Local Politics: Bringing the State to the Village
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Surrealist Painting in Yogyakarta Martinus Dwi Marianto University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 Surrealist painting in Yogyakarta Martinus Dwi Marianto University of Wollongong Recommended Citation Marianto, Martinus Dwi, Surrealist painting in Yogyakarta, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1995. http://ro.uow.edu.au/theses/1757 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] SURREALIST PAINTING IN YOGYAKARTA A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by MARTINUS DWI MARIANTO B.F.A (STSRI 'ASRT, Yogyakarta) M.F.A. (Rhode Island School of Design, USA) FACULTY OF CREATIVE ARTS 1995 CERTIFICATION I certify that this work has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Martinus Dwi Marianto July 1995 ABSTRACT Surrealist painting flourished in Yogyakarta around the middle of the 1980s to early 1990s. It became popular amongst art students in Yogyakarta, and formed a significant style of painting which generally is characterised by the use of casual juxtapositions of disparate ideas and subjects resulting in absurd, startling, and sometimes disturbing images. In this thesis, Yogyakartan Surrealism is seen as the expression in painting of various social, cultural, and economic developments taking place rapidly and simultaneously in Yogyakarta's urban landscape. -
Bentuk Pertunjukan Grup Musik Rebana Modern Al-Badriyyah Di Desa Gandrirojo Kecamatan Sedan Kabupaten Rembang
BENTUK PERTUNJUKAN GRUP MUSIK REBANA MODERN AL-BADRIYYAH DI DESA GANDRIROJO KECAMATAN SEDAN KABUPATEN REMBANG SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar sarjana pendidikan jurusan Pendidikan Seni Drama, Tari dan Musik oleh Facryzall Fahrur 2503405034 JURUSAN PENDIDIKAN SENI DRAMA, TARI, DAN MUSIK FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI SEMARANG 2011 Halaman pengesahan Skripsi ini telah dipertahankan dihadapan Sidang Panitia Ujian Skripsi FBS UNNES Pada : Hari : Senin Tanggal : 12 September 2011 Panitia Ujian Skripsi Ketua Sekretaris Prof. Dr. Agus nuryatin, M.Hum. Joko Wiyoso, S.Kar, M.Hum NIP. 196008031989011001 NIP. 196210041988031002 Penguji I Drs. Syahrul Syah Sinaga, M.Hum NIP. 196408041991021001 Pembimbing II/Penguji II Pembimbing I/Penguji III Drs. Bagus Susetyo, M.Hum Drs. Moh. Muttaqin, M.Hum NIP. 196209101990111001 NIP. 196504251992031001 ii PERSETUJUAN PEMBIMBING Sekripsi ini telah disetujui oleh Dosen pembimbing dan akan diajukan ke sidang panitia ujian skripsi. Jurusan Sendratasik FBS Unnes. Semarang, Dosen Pembimbing I Dosen Pembimbing II Drs. Moh. Muttaqin, M.Hum. Drs. Bagus Susetyo, M.Hum. NIP. 196504251992031001 NIP. 196209101990111001 Ketua Jurusan PSDTM Drs. Syahrul Syah Sinaga, M.Hum. NIP. 196408041991021001 iii PERNYATAAN Dengan ini saya : Nama : Facryzall Fahrur NIM : 2503405034 Jurusan : Pendidikan Seni, Drama, Tari, dan Musik Fakultas : Bahasa dan Seni Menyatakan bahwa skripsi yang berjudul “BENTUK PERTUNJUKAN GRUP MUSIK REBANA MODERN AL-BADRIYYAH DI DESA GANDRIROJO KECAMATAN SEDAN KABUPATEN REMBANG” yang saya tulis dalam rangka menyelesaikan salah satu syarat untuk memperoleh gelar sarjana ini benar-benar karya saya sendiri, yang saya selesaikan melalui proses penelitian, bimbingan, diskusi dan pemaparan ujian. Semua kutipan, baik yang langsung maupun yang tidak langsung, baik yang diperoleh dari sumber perpustakaan, wahana elektronik, wawancara langsung maupun sumber lainnya, telah disertai keterangan mengenai identitas nara sumbernya dengan cara sebagai mana yang lazim dalam penulisan karya ilmiah. -
Art Identity and Reality
Dinas Kebudayaan dan Pariwisata Provinsi Jawa Timur BKS-PTSI UPT. Pemberdayaan Lembaga Seni Wilwatikta PROCEEDING THE 1st INTERNATIONAL SEMINAR BY ASSOCIATION OF INDONESIA ART INSTITUTES 2018 July 7”, 2018 Art Identity and Reality INSTITUT SENI BUDAYA INDONESIA ISBI TANAH PAPUA INSTITUT SENI BUDAYA INDONESIA ACEH PROCEEDING THE 1st INTERNATIONAL SEMINAR BY ASSOCIATION OF INDONESIA ART INSTITUTES 2018 July 7”, 2018 SENI, IDENTITAS, & REALITAS Koko Hari Pramono and Bramantijo - STKW Surabaya M Dwi Marianto. - ISI Yogyakarta Sarwanto and Sri Rochana W - ISI Surakarta I Nyoman Sedana - ISI Denpasar F Yulika and S F Dewi - ISI Padangpanjang Lusy Esterina - Institut Kesenian Jakarta Benny Yohanes Timmerman - ISBI Bandung I Wayan Rai S. - ISBI Tanah Papua Mirza Irwansyah - ISBI Aceh WILWATIKTA PRESS STKW Surabaya I ART, IDENTITY, & REALITY PROCEEDING INTERNATIONAL SEMINAR Dr. Hedi Hinsler -Univ. Leiden Ned.herland Prof. Dr. David Harnish, M.A. - Univ. of California Sandiego-USA Mayco A Santaella, Ph.D. -Univ. Sunway-Malaysia Koko Hari Pramono and Bramantijo - STKW Surabaya M Dwi Marianto - ISI Yogyakarta Sarwanto and Sri Rochana W - ISI Surakarta I Nyoman Sedana - ISI Denpasar FYulika and S F Dewi - ISI Padang panjang Lusy Esterina - Institut Kesenian Jakarta Benny Yohanes Timmerman - ISBI Bandung I Wayan Rai S. - ISBI Tanah Papua Mirza Irwansyah - ISBI Aceh Editor : Sal Murgianto Bramantijo Dewi Yulianti Reviewer : I Wayan Dibia Santoso Cover Design : Agus Priyanto Layout : Novy Rosandy Publisher : Wilwatikta Press Redaction: Jl. Klampis Anom II (Perumahan Wisma Mukti) Sukolilo - Surabaya 60117 Telp/Fax : (031) 5949945 Email : [email protected] Website : stkw-surabaya.ac.id ISBN : 978-602-52652-2-8 Cetakan Pertama, Juli 2018 Hak cipta dilindungi undang-undang Dilarang memperbanyak karya tulis ini dalam bentuk dan dengan cara apapun, tanpa ijin tertulis dari penerbit. -
Policy Implementation of the Elimination on Child Labor: Could Indonesia Be Achieve of Free Child Labor in 2022?
WSEAS TRANSACTIONS on ENVIRONMENT and DEVELOPMENT Gunarto, Hardi Warsono, DOI: 10.37394/232015.2021.17.40 Kismartini, Retno Sunu Astuti Policy Implementation of the Elimination on Child Labor: Could Indonesia Be Achieve of Free Child Labor in 2022? GUNARTO, HARDI WARSONO, KISMARTINI, RETNO SUNU ASTUTI Diponegoro University, Semarang, Indonesia Jl. Prof. Sudarto, Tembalang, Semarang, Central Java 50275 INDONESIA Abstract: - Currently it’s estimated that more than 152 million people are child laborers, around 10 percent of children worldwide. Most (71 percent) work in the agricultural sector. As many as 69 percent do unpaid work because they work in their own homes and nearly half (73 million people) work in jobs that endanger their health, safety and moral development. The objective of the paper is exploring the factors why a child of a child must work, policies in control the growth rate of child labor and finally in eliminating child labor in Indonesia. This study found the issue of child labor which involves many parties becomes a challenge for the parties to work together effectively to harmonize laws and regulations and law enforcement, expand and increase access to compulsory education and training, social protection and make effective policies to support an active labor market, and to create decent and productive jobs for adults. Moreover, coordination and synchronization between related parties in forms of social workers, government, community and stakeholders are needed. Keywords: - child labor, design implementation, national policy Received: January 31, 2021. Revised: April 19, 2021. Accepted: April 21, 2021. Published: April 27, 2021. 1 Introduction Law Number 39 of 1999 concerning Human Rights, Currently in the world based on ILO reports it is article 64 states that: “Every child has the right to estimated that more than 152 million people or about obtain protection from economic exploitation 10 percent of the total age of the population of 10-17 activities and any work that endangers him so that it are included in the category of child labor. -
Concept of Sound in Tifa As Papua's Contextual Learning Media
Advances in Social Science, Education and Humanities Research, volume 394 3rd International Conference on Innovative Research Across Disciplines (ICIRAD 2019) Concept of Sound in Tifa as Papua’s Contextual Learning Media Supriyadi1, I. D. Palittin2, Desy Kumala Sari3 Dept. of Physics Education Universitas Musamus Merauke, Indonesia [email protected] [email protected] [email protected] Abstract- This study aimed to determine the use of Tifa hitting a surface or a string by using hands, fingers, or sticks music instruments in sound concepts as a contextual science and other support media. Some musical instruments that are learning media. The focus of this research is the use of Tifa classified as percussion instruments are gamelan, arumba, music instruments which are often used in traditional kendang, kolintang, tifa, talempong, rebana, bedug, jimbe ceremonies by the Malind tribe in Sota District, Merauke and many others [3]. Regency. The research method was descriptive qualitative, where the data collection techniques applied are observation, The development of technology today is the impact of the literature study and in-depth interviews. There were three development of science. Because technology is inevitable, it respondents that researchers interviewed. They were the requires people to be involved if they do not want to be left indigenous societies of Malind tribe. Research data are then behind by development. That is how the interaction between represented and interpreted into sound concepts. This research concluded that there are sound concepts in Tifa musical science and technology and society became one important instruments that can be implemented in science learning. dimension [4]. This is in accordance with the concept of STEM (Science, Technology, Engineering and Mathematics), Keywords—sound; Tifa; learning media. -
Indo 13 0 1107127212 183
DIVISIONS AND POWER IN THE INDONESIAN NATIONAL PARTY, 1965-1966* Angus McIntyre The principal division which split the PNI into two sharply opposed factions in 1965-1966 had its origins as far back as 1957, when the PKI made spectacular advances in large part at PNI expense in the 1957 regional elections in Java and South Sumatra. In Central Java, where the PKI supplanted the PNI as the region's strongest party (based on the 1955 general elections results) , the PNI reaction at the time was most outspoken. Hadisubeno, the regional party chairman, blamed the party's poor showing on its past association with the PKI1 and accordingly urged the party's central executive council to re view this relationship. He suggested that the party consider forming an alliance with the Masjumi (the modernist Islamic party) and the Nahdatul Ulama (NU, the traditional Islamic party).2 A conference of the Central Java PNI passed a resolution forbidding cooperation with the PKI.3 These acts were interpreted by many as a slap at President Sukarno,** who had made it increasingly clear in the preceding months that to oppose the PKI was to oppose him as well; however, the party's central leadership, no less hostile to the PKI, was unwilling to risk such an interpretation and thereby further impair its relations with Sukarno. Indeed, only a few months before, Sukarno had indicated strong displeasure with the PNI in his address to the party on the occasion of its thirtieth anniversary celebrations. He implied that PNI members had lost their commitment to the goal of a socialist or marhaenist5 society, the realization of which had been his very reason * The writer would like to express his gratitude to the Jajasan Siswa Lokantara Indonesia for providing him with the opportunity to con- duct research in Indonesia in 1966 and 1967 and to the Myer Founda tion for giving him financial assistance in 1967. -
Menapaki Jalan Konstitusional Menuju Zaken Cabinet : Ikhtiar Mewujudkan Pemerinta H Berkualitas Konstitusi
Jurnal Hukum P-ISSN : 2615-3416 Samudra Keadilan E-ISSN : 2615-7845 Volume 15, Nomor 1, Januari-Juni 2020 MENAPAKI JALAN KONSTITUSIONAL MENUJU ZAKEN CABINET : IKHTIAR MEWUJUDKAN PEMERINTA H BERKUALITAS KONSTITUSI Novendri M. Nggilu, Fence M. Wantu Hukum Tata Negara, Fakultas HukumUniversitas Negeri Gorontalo Jl. Jendral Sudirman No. 6 Kota Gorontalo, 96271 [email protected], [email protected] Abstract, The long path of constitutional to find the government format has led to the point of choice of the presidential system with a multi-party system that is confronted with the political reality of the coalition in carrying and winning the presidential candidate. The success of an elected president in carrying out his constitutional duties going forward, one of which will be determined from the success of the president in choosing his ministers, a president who is not strong and brave, will be very vulnerable to being controlled by the support party in the coalition frame, including in terms of appointing the minister, so that it will reduce the president's prerogative rights. The purpose of this paper is to decipher the ideal cabinet fulfillment concept in order to realize a constitutional quality government. The approach used the historical and statute approach with prescriptive analysis techniques. As a result, in legally, the provisions regarding the requirements for appointment of ministers by the president still have an empty space related to the requirements for qualifications, competencies or expertise of a person in the appointment as minister. This condition is not rare causes the appointment of ministers more based on the share of "gift-vouchers" by the president to political parties as an act of returning the favor to the sweat of the party that poured during his election as president. -
Empowering the Presidency: Interests and Perceptions in Indonesia’S Constitutional Reforms, 1999-2002
EMPOWERING THE PRESIDENCY: INTERESTS AND PERCEPTIONS IN INDONESIA’S CONSTITUTIONAL REFORMS, 1999-2002 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Blair Andrew King, B.A., M.A. * * * * * The Ohio State University 2004 Dissertation Committee: Approved by Professor R. William Liddle, Adviser Professor Richard Gunther ____________________________ Adviser Professor Timothy Frye Political Science Graduate Program ABSTRACT The choice of political institutions is a critical aspect of a democratic transition. Significant amendments to the 1945 Constitution have transformed it into a more democratic framework with extensive separation of powers and checks and balances. Despite the introduction of the “difficult combination” of pure presidentialism and multipartism to Indonesia, consensual patterns of elite behavior should contribute to the further consolidation of democracy. This study examines the impact of the first four amendments on executive- legislative relations and presidential power. The use of the 1945 Constitution by two authoritarian regimes for four decades gave rise to the perception that it inevitably created a dominant presidency. Thus Indonesian political elites set out in 1999 to curtail presidential power. Paradoxically, by the end of the process three years later they created a comparatively very powerful president, primarily due to the introduction of direct election and the narrowing of the grounds for impeachment. In addition, although the president’s residual powers have been restricted, only slight reductions were made in her specific powers. This study utilizes concepts from political economy and political psychology to analyze the struggle between two broad camps in the constituent assembly (MPR): conservatives, led by Megawati Soekarnoputri and her Indonesian Democracy ii Party-Struggle (PDI-P) and progressives from most of the other major political parties. -
Research Study
*. APPROVED FOR RELEASE DATE:.( mY 2007 I, Research Study liWOlVEXZ4-1965 neCoup That Batkfired December 1968- i i ! This publication is prepared for tbe w of US. Cavernmeat officials. The formaf coverage urd contents of tbe puti+tim are designed to meet the specific requirements of those u~n.US. Covernment offids may obtain additional copies of this document directly or through liaison hl from the Cend InteIIigencx Agency. Non-US. Government usem myobtain this dong with rimikr CIA publications on a subscription bask by addressing inquiries to: Document Expediting (DOCEX) bject Exchange and Gift Division Library of Con- Washington, D.C ZOSaO Non-US. Gowrrrmmt users not interested in the DOCEX Project subscription service may purchase xeproductio~~of rpecific publications on nn individual hasis from: Photoduplication Servia Libmy of Congress W~hington,D.C. 20540 f ? INDONESIA - 1965 The Coup That Backfired December 1968 BURY& LAOS TMAILANO CAYBODIA SOUTU VICINAY PHILIPPIIEL b. .- .r4.n MALAYSIA INDONESIA . .. .. 4. , 1. AUSTRALIA JAVA Foreword What is commonly referred to as the Indonesian coup is more properly called "The 30 September Movement," the name the conspirators themselves gave their movement. In this paper, the term "Indonesian coup" is used inter- changeably with "The 30 September Movement ," mainly for the sake of variety. It is technically correct to refer to the events in lndonesia as a "coup" in the literal sense of the word, meaning "a sudden, forceful stroke in politics." To the extent that the word has been accepted in common usage to mean "the sudden and forcible overthrow - of the government ," however, it may be misleading. -
Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and The
Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and the Symbolic Ecology of the Gambus Lute Joseph M. Kinzer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Christina Sunardi, Chair Patricia Campbell Laurie Sears Philip Schuyler Meilu Ho Program Authorized to Offer Degree: Music ii ©Copyright 2017 Joseph M. Kinzer iii University of Washington Abstract Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and the Symbolic Ecology of the Gambus Lute Joseph M. Kinzer Chair of the Supervisory Committee: Dr. Christina Sunardi Music In this dissertation, I show how Malay-identified performing arts are used to fold in Malay Muslim identity into the urban milieu, not as an alternative to Kuala Lumpur’s contemporary cultural trajectory, but as an integrated part of it. I found this identity negotiation occurring through secular performance traditions of a particular instrument known as the gambus (lute), an Arabic instrument with strong ties to Malay history and trade. During my fieldwork, I discovered that the gambus in Malaysia is a potent symbol through which Malay Muslim identity is negotiated based on various local and transnational conceptions of Islamic modernity. My dissertation explores the material and virtual pathways that converge a number of historical, geographic, and socio-political sites—including the National Museum and the National Conservatory for the Arts, iv Culture, and Heritage—in my experiences studying the gambus and the wider transmission of muzik Melayu (Malay music) in urban Malaysia. I argue that the gambus complicates articulations of Malay identity through multiple agentic forces, including people (musicians, teachers, etc.), the gambus itself (its materials and iconicity), various governmental and non-governmental institutions, and wider oral, aural, and material transmission processes. -
The Partai Nasional Indonesia, 1963
THE PARTAI NASIONAL INDONESIA 1963-1965 J. Eliseo Rocamora Reputations once acquired are hard to shed. The stereotype of the Partai Nasional Indonesia (PNI) as an opportunist, conservative party composed of Javanese prijaji elements remains despite basic changes which occurred within the party in the later years of Guided Democracy. Tljis undifferentiated image of the PNI arose in the early 1950's and, for that time, it represented a fairly accurate, though limited, description. As the party began to change under the impetus of Guided Democracy politics and the push of internal party dynamics, Indonesian and foreign observers either disregarded the party alto gether or tended to seek explanations for these changes in outside factors." Thus, the PNI's "turn to the left," in the 1963 to 1965 period, was termed variously as: an opportunistic response to the increasingly leftist politics of Guided Democracy; the result of strong pressure from President Sukarno; or the work of PKI (Communist Party) infiltration of the party leadership. The fact that Djakarta's political cognoscenti-- journalists and intellectuals--continue to espouse and disseminate this interpreta tion reflects biases born of their own political attitudes and in volvement. A similarly-limited view of the PNI in Western academic literature is in part the result of the paucity of work on the Guided Democracy period and in part a consequence of an excessive concentra tion on a few actors at the center. The generally-accepted framework for analyzing Guided Democracy politics1--a three-sided triangle made up of Sukarno, the Army and the PKI--only explains certain facets of Indonesian politics, that is, the major battles for ideological and institutional predominance. -
The Music of Malaysia the Classical, Folk and Syncretic Traditions 2Nd Edition Pdf, Epub, Ebook
THE MUSIC OF MALAYSIA THE CLASSICAL, FOLK AND SYNCRETIC TRADITIONS 2ND EDITION PDF, EPUB, EBOOK Patricia Matusky | 9781472465047 | | | | | The Music of Malaysia The Classical, Folk and Syncretic Traditions 2nd edition PDF Book The dondang sayang songs of affection genre is sung by two or more singers in pantun. Other instruments include the xylophone jatung utang , bamboo flutes suling , seruling , kesuling , ensuling , and nabat , and sets of bamboo tubes called togunggak which were formerly played in headhunting ceremonies of the Murut. Prior to this, he was in a band called Kemoening, and played Malay pop hits and 80s English hits. Communities Involved Traditional Malay music is enjoyed by the Malay community and the wider community in Singapore. Categories : Malaysian music. Write For Us! This website works best with modern browsers such as the latest versions of Chrome, Firefox, Safari, and Edge. New Holland Publishers. In the s, P. However, the performance is delivered in a highly improvised manner through the cengkok melismatic notes and subsequently the grenek the ornamented style. The ronggeng , inang and joget are genres of music that traditionally accompany a social dance and the singing of pantun. Do you have something to contribute to our inventory of intangible cultural heritage? Religious Most Beautiful Temples in Malaysia. This will be followed by a few major and subsequently some minor compositions. Main article: Malaysian contemporary music. In Singapore, traditional Malay musical ensembles perform at various platforms such as community events, weddings and festivals, as well as in concert halls. Ma Zubir Said b. Gateway to Malay culture. The common instruments associated with it are the ukulele and string guitar, seruling bamboo flute or the Western flute, banjo or bass banjo, cello or violin, western double bass, rebana ubi , and the accordion.