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Cover Your (Data) Bases What Musicians Need to Know About Music Metadata to Get Paid for Their Music
Cover Your (Data) Bases What musicians need to know about music metadata to get paid for their music Digital download sales, royalties from streaming music services, revenue sharing from YouTube—in addition to physical retail and online retail sales of CDs—all hinge on coded information. It’s important that artists use every means available to establish their connec- tion to their recorded works, and to incorporate into their project all of the essential data tools for selling their recordings. We originally wrote about metadata in 2007; Mike Petillo has done a careful update of this important topic. June 2014 Airshow, Inc www.airshowmastering.com UPC, ISRC, CD Text and Online Music Along with the traditional tracking of physical sales from retail Databases outlets, UPCs are now used to compile sales data on digital down- A lot of the information on a music recording isn’t music. Digital loads; having a UPC assigned for a new release is now mandatory delivery and online sales can’t happen without some coded data, before selling your music online via stores like iTunes and Amazon commonly called “metadata,” which is the information about the MP3. music. The multitude of ways in which fans listen, often across Where does it come from? various devices at home, work, in their cars and on their phones, Allocation of UPCs is officially managed by GS1, a global, non-prof- allow artists new opportunities to share info about their music and it organization that governs manufacturing and supply chain draw listeners closer. standards. In order to receive their own special UPC prefix code, companies must become a member of the organization. -
Apple / Shazam Merger Procedure Regulation (Ec)
EUROPEAN COMMISSION DG Competition CASE M.8788 – APPLE / SHAZAM (Only the English text is authentic) MERGER PROCEDURE REGULATION (EC) 139/2004 Article 8(1) Regulation (EC) 139/2004 Date: 06/09/2018 This text is made available for information purposes only. A summary of this decision is published in all EU languages in the Official Journal of the European Union. Parts of this text have been edited to ensure that confidential information is not disclosed; those parts are enclosed in square brackets. EUROPEAN COMMISSION Brussels, 6.9.2018 C(2018) 5748 final COMMISSION DECISION of 6.9.2018 declaring a concentration to be compatible with the internal market and the EEA Agreement (Case M.8788 – Apple/Shazam) (Only the English version is authentic) TABLE OF CONTENTS 1. Introduction .................................................................................................................. 6 2. The Parties and the Transaction ................................................................................... 6 3. Jurisdiction of the Commission .................................................................................... 7 4. The procedure ............................................................................................................... 8 5. The investigation .......................................................................................................... 8 6. Overview of the digital music industry ........................................................................ 9 6.1. The digital music distribution value -
Securing Javascript Applications Within the Spotify Web Player
Securing JavaScript applications within the Spotify web player Säkra JavaScriptapplikationer i Spotifys webbspelare FREDRIK GUSTAFSSON Master’s Thesis at CSC Supervisor: Sonja Buchegger Examiner: Johan Håstad Project Provider: Spotify AB Spotify Supervisor: Gunnar Kreitz TRITA xxx yyyy-nn Abstract Developing bug free software is extremely difficult and bugs in a web application can easily lead to security vulnerabil- ities. Building APIs and opening up your platform has been proven to add a lot of business value and Spotify has re- cently released a JavaScript API that allows third party developers to develop applications for the Desktop based music player. In this thesis we design new security mechanisms for Spotify’s web-based music player in order to make it more robust against attacks stemming from code injection and, potentially malicious, third party developers. We do this by designing a secure way for transferring third party application metadata via untrusted JavaScript code and implementing the Content-Security-Policy, a rel- atively new web standard, for third party applications and the web player itself. We then propose additions to the Content-Security- Policy web standard that could further improve the security of modern web applications. Sammanfattning Säkra JavaScriptapplikationer i Spotifys webbspelare Att utveckla buggfri programvara är extremt svårt och bug- gar i en webapplikation kan enkelt leda till säkerhetsluckor. Att bygga APIer och öppna upp sin plattform har ti- digare visat sig lönsamt och Spotify har nyligen släppt ett JavaScript API som tillåter tredjepartsutvecklare att utvec- ka applikationer till dess Desktop-baserade musikspelare. I detta examensarbete designar vi nya säkerhetsmeka- nismer för Spotifys web-baserade musikspelare för att göra den mer robust mot attacker som kan uppstå från kod- injicering eller en, potentiellt illasinnad, tredjepartsutveck- lare. -
How to Share Your Release with the World
MusicNSW’s Industry Essentials How to share your release with the world Prepared by GYROstream for MusicNSW Did you know more than 22,000 songs are uploaded to streaming services every day? Getting your music online can seem like a complicated task. It doesn’t have to be though. Below are some tips and tricks to help you navigate the best distribution path for you and your new tunes. What are digital music aggregators / distributors? Digital aggregators (also known as digital distributors) are companies that provide a means to distribute your music globally through digital music stores and streaming platforms. You can’t just upload a track directly to Spotify or Apple Music and have it streamed globally, you need to use a digital music aggregator. If you’re signed to a label, it’s more than likely they’ll distribute your music to Spotify, Apple, iTunes, YouTube Music and more for you, but if you’re independent, you can have exactly the same access to these platforms by using a digital aggregator. Aggregators make their money by charging upfront fees and/or charging a percentage of revenue earned from the streaming and download purchases of your music. In some cases, aggregators will also charge an ongoing annual fee to keep your content online. Who do they distribute to? Nearly all distributors will get your music to Apple, Spotify, Deezer, Youtube (ie. the major western platforms), which together cover a large portion of music listeners worldwide. Where things might differ is for the highly localised services that cater to their specific regions - eg. -
Android App for Free Music Downloads Top 10 Free Music Download Apps for Android to Download Free Music
android app for free music downloads Top 10 Free Music Download Apps for Android to Download Free Music. Along with the rapid development of internet and Smartphone, you can handily enjoy your favorite music on mobile devices at any time, rather than listen to music with your old CD or MP3 player. Just a music app on your phone, can totally replace all your music devices. However, nowadays, you may easily find out that lots of free music download apps for Android no longer enable you to download songs free. No matter how deep you love music, you won't pay money for every song you like and downloaded. Because you like all kinds of music types, you fancy too many singers. So many times, free music download apps for Android can be the biggest saviors for you. In this article, we will show you 10 great Android apps for you to free stream and download mp3 songs. Let's look at the top free music apps for Android to download free music. 1. Gaana Music - One-stop solution music download app for Android. Gaana is an excellent free music downloading app on Android for you to download music for free. It provides you with free and unlimited access to all your favorite songs, no matter where you are. Based on the India's largest online music broadcasting service, Gaana can be the one-stop solution for all your music needs. Gaana carries huge collection of Bollywood movie songs. So if you like listening to Hindi music, it can be your best choice to free download MP3 songs. -
Quote Surfing in Music and Movies with an Emotional Flavor
Quote Surfing in Music and Movies with an Emotional Flavor Vasco Serra and Teresa Chambel LASIGE, Faculdade de Ciências, Universidade de Lisboa, Portugal [email protected], [email protected] Keywords: Songs, Lyrics, Movies, Quotes, Time, Memory, Emotions, Explore, Compare, Interactive Media Access, Synchronicity and Serendipity. Abstract: We all go through the situation where we listen to a movie or a song lyrics quote and without giving it much thought, immediately know where it comes from, like an instant and often emotional memory. It is also very common to be in the opposite scenario where we try hard to remember where we know these words from, want to discover, and also find it interesting to see them quoted in different contexts. These situations remind us of the importance of quotes in movies and music, that sometimes get more popular than the movie or song they belong to. In fact, quotes, music and movies are among the contents that we most treasure, for their emotional impact and the power to entertain and inspire us. In this paper, we present the motivation and the interactive support for quotes in As Music Goes By, giving users a chance of searching and surfing quotes in music and movies. Users can find, explore and compare related contents, and access quotes in a contextualized way in the movies or song lyrics where they appear. The preliminary user evaluation results, focusing on perceived usefulness, usability and user experience, were very encouraging, proving the concept, informing refinements and new developments, already being addressed. Users valued most the search, navigation, contextualization and emotional flavor: to be able to access and compare quotes in movies and in lyrics, to navigate across movies and songs, the emotional dimension and representation also for quotes. -
Predicting Song Genre from Song Lyrics Using Deep Learning
Can You Hear Me Now? Predicting song genre from song lyrics using deep learning by Nick DeMasi An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2019 Professor Marti G. Subrahmanyam Professor Panos Ipeirotis Faculty Adviser Thesis Adviser Abstract This paper seeks to evaluate the performance of traditional machine learning classification algorithms (Naïve Bayes, Random Forest, and multiclass logistic regression) against that of deep learning algorithms (a simple single layer ANN) with respect to the task of automatic multiclass genre classification. Feature sets were derived from lyric data sourced from the musiXmatch.com dataset (one of the ancillary datasets attached to the well-known Million Song Dataset) and consisted of various statistical representations of said data such as aggregated metrics, tf-idf calculations, and word vectors. The best performing model proved to be an ANN trained on tf- idf features which achieved accuracy of approximately 41.6%. We note however that this accuracy was indeed not as high as certain blended models (models which were train using both audio and lyric features) already found in the literature. As a result, we recommend that companies wishing to implement this technology (whether it be for the purpose of advertising as outlined here, or something else entirely) employ a blended model and that researchers interested the topic of automatic genre classification explore the possibility of applying deep learning to a blended feature set. 1. Introduction A quick Google search for “music genre classification” brings up a near endless stream of results linking to various research papers, informative blog posts, and GitHub repos addressing the topic. -
Ultimate Single Release Checklist for Independent Artists
ULTIMATE SINGLE RELEASE CHECKLIST FOR INDEPENDENT ARTISTS Phase 1: Preparation ❏ Mix and mastered audio file (Affiliate: Landr Mastering) ❏ Design cover art (.JPEG or .PNG) ❏ Plan promo content (Videos and Photos) ❏ Register song with copyright office ❏ Cover song? Secure mechanical license (Easy Song Licensing) ❏ Decide on song splits ❏ Register song with PRO or publishing admin (SongTrust) ❏ Set a release date (Minimum 2 - 4 weeks away) ❏ Explore merch opportunities Phase 2: Distribution ❏ Mastered song (16-bit, 44.1 kHz WAV file) ❏ Cover art file (3000 x 3000 resolution JPEG or PNG) ❏ Lyrics (Formating: on Apple Music, MusixMatch) ❏ Songwriter credits ❏ ISRC code ❏ Release date ❏ Upload to music distributor ❏ Upload to SoundCloud (Set as Private) ❏ Upload to Bandcamp (Set as Private) ❏ Upload to Audiomack and schedule to release © 2020 D4 Music Marketing. David "D4" Nguyen. All Rights Reserved. D4musicmarketing.com ULTIMATE SINGLE RELEASE CHECKLIST FOR INDEPENDENT ARTISTS Phase 3: Promotion Planning ❏ Start a task timeline or calendar ❏ Submit for Spotify editorial playlist consideration ❏ Launch pre-save / pre-order campaign link ❏ Create smart link or pivot/landing page ❏ Prepare single announcement post ❏ Day of release post ❏ Incorporating Patreon ❏ Upload audio message to Pandora AMP ❏ Consider live streaming to promote the single (IG Live, Facebook Live, Twitch, Youtube Live) Phase 4: Days Before the Release ❏ Have social media posts ready with captions and hashtags ❏ Design your email newsletter ❏ Get smart link / pivot page ready -
Building Awareness for New Music Through Radio Promotions
University of New Orleans ScholarWorks@UNO Arts Administration Master's Reports Arts Administration Program 5-2016 Jamalar Agency: Building Awareness for New Music through Radio Promotions LaWanda J. Smith University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/aa_rpts Part of the Arts Management Commons Recommended Citation Smith, LaWanda J., "Jamalar Agency: Building Awareness for New Music through Radio Promotions" (2016). Arts Administration Master's Reports. 202. https://scholarworks.uno.edu/aa_rpts/202 This Master's Report is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Master's Report in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Master's Report has been accepted for inclusion in Arts Administration Master's Reports by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Jamalar Agency: Building Awareness for New Music through Radio Promotions An Internship Academic Report Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts In Arts Administration By LaWanda J. Smith BCJ Loyola University -
Music Aggregators and Intermediation of the Digital Music Market
International Journal of Communication 9(2015), 254–273 1932–8036/20150005 Music Aggregators and Intermediation of the Digital Music Market PATRYK GALUSZKA1 University of Lodz, Poland This article demonstrates that, contrary to popular belief, the advent of the Internet has not made intermediaries in the music market obsolete. Individual artists and independent record labels who want to sell their music in digital music stores must deliver their records via third-party companies called music aggregators. Drawing on the concepts of new institutional economics, the article demonstrates that the emergence of music aggregators is a market response to the high level of transaction costs and bargaining asymmetry associated with selling digital music online. The conclusion suggests that the major music conglomerates may seek ownership links with music aggregators, leading to the emergence of vertically integrated companies, which may have profound consequences for cultural markets. Keywords: music aggregators, disintermediation, streaming services, digital music, Spotify, record labels Introduction It is difficult to overstate the influence of the advent of the Internet and digitalization on the functioning of cultural industries. Numerous academics and journalists have described what has been happening to the music, film, book publishing, and other cultural industries since 1999—the year when the first massively popular peer-to-peer (P2P) network—Napster—shook their foundations (e.g., Rogers, 2013; Wikström, 2010). Nevertheless, although 15 years have passed, researchers still have quite divergent opinions about the consequences of these changes for artists, businesses, and the consumers of cultural products. One argument that has been put forward claims that communication technologies help democratize creativity by allowing more equal access to technologies and distribution networks (e.g., Fox, 2004; Frost, 2007; Kasaras, 2002; McLeod, 2005). -
Notifications in a Multi-Device Environment
Institute for Visualization and Interactive Systems University of Stuttgart Universitätsstraße 38 D–70569 Stuttgart Diploma Thesis Nr. 3683 Notifications in a Multi-Device Environment Dominik Weber Course of Study: Informatik Examiner: Jun.-Prof. Dr. Niels Henze Supervisor: Dr. Alireza Sahami Commenced: July 16, 2014 Completed: January 15, 2015 CR-Classification: H.5.2 Abstract Notifications are an integral part of how smartphones are used today. Apps can use notifications to inform the user about new text messages, upcoming events or available updates. By using visual cues, auditory signals and tactile output the attention of the user can be gained, enabling him or her to react right away. Notifications on desktop computers existed years before the introduction of smartphones and tablets are already widespread and share most of their characteristics. Other types of connected devices will soon join or already have joined smartphones in daily life. Recent development in the field of wearable devices indicates an upcoming widespread adoption of smartwatches and smartglasses. These devices can be used in situations where the use of a smartphone would be impractical or inappropriate. Previous work showed that notifications can distract the user, inducing stress and anxiety. Such effects could worsen with a growing number of notifying devices. Therefore, it is necessary to explore how notifications should behave in this “multi-device” environment. For that reason, we developed a concept for a framework that allows synchronizing notifications across multiple devices, including smartphones, tablets and desktop computers. Based on the approach of research in the large, we implemented the framework with support for a large number of devices as an update to an existing application and deployed it to a user base of several thousand users. -
Emusic Marketing. the Basics to Get You Started
EMusic Marketing. The basics to get you started. By Tomaca Govan - 1 - This is just to get anyone started with their own eMusic Marketing campaign. There is so much information on the web on this subject. These are some of the basics. Start here, then go find more and put together a plan of action that will work for you. EMusic Marketing. The basics to get you started. By Tomaca Govan - 2 - Must Haves - The Summary The internet age is in full swing. How can the indie artist best maneuver to market themselves and their music? And, where does one begin? 1. Have your own website. OWN your name or your band’s name. It is your brand. This is essential. Your website should be appealing to your fans. Use wordpress to build your site. There are thousands of templates and plugins to enhance your site and to make it more socially interactive. Your domain name comes with email. Use it. 2. Get on Facebook.com You want a facebook page that all of your fans can “like” and use to stay in touch with what you are doing. 3. MySpace.com MySpace rapidly lost popularity to facebook and other sites, but it is still a good place to share your music and connect with fans. 4. Twitter.com Twitter anyone? Yes, twitter everyone. 5. YouTube.com Your personal YouTube will be used to upload your videos and to stream them from on other sites. EMusic Marketing. The basics to get you started. By Tomaca Govan - 3 - Your Website Own Your Name This starts with owning your name or your band’s domain name.