I'-f ) - 60·n~fonj~ ~ TOM COLI.IER, vibes / marimba Professor Tom Collier has appeared in concert and on recordings with many important jazz and popular artists including Eddie Daniels, Ry Cooder, Earl "Fatha" Hines, Roger Kellaway, Emil Richards, Don Grusin, Frank Zappa, Victor Feldman, Howard Roberts, Ernie Watts, -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
Album Reviews
Album Reviews I’ve written over 150 album reviews as a volunteer for CHIRPRadio.org. Here are some examples, in alphabetical order: Caetano Veloso Caetano Veloso (A Little More Blue) Polygram / 1971 Brazilian Caetano Veloso’s third self-titled album was recorded in England while in exile after being branded ‘subversive’ by the Brazilian government. Under colorful plumes of psychedelic folk, these songs are cryptic stories of an outsider and traveller, recalling both the wonder of new lands and the oppressiveness of the old. The whole album is recommended, but gems include the autobiographical “A Little More Blue” with it’s Brazilian jazz acoustic guitar, the airy flute and warm chorus of “London, London” and the somber Baroque folk of “In the Hot Sun of a Christmas Day” tells the story of tragedy told with jazzy baroque undertones of “God Rest Ye Merry Gentlemen.” The Clash London Calling Epic / 1979 London Calling, considered one of the greatest rock & roll albums ever recorded, is far from a straightforward: punk, reggae, ska, R&B and rockabilly all have tickets to this show of force that’s both pop and revolutionary. The title track opens with a blistering rallying cry of ska guitar and apocalypse. The post-disco “Clampdown” is a template for the next decade, a perfect mix of gloss and message. “The Guns of Brixton” is reggae-punk in that order, with rocksteady riffs and rock drums creating an intense portrait of defiance. “Train in Vain” is a harmonica puffing, Top 40 gem that stands at the crossroads of punk and rock n’ roll. -
David Pack Facts at a Glance 2020
David Pack Facts at a Glance 2020 David Pack has won international acclaim both for his solo work and his stellar turn as co-founder & former frontman for the progressive rock group Ambrosia. He is a Grammy-winning Producer and Music Director/Producer of global special events including both of President Clinton’s Inaugurals, charitable events for Barbra Streisand, Elton John, Billy Joel, Madonna, Fergie, and an incredible host of others. His collected works as a performer and producer have sold over 50-million units worldwide. His music mentors are friends the late Leonard Bernstein and Quincy Jones. He is a two-time Grammy winner – for Tribute: Songs of Andrae Crouch and Handel’s Messiah – a Soulful Celebration. He has been nominated for seven additional Grammys – six for Ambrosia, one for Kenny Loggins’ Return to Pooh Corner. David’s all-star group “David Pack’s Legends Live” perform across America. Artists Produced Aretha Franklin, Faith Hill, Phil Collins, Garth Brooks, Kenny Loggins, Michael McDonald, Leann Rimes, Natalie Cole, Patti LaBelle, Trisha Yearwood, Selena, Amy Grant, Wynonna Judd, Brian Setzer, TLC, Brian McKnight, Little Richard, Patti Austin, Linda Ronstadt, James Ingram, Cece Winans, Pointer Sisters, Mavis Staples, Andrae Crouch, David Benoit, Take 6, Bruce Hornsby, Branford Marsalis, Chick Corea, Steve Vai, Tevin Campbell, Jerky Boys, Paul Rodriquez, Chet Atkins, Olivia Newton John, DC Talk, Jennifer Holliday Current Projects • Solo Album in progress 2019 – Touring with David Pack’s Legends Live • Barbra Streisand Walls Album (2018) David co-wrote lyrics “Take Care of This House” (Bernstein/Lerner) • The Bubble Musical - Soundtrack Album of David’s first Musical in progress • Ambrosia Ultimate Collection w/ Unreleased New Tracks in Progress 2019 • David Pack’s Napa Crossroads (Concord Records 2014) feat. -
North Shore Magazine, September 2016
The high-caliber people defining our North Shore experience deserve special recognition. Clockwise from top left, Dawn Carroll and Patti Austin, Jo Ann Simons, Phil Cormier, Seth Moulton, and Sean Stellato photographs by, clockwise from top left, Doug Levy, Shawn Black, 145 Joe Ferraro, Jared Charney, and Pete Tschudy wisdom that Patti was giving this young girl," says Dawn Carroll, wh< co-wrote this song, "Over My Shaul der," and is executive director of the Over My Shoulder Foundation, a media-based nonprofit organiza tion that aims to raise awareness ol the impact of mentoring both cross culturally and cross-generationally Austin and Carroll, a stone designe1 with the Everett-based Cumar Mar ble and Granite, founded the Over My Shoulder Foundation together in an effort to pay forward the ben efits of mentoring that they both have experienced in their lives. "It takes a village. It really does,' says Austin. "Mentoring is being a part of that village, being on the right side of humanity." The Over My Shoulder Founda tion is a multifaceted organization, one that combines the worlds of design and music, encourages crea tivity of all kinds, connects menton with mentees, collects and shares inspiring mentoring stories, and delivers their mentoring message to the wider community through appearances and events. It's all to cultivate the art of what the organi zation calls "Mentorology." MENTORING FRIENDSHIP "We try to create and produce events to inspire people to think Two talented w omen started the Over My about mentoring," Carroll says. Shoulder Foundation to foster resp ect, diversity, She also works on mentoring with culture, and individuality through mentorship s.