Case M.8788 – Apple / Shazam Merger

Total Page:16

File Type:pdf, Size:1020Kb

Case M.8788 – Apple / Shazam Merger EUROPEAN COMMISSION DG Competition CASE M.8788 – APPLE / SHAZAM (Only the English text is authentic) MERGER PROCEDURE REGULATION (EC) 139/2004 Article 8(1) Regulation (EC) 139/2004 Date: 06/09/2018 This text is made available for information purposes only. A summary of this decision is published in all EU languages in the Official Journal of the European Union. Parts of this text have been edited to ensure that confidential information is not disclosed; those parts are enclosed in square brackets. EUROPEAN COMMISSION Brussels, 6.9.2018 C(2018) 5748 final COMMISSION DECISION of 6.9.2018 declaring a concentration to be compatible with the internal market and the EEA Agreement (Case M.8788 – Apple/Shazam) (Only the English version is authentic) TABLE OF CONTENTS 1. Introduction .................................................................................................................. 6 2. The Parties and the Transaction ................................................................................... 6 3. Jurisdiction of the Commission .................................................................................... 7 4. The procedure ............................................................................................................... 8 5. The investigation .......................................................................................................... 8 6. Overview of the digital music industry ........................................................................ 9 6.1. The digital music distribution value chain ................................................................... 9 6.2. Competitive dynamics, key metrics and trends.......................................................... 11 6.3. Digital music streaming services in the EEA ............................................................. 14 6.4. The interaction between ACR software solutions and the digital music industry: music recognition software solutions ......................................................................... 15 6.5. ACR software solution providers in the EEA ............................................................ 16 6.6. The role of data in the digital music industry ............................................................ 18 7. Relevant markets ........................................................................................................ 19 7.1. Legal framework ........................................................................................................ 20 7.2. Software solutions platforms ...................................................................................... 20 7.2.1. Product market definition ........................................................................................... 20 7.2.1.1. The Notifying Party's view ........................................................................................ 21 7.2.1.2. Commission's assessment .......................................................................................... 21 7.2.2. Geographic market definition .................................................................................... 21 7.2.2.1. The Notifying Party's view ........................................................................................ 21 7.2.2.2. Commission's assessment .......................................................................................... 22 7.3. Digital music distribution services ............................................................................. 22 7.3.1. Product market definition ........................................................................................... 22 7.3.1.1. The Notifying Party's view ........................................................................................ 22 7.3.1.2. Commission’s assessment .......................................................................................... 22 7.3.2. Geographic market definition .................................................................................... 23 7.3.2.1. The Notifying Party's view ........................................................................................ 23 7.3.2.2. Commission’s assessment .......................................................................................... 24 7.4. ACR software solutions, including music recognition apps ...................................... 24 7.4.1. Product market definition ........................................................................................... 24 7.4.1.1. The Notifying Party's view ........................................................................................ 24 7.4.1.2. Commission's assessment .......................................................................................... 24 7.4.2. Geographic market definition .................................................................................... 26 7.4.2.1. The Notifying Party's view ........................................................................................ 26 3 7.4.2.2. Commission's assessment .......................................................................................... 26 7.5. Licensing of music data ............................................................................................. 26 7.5.1. Product market definition ........................................................................................... 26 7.5.1.1. The Notifying Party's view ........................................................................................ 26 7.5.1.2. Commission's assessment .......................................................................................... 27 7.5.2. Geographic market definition .................................................................................... 27 7.5.2.1. The Notifying Party's view ........................................................................................ 27 7.5.2.2. Commission's assessment .......................................................................................... 27 7.6. Online advertising ...................................................................................................... 28 7.6.1. Product market definition ........................................................................................... 28 7.6.1.1. The Notifying Party's view ........................................................................................ 28 7.6.1.2. Commission’s assessment .......................................................................................... 28 7.6.2. Geographic market definition .................................................................................... 28 7.6.2.1. The Notifying Party's view ........................................................................................ 28 7.6.2.2. Commission’s assessment .......................................................................................... 29 8. Competitive Assessment ............................................................................................ 29 8.1. Introduction ................................................................................................................ 29 8.2. Market shares ............................................................................................................. 30 8.2.1. Software solutions platforms ...................................................................................... 30 8.2.2. Digital music streaming apps ..................................................................................... 30 8.2.3. ACR software solutions, including music recognition apps ...................................... 32 8.2.4. Licensing of music charts data ................................................................................... 35 8.2.5. Online advertising ...................................................................................................... 35 8.3. Assessment of horizontal effects ................................................................................ 36 8.3.1. Legal framework ........................................................................................................ 36 8.3.2. Licensing of music charts data ................................................................................... 37 8.3.2.1. The Notifying Party's view ........................................................................................ 37 8.3.2.2. Commission's assessment .......................................................................................... 37 8.3.3. Online advertising ...................................................................................................... 38 8.3.3.1. The Notifying Party's view ........................................................................................ 38 8.3.3.2. Commission's assessment .......................................................................................... 38 8.4. Assessment of non-horizontal effects ........................................................................ 39 8.4.1. Legal framework ........................................................................................................ 39 8.4.1.1. Vertical non-coordinated effects ................................................................................ 39 8.4.1.2. Conglomerate non-coordinated effects ...................................................................... 39 8.4.1.3. Other non-coordinated effects ...................................................................................
Recommended publications
  • Apple / Shazam Merger Procedure Regulation (Ec)
    EUROPEAN COMMISSION DG Competition CASE M.8788 – APPLE / SHAZAM (Only the English text is authentic) MERGER PROCEDURE REGULATION (EC) 139/2004 Article 8(1) Regulation (EC) 139/2004 Date: 06/09/2018 This text is made available for information purposes only. A summary of this decision is published in all EU languages in the Official Journal of the European Union. Parts of this text have been edited to ensure that confidential information is not disclosed; those parts are enclosed in square brackets. EUROPEAN COMMISSION Brussels, 6.9.2018 C(2018) 5748 final COMMISSION DECISION of 6.9.2018 declaring a concentration to be compatible with the internal market and the EEA Agreement (Case M.8788 – Apple/Shazam) (Only the English version is authentic) TABLE OF CONTENTS 1. Introduction .................................................................................................................. 6 2. The Parties and the Transaction ................................................................................... 6 3. Jurisdiction of the Commission .................................................................................... 7 4. The procedure ............................................................................................................... 8 5. The investigation .......................................................................................................... 8 6. Overview of the digital music industry ........................................................................ 9 6.1. The digital music distribution value
    [Show full text]
  • Securing Javascript Applications Within the Spotify Web Player
    Securing JavaScript applications within the Spotify web player Säkra JavaScriptapplikationer i Spotifys webbspelare FREDRIK GUSTAFSSON Master’s Thesis at CSC Supervisor: Sonja Buchegger Examiner: Johan Håstad Project Provider: Spotify AB Spotify Supervisor: Gunnar Kreitz TRITA xxx yyyy-nn Abstract Developing bug free software is extremely difficult and bugs in a web application can easily lead to security vulnerabil- ities. Building APIs and opening up your platform has been proven to add a lot of business value and Spotify has re- cently released a JavaScript API that allows third party developers to develop applications for the Desktop based music player. In this thesis we design new security mechanisms for Spotify’s web-based music player in order to make it more robust against attacks stemming from code injection and, potentially malicious, third party developers. We do this by designing a secure way for transferring third party application metadata via untrusted JavaScript code and implementing the Content-Security-Policy, a rel- atively new web standard, for third party applications and the web player itself. We then propose additions to the Content-Security- Policy web standard that could further improve the security of modern web applications. Sammanfattning Säkra JavaScriptapplikationer i Spotifys webbspelare Att utveckla buggfri programvara är extremt svårt och bug- gar i en webapplikation kan enkelt leda till säkerhetsluckor. Att bygga APIer och öppna upp sin plattform har ti- digare visat sig lönsamt och Spotify har nyligen släppt ett JavaScript API som tillåter tredjepartsutvecklare att utvec- ka applikationer till dess Desktop-baserade musikspelare. I detta examensarbete designar vi nya säkerhetsmeka- nismer för Spotifys web-baserade musikspelare för att göra den mer robust mot attacker som kan uppstå från kod- injicering eller en, potentiellt illasinnad, tredjepartsutveck- lare.
    [Show full text]
  • Iphone, Ipad and Ipod Touch Apps for (Special) Education
    iPhone, iPad and iPod touch Apps for (Special) Education App list: app icon, title with link, and description provided Authored by: Eric Sailers Updated: 4/10/2010 Based on a list by Samuel Sennott, Eric Sailers, & David Niemeijer Sailers, 2009-2010 1 Table of Contents Category Pg. Communication Apps 3-5 Organization Apps 6-8 Reading Apps 9-11 Writing Apps 12 Math Apps 13-14 Music Apps 15-16 Song Apps 17 Art Apps 18-19 Game Apps 20-21 Accessibility Apps 22-23 Resource Link 24 Sailers, 2009-2010 2 Communication Apps Icon App Title App Description ABA Flash In this set of 52 images, learn actions via text, photo, and Cards real audio. ArtikPix Currently for iPad only, ArtikPix has flashcard and matching activities with 560 cards for articulation practice. DAF Assistant Delayed auditory feedback and frequency shifting to help improve stuttering. Expressionist Cartoon drawings with 120 commonly used expressions in 7 categories and 1000+ nouns. iCommunicate Pre-loaded pictures and storyboards/routines (e.g., schedule) facilitate language comprehension. iConverse AAC tool to express 6 different icons representing basic needs: food, drink, sick, bathroom, help, break. In My Dreams Learn reading, matching, and sign language skills via animations paired with text and recorded audio. iPrompts Visual prompting tool containing original artwork for schedules, a timer, choice prompts, and a library. iSpeak Uses high quality text-to-speech to translate English to Spanish Spanish and Spanish to English. iSpeech List of sounds for developmental ages 3 to 7+, and explanations for forming and teaching the sounds. Sailers, 2009-2010 3 Communication Apps Icon App Title App Description iSpeech Two animated children, Sadie and Sammy, animate 30 Toddler Sign signs each, with accompanying explanations.
    [Show full text]
  • Apple-Privacy-Policy-En-Ww.Pdf
    Apple Privacy Policy Apple’s Privacy Policy describes how Apple collects, uses, and shares your personal data. Updated June 1, 2021 In addition to this Privacy Policy, we provide data and privacy information embedded in our products and certain features that ask to use your personal information. This product-specific information is accompanied by our Data & Privacy Icon. You will be given an opportunity to review this product-specific information before using these features. You also can view this information at any time, either in Settings related to those features and/or online at apple.com/legal/privacy. Please take a moment to familiarize yourself with our privacy practices, accessible via the headings below, and contact us if you have any questions. Your California Privacy Disclosures Information Regarding Commercial Electronic Messages in Canada Apple Health Study Apps Privacy Policy What Is Personal Data at Apple? Your Privacy Rights at Apple Personal Data Apple Collects from You Personal Data Apple Receives from Other Sources Apple’s Use of Personal Data Apple’s Sharing of Personal Data Protection of Personal Data at Apple Children and Personal Data Cookies and Other Technologies Transfer of Personal Data Between Countries Our Companywide Commitment to Your Privacy Privacy Questions What Is Personal Data at Apple? At Apple, we believe strongly in fundamental privacy rights — and that those fundamental rights should not differ depending on where you live in the world. That’s why we treat any data that relates to an identified or identifiable individual or that is linked or linkable to them by Apple as “personal data,” no matter where the individual lives.
    [Show full text]
  • Apps to Download Online for Mac How to Download Netflix Episodes and Movies on Mac
    apps to download online for mac How to Download Netflix Episodes and Movies on Mac. Can you download Netflix shows on Mac? Is there a Netflix app for MacBook or iMac? The answer is NO. Netflix app is available on iPhone, iPad, Android mobile devices, Windows, except for the Mac. The only way to watch Netflix on Mac is to use a browser(Google Chrome, Safari, etc.) to log in on its website Netflix.com, where you can only stream Netflix videos but are unable to download Netflix movies and episodes on Mac. Netflix hasn't developed the app for macOS, which makes it difficult for users to watch Netflix offline on Mac. Before Netflix provides its app on macOS, there're some approaches that allow you to watch Netflix offline on Mac though it may get a little tricky. Record Netflix Shows on Mac Stream Downloaded Netflix Videos from iPhone/iPad to Mac Comparison of Two Ways to Download Netflix on Mac. You May Like : Record Netflix Shows on Mac. Screen recording is one way to download Netflix shows on Mac, which requires a screen recorder program. FonePaw Screen Recorder. (opens new window) for Mac can come handy at downloading Netflix episodes and movies on Mac. The FonePaw recorder can capture any videos and games on Mac as well as using the webcam to record your face and voice. This guide will show you the steps to record Netflix on Mac, and it's incredibly easy to use. Step 1 Download and install FonePaw Screen Recorder program on Mac.
    [Show full text]
  • Android App for Free Music Downloads Top 10 Free Music Download Apps for Android to Download Free Music
    android app for free music downloads Top 10 Free Music Download Apps for Android to Download Free Music. Along with the rapid development of internet and Smartphone, you can handily enjoy your favorite music on mobile devices at any time, rather than listen to music with your old CD or MP3 player. Just a music app on your phone, can totally replace all your music devices. However, nowadays, you may easily find out that lots of free music download apps for Android no longer enable you to download songs free. No matter how deep you love music, you won't pay money for every song you like and downloaded. Because you like all kinds of music types, you fancy too many singers. So many times, free music download apps for Android can be the biggest saviors for you. In this article, we will show you 10 great Android apps for you to free stream and download mp3 songs. Let's look at the top free music apps for Android to download free music. 1. Gaana Music - One-stop solution music download app for Android. Gaana is an excellent free music downloading app on Android for you to download music for free. It provides you with free and unlimited access to all your favorite songs, no matter where you are. Based on the India's largest online music broadcasting service, Gaana can be the one-stop solution for all your music needs. Gaana carries huge collection of Bollywood movie songs. So if you like listening to Hindi music, it can be your best choice to free download MP3 songs.
    [Show full text]
  • Signal Processing Methods for Beat Tracking, Music Segmentation, and Audio Retrieval
    Signal Processing Methods for Beat Tracking, Music Segmentation, and Audio Retrieval Peter M. Grosche Max-Planck-Institut f¨ur Informatik Saarbr¨ucken, Germany Dissertation zur Erlangung des Grades Doktor der Ingenieurwissenschaften (Dr.-Ing.) der Naturwissenschaftlich-Technischen Fakult¨at I der Universit¨at des Saarlandes Betreuender Hochschullehrer / Supervisor: Prof. Dr. Meinard M¨uller Universit¨at des Saarlandes und MPI Informatik Campus E1.4, 66123 Saarbr¨ucken Gutachter / Reviewers: Prof. Dr. Meinard M¨uller Universit¨at des Saarlandes und MPI Informatik Campus E1.4, 66123 Saarbr¨ucken Prof. Dr. Hans-Peter Seidel MPI Informatik Campus E1.4, 66123 Saarbr¨ucken Dekan / Dean: Univ.-Prof. Mark Groves Universit¨at des Saarlandes, Saarbr¨ucken Eingereicht am / Thesis submitted: 22. Mai 2012 / May 22nd, 2012 Datum des Kolloquiums / Date of Defense: xx. xxxxxx 2012 / xxxxxx xx, 2012 Peter Matthias Grosche MPI Informatik Campus E1.4 66123 Saarbr¨ucken Germany [email protected] iii Eidesstattliche Versicherung Hiermit versichere ich an Eides statt, dass ich die vorliegende Arbeit selbstst¨andig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus anderen Quellen oder indirekt ubernommenen¨ Daten und Konzepte sind unter Angabe der Quelle gekennzeichnet. Die Arbeit wurde bisher weder im In- noch im Ausland in gleicher oder ¨ahnlicher Form in einem Verfahren zur Erlangung eines akademischen Grades vorgelegt. Saarbrucken,¨ 22. Mai 2012 Peter M. Grosche iv Acknowledgements This work was supported by the DFG Cluster of Excellence on “Multimodal Comput- ing and Interaction” at Saarland University and the Max-Planck-Institut Informatik in Saarbr¨ucken. I thank Prof. Dr. Meinard M¨uller for the opportunity to do challenging research in such an exciting field and Prof.
    [Show full text]
  • 2015: What's Next?
    ISSUE 357 | 07 JANUARY 2015 Contents thereport 05 Beyond music: The Interview 06 Pinboard: Stats, deals, startups and more 2015: what’s next? 08 Country profile: Ireland The trends that will define digital music over the next 12 months 2 ISSUE 357 07.01.15 COVER FEATURE BEATS FINALLY MAKES GLOBAL WAVES Apple’s proper move into streaming music didn’t come with the launch of iTunes Radio – or even with its $3bn acquisition of Beats. It’s the upcoming relaunch of Beats Music that will really show us Apple’s ambitions to dominate the transition from downloads to streams. Veteran Apple watchers will have been smiling at the strategic leaks in recent months of the company’s plans – from its desire to lower the price of a monthly streaming subscription to as little as $5 to its negotiations with artists for exclusive deals on big albums. Apple has the clout to trigger a streaming- music price war as well as a wallet-laden battle for exclusives – it comfortably has the biggest wallet, obviously – as well as the What’s next? device footprint to push a free trial of Beats to hundreds of millions of phones, tablets and Happy New Year and all that, but will 2015 be joyful for the music computers worldwide. Beats Music reportedly The trends industry? It’s shaping up as a crucial period for many reasons ended 2014 with 300k subscribers; place your bets now on what multiple of that it’ll have by that will – from identifying the long-term winners in the streaming market the end of 2015.
    [Show full text]
  • Iphone Productivity Tips
    IPHONE PRODUCTIVITY TIPS Useful lifehacks by ABBYY Mobile The functionality of today’s smartphones is awesome, and sometimes we just can’t comprehend it all. In this book, we have collected the most useful tips that will help you to know your iPhone and level up your productivity. Smartphones are not only about solving everyday and business routine but also allow to reduce paper usage. ABBYY Mobile has been providing paperless technologies for 10 years. To know more about productive data capturing from documents and business cards, check the second part of this ebook. ABBYY Mobile Blog: mobileblog.abbyy.com Learn more about ABBYY Mobile Apps: abbyy.com/mobile © 2019, ABBYY Mobile Blog. ABBYY is either registered trademark or trademark of ABBYY Software Ltd. All other trademarks are the sole property of their respective owners. Permission is hereby granted, free of charge, to any person obtaining a copy of this e-book, to use, copy and distribute this e-book, subject to the following conditions: The above copyright notice, this permission notice and the following disclaimer shall be included in all copies or substantial portions of the e-book and/or materials provided along with it. The information provided in e-book is for educational and informational purposes only. Any references to third-party products, services, processes, links to third-party web sites mentioned in e-book are provided only for your convenience and for information purposes only. Reference herein to any products, services, processes, links to third-party web sites or other information of third parties or to any trade name, trademark, manufacturer, supplier, etc.
    [Show full text]
  • Quote Surfing in Music and Movies with an Emotional Flavor
    Quote Surfing in Music and Movies with an Emotional Flavor Vasco Serra and Teresa Chambel LASIGE, Faculdade de Ciências, Universidade de Lisboa, Portugal [email protected], [email protected] Keywords: Songs, Lyrics, Movies, Quotes, Time, Memory, Emotions, Explore, Compare, Interactive Media Access, Synchronicity and Serendipity. Abstract: We all go through the situation where we listen to a movie or a song lyrics quote and without giving it much thought, immediately know where it comes from, like an instant and often emotional memory. It is also very common to be in the opposite scenario where we try hard to remember where we know these words from, want to discover, and also find it interesting to see them quoted in different contexts. These situations remind us of the importance of quotes in movies and music, that sometimes get more popular than the movie or song they belong to. In fact, quotes, music and movies are among the contents that we most treasure, for their emotional impact and the power to entertain and inspire us. In this paper, we present the motivation and the interactive support for quotes in As Music Goes By, giving users a chance of searching and surfing quotes in music and movies. Users can find, explore and compare related contents, and access quotes in a contextualized way in the movies or song lyrics where they appear. The preliminary user evaluation results, focusing on perceived usefulness, usability and user experience, were very encouraging, proving the concept, informing refinements and new developments, already being addressed. Users valued most the search, navigation, contextualization and emotional flavor: to be able to access and compare quotes in movies and in lyrics, to navigate across movies and songs, the emotional dimension and representation also for quotes.
    [Show full text]
  • Ipod & Itunes for Dummies, 10Th Edition
    Index selecting with column browser, 136 • Special Characters shuffl ing songs, 216 and Numerics • starting playlist with, 184 viewing contents, 95 – (minus) button, iPod shuffl e, 58 Albums column, iTunes, 97, 169, 242 .?123 key, 47–48 Albums icon, iPod touch, 210 + (plus) button, iPod shuffl e, 58 Albums menu, iPod classic, 211 3D button, Maps app, 293–294 Albums screen, Photos app, 246 24-Hour Time option, iPod touch, 60 Albums tab, iTunes, 94–95 32GB iPod touch, 12 alerts 64GB iPod touch, 12 Calendar app, 311–313 Find My iPod touch feature, iCloud service, 157 • A • iPod classic alarm, 68 Messages app, 321 AAC fi le format, 104, 195 All Episodes setting, Podcast Settings dialog ABC key, 47–48 box, 119 ABC Player, 232 All Photos, Albums, Events, and Faces option, AC power adapter, 19, 334 iTunes, 242 accent marks, 48 Allow Calls From option, iPod touch, 84–85 accessories, 14–15 alphabetical keyboard layout, 47–48 adapters, 16–17, 19, 334 Always Check for Available Downloads Add Account button, iPod touch, 158 preference, iTunes, 120 Add Alarm screen, iPod touch, 66–67 Angry Birds app, 352 Add Bookmark screen, Safari app, 265 AOL Add iTunes Shortcut to My Desktop option, Instant Messenger app, 323 iTunes installer, 24–25 setting up account on iPod touch, 158 Add Location option, Photos app, 326 App Store Add To option, iTunes, 179, 183 browsing and downloading apps, 124–125 Add to Up Next option, iTunes, 178 general discussion, 121–122 AIFF fi le format, 104, 194–195 on iPod touch, 123 Airplane Mode, 22, 41 updating apps, 125–126 AirPlay,
    [Show full text]
  • Predicting Song Genre from Song Lyrics Using Deep Learning
    Can You Hear Me Now? Predicting song genre from song lyrics using deep learning by Nick DeMasi An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2019 Professor Marti G. Subrahmanyam Professor Panos Ipeirotis Faculty Adviser Thesis Adviser Abstract This paper seeks to evaluate the performance of traditional machine learning classification algorithms (Naïve Bayes, Random Forest, and multiclass logistic regression) against that of deep learning algorithms (a simple single layer ANN) with respect to the task of automatic multiclass genre classification. Feature sets were derived from lyric data sourced from the musiXmatch.com dataset (one of the ancillary datasets attached to the well-known Million Song Dataset) and consisted of various statistical representations of said data such as aggregated metrics, tf-idf calculations, and word vectors. The best performing model proved to be an ANN trained on tf- idf features which achieved accuracy of approximately 41.6%. We note however that this accuracy was indeed not as high as certain blended models (models which were train using both audio and lyric features) already found in the literature. As a result, we recommend that companies wishing to implement this technology (whether it be for the purpose of advertising as outlined here, or something else entirely) employ a blended model and that researchers interested the topic of automatic genre classification explore the possibility of applying deep learning to a blended feature set. 1. Introduction A quick Google search for “music genre classification” brings up a near endless stream of results linking to various research papers, informative blog posts, and GitHub repos addressing the topic.
    [Show full text]