THE DEFINITIVE GUIDE to SPOTIFY ROYALTIES by Jeff Price
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What's the Download® Music Survival Guide
WHAT’S THE DOWNLOAD® MUSIC SURVIVAL GUIDE Written by: The WTD Interactive Advisory Board Inspired by: Thousands of perspectives from two years of work Dedicated to: Anyone who loves music and wants it to survive *A special thank you to Honorary Board Members Chris Brown, Sway Calloway, Kelly Clarkson, Common, Earth Wind & Fire, Eric Garland, Shirley Halperin, JD Natasha, Mark McGrath, and Kanye West for sharing your time and your minds. Published Oct. 19, 2006 What’s The Download® Interactive Advisory Board: WHO WE ARE Based on research demonstrating the need for a serious examination of the issues facing the music industry in the wake of the rise of illegal downloading, in 2005 The Recording Academy® formed the What’s The Download Interactive Advisory Board (WTDIAB) as part of What’s The Download, a public education campaign created in 2004 that recognizes the lack of dialogue between the music industry and music fans. We are comprised of 12 young adults who were selected from hundreds of applicants by The Recording Academy through a process which consisted of an essay, video application and telephone interview. We come from all over the country, have diverse tastes in music and are joined by Honorary Board Members that include high-profile music creators and industry veterans. Since the launch of our Board at the 47th Annual GRAMMY® Awards, we have been dedicated to discussing issues and finding solutions to the current challenges in the music industry surrounding the digital delivery of music. We have spent the last two years researching these issues and gathering thousands of opinions on issues such as piracy, access to digital music, and file-sharing. -
Who Pays for Music?
Who Pays For Music? The Honors Program Senior Capstone Project Meg Aman Professor Michael Roberto May 2015 Who Pays For Music Senior Capstone Project for Meg Aman TABLE OF CONTENTS ABSTRACT ....................................................................................................................... 3 LITERATURE REVIEW ................................................................................................ 4 INTRODUCTION ................................................................................................................. 4 MUSIC INDUSTRY BACKGROUND ...................................................................................... 6 THE PROBLEM .................................................................................................................. 8 THE MUSIC INDUSTRY ..................................................................................................... 9 THE CHANGING MUSIC MARKET .................................................................................... 10 HOW CAN MUSIC BE FREE? ........................................................................................... 11 MORE OR LESS MUSIC? .................................................................................................. 12 THE IMPORTANCE OF SAMPLING ..................................................................................... 14 THE NETWORK EFFECTS ................................................................................................. 16 WHY STREAMING AND DIGITAL MUSIC STORES ............................................................ -
WTX Microstream EN Manual-1
WTX MicroStream First Multiroom Plug & Play Audiophile Streamer What is the WTX-MicroStream The WTX-Microstream is an innovative wireless HiFi streamer which can be used with any amplier, HiFi sytem, soundbar, home theater into your home wi network. This system is multiroom. You can play your own music (PC/MAC, NAS), enjoy streaming services like Spotify, Tidal, Qobuz, etc... or radio service. The WTX-Microstream has an open interface with upgradable capability for future services and evolutions. Android and IOS apps will be available soon. What you will nd in the gift box - The WTX MicroStream x1 - The power adapter x1 - The EC plug x1 - The UK plug x1 - The US plug x1 Interface Wi-Fi led WPS button indicator for association Left channel Power supply To plug on your HiFi, active speaker, soundbar... Right channel Download your App / Android or Apple - To control your WTX-Microstreamer, please download on the App Store (if you are using Apple devices) or on Google Play (if you you are using an Android device). The name of the App is ADVANCE PLAYSTREAM How to connect your WTX MicroStream with WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Type your password of your router in ADVANCE PLAYSTREAM App. - Press WPS button on WTX MicroStream How to connect your WTX MicroStream without WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Enter “Setting” ->”WLAN” ->directly connect WTX MicroStreamer - Type your password of your router in ADVANCE PLAYSTREAM App. -
Cover Your (Data) Bases What Musicians Need to Know About Music Metadata to Get Paid for Their Music
Cover Your (Data) Bases What musicians need to know about music metadata to get paid for their music Digital download sales, royalties from streaming music services, revenue sharing from YouTube—in addition to physical retail and online retail sales of CDs—all hinge on coded information. It’s important that artists use every means available to establish their connec- tion to their recorded works, and to incorporate into their project all of the essential data tools for selling their recordings. We originally wrote about metadata in 2007; Mike Petillo has done a careful update of this important topic. June 2014 Airshow, Inc www.airshowmastering.com UPC, ISRC, CD Text and Online Music Along with the traditional tracking of physical sales from retail Databases outlets, UPCs are now used to compile sales data on digital down- A lot of the information on a music recording isn’t music. Digital loads; having a UPC assigned for a new release is now mandatory delivery and online sales can’t happen without some coded data, before selling your music online via stores like iTunes and Amazon commonly called “metadata,” which is the information about the MP3. music. The multitude of ways in which fans listen, often across Where does it come from? various devices at home, work, in their cars and on their phones, Allocation of UPCs is officially managed by GS1, a global, non-prof- allow artists new opportunities to share info about their music and it organization that governs manufacturing and supply chain draw listeners closer. standards. In order to receive their own special UPC prefix code, companies must become a member of the organization. -
Spotify:Fast Facts
Spotify: Fast Facts A quick guide to Spotify What is Spotify? Play, discover and share for free Spotify is a new way to listen to music. We’re the Think of Spotify as the world’s music collection, free, world’s biggest music streaming service, giving you free legal, and at your fingertips. It’s how music should be. and instant access to over 18 million* tracks, any time you like. • Search for any track or album and hit play – it’s that simple. Now you can get all the music you’ll ever need, • Build your own library of playlists and share them wherever you are, on your computer, your mobile, your with friends with one click. iPad, and many more of your favourite devices. • Discover new music – check out your friends’ music collections, plus get inspired with great Spotify Apps like Last.fm, Rolling Stone and Spotify Radio. Choose how you listen There are three ways to enjoy Spotify: Spotify Free – millions of tracks for free, with ads to pay the music makers. Sign up at spotify.com Spotify Unlimited – ad-free, non- stop music to your computer. or Facebook Spotify Premium – the ultimate Spotify experience. Unlimited, ad-free music to your computer, iPad, mobile and favourite devices. Plus, store your playlists and listen offline – no connection needed. Better for artists, better for everyone Spotify is drawing people away from piracy. We’ve created a better, more convenient alternative where every single play results in revenue for artists and rights holders. It’s better for everyone. Give me some numbers Paying subscribers: Number of songs: -
Illegal File Sharing
ILLEGAL FILE SHARING The sharing of copyright materials such as MUSIC or MOVIES either through P2P (peer-to-peer) file sharing or other means WITHOUT the permission of the copyright owner is ILLEGAL and can have very serious legal repercussions. Those found GUILTY of violating copyrights in this way have been fined ENORMOUS sums of money. Accordingly, the unauthorized distribution of copyrighted materials is PROHIBITED at Bellarmine University. The list of sites below is provided by Educause and some of the sites listed provide some or all content at no charge; they are funded by advertising or represent artists who want their material distributed for free, or for other reasons. Remember that just because content is free doesn't mean it's illegal. On the other hand, you may find websites offering to sell content which are not on the list below. Just because content is not free doesn't mean it's legal. Legal Alternatives for Downloading • ABC.com TV Shows • [adult swim] Video • Amazon MP3 Downloads • Amazon Instant Video • AOL Music • ARTISTdirect Network • AudioCandy • Audio Lunchbox • BearShare • Best Buy • BET Music • BET Shows • Blackberry World • Blip.fm • Blockbuster on Demand • Bravo TV • Buy.com • Cartoon Network Video • Zap2it • Catsmusic • CBS Video • CD Baby • Christian MP Free • CinemaNow • Clicker (formerly Modern Feed) • Comedy Central Video • Crackle • Criterion Online • The CW Video • Dimple Records • DirecTV Watch Online • Disney Videos • Dish Online • Download Fundraiser • DramaFever • The Electric Fetus • eMusic.com -
AT&T MOBILE MUSIC: Take Control of Your Music
AT&T MOBILE MUSIC: Take Control of Your Music AT&T Mobile Music is the only service that lets you bring subscription music services to your wireless phone, and it offers the largest collection of mobile music content available today from leading music retailers, such as Napster, Yahoo!® Music and eMusic. Designed to deliver “your music, your way,” AT&T Mobile Music puts you in touch with all things music directly from the handset. Available on select handsets, such as the Samsung a717 and a727, AT&T Mobile Music is the ultimate mobile music experience and provides one-click access to a complete suite of music-related content. Music Player Rip music from your CD collection, load it to your phone and select handsets, or play tracks that are accessible from digital music stores. You’ll need a data cable, memory card and stereo headset to fully rock your phone. Shop Music Show your style by downloading ringtones and Answer Tones™. Buy tracks from leading digital music stores, such as Napster, Yahoo! Music and eMusic on select handsets. Streaming Music When you need a change from your music, dozens of commercial-free channels stream the latest tunes in rock, hip-hop, jazz, Latin and other favorites. Add XM Radio or MobiRadio for $8.99 a month. Music Video With an AT&T 3G phone, you can watch your favorite music videos anytime, anywhere. The dancing, the amazing effects, the hot hits — all in the palm of your hand. MusicID “Who sings this?” “What’s this song called?” Know in a flash just by holding up your phone to the music. -
Internet Peer-To-Peer File Sharing Policy Effective Date 8T20t2010
Title: Internet Peer-to-Peer File Sharing Policy Policy Number 2010-002 TopicalArea: Security Document Type Program Policy Pages: 3 Effective Date 8t20t2010 POC for Changes Director, Office of Computing and Information Services (OCIS) Synopsis Establishes a Dalton State College-wide policy regarding copyright infringement. Overview The popularity of Internet peer-to-peer file sharing is often the source of network resource allocation problems and copyright infringement. Purpose This policy will define Internet peer-to-peer file sharing and state the policy of Dalton State College (DSC) on this issue. Scope The scope of this policy includes all DSC computing resources. Policy Internet peer-to-peer file sharing applications are frequently used to distribute copyrighted materials such as music, motion pictures, and computer software. Such exchanges are illegal and are not permifted on Dalton State Gollege computers or network. See the standards outlined in the Appropriate Use Policy. DSG Procedures and Sanctions Failure to comply with the appropriate use of these resources threatens the atmosphere for the sharing of information, the free exchange of ideas, and the secure environment for creating and maintaining information property, and subjects one to discipline. Any user of any DSC system found using lT resources for unethical and/or inappropriate practices has violated this policy and is subject to disciplinary proceedings including suspension of DSC privileges, expulsion from school, termination of employment and/or legal action as may be appropriate. Although all users of DSC's lT resources have an expectation of privacy, their right to privacy may be superseded by DSC's requirement to protect the integrity of its lT resources, the rights of all users and the property of DSC and the State. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
How to Share Your Release with the World
MusicNSW’s Industry Essentials How to share your release with the world Prepared by GYROstream for MusicNSW Did you know more than 22,000 songs are uploaded to streaming services every day? Getting your music online can seem like a complicated task. It doesn’t have to be though. Below are some tips and tricks to help you navigate the best distribution path for you and your new tunes. What are digital music aggregators / distributors? Digital aggregators (also known as digital distributors) are companies that provide a means to distribute your music globally through digital music stores and streaming platforms. You can’t just upload a track directly to Spotify or Apple Music and have it streamed globally, you need to use a digital music aggregator. If you’re signed to a label, it’s more than likely they’ll distribute your music to Spotify, Apple, iTunes, YouTube Music and more for you, but if you’re independent, you can have exactly the same access to these platforms by using a digital aggregator. Aggregators make their money by charging upfront fees and/or charging a percentage of revenue earned from the streaming and download purchases of your music. In some cases, aggregators will also charge an ongoing annual fee to keep your content online. Who do they distribute to? Nearly all distributors will get your music to Apple, Spotify, Deezer, Youtube (ie. the major western platforms), which together cover a large portion of music listeners worldwide. Where things might differ is for the highly localised services that cater to their specific regions - eg. -
Tokenize the Musician
Tokenize the Musician Stanley Sater* I. INTRODUCTION ................................................................................. 107 II. THE MUSIC INDUSTRY ...................................................................... 110 A. Control Concentrated Among the Few ............................. 110 B. A Record Label’s Deal ..................................................... 110 III. FINANCIAL INSTRUMENTS AND ECONOMICS ................................... 113 A. The Music Industry’s First Asset-Backed Security ........... 113 B. Blockchain Tokens: A New Financial Instrument ............ 114 1. The Economics of Blockchain Tokens ........................... 118 2. Initial Coin Offerings ...................................................... 119 IV. TOKENIZING THE MUSICIAN ............................................................. 120 A. Gramatik: The Tokenized Musician ................................. 122 B. Regulating ICOs ............................................................... 123 V. CONCLUSION .................................................................................... 128 I. INTRODUCTION The centralization of the music industry has led to an imbalance of power and misaligned incentives for those involved.1 With technological advancements, the cost of both creating and distributing music is negligible compared to prior decades.2 Musicians can connect directly to fans, yet major record labels retain their domineering status as middlemen, extracting exorbitant fees from this content exchange.3 As record sales -
And Blockchains in the Music Industry
WATERMARKING TECHNOLOGY and Blockchains in the Music Industry BY BILL ROSENBLATT BLOCKCHAIN TECHNOLOGY IS BEING PROPOSED AS A TOOL FOR SOLVING MUSIC INDUSTRY PROBLEMS RELATED TO LICENSING AND ROYALTY TRACKING. IN THIS WHITE PAPER, WE DISCUSS HOW AUDIO WATERMARKING HELPS THESE BLOCKCHAIN-BASED SOLUTIONS REACH THEIR FULL POTENTIAL BY MAKING THEM MORE SECURE, ACCURATE AND RELIABLE. OPEN DIGIMARC SCAN IMAGE DISCOVER® (digimarc.com/app) WATERMARKING TECHNOLOGY AND BLOCKCHAINS IN THE MUSIC INDUSTRY Table of Contents Introduction and Executive Summary .......................................................3 Music Copyrights and Identifiers ................................................................4 Background on Music Rights and Royalties .....................................4 Music Identifiers .......................................................................................8 Binding Identifiers to Digital Music .............................................................11 Blockchains and Music ...................................................................................15 Watermarking and Blockchains ...................................................................17 Conclusion .........................................................................................................21 About Digimarc .........................................................................................22 About the Author ......................................................................................22 About GiantSteps Media Technology