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Cover Your (Data) Bases What Musicians Need to Know About Music Metadata to Get Paid for Their Music
Cover Your (Data) Bases What musicians need to know about music metadata to get paid for their music Digital download sales, royalties from streaming music services, revenue sharing from YouTube—in addition to physical retail and online retail sales of CDs—all hinge on coded information. It’s important that artists use every means available to establish their connec- tion to their recorded works, and to incorporate into their project all of the essential data tools for selling their recordings. We originally wrote about metadata in 2007; Mike Petillo has done a careful update of this important topic. June 2014 Airshow, Inc www.airshowmastering.com UPC, ISRC, CD Text and Online Music Along with the traditional tracking of physical sales from retail Databases outlets, UPCs are now used to compile sales data on digital down- A lot of the information on a music recording isn’t music. Digital loads; having a UPC assigned for a new release is now mandatory delivery and online sales can’t happen without some coded data, before selling your music online via stores like iTunes and Amazon commonly called “metadata,” which is the information about the MP3. music. The multitude of ways in which fans listen, often across Where does it come from? various devices at home, work, in their cars and on their phones, Allocation of UPCs is officially managed by GS1, a global, non-prof- allow artists new opportunities to share info about their music and it organization that governs manufacturing and supply chain draw listeners closer. standards. In order to receive their own special UPC prefix code, companies must become a member of the organization. -
Episode 1: Food for Thought
The UMB Pulse Podcast: July - August 2021 Item Type Recording, oral Authors Schelle, Charles; Frick, Jena; Rampolla, Dana Publication Date 2021 Keywords University of Maryland, Baltimore Download date 25/09/2021 22:30:44 Link to Item http://hdl.handle.net/10713/16404 8/17/2021 Episode 1: Food For Thought ‹ All episodes The UMB Pulse Podcast Episode 1: Food For Thought July 13, 2021 University of Maryland, Baltimore Season 1 Episode 1 The UMB Pulse Podcast Episode 1: Food For Thought Audio Player 00:00 00:00 | 29:24 Rewind Speed Chapters Forward Info Share Chapters 0:28 Welcome to The UMB Pulse 2:43 Introduce Yourself 12:47 The Pulse Check 15:57 Food For Thought 18:12 On-Campus Dining 22:25 Off-Campus Dining 28:21 Episode 2 Preview The UMB Pulse Podcast Episode 1: Food For Thought Jul 13, 2021 Season 1 Episode 1 University of Maryland, Baltimore “The UMB Pulse” is a new podcast produced by the University of Maryland, Baltimore’s (UMB) Office of Communications and Public Affairs. Co-hosted by Charles Schelle, senior media relations specialist; Dana Rampolla, director of integrated marketing; and Jena Frick, senior media relations specialist, “The UMB Pulse” will help listeners stay up to date on changes and guidelines as we navigate our return to campus — a way to get back in touch with the heartbeat of UMB after more than a year of disruption caused by the COVID-19 pandemic. Get to know your co-hosts with two truths and a lie, and later on, we talk about on-campus and off-campus dining options are available as we transition for a return to UMB. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
Download the Podcast App for My PC Download the Podcast App for My PC
download the podcast app for my PC Download the podcast app for my PC. Download Anchor - Make your own podcast on PC. Anchor - Make your own podcast. Features of Anchor - Make your own podcast on PC. Stop worrying about overcharges when using Anchor - Make your own podcast on your cellphone, free yourself from the tiny screen and enjoy using the app on a much larger display. From now on, get a full-screen experience of your app with keyboard and mouse. MEmu offers you all the surprising features that you expected: quick install and easy setup, intuitive controls, no more limitations of battery, mobile data, and disturbing calls. The brand new MEmu 7 is the best choice of using Anchor - Make your own podcast on your computer. Coded with our absorption, the multi-instance manager makes opening 2 or more accounts at the same time possible. And the most important, our exclusive emulation engine can release the full potential of your PC, make everything smooth and enjoyable. Screenshots & Video of Anchor - Make your own podcast PC. Download Anchor - Make your own podcast on PC with MEmu Android Emulator. Enjoy playing on big screen. Anchor is the easiest way to make a podcast, brought to you by Spotify. Game Info. Anchor is the easiest way to make a podcast, brought to you by Spotify. Now you can create your podcast, host it online, distribute it to your favorite listening platforms, grow your audience, and monetize your episodes—all from your phone or tablet, for free. A RECORDING STUDIO IN YOUR POCKET: Record audio from anywhere, on any device. -
How to Share Your Release with the World
MusicNSW’s Industry Essentials How to share your release with the world Prepared by GYROstream for MusicNSW Did you know more than 22,000 songs are uploaded to streaming services every day? Getting your music online can seem like a complicated task. It doesn’t have to be though. Below are some tips and tricks to help you navigate the best distribution path for you and your new tunes. What are digital music aggregators / distributors? Digital aggregators (also known as digital distributors) are companies that provide a means to distribute your music globally through digital music stores and streaming platforms. You can’t just upload a track directly to Spotify or Apple Music and have it streamed globally, you need to use a digital music aggregator. If you’re signed to a label, it’s more than likely they’ll distribute your music to Spotify, Apple, iTunes, YouTube Music and more for you, but if you’re independent, you can have exactly the same access to these platforms by using a digital aggregator. Aggregators make their money by charging upfront fees and/or charging a percentage of revenue earned from the streaming and download purchases of your music. In some cases, aggregators will also charge an ongoing annual fee to keep your content online. Who do they distribute to? Nearly all distributors will get your music to Apple, Spotify, Deezer, Youtube (ie. the major western platforms), which together cover a large portion of music listeners worldwide. Where things might differ is for the highly localised services that cater to their specific regions - eg. -
And Blockchains in the Music Industry
WATERMARKING TECHNOLOGY and Blockchains in the Music Industry BY BILL ROSENBLATT BLOCKCHAIN TECHNOLOGY IS BEING PROPOSED AS A TOOL FOR SOLVING MUSIC INDUSTRY PROBLEMS RELATED TO LICENSING AND ROYALTY TRACKING. IN THIS WHITE PAPER, WE DISCUSS HOW AUDIO WATERMARKING HELPS THESE BLOCKCHAIN-BASED SOLUTIONS REACH THEIR FULL POTENTIAL BY MAKING THEM MORE SECURE, ACCURATE AND RELIABLE. OPEN DIGIMARC SCAN IMAGE DISCOVER® (digimarc.com/app) WATERMARKING TECHNOLOGY AND BLOCKCHAINS IN THE MUSIC INDUSTRY Table of Contents Introduction and Executive Summary .......................................................3 Music Copyrights and Identifiers ................................................................4 Background on Music Rights and Royalties .....................................4 Music Identifiers .......................................................................................8 Binding Identifiers to Digital Music .............................................................11 Blockchains and Music ...................................................................................15 Watermarking and Blockchains ...................................................................17 Conclusion .........................................................................................................21 About Digimarc .........................................................................................22 About the Author ......................................................................................22 About GiantSteps Media Technology -
Podcasts, According to an Advertiser Perceptions Study Commissioned by CUMULUS MEDIA | Westwood One
From highly personalized niche programs to brand extensions from major media networks, podcasting is where millions of media consumers are turning for information, entertainment, and connection to the world. In fact, an estimated 80 million Americans have listened to a podcast in the past week, according to The Infinite Dial 2021 from Edison Background Research and Triton Digital. Advertisers are taking notice of this substantial audience. Two out of three advertising media decision makers have discussed advertising in podcasts, according to an Advertiser Perceptions study commissioned by CUMULUS MEDIA | Westwood One. The huge interest from brands and agencies surrounding podcast audiences has raised questions like… 2 Major questions • How has the ongoing COVID-19 pandemic changed podcast listening over the last year? • Which genres of content have experienced the greatest growth? • What will the impact of Apple’s new subscription solution be on the podcast industry? • Is Clubhouse a podcast competitor or reach extender? CUMULUS MEDIA AND SIGNAL HILL INSIGHTS' PODCAST DOWNLOAD – SPRING 2021 REPORT 3 To answer these questions and more, CUMULUS MEDIA | Westwood One and Signal Hill Insights commissioned a study of weekly podcast listeners with MARU/Matchbox, a nationally recognized leader in consumer research. The sixth installment in the series, this report includes questions trended back to the inaugural 2017 study. As new questions have been added over the years, trending dates may differ. This also marks the second study released since -
CFPB Issues FAQ on Electronic Fund
July 2021 – Vol. 37 No. 7 Published for Health Care Providers by ACA International Courtesy of: www.acainternational.org www.KeyBridgeMed.com CFPB Issues FAQ on Electronic Fund Transfer Error Resolution The updated compliance resource includes details on liability and guidelines for investigating and resolving errors. he Consumer Financial Protection Bureau has issued an updated compliance FAQ outlining the unauthorized transfer and T error resolution provisions under the Electronic Fund Transfer Act (EFTA) and Regulation E. The unauthorized transfer and error resolution provisions include “situations when a consumer is fraudulently induced by a third party to provide their account information or private network rules conflict with the regulation,” according to the CFPB’s compliance notice. ACA International members and their clients using electronic fund transfers should review the FAQ, which covers liability for unauthorized electronic fund transfers under Regulation E and guidelines for error resolution investigations. More information for members is also available in the ACA SearchPoint™ (https://www.acainternational.org/searchpoint) document #2330 on Regulation E. ACA Cast: Checks and Balances on Federal TM Medical Debt Collection Legislation Recent ACA podcast episode covers medical debt legislation trends at the federal and state level. he U.S. House of Representatives passed the Comprehensive Debt Collection Improvement Act, H.R. 2547, in May, mostly along T party lines, which means the U.S. Senate could now consider the bill -
The Dragoning Press
The Dragoning A podcast about women who turn into dragons Press Kit MESSENGER THEATRE COMPANY 1 The Dragoning In The Dragoning, a city is shaken by the transformations of women into dragons who consume and immolate men. A tourist from afar tries to understand what, when any woman could literally eat you for lunch, is a guy supposed to do? Who can you trust? This is Messenger Theatre Company’s first audio drama podcast and it takes place in a not so distant future where the whole city has been shaken by the epidemic of women turning into dragons. This ten episode podcast is being recorded in actors’ homes while we are all social distancing. Episodes are uploaded on Mondays. You can listen now on Apple, Anchor, Spotify, Stitcher, Pocketcasts, Breaker, RadioPublic, Overcast, iHeartRadio and Tunein. Or you can listen on our webpage. Messenger Theatre Company is usually a highly visual company and this new form allows for creating those visuals in the imaginations of the audience. There’s something about audio drama that is the closest of on-line forms to indie theatre. It shares the intimacy of small spaces and unusual venues. Transcripts of episodes are available on our website. MESSENGER THEATRE COMPANY 2 Creative Team Emily Rainbow Davis is the Artistic Director of Messenger Theatre Company, for which she writes and directs. Some plays include: Seeing Inside (St. Ann’s Warehouse,) Persephone, The Great God Money, Daphne (Carnegie Mellon’s radio series,) fig. a: The Heart, Mythellaneous, For the Fairest, and Daughters of Memory. Emily completed her MFA in Dramatic Art at University of California, Davis and her BA at Sarah Lawrence College. -
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-‐18, 2
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7digital Amazon (cont’d) Paul Langworthy Rosie de la Mare CCO Sr. Content Program Mgr. James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply AssoC. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr., Marketing & ACquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. MarC Bartlett Jessi Liang Sr. VP, Sales & Marketing Technical ACCount Mgr. Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart ACCount Exec. AssoC. Label Relations Mgr. Ken Glaser Lisa Nicholas-RitsCher VP, Sales Content Editor, Media & Movies Thuy Ngo Elizabeth O'Brien VP, Marketing DIRECT2U Publicist Bruce Ogilvie Beth O'Brien Chairman Public Relations Laura Provenzano Amy Penka Sr. VP, PurChasing & Marketing Ops. Mgr. Jeff Walker Aly Proctor CEO Music Vendor Mgr. Ryan Redington Amazon Dir., US Digital Music Natasha Bishop Jeff Reguilon Music Sales Mgr. Mgr., Content Programming Nathan BraCkett Elizabeth Reynolds Sr. Editorial Mgr. Brand Specialist, Music Jill Chapman Kelly Rich Digital Media Ops. Mgr. Sr. Label Relations Mgr. Cindy Charles Jack Rutledge Head of Business Development Sr. Mgr., Catalog & Selection Anthony Coorey Andrew Sexton Partner Marketing Mgr. Label Relations Mgr. *speaker 1 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Adam Steiner Gregory Mead Sr. Content ProduCer ProduCt Marketing David Stuart Karen Park Joh AssoC. -
2021 Chevrolet Camaro Owner's Manual
21_CHEV_Camaro_COV_en_US_84512283C_2021FEB19.pdf 1 2/18/2021 1:22:30 PM 2021 C M Y CM MY CY CMY K Chevrolet Camaro Owner Manual (GMNA-Localizing-U.S./Canada/Mexico- 14583589) - 2021 - CRC - 2/18/21 Introduction not be available in your region, or changes Contents subsequent to the printing of this owner’s manual. Introduction . 1 Refer to the purchase documentation relating to your specific vehicle to confirm Keys, Doors, and Windows . 6 the features. Seats and Restraints . 34 Keep this manual in the vehicle for quick Storage . 74 reference. Instruments and Controls . 76 The names, logos, emblems, slogans, vehicle model names, and vehicle body designs Canadian Vehicle Owners Lighting . 108 appearing in this manual including, but not A French language manual can be obtained Infotainment System . 114 limited to, GM, the GM logo, CHEVROLET, from your dealer, at www.helminc.com, the CHEVROLET Emblem, CAMARO, and the or from: Climate Controls . 173 CAMARO Emblem are trademarks and/or Driving and Operating . 181 service marks of General Motors LLC, its Propriétaires Canadiens subsidiaries, affiliates, or licensors. Vehicle Care . 234 On peut obtenir un exemplaire de ce guide For vehicles first sold in Canada, substitute Service and Maintenance . 303 en français auprès du concessionnaire ou à the name “General Motors of Canada l'adresse suivante: Technical Data . 317 Company” for Chevrolet Motor Division Helm, Incorporated wherever it appears in this manual. Customer Information . 323 Attention: Customer Service Reporting Safety Defects . 331 This manual describes features that may or 47911 Halyard Drive may not be on the vehicle because of Plymouth, MI 48170 OnStar . -
Apple Podcasts, Google Play, Stitcher, and Blubrry (Explained Later in This Chapter)
IN THIS CHAPTER » Finding out what podcasting is » Creating a podcast » Finding and subscribing to podcasts Chapter 1 Getting the Scoop on Podcasting ometimes the invention that makes the biggest impact on our daily lives isn’t an invention at all, but the convergence of existing technologies, Sprocesses, and ideas. Podcasting may be the perfect example of that principle — and it’s changing the relationship people have with their radios, music collections, books, education, and more. The podcasting movement is actually a spin-off of another communications boom: blogs. Blogs sprang up right and left in the early 2000s, providing nonpro- grammers and designers a clean, elegant interface that left many on the technol- ogy side wondering why they hadn’t thought of it sooner. Everyday people could chronicle their lives, hopes, dreams, and fears and show them to anyone who cared to read. And oddly enough, people did care to read — and still do. Then COPYRIGHTEDin 2003, former MTV VeeJay Adam MATERIAL Curry started collaborating with pro- grammer Dave Winer about improving RSS (which stands for Really Simple Syndi- cation ) that not only allowed you to share text and images, but media attachments which included compressed audio and video fi les. Soon after, Curry released his fi rst podcast catching client. Thus launched the media platform of podcasting. Podcasting combines the instant information exchange of blogging with audio and video fi les that you can play on a computer or portable media device. When CHAPTER 1 Getting the Scoop on Podcasting 11 0004944333.INDD 11 Trim size: 7.375 in × 9.25 in September 12, 2020 1:30 AM you make your podcast publicly available on the Internet, you are exposing your craft to anyone with a computer or mobile device and a connection capable of streaming data.