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Mary's Shrine Directly Support the Mission and Ministry of the Basilica
’ MVolume 80, No.A 2 RY S SHRINFall/WinterE 2019 Our Mother of Africa » RECTOR’S MESSAGE Mary’s Shrine By Reverend Monsignor Walter R. Rossi, J.C.L. Bachrach ince June of 2018, the Catholic and makes intercession” for each of us (Homily, Church in the United States has been June 1, 2019). experiencing a great deal of unrest When confronted by a medical crisis, we seek because of the abuse crises. help at a hospital. So too, when confronted SThe Church has been deeply wounded. Her by a spiritual crisis or when tragedy strikes, we parishioners, and especially the victims of abuse seek help at a church. In prayer we find our have been traumatized. The investigations of strength and our solace, confident in God’s the Attorneys General across the country, the help. One need only recall the terrorist attacks Pennsylvania Grand Jury report, new revelations on September 11, 2001, or the senseless acts of of abuse, and the personal and professional violence in churches, synagogues, mosques, and failures on the part of some in leadership, have schools. In these incomprehensible moments caused some people to stop going to church. of grief and tragedy, prayer is our constant, our Others have discontinued their financial buckler and shield, our sure foundation. support. We, the Church, must acknowledge On September 23, 2020, we will mark the and address the suffering of the victims as well centenary of the placing of the foundation as our own pain with the care and comfort stone of the National Shrine. Located in the found only in Jesus. -
A Renaissance Christmas St Martin's Voices Andrew Earis Director Available Until 16Th January 2021
A Renaissance Christmas St Martin's Voices Andrew Earis Director Available until 16th January 2021 St Martin-in-the-Fields, Trafalgar Square London WC2N 4JJ www.smitf.org PROGRAMME ADVENT Vigilate – William Byrd (1543-1623) Canite tuba – Francisco Guerrero (1528-1599) NATIVITY Videte miraculum – Thomas Tallis (1505-1595) Ave Maria à 8 – Tomás Luis de Victoria (1548-1611) Angelus ad pastores ait – Raffaella Aleotti (c.1570-c.1646) Quem vidistis, pastores? – Richard Dering (1580-1630) O magnum mysterium – Victoria Videntes stellam magi – Orlando di Lasso (1532-1594) CHRISTMAS MORNING Verbum caro factum est à 6 – Hans Leo Hassler (1564-1612) Nesciens mater – Jean Mouton (1459-1522) O beatum et sacrosanctum diem – Peter Philips (1561-1628) Resonet in laudibus – Johannes Eccard (1553-1611) Puer natus est nobis – Byrd Hodie Christus natus est – Jan Pieterszoon Sweelinck (1562-1621) PROGRAMME NOTES by Charlotte Marino Vigilate William Byrd Byrd was an English composer of the Renaissance period and is widely considered to be one of the greatest British composers of all times. His Vigilate takes inspiration from the Italian madrigal traditions, resulting in colouring that is vivid, detailed and full of lulling suspensions. This piece is a beautiful example of Byrd’s compositional individuality and astonishingly consistent level of inspiration. Canite tuba Francisco Guerrero Francisco Guerrero was a Spanish Catholic priest and talented young composer of the Renaissance period. At age 17, Guerrero was appointed Maestro de Capilla at Jaen Cathedral, and a few years later he accepted a prestigious position in Seville. He established an exceptional reputation as a singer and composer even before his thirtieth birthday, with his music known for its powerful range of moods, from joy to despair, longing, elation and devotional stillness. -
Direction 2. Ile Fantaisies
CD I Josquin DESPREZ 1. Nymphes des bois Josquin Desprez 4’46 Vox Luminis Lionel Meunier: direction 2. Ile Fantaisies Josquin Desprez 2’49 Ensemble Leones Baptiste Romain: fiddle Elisabeth Rumsey: viola d’arco Uri Smilansky: viola d’arco Marc Lewon: direction 3. Illibata dei Virgo a 5 Josquin Desprez 8’48 Cappella Pratensis Rebecca Stewart: direction 4. Allégez moy a 6 Josquin Desprez 1’07 5. Faulte d’argent a 5 Josquin Desprez 2’06 Ensemble Clément Janequin Dominique Visse: direction 6. La Spagna Josquin Desprez 2’50 Syntagma Amici Elsa Frank & Jérémie Papasergio: shawms Simen Van Mechelen: trombone Patrick Denecker & Bernhard Stilz: crumhorns 7. El Grillo Josquin Desprez 1’36 Ensemble Clément Janequin Dominique Visse: direction Missa Lesse faire a mi: Josquin Desprez 8. Sanctus 7’22 9. Agnus Dei 4’39 Cappella Pratensis Rebecca Stewart: direction 10. Mille regretz Josquin Desprez 2’03 Vox Luminis Lionel Meunier: direction 11. Mille regretz Luys de Narvaez 2’20 Rolf Lislevand: vihuela 2: © CHRISTOPHORUS, CHR 77348 5 & 7: © HARMONIA MUNDI, HMC 901279 102 ITALY: Secular music (from the Frottole to the Madrigal) 12. Giù per la mala via (Lauda) Anonymous 6’53 EnsembleDaedalus Roberto Festa: direction 13. Spero haver felice (Frottola) Anonymous 2’24 Giovanne tutte siano (Frottola) Vincent Bouchot: baritone Frédéric Martin: lira da braccio 14. Fammi una gratia amore Heinrich Isaac 4’36 15. Donna di dentro Heinrich Isaac 1’49 16. Quis dabit capiti meo aquam? Heinrich Isaac 5’06 Capilla Flamenca Dirk Snellings: direction 17. Cor mio volunturioso (Strambotto) Anonymous 4’50 Ensemble Daedalus Roberto Festa: direction 18. -
Chanticleer Christmas 2018 Reader
A Chanticleer Christmas WHEN: VENUE: WEDNESDAY, MEMORIAL CHURCH DECEMBER 12, 2018 7∶30 PM Photo by Lisa Kohler Program A CHANTICLEER CHRISTMAS Cortez Mitchell, Gerrod Pagenkopf*, Kory Reid Alan Reinhardt, Logan Shields, Adam Ward, countertenor Brian Hinman*, Matthew Mazzola, Andrew Van Allsburg, tenor Andy Berry*, Zachary Burgess, Matthew Knickman, baritone and bass William Fred Scott, Music Director I. Corde natus ex parentis Plainsong Surge, illuminare Jerusalem Francesco Corteccia (1502–1571) Surge, illuminare Jerusalem Giovanni Pierluigi da Palestrina (1525–1594) II. Angelus ad pastores ait Jan Pieterszoon Sweelinck (1562–1621) Quem vidistis, pastores dicite Francis Poulenc (1899–1963) Quem vidistis, pastores? Orlando di Lasso (1532–1594) D’où viens-tu, bergère? Trad. Canadian, arr. Mark Sirett Bring a Torch, Jeanette, Isabella Trad. French, arr. Alice Parker and Robert Shaw III. Nesciens mater Jean Mouton (1459–1522) O Maria super foeminas Orazio Vecchi (1550–1605) Ave regina coelorum Jacob Regnart (1540–1599) IV. Here, mid the Ass and Oxen Mild Trad. French, arr. Parker/Shaw O magnum mysterium+ Tomás Luis de Victoria (1548–1611) Behold, a Simple, Tender Babe Peter Bloesch (b. 1963) World Premier performances V. Hacia Belén va un borrico Trad. Spanish, arr. Parker/Shaw Staffan var en stalledräng Jaakko Mäntyjärvi (b. 1963) Commissioned in 2016 by Gayle and Timothy Ober, Allegro Fund of The Saint Paul Foundation, in honor of their 35th wedding anniversary. Chanticleer Trad. English, arr. Philip Wilder ¡Llega la Navidad! Ramón Díaz (1901–1976), arr. Juan Tony Guzmán —INTERMISSION— 2 VI. Ave Maria+ Franz Biebl (1906–2001) Bogoróditse Dyévo, ráduisya Sergei Rachmaninoff (1873–1943) VII. A selection of popular carols to be chosen from… Up! Good Christen Folk Trad. -
Abstracts, Rocky Mountain Chapter of the American Musicological Society Rocky Mountain Music Scholars Conference University of Texas at El Paso, March 1-2, 2019
1 Abstracts, Rocky Mountain Chapter of the American Musicological Society Rocky Mountain Music Scholars Conference University of Texas at El Paso, March 1-2, 2019 Mahler, Bernstein, and Jewish Identity, Matthew Mugmon (University of Arizona) .............................. 3 Stephen Heller Composes Jean Paul: The Blumen-, Frucht-, und Dornenstücke, Op. 82., Nicholas Alexander (University of Northern Colorado) .............................................................................................. 3 Hidden Affectation in Liszt’s Prometheus, Neal Warner (University of Arizona) .................................. 3 Musicology in Exile: Adolfo Salazar and Mexican Hegemony, Adam Heyen (Arizona State University) ........................................................................................................................................................... 4 Blurring the Border: Chávez, Copland, and Pan Americanism, Candice Sierra (University of Arizona) ............................................................................................................................................................... 4 Shaping the Modern American Guitar Landscape: Vahdah Olcott-Bickford and the American Guitar Society, Kathy Acosta Zavala (University of Arizona) ................................................................................. 5 Johnnie Ray: 'The Father of Rock and Roll'? How and Why History Gets Written, Michael Broyles (Florida State University) ................................................................................................................................. -
Une Jeune Pucelle 3’43 Se Chante Sur « Une Jeune Fillette »
menu tracklist texte en français text in english textes chantés / lyrics AU SAINCT NAU 1 Procession Conditor alme syderum 2’40 2 Procession Conditor le jour de Noel 1’20 Se chante sur « Conditor alme syderum » 3 Eustache Du Caurroy Fantaisie n°4 sur Conditor alme syderum 1’48 (Orgue seul) 4 Jean Mouton - Noe noe psallite noe 3’21 5 Jacques Arcadelt - Missa Noe noe, Kyrie 8’06 Alterné avec le Kyrie « le jour de noël », qui se chante sur Kyrie fons bonitatis 6 Clément Janequin - Il estoyt une fillette 3’01 Se chante sur « Il estoit une fillette » 7 Anonyme/Christianus de Hollande Plaisir n’ay plus que vivre en desconfort 4’03 Se chante sur « Plaisir n’ay plus » 8 Claudin de Sermizy Dison Nau à pleine teste 3’27 Se chante sur « Il est jour, dist l’alouette » 9 Claudin de Sermizy - Au bois de deuil 3’49 Se chante sur « Au joly boys » 10 Eustache Du Caurroy Fantaisie n°31 sur Une jeune fillette 1’48 (Orgue seul) 3 11 Loyset Pieton O beata infantia 8’20 12 Eustache Du Caurroy Fantaisie n°30 sur Une jeune fillette 1’37 (Orgue seul) 13 Eustache Du Caurroy Une jeune pucelle 3’43 Se chante sur « Une jeune fillette » 14 Guillaume Costeley - Allons gay bergiere 1’37 15 Claudin de Sermizy L’on sonne une cloche 3’35 Se chante sur « Harri bourriquet » 16 Anonyme - O gras tondus 1’42 17 Claudin de Sermizy Vous perdez temps heretiques infames 2’16 Se chante sur « Vous perdez temps de me dire mal d’elle » 18 Claude Goudimel Esprit divins, chantons dans la nuit sainte 2’16 Se chante sur « Estans assis aux rives aquatiques » (Ps. -
Stile Antico Josquin
Boston Early Music Festival in partnership with The Morgan Library & Museum present Stile Antico Josquin: Father of the Renaissance Ave Maria…virgo serena Josquin des Prez (ca. 1450–1521) Kyrie from Missa Pange lingua Josquin Vivrai je tousjours Josquin El grillo Josquin Inviolata, integra et casta es Maria Josquin Gloria from Missa Pange lingua Josquin Mille regretz Josquin Salve regina a5 Josquin O mors inevitabilis Hieronymus Vinders (fl. ca. 1525) Agnus Dei I and III from Missa Pange lingua Josquin Dum vastos Adriae fluctus Jacquet de Mantua (1483–1559) Friday, February 26, 2021 at 8pm Livestream broadcast Filmed concert from All Saints Church, West Dulwich, London, England BEMF.org Stile Antico Helen Ashby, Kate Ashby, Rebecca Hickey, soprano Emma Ashby, Cara Curran, Eleanor Harries, alto Andrew Griffiths, Jonathan Hanley, Benedict Hymas, tenor James Arthur, Will Dawes, Nathan Harrison, bass This concert is organized with the cooperation of Knudsen Productions, LLC, exclusive North American artist representative of Stile Antico. Stile Antico records for Decca. PROGRAM NOTES Our program tonight is devoted to the wonderful music of Josquin des Prez, marking 500 years since his death in 1521. Josquin was unquestionably a star in his own time: no lesser figure than Martin Luther praised him as “the master of the notes,” while for the theorist Glarean, “no one has more effectively expressed the passions of the soul in music…his talent is beyond description.” So what is it about Josquin that exerted such a spell on the generations that followed—and which still speaks so eloquently to us today? Much about Josquin’s biography and career remains shadowy: it isn’t always possible to pin down where he was working, and—with a few exceptions—the chronology of his works can only be attempted on stylistic grounds. -
Shrines of Eastern USA
16 DAYS Shrines of Eastern USA Irondale (3 nights) / Saint Augustine (2) / Orlando FL / Washington DC (3) / Emmitsburg / Gettysburg / Philadelphia (1) / New York (3). Optional Canada Extension: Niagara Falls (2) / Toronto / Québec (3) / Montréal (2). WITH CHAPLAIN FR PETER STOJANOVIC PP 22 April – 7 May 2019 Includes 2-day EWTN Pilgrimage THE GENUINE EXPERIENCE Shrines of Eastern USA B: Breakfast L: Lunch D: Dinner Day 1: Monday 22 April 2019 – Fly to the U.S. devotion to Our Lady of La Leche that continues into Day 7: Sunday 28 April – Fly to Washington DC On arrival at Birmingham airport we will be met the present. We return to the skies today as we are transferred and transferred by coach to Irondale – home to Today we will spend some time at the Mission to the airport for our flight connections to the Eternal World Television Network (EWTN). Nombre de Dios which traces its origins to the Washington DC. On arrival we will be transferred Irondale overnight (D) founding of the City of St. Augustine, America’s to our hotel for check-in. Time permitting, en oldest city, in 1565. We also visit the Shrine of Our route we can visit the Smithsonian Air and Space Days 2 & 3: Tuesday 23 & Wednesday 24 April Lady of La Leche, built in the 17th century after Museum near Dulles airport. – EWTN Pilgrimage the establishment of the Mission. Here we will Washington DC overnight (BD) During the next two days our time here will celebrate our group Mass and can take some time include time at both EWTN and the Shrine of the for prayer and to wander the grounds. -
Tosca II Page 1 of 2 Opera Assn
San Francisco War Memorial 1970 Tosca II Page 1 of 2 Opera Assn. Opera House Tosca II (in Italian) Opera in three acts by Giacomo Puccini Libretto by Luigi Illica and Giuseppe Giacosa Based on the drama by Victorien Sardou Conductor CAST James Levine Cesare Angelotti Allan Monk Stage director Sacristan Clifford Grant Matthew Farruggio Mario Cavaradossi Placido Domingo Chorus Director Floria Tosca Dorothy Kirsten Francesco Prestia Baron Scarpia Louis Quilico Costumers Spoletta Howard Fried Goldstein & Co. Sciarrone Timothy Nolen Voice of a shepherd Ted Schoenfeld Jailer Richard Lombardi *Role debut †U.S. opera debut PLACE AND TIME: Rome, June 1800 Sunday, November 22 1970, at 2:00 PM Act I -- Interior of the Church of Sant'Andrea della Valle Saturday, November 28 1970, at 8:00 PM Act II -- A room in Scarpia's apartments in the Farnese Palace Act III -- A terrace of Castel Sant'Angelo, outside the prison San Francisco War Memorial 1970 Tosca II Page 2 of 2 Opera Assn. Opera House Sponsors: Notes: The performance of November 28th was labeled "In celebration of Dorothy Kirsten's 25th anniversary with the San Francisco Opera." The performance of November 28th was also the subject of the first live stereo broadcast on U.S. radio. It was the only radio broadcast of the season. San Francisco Opera Boys Chorus Madi Bacon, Director Bradford Brennan Craig Brennan Robert Calvert Frederick Cohen David Englund David Green Randolph Haag Andrew Harris Leonard Kalm Richard Kehres Tad Laird Gary Levy Stuart Misfeldt Christopher Nowak Tyrone Po Geoffrey Reed Jeremy Renton Peter Rubardt Ted Schoenfeld David Sigal Scott Spiller Cyrian Tabuena Eugene Wang David Wolins Henry Wong. -
Clarice Smith Performing Arts Center University of Maryland School of Music and Maryland Opera Studio Present
Clarice Smith Performing Arts Center University of Maryland School of Music and Maryland Opera Studio present Music by Frank Proto Saturday, April 17, 2010 . 7:30pm Libretto by John Chenault Sunday, April 18, 2010 . 6pm Wednesday, April 21, 2010 . 7:30pm Maryland Opera Studio Friday, April 23, 2010 . 7:30pm University of Maryland Symphony Orchestra Sunday, April 25, 2010 . 3pm Maryland Jazz Studies Program Ina & Jack Kay Theatre shadowboxer was commissioned by the Clarice Smith Performing Arts Center and the University of Maryland School of Music, with support from commissioning partners Peter Wolfe and Robert and Patricia Knight. CLARICE SMITH PERFORMING ARTS CENTER 3 MARYLAND OPERA STUDIO leon major, director of opera An Argument for Support of New Works The acclaimed Maryland Opera Studio is both a degree program and a performance ensemble within the UM School of Music. As a two-year degree program awarding the We, as a University,have the responsibility to introduce and teach, among other lessons, the literature, music and theatre of Master of Music in Opera Performance degree, the Studio the world. In the Opera Studio we have the pleasurable task provides complete education and training of the opera singer of teaching and performing the standard (and not so standard) in preparation for a professional performance. The program operatic repertoire.We also have a responsibility to help develop includes work in all areas of vocal and theatrical training, and bring new ideas to the art form.The Maryland Opera Studio, with the movement and dance, operatic language study and encouragement of The Clarice Smith Performing Arts Center and the School performance experience. -
Devotion to the Virgin Mary
Christianity Devotion to the Virgin Mary Devotion to the Virgin Mary Summary: Many of the global expressions of devotion to Jesus’s mother, the Virgin Mary, include shrines across the world. For American and particularly Hispanic Catholics, special reverence is often afforded to the Virgin of Guadelupe, Mary’s manifestation as an indigenous Madonna on the hill of Tepeyac in Mexico, who is now considered Patroness of all the Americas. From all over the world, immigrants to the United States have brought with them their devotion to the Virgin Mary under her many names and in her many local forms. From Poland has come devotion to Our Lady of Czestochowa, whether at a local church in Madison, Illinois or in a large urban parish in one of Chicago’s Polish Catholic neighborhoods. Those who fled from Cuba built the shrine of Our Lady of Charity, the patroness and protector of Cuba, overlooking the sea in Miami. She stands in a beautiful, large, triangular shrine, built to replicate the mantle under which she gathers and protects her children. From southern Italy have come regional and local Madonnas, such as Madonna del Carmine in what was formerly the Italian Harlem area of New York City. For many years, this “Madonna of 115th Street” held the Italian community together as it gained its footing in America. These and many other manifestations of the Virgin Mary are gathered together in the immense space of the National Shrine of the Immaculate Conception in Washington D.C. As early as 1846, Mary was acclaimed patroness of the United States. -
Our Lady of Victory National Shrine and Basilica
OUR LADY OF VICTORY NATIONAL SHRINE AND BASILICA 767 Ridge Road, Lackawanna, New York 14218 Phone: (716) 828-9444; FAX: (716) 828-9429 E-mail: [email protected] Website: www.ourladyofvictory.org Sunday, August 18, 2019 - Twentieth Sunday in Ordinary Time PASTOR/RECTOR: Rev. Msgr. David G. LiPuma SCHOOL: IN RESIDENCE: Rev. Msgr. Paul J. E. Burkard 2760 South Park Avenue, Lackawanna, NY Mrs. Carolyn M. Kraus, Principal PAROCHIAL VICARS: Rev. Justin J. Steeg Phone: (716) 828-9434 Rev. Romulus Rosolowski, OFM Conv. E-mail: [email protected] DEACON: Deacon Michael V. Comerford Website: www.ourladyofvictoryelementary.org RECTORY OFFICE HOURS: Monday-Friday: 8:30 a.m. to 4:30 p.m. RELIGIOUS ED OFFICE: Saturday: 9:00 a.m. to 4:00 p.m. 2760 South Park Avenue, Lackawanna, NY Sunday: Closed Ms. Carmelann Ziccardi, Director Phone: (716) 828-9437 SUNDAY MASSES: E-mail: [email protected] Saturday Vigil: 4:30 p.m. Sunday: 8:00 a.m., 10:00 a.m. (Folk Mass), GIFT SHOP and MUSEUM: Noon (Choir), 4:30 p.m. Dianne Bosinski, Tours & Basilica Programs HOLY DAY MASSES: Please see bulletin (716) 828-9424/[email protected] Jerome Welsch, Jr., Gift Shop Manager WEEKDAY MASSES: 7:30 a.m., 12:10 p.m. (Mon.-Sat.) (716) 828-9433/[email protected] 8:15 a.m. (Friday when school is in session) SACRAMENT OF PENANCE: GIFT SHOP and MUSEUM HOURS; Saturday: 3:00-4:00 p.m. and 7:00-7:30 p.m. Daily 10:00 a.m.-4:00 p.m. Eve of Holy Day: 3:00-4:00 p.m.